Palomar, the Italian TV and film production company behind “Inspector Montalbano” and “The Name of The Rose,” is launching a unit dedicated to documentaries to be headed by Andrea Romeo, founder and chief of Italy’s Biografilm Festival.
Palomar Doc, which will become operational in March, will be developing and producing docs and doc series by Italian and European directors for theatrical and platform distribution with a special focus on tapping into new opportunities offered by streamers, the company said in a statement.
Romeo will be at the European Film Market in Berlin scouting for projects.
While Italy is quite active in terms of its overall docs output, the country has plenty of room for improvement when it comes to churning out high-profile docs that can travel such as Agostino Ferrente’s “Selfie” or Beniamino Barrese’s “The Disappearance of my Mother,” which Kino Lorber recently released in the U.
Palomar Doc, which will become operational in March, will be developing and producing docs and doc series by Italian and European directors for theatrical and platform distribution with a special focus on tapping into new opportunities offered by streamers, the company said in a statement.
Romeo will be at the European Film Market in Berlin scouting for projects.
While Italy is quite active in terms of its overall docs output, the country has plenty of room for improvement when it comes to churning out high-profile docs that can travel such as Agostino Ferrente’s “Selfie” or Beniamino Barrese’s “The Disappearance of my Mother,” which Kino Lorber recently released in the U.
- 2/12/2020
- by Nick Vivarelli
- Variety Film + TV
American Factory took top honors at the 13th annual Cinema Eye Honors recognizing the best in documentary filmmaking, tonight at the Museum of the Moving Image in New York.
A portrait of a once-closed Ohio factory bought by a Chinese billionaire, the Netflix release picked up awards for Outstanding Nonfiction Feature and Outstanding Direction for filmmakers Steven Bognar and Julia Reichert.
CNN Films and Statement Pictures release, Apollo 11, a look at the first humans to land on the moon and return to Earth, also won two awards — Outstanding Editing for director/editor Todd Douglas Miller and Original Score for composer Matt Morton.
Other winners included HBO’s Leaving Neverland, Netflix’s Homecoming: A Film by Beyoncé, and National Geographic’s The Cave.
In December, the State Department denied Syrian-born filmmaker Feras Fayyad, who helmed The Cave, a travel visa to enter the United States to support the film, as Deadline reported Saturday.
A portrait of a once-closed Ohio factory bought by a Chinese billionaire, the Netflix release picked up awards for Outstanding Nonfiction Feature and Outstanding Direction for filmmakers Steven Bognar and Julia Reichert.
CNN Films and Statement Pictures release, Apollo 11, a look at the first humans to land on the moon and return to Earth, also won two awards — Outstanding Editing for director/editor Todd Douglas Miller and Original Score for composer Matt Morton.
Other winners included HBO’s Leaving Neverland, Netflix’s Homecoming: A Film by Beyoncé, and National Geographic’s The Cave.
In December, the State Department denied Syrian-born filmmaker Feras Fayyad, who helmed The Cave, a travel visa to enter the United States to support the film, as Deadline reported Saturday.
- 1/7/2020
- by Anita Bennett
- Deadline Film + TV
“American Factory” won the top award at the Cinema Eye Honors for Nonfiction Filmmaking Monday night, and directors Steven Bognar and Julia Reichert were also honored for Outstanding Direction, for their documentary about a former General Motors plant that is given a second life by a Chinese manufacturer. The film was among several on the Oscars shortlist to win at the annual awards ceremony.
“American Factory,” which follows the changes that take place in a Dayton, Ohio suburb as a result of the factory’s change in ownership and examines the cultural clashes that come from a Chinese company opening up shop in the Us, has also won Critics’ Choice Documentary Awards for Best Political Documentary and Best Director, the Gotham Award for Best Documentary, and the International Documentary Association Award for Best Director.
It also won the Directing Award at Sundance, where it premieired before being acquired by Netflix...
“American Factory,” which follows the changes that take place in a Dayton, Ohio suburb as a result of the factory’s change in ownership and examines the cultural clashes that come from a Chinese company opening up shop in the Us, has also won Critics’ Choice Documentary Awards for Best Political Documentary and Best Director, the Gotham Award for Best Documentary, and the International Documentary Association Award for Best Director.
It also won the Directing Award at Sundance, where it premieired before being acquired by Netflix...
- 1/7/2020
- by Chris Lindahl
- Indiewire
“American Factory” has been named the best documentary of 2019 at the 13th annual Cinema Eye Honors ceremony, which were presented on Monday evening in New York City.
The film, executive produced by Barack and Michelle Obama’s production company, Higher Ground Productions, and distributed by Netflix, is an examination of an Ohio glass factory that was taken over by a Chinese company in an uneasy cultural alliance. It prevailed in a category in which all six nominees — “American Factory,” “Apollo 11,” “For Sama,” “Honeyland,” “Midnight Family” and “One Child Nation” — are also on the Oscars shortlist for documentary features.
The “American Factory” directors, Steven Bognar and Julia Reichert, also won the award for Outstanding Direction. The Outstanding Production category resulted in a tie between two films set in Syria, “The Cave” and “For Sama.”
Also Read: 'For Sama' Is Named Top Doc at Ida Documentary Awards
“Honeyland” won for cinematography,...
The film, executive produced by Barack and Michelle Obama’s production company, Higher Ground Productions, and distributed by Netflix, is an examination of an Ohio glass factory that was taken over by a Chinese company in an uneasy cultural alliance. It prevailed in a category in which all six nominees — “American Factory,” “Apollo 11,” “For Sama,” “Honeyland,” “Midnight Family” and “One Child Nation” — are also on the Oscars shortlist for documentary features.
The “American Factory” directors, Steven Bognar and Julia Reichert, also won the award for Outstanding Direction. The Outstanding Production category resulted in a tie between two films set in Syria, “The Cave” and “For Sama.”
Also Read: 'For Sama' Is Named Top Doc at Ida Documentary Awards
“Honeyland” won for cinematography,...
- 1/7/2020
- by Steve Pond
- The Wrap
Many documentaries suffer from a good-for-you coating, but the best ones have always been art in all its creativity, compassion and complexity, and 2019 was no exception. Whether personal or observed – straightforwardly told or formally experimental – the cream of this year’s bumper non-fiction crop dazzled with filmmaking brilliance.
Runners-Up: 2019 also floored me with the dance majesty of “Cunningham,” the gospel truth of “Amazing Grace,” the kids today of “Jawline,” the pointed jocularity of “Hail Satan?”, the nomadic poignance of “Midnight Traveler,” the testimonial heft of “Leaving Neverland,” the geopolitical smarts of “The Kingmaker,” the lush positivity of “The Biggest Little Farm,” the soulful breadth of “The Apollo,” and the patriotic power of “Knock Down the House.”
10. “The Island of Hungry Ghosts”
On Christmas Island, land crabs migrate under protection, while behind the walls of an Australian detention facility nearby, captured asylum seekers open up to a caring counselor. Gabrielle Brady...
Runners-Up: 2019 also floored me with the dance majesty of “Cunningham,” the gospel truth of “Amazing Grace,” the kids today of “Jawline,” the pointed jocularity of “Hail Satan?”, the nomadic poignance of “Midnight Traveler,” the testimonial heft of “Leaving Neverland,” the geopolitical smarts of “The Kingmaker,” the lush positivity of “The Biggest Little Farm,” the soulful breadth of “The Apollo,” and the patriotic power of “Knock Down the House.”
10. “The Island of Hungry Ghosts”
On Christmas Island, land crabs migrate under protection, while behind the walls of an Australian detention facility nearby, captured asylum seekers open up to a caring counselor. Gabrielle Brady...
- 12/10/2019
- by Robert Abele
- The Wrap
It’s the final month of the year and there’s no shortage of cinematic gifts. From long-awaited features from some of our favorite directors to genre-tinged delights to massive blockbusters, December is overflowing with films to see. We should note that Portrait of a Lady on Fire is an essential watch, but it’s only getting a one-week awards-qualifying run in NY/La, so we’ll wait to feature it when it opens wide this February. Check out our monthly picks below.
15. Little Joe (Jessica Hausner; Dec. 6)
After landing on our radar with the formally thrilling, adventurous Amour Fou, Jessica Hausner finally returned with Little Joe. Starring Emily Beecham, Ben Whishaw, and Kerry Fox, the Cannes winner is set in the near-future where a plant is invented that begins to psychologically alter those who come in contact with it. This plays out in the story of a mother who...
15. Little Joe (Jessica Hausner; Dec. 6)
After landing on our radar with the formally thrilling, adventurous Amour Fou, Jessica Hausner finally returned with Little Joe. Starring Emily Beecham, Ben Whishaw, and Kerry Fox, the Cannes winner is set in the near-future where a plant is invented that begins to psychologically alter those who come in contact with it. This plays out in the story of a mother who...
- 12/2/2019
- by Jordan Raup
- The Film Stage
Marco Bellocchio’s “The Traitor,” Roman Polanski’s “An Officer and a Spy” and Pedro Almodóvar’s “Pain and Glory” lead the race for the 32nd European Film Awards with four nominations apiece in the major categories. The awards, voted on by more than 3,600 members of the European Film Academy, will be presented at the awards ceremony on Dec. 7 in Berlin.
Céline Sciamma’s “Portrait of a Lady on Fire” and Yorgos Lanthimos’ “The Favourite” followed with three nominations in the top categories each, while Ladj Ly’s “Les Misérables” and Nora Fingscheidt’s “System Crasher” were both short-listed in two major categories.
“The Favourite” picked up an additional nomination in the comedy category, while “Les Misérables” received a further nomination in the Discovery section for newcomers.
A single nomination each went to “A White, White Day,” “And Then We Danced,” “Beanpole,” “Gundermann” and “Queen of Hearts.”
Competing for best documentary are “For Sama,...
Céline Sciamma’s “Portrait of a Lady on Fire” and Yorgos Lanthimos’ “The Favourite” followed with three nominations in the top categories each, while Ladj Ly’s “Les Misérables” and Nora Fingscheidt’s “System Crasher” were both short-listed in two major categories.
“The Favourite” picked up an additional nomination in the comedy category, while “Les Misérables” received a further nomination in the Discovery section for newcomers.
A single nomination each went to “A White, White Day,” “And Then We Danced,” “Beanpole,” “Gundermann” and “Queen of Hearts.”
Competing for best documentary are “For Sama,...
- 11/9/2019
- by Leo Barraclough and Jamie Lang
- Variety Film + TV
Yorgos Lanthimos’ The Favourite and Céline Sciamma’s Portrait Of A Lady On Fire are just behind with three nominations.
The Nominations for the 2019 European Film Academy Awards were revealed this afternoon at the Seville European Film Festival, with Pedro Almodovar’s Pain And Glory, Roman Polanski’s An Officer And A Spy and Marco Bellocchio’s The Traitor leading the way with four nominations each.
The trio are all up for best European film alongside Yorgos Lanthimos’ The Favourite, just behind with three nominations including best actress for Olivia Colman, and Ladj Ly’s Les Misérables, with two nominations.
The Nominations for the 2019 European Film Academy Awards were revealed this afternoon at the Seville European Film Festival, with Pedro Almodovar’s Pain And Glory, Roman Polanski’s An Officer And A Spy and Marco Bellocchio’s The Traitor leading the way with four nominations each.
The trio are all up for best European film alongside Yorgos Lanthimos’ The Favourite, just behind with three nominations including best actress for Olivia Colman, and Ladj Ly’s Les Misérables, with two nominations.
- 11/9/2019
- by 1101184¦Orlando Parfitt¦38¦
- ScreenDaily
The European Film Academy has unveiled its nominations for the 32nd European Film Awards with the ceremony to be held December 7 in Berlin. Among the titles to figure in the races, three are tied with four mentions each including Roman Polanski’s An Officer And A Spy, Pedro Almodovar’s Pain And Glory and Marco Bellocchio’s The Traitor. The latter two are also the Oscar representatives from their respective Spain and Italy and give Sony Pictures Classics a combined eight nods at the EFAs.
While Polanski remains a controversial figure, there has been a divide between U.S. and Euro perspectives in the #MeToo era. His Dreyfus Affair drama, An Officer And A Spy, which also has Efa nominations for Director, Actor and Screenwriter, was one of the most contested titles at the Venice Film Festival where it debuted earlier this year. It went on to win the Grand Jury Prize there.
While Polanski remains a controversial figure, there has been a divide between U.S. and Euro perspectives in the #MeToo era. His Dreyfus Affair drama, An Officer And A Spy, which also has Efa nominations for Director, Actor and Screenwriter, was one of the most contested titles at the Venice Film Festival where it debuted earlier this year. It went on to win the Grand Jury Prize there.
- 11/9/2019
- by Nancy Tartaglione
- Deadline Film + TV
Documentary group Cinema Eye on Thursday unveiled nominations for the 2020 Cinema Eye Honors, with Netflix’s American Factory and Neon’s Apollo 11 leading the way with five nominations each. Netflix tops all distributors with 17 noms, the most ever in a single year.
Winners will be revealed at a ceremony January 6 at the Museum of the Moving Image in Astoria, Queens.
American Factory, which counts Barack and Michelle Obama’s Higher Ground among its executive producers, and Todd Douglas Miller’s deep dive into the 1969 moon mission Apollo 11 were nominated in the marquee Outstanding Nonfiction Feature category. They are joined there by For Sama, the PBS/Frontline Syrian drama from Waad al-Kateab and Edward Watt; Neon’s Honeyland, the Sundance-winning Macedonian beekeeper tale from Ljubomir Stefanov and Tamara Kotevsk; 1901 Media’s Mexico City ambulance industry pic Midnight Family; and Amazon Studios’ Sundance U.S. Grand Jury Prize-winning One Child Nation.
Last year,...
Winners will be revealed at a ceremony January 6 at the Museum of the Moving Image in Astoria, Queens.
American Factory, which counts Barack and Michelle Obama’s Higher Ground among its executive producers, and Todd Douglas Miller’s deep dive into the 1969 moon mission Apollo 11 were nominated in the marquee Outstanding Nonfiction Feature category. They are joined there by For Sama, the PBS/Frontline Syrian drama from Waad al-Kateab and Edward Watt; Neon’s Honeyland, the Sundance-winning Macedonian beekeeper tale from Ljubomir Stefanov and Tamara Kotevsk; 1901 Media’s Mexico City ambulance industry pic Midnight Family; and Amazon Studios’ Sundance U.S. Grand Jury Prize-winning One Child Nation.
Last year,...
- 11/7/2019
- by Patrick Hipes
- Deadline Film + TV
“American Factory” and “Apollo 11” led all films in nominations for the 13th annual Cinema Eye Honors, a New York-based awards show created to pay tribute to all facets of nonfiction filmmaking.
The two films each received five nominations, including Outstanding Nonfiction Feature, from the Cinema Eye jury of festival programmers, as well as votes from this year’s eligible filmmakers.
The full slate of nominees in that category is a solid lineup of the year’s most acclaimed docs. In addition to Steven Bognar and Julia Reichert’s “American Factory” and Todd Douglas Miller’s “Apollo 11,” it includes Waad al-Kateab and Edward Watts’ “For Sama,” Ljubomir Stefanov and Tamara Kotevska’s “Honeyland,” Luke Lorentzen’s “Midnight Family” and Nanfu Wang and Jialing Zhang’s “One Child Nation.”
Also Read: 12 Documentaries to Check Out This Fall, Including Films by Bruce Springsteen and Agnès Varda (Photos)
“American Factory,” “Apollo 11...
The two films each received five nominations, including Outstanding Nonfiction Feature, from the Cinema Eye jury of festival programmers, as well as votes from this year’s eligible filmmakers.
The full slate of nominees in that category is a solid lineup of the year’s most acclaimed docs. In addition to Steven Bognar and Julia Reichert’s “American Factory” and Todd Douglas Miller’s “Apollo 11,” it includes Waad al-Kateab and Edward Watts’ “For Sama,” Ljubomir Stefanov and Tamara Kotevska’s “Honeyland,” Luke Lorentzen’s “Midnight Family” and Nanfu Wang and Jialing Zhang’s “One Child Nation.”
Also Read: 12 Documentaries to Check Out This Fall, Including Films by Bruce Springsteen and Agnès Varda (Photos)
“American Factory,” “Apollo 11...
- 11/7/2019
- by Steve Pond
- The Wrap
Efa members will now choose five nominations from the list.
Waad al-Kateab and Edward Watts’ Syrian war documentary For Sama and Sundance award winner Honeyland are among the 12 titles on the documentary longlist for the 2019 European Film Awards.
Scroll down for the full longlist.
For Sama launched at SXSW in the Us, before joining the Cannes official selection as a special screening. The film shows the female experience of the Syrian conflict through the lives of al-Kateab and her young daughter Sama. Republic Film Distribution has UK rights on the title, with PBS Distribution handling a Us theatrical release.
Honeyland,...
Waad al-Kateab and Edward Watts’ Syrian war documentary For Sama and Sundance award winner Honeyland are among the 12 titles on the documentary longlist for the 2019 European Film Awards.
Scroll down for the full longlist.
For Sama launched at SXSW in the Us, before joining the Cannes official selection as a special screening. The film shows the female experience of the Syrian conflict through the lives of al-Kateab and her young daughter Sama. Republic Film Distribution has UK rights on the title, with PBS Distribution handling a Us theatrical release.
Honeyland,...
- 8/27/2019
- by Ben Dalton
- ScreenDaily
Kino Lorber, in association with blockchain-powered Tvod platform Breaker, has acquired North American rights to Beniamino Barrese’s documentary “The Disappearance of My Mother,” which had its world premiere at the Sundance Festival earlier this year, Variety has learned exclusively.
The deal was announced Monday at the Hot Docs Canadian Intl. Documentary Film Festival. It was negotiated by Kino Lorber Svp Wendy Lidell and Autlook Film Sales North American sales and acquisitions representative Ania Trzebiatowska.
“The Disappearance of My Mother” follows iconic ‘60s fashion model turned activist Benedetta Barzini, a muse to artists and image-makers like Andy Warhol, Salvador Dali, Irving Penn and Richard Avedon. For four decades Barzini has fought for the rights and emancipation of women, as a professor, journalist and radical feminist. Now facing an existential crisis at the age of 75, she decides that she wants to leave everything and everyone behind, even as her son – director Beniamino Barrese,...
The deal was announced Monday at the Hot Docs Canadian Intl. Documentary Film Festival. It was negotiated by Kino Lorber Svp Wendy Lidell and Autlook Film Sales North American sales and acquisitions representative Ania Trzebiatowska.
“The Disappearance of My Mother” follows iconic ‘60s fashion model turned activist Benedetta Barzini, a muse to artists and image-makers like Andy Warhol, Salvador Dali, Irving Penn and Richard Avedon. For four decades Barzini has fought for the rights and emancipation of women, as a professor, journalist and radical feminist. Now facing an existential crisis at the age of 75, she decides that she wants to leave everything and everyone behind, even as her son – director Beniamino Barrese,...
- 4/29/2019
- by Christopher Vourlias
- Variety Film + TV
Ai Weiwei film is a companion piece to Human Flow.
Copenhagen-based documentary festival Cph:dox (March 20-31) has revealed its line-up of competition titles for 2019.
Notable world premieres include The Rest, the latest feature from Chinese artist and activist Ai Weiwei. His previous feature, refugee crisis doc Human Flow, premiered at Venice in 2017 and won multiple awards.
The Rest is a parallel work to Human Flow, again focusing on the refugee crisis, but this time in line with the voice and experience of an individual refugee. Edited down from 900 hours of footage, the film depicts those living in political limbo in Europe,...
Copenhagen-based documentary festival Cph:dox (March 20-31) has revealed its line-up of competition titles for 2019.
Notable world premieres include The Rest, the latest feature from Chinese artist and activist Ai Weiwei. His previous feature, refugee crisis doc Human Flow, premiered at Venice in 2017 and won multiple awards.
The Rest is a parallel work to Human Flow, again focusing on the refugee crisis, but this time in line with the voice and experience of an individual refugee. Edited down from 900 hours of footage, the film depicts those living in political limbo in Europe,...
- 2/22/2019
- by Tom Grater
- ScreenDaily
In the age of Instagram, it may be hard for many to grasp that others might still treasure their privacy, to the point of actually loathing the camera. Beniamino Barrese’s first feature is an interesting exercise in cinema-as-weapon, even if it probably wasn’t originally intended as such. The director is a photographer whose mother, Benedetta Barzini, was an early supermodel, her face all over magazine covers in the 1960s. Today she abhors the invasiveness of being reduced to an image — yet her son keeps sticking that lens in her face.
“The Disappearance of My Mother” is a successful piece of documentary filmmaking inasmuch as it’s entertaining and dextrously crafted. But its precise intent is unclear. Seldom has a movie’s subject so frequently told its creator to f— off. As far as we can tell, she’s right to do so; surely there’s a point at...
“The Disappearance of My Mother” is a successful piece of documentary filmmaking inasmuch as it’s entertaining and dextrously crafted. But its precise intent is unclear. Seldom has a movie’s subject so frequently told its creator to f— off. As far as we can tell, she’s right to do so; surely there’s a point at...
- 2/9/2019
- by Dennis Harvey
- Variety Film + TV
When aspiring indie filmmakers first turn their lens on their family, often they’re met with a certain amount of reluctance. For his directorial debut The Disappearance of My Mother, Italian cinematographer Beniamino Barrese captures his mother, Benedetta Barzini, a once-iconic model who left the profession to become an outspoken advocate in the late 1970s. At age 75 she still teaches and is celebrated for her academic work and occasional modeling when invited to London’s Fashion Week.
Opening with a device that’s compelling even if it feels out of place in a mostly observant portrait, director Barrese aims to recreate the essence of his mother with an international set of young models all with Barzini’s signature beauty mark painted on. What begins as an inquiry in the film’s early passages slowly turns into a catharsis as the models read aloud from Barzini’s own writings; a young...
Opening with a device that’s compelling even if it feels out of place in a mostly observant portrait, director Barrese aims to recreate the essence of his mother with an international set of young models all with Barzini’s signature beauty mark painted on. What begins as an inquiry in the film’s early passages slowly turns into a catharsis as the models read aloud from Barzini’s own writings; a young...
- 1/31/2019
- by John Fink
- The Film Stage
Beniamino Barrese’s mother, Benedetta Barzini, was a famous Italian model from her discovery in 1963 to her retirement a decade later. Her photographers included Richard Avedon, and her career led her to spend time as part of Warhol’s Factory scene. Barrese’s The Disappearance of My Mother begins as Barzini tells her son she intends to disappear from the material world. Alarmed, Barrese’s response was to use the camera to both capture his mother and try to reconcile her tangled relationship with the power of imagery, acting as his own Dp. Barrese answered questions via email about integrating 16 and 35mm and throwing […]...
- 1/30/2019
- by Filmmaker Staff
- Filmmaker Magazine - Blog
Beniamino Barrese’s mother, Benedetta Barzini, was a famous Italian model from her discovery in 1963 to her retirement a decade later. Her photographers included Richard Avedon, and her career led her to spend time as part of Warhol’s Factory scene. Barrese’s The Disappearance of My Mother begins as Barzini tells her son she intends to disappear from the material world. Alarmed, Barrese’s response was to use the camera to both capture his mother and try to reconcile her tangled relationship with the power of imagery, acting as his own Dp. Barrese answered questions via email about integrating 16 and 35mm and throwing […]...
- 1/30/2019
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Being a parent means having a child who knows exactly what buttons to push. So it makes painfully poetic sense that Italian fashion model and feminist intellectual Benedetta Barzini — no stranger to the frequently cruel, cold gaze of a camera and the people wielding it — would have a son, filmmaker Beniamino Barrese, whose compulsion is to incessantly photograph his mother. That's the universe having a laugh, though the humor in The Disappearance of My Mother, Barrese's affectionate, often uncomfortably intimate feature-length debut, tends to be of a more apprehensive sort.
At the age of 20, Barzini was ...
At the age of 20, Barzini was ...
- 1/25/2019
- The Hollywood Reporter - Film + TV
Being a parent means having a child who knows exactly what buttons to push. So it makes painfully poetic sense that Italian fashion model and feminist intellectual Benedetta Barzini — no stranger to the frequently cruel, cold gaze of a camera and the people wielding it — would have a son, filmmaker Beniamino Barrese, whose compulsion is to incessantly photograph his mother. That's the universe having a laugh, though the humor in The Disappearance of My Mother, Barrese's affectionate, often uncomfortably intimate feature-length debut, tends to be of a more apprehensive sort.
At the age of 20, Barzini was ...
At the age of 20, Barzini was ...
- 1/25/2019
- The Hollywood Reporter - Movie News
Not many filmmakers have a mom who’s an iconic model from the ’60s, photographed by the likes of Irving Penn and Richard Avedon, a muse to Warhol and Dali. Far fewer have one that kept that past hidden. Indeed, it wasn’t until director/cinematographer Beniamino Barrese made a youthful discovery — a stash of portfolios containing Vogue and Harper’s Bazaar covers tucked away inside a locked wardrobe — that he got an inkling that Benedetta Barzini was more than just the radical, outspoken, intellectual mother he’d been filming since he got his first camera at seven. And with The Disappearance of […]...
- 1/25/2019
- by Lauren Wissot
- Filmmaker Magazine - Blog
Not many filmmakers have a mom who’s an iconic model from the ’60s, photographed by the likes of Irving Penn and Richard Avedon, a muse to Warhol and Dali. Far fewer have one that kept that past hidden. Indeed, it wasn’t until director/cinematographer Beniamino Barrese made a youthful discovery — a stash of portfolios containing Vogue and Harper’s Bazaar covers tucked away inside a locked wardrobe — that he got an inkling that Benedetta Barzini was more than just the radical, outspoken, intellectual mother he’d been filming since he got his first camera at seven. And with The Disappearance of […]...
- 1/25/2019
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
"The real me isn't photographable." With the 2019 Sundance Film Festival now underway, we're proud to debut an official promo trailer for the documentary The Disappearance of My Mother. From Italian filmmaker Beniamino Barrese, the film will receive its World Premiere at Sundance on Friday, January 25th in the World Cinema Documentary Competition section. The film is about a once-iconic Italian fashion model who now strives to escape the world of images and disappear for good, but her son's determination to make a final film about her sparks an unexpected collaboration and confrontation with the camera's gaze. Described by Sundance as a "radical documentary born out of a series of confrontations between a mother eager to set herself free and a son desperate to use the medium of film to keep her close." This looks like a fascinating, emotional film that examines society's obsession with beauty in a more intimate, personal way.
- 1/25/2019
- by Alex Billington
- firstshowing.net
Feature, documentary, Vr, TV projects set for Venice industry strand.
Venice Film Festival industry strand Venice Production Bridge has confirmed the 47 projects that will take part in this year’s edition of the Gap-Financing Market (September 1-3).
Now in its fourth year, the market will welcome 25 feature film and documentary projects, 15 virtual reality, interactive, web and TV projects, as well as seven Vr projects from previous editions of the talent development lab Biennale College, which are in various stages of development and production.
The teams behind each project will take part in one-ot-one meetings with producers, financiers, distributors, sales agents and further industry attending the Production Bridge.
Full list of projects:
Fiction features (Europe)
All The Pretty Little Horses dir. Michalis Konstantatos (Greece, Germany, Netherlands), Horsefly Productions
Bodyguard Of Lies dir. Charles Matthau (Spain, United States), Babieka Films
Brighton 4 dir. Levan Koguashvili (Georgia, Bulgaria, Greece), Kino Iberica
Cook, Fuck, Kill dir. Mira Fornay (Czech...
Venice Film Festival industry strand Venice Production Bridge has confirmed the 47 projects that will take part in this year’s edition of the Gap-Financing Market (September 1-3).
Now in its fourth year, the market will welcome 25 feature film and documentary projects, 15 virtual reality, interactive, web and TV projects, as well as seven Vr projects from previous editions of the talent development lab Biennale College, which are in various stages of development and production.
The teams behind each project will take part in one-ot-one meetings with producers, financiers, distributors, sales agents and further industry attending the Production Bridge.
Full list of projects:
Fiction features (Europe)
All The Pretty Little Horses dir. Michalis Konstantatos (Greece, Germany, Netherlands), Horsefly Productions
Bodyguard Of Lies dir. Charles Matthau (Spain, United States), Babieka Films
Brighton 4 dir. Levan Koguashvili (Georgia, Bulgaria, Greece), Kino Iberica
Cook, Fuck, Kill dir. Mira Fornay (Czech...
- 7/14/2017
- by tom.grater@screendaily.com (Tom Grater)
- ScreenDaily
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