The Skin I Live In (15)
(Pedro Almodóvar, 2011, Spa) Antonio Banderas, Elena Anaya, Jan Cornet, Marisa Paredes. 120 mins.
Almodóvar's silky skills and supreme confidence tempt respectable audiences into an elegantly twisted tale of surgical obsession that few others could pull off. It's best not to spell things out too much about this; suffice to say Banderas's project to create a new form of skin, with Anaya his captive guinea pig, doesn't go where you'd expect.
As usual, there's a lot going on beneath the surface.
One Day (12A)
(Lone Scherfig, 2011, Us) Anne Hathaway, Jim Sturgess, Rafe Spall. 108 mins.
Fans might not have had Hathaway's migratory trans-Pennine accent in mind when they fell in love with David Nicholls's calendar-crossing odd-couple romance on paper, and the equally wayward period details detract even further. A pity, given the promising material, but Grazia readers will lap it up just the same.
Conan The Barbarian (15)
(Marcus Nispel,...
(Pedro Almodóvar, 2011, Spa) Antonio Banderas, Elena Anaya, Jan Cornet, Marisa Paredes. 120 mins.
Almodóvar's silky skills and supreme confidence tempt respectable audiences into an elegantly twisted tale of surgical obsession that few others could pull off. It's best not to spell things out too much about this; suffice to say Banderas's project to create a new form of skin, with Anaya his captive guinea pig, doesn't go where you'd expect.
As usual, there's a lot going on beneath the surface.
One Day (12A)
(Lone Scherfig, 2011, Us) Anne Hathaway, Jim Sturgess, Rafe Spall. 108 mins.
Fans might not have had Hathaway's migratory trans-Pennine accent in mind when they fell in love with David Nicholls's calendar-crossing odd-couple romance on paper, and the equally wayward period details detract even further. A pity, given the promising material, but Grazia readers will lap it up just the same.
Conan The Barbarian (15)
(Marcus Nispel,...
- 8/26/2011
- by Steve Rose
- The Guardian - Film News
Shane O'Sullivan's new film revisits the story of Germany's infamous terror group, but brings in the Japanese Red Army to offer a fresh comparison and insight into the terrorist psyche
Some chapters are never closed. Take the Baader-Meinhof gang. Roughly speaking, the story of Germany's infamous left-wing terror group began with the shooting of a young activist by the Berlin police in 1967, and ended 10 years later with the deaths of its remaining leaders in Stuttgart's Stammheim prison. But interest in the events that took place between never dims, news stories continue to throw new light on them, and invitations to return to the era are legion – an unsettling "walking art" project called Eamon and Ulrike Compliant currently lets you assume the identity of the group's intellectual figurehead, Ulrike Meinhof, both at large and under interrogation.
And then there are the films. Even before Stammheim, German cinema was wrestling with...
Some chapters are never closed. Take the Baader-Meinhof gang. Roughly speaking, the story of Germany's infamous left-wing terror group began with the shooting of a young activist by the Berlin police in 1967, and ended 10 years later with the deaths of its remaining leaders in Stuttgart's Stammheim prison. But interest in the events that took place between never dims, news stories continue to throw new light on them, and invitations to return to the era are legion – an unsettling "walking art" project called Eamon and Ulrike Compliant currently lets you assume the identity of the group's intellectual figurehead, Ulrike Meinhof, both at large and under interrogation.
And then there are the films. Even before Stammheim, German cinema was wrestling with...
- 8/26/2011
- by Danny Leigh
- The Guardian - Film News
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