75 films from 12 countries, 228 guests of honour and 65 thousand spectators. These are all the numbers of Udine Far East Film Festival 2024. There was an increase of accredited visitors (of 24% over 2023) and the screenings at Udine's 1,200-seat Teatro Nuovo venue were always full, from 9 in the morning to midnight. This says a lot about the growing interest in Asian Cinema.
China and South Korea were the protagonists of the opening Night of Wednesday the 24th of April, with two international premieres: Yolo and Citizen of a Kind, followed by some more South Korean box office sensations, The Roundup: Punishment, 12.12: The Day and horror movie Exhuma. Some very welcome returns of festival friends were Jun Lana, with LGBT comedy of errors Becky & Badette, Norris Wong with the musical The Lyricist Wanna Be, Nick Cheung, in the director's chair, with Peg O'My Heart and Herman Yau with three actioners: Moscow Mission, Raid of...
China and South Korea were the protagonists of the opening Night of Wednesday the 24th of April, with two international premieres: Yolo and Citizen of a Kind, followed by some more South Korean box office sensations, The Roundup: Punishment, 12.12: The Day and horror movie Exhuma. Some very welcome returns of festival friends were Jun Lana, with LGBT comedy of errors Becky & Badette, Norris Wong with the musical The Lyricist Wanna Be, Nick Cheung, in the director's chair, with Peg O'My Heart and Herman Yau with three actioners: Moscow Mission, Raid of...
- 5/6/2024
- by AMP Group
- AsianMoviePulse
Norris Wong is a multifaceted Hong Kong artist known for her roles as a director, screenwriter, novelist, and lyricist. Her debut feature film, “My Prince Edward” (2019) – crafted with support from the First Feature Film Initiative (Fffi) scheme – has garnered acclaim, securing various awards such as the 4th First Feature Film Initiative (Higher Education Institution Group), Best New Director at the 39th Hong Kong Film Awards, and Best Screenplay at the 26th Hong Kong Film Critics Society Awards. If “My Prince Edward” can be described as the story of a failing relationship, her second feature “The Lyricist Wannabe” is yet another tale of a failed dream, surprisingly inspired by Wong's own life.
The Lyricist Wannabe is screening at Udine Far East Film Festival 2024
Law Wing-sze (Chung Suet Ying) is a high-school student and aspiring lyricist who firmly believes songwriting is her innate talent and her future career. She is totally serious about it,...
The Lyricist Wannabe is screening at Udine Far East Film Festival 2024
Law Wing-sze (Chung Suet Ying) is a high-school student and aspiring lyricist who firmly believes songwriting is her innate talent and her future career. She is totally serious about it,...
- 4/27/2024
- by Adriana Rosati
- AsianMoviePulse
Let's begin by talking about the numbers of the Far East Film Festival 26. This year the Feff community will be able to watch 75 films from 11 countries. More precisely, 15 world premieres (including those of restored classics), 24 international premieres, 19 European premieres and 13 Italian premieres. Expected in Udine from 24 April to 2 May, in the historic headquarters of the Teatro Nuovo and in the spaces of the Visionario, the Far East Film Festival 26 will give life to a 9-day long full immersion and it will colour the heart of the city with Asia (there are over 100 thematic events scheduled). A real feast of cinema.
The Opening Night on Wednesday 24 April will travel between China and South Korea with two international premieres. The task of opening the curtain will fall to “Yolo”, the blockbuster that bears the signature of famous comedy star Jia Ling (here in the double role of director and protagonist). It is...
The Opening Night on Wednesday 24 April will travel between China and South Korea with two international premieres. The task of opening the curtain will fall to “Yolo”, the blockbuster that bears the signature of famous comedy star Jia Ling (here in the double role of director and protagonist). It is...
- 3/27/2024
- by Adriana Rosati
- AsianMoviePulse
Zhang Yimou is set to receive the Golden Mulberry Lifetime Achievement Award at this year’s Far East Film Festival (Feff).
The auteur, a key figure in China’s Fifth Generation of filmmakers, is best known for his films Raise the Red Lantern, Red Sorghum, To Live, Hero and House of the Flying Daggers, and was also directed the memorable opening and closing ceremonies of the 2008 Beijing Olympics.
Also receiving the coveted Golden Mulberry at the 26th edition of Feff is Taiwanese producer Chiu Fu-sheng. Chiu, a legendary figure in the Asian film industry, is known for his collaborations with auteur filmmakers including Hou Hsiao-hsien, producing A City of Sadness (1989) and The Puppetmaster (1993) and Zhang, producing both Raise the Red Lantern and To Live (1994). Zhang’s 2023 film Under the Light will also compete in the main competition at Feff.
Feff, the respected Italian festival that takes place in the northern city of Udine,...
The auteur, a key figure in China’s Fifth Generation of filmmakers, is best known for his films Raise the Red Lantern, Red Sorghum, To Live, Hero and House of the Flying Daggers, and was also directed the memorable opening and closing ceremonies of the 2008 Beijing Olympics.
Also receiving the coveted Golden Mulberry at the 26th edition of Feff is Taiwanese producer Chiu Fu-sheng. Chiu, a legendary figure in the Asian film industry, is known for his collaborations with auteur filmmakers including Hou Hsiao-hsien, producing A City of Sadness (1989) and The Puppetmaster (1993) and Zhang, producing both Raise the Red Lantern and To Live (1994). Zhang’s 2023 film Under the Light will also compete in the main competition at Feff.
Feff, the respected Italian festival that takes place in the northern city of Udine,...
- 3/26/2024
- by Abid Rahman
- The Hollywood Reporter - Movie News
The Far East Film Festival (Feff) in Italy’s Udine has unveiled the full line-up for its 26th edition, which will honour Chinese filmmaker Zhang Yimou with an honorary award and world premiere restored versions of his Raise The Red Lantern and To Live.
Running April 24 to May 2, the festival will open with a double bill: Chinese box office hit Yolo and South Korean action-comedy Citizen Of A Kind.
Yolo dominated this year’s Lunar New Year releases, grossing $484m in China, and is directed by Jia Ling, who stars as an unemployed woman in her 30s whose life is...
Running April 24 to May 2, the festival will open with a double bill: Chinese box office hit Yolo and South Korean action-comedy Citizen Of A Kind.
Yolo dominated this year’s Lunar New Year releases, grossing $484m in China, and is directed by Jia Ling, who stars as an unemployed woman in her 30s whose life is...
- 3/26/2024
- ScreenDaily
Ethan Coen’s action-comedy Drive-Away Dolls leads a quiet weekend at the UK and Ireland box office, opening in 533 cinemas for Universal, as Warner Bros’ Dune: Part Two continues to dominate with over £20m taken after two weeks on release.
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
The first solo narrative feature from one half of the Coen Brothers follows two lesbian roommates whose road trip quickly escalates to a crime caper when they find a valuable suitcase in the trunk. A notable ensemble cast, led by Margaret Qualley and Geraldine Viswanathan, features appearances from Colman Domingo, Pedro Pascal and Matt Damon.
The last time Ethan Coen...
- 3/15/2024
- ScreenDaily
On March 15th, 2024, one week after the domestic release in Hong Kong, Trinity CineAsia brings The Lyricist Wannabe to UK cinemas, nominated for two 2023 Golden Horse Awards (Best Actress & Best Adapted Screenplay) and for three upcoming 2024 Hong Kong Film Awards. It was also selected as the Closing Film at the 2023 Hong Kong Asian Film Festival and it has just participated in Competition at the 2024 Osaka Asian Film Festival.
Director Norris Wong
As Norris Wong's second feature-length film following her award-winning debut My Prince Edward (2019), this refreshing and lively Hong Kong teenage comedy draws inspiration from Wong's own life. Starring the up-and-coming actress Chung Suet-ying, who is also a real-life Cantopop lyricist, and featuring lyrics of the film's soundtrack composed by Wong herself, The Lyricist Wannabe is about finding where your dream lies …and then having the courage to pursue it.
Synopsis
Uniquely talented high-school student Law Wing-sze (Chung Suet...
Director Norris Wong
As Norris Wong's second feature-length film following her award-winning debut My Prince Edward (2019), this refreshing and lively Hong Kong teenage comedy draws inspiration from Wong's own life. Starring the up-and-coming actress Chung Suet-ying, who is also a real-life Cantopop lyricist, and featuring lyrics of the film's soundtrack composed by Wong herself, The Lyricist Wannabe is about finding where your dream lies …and then having the courage to pursue it.
Synopsis
Uniquely talented high-school student Law Wing-sze (Chung Suet...
- 3/12/2024
- by Adriana Rosati
- AsianMoviePulse
Norris Wong’s initially scampering comedy drama takes a cynical turn as the music industry preys on heroine’s wistful idealism
The Oscar Hammersteins, Bernie Taupins and Tim Rices of this world would appreciate this endearing Hong Kong film, which focuses on the overlooked figure of the lyric-writer – here, specifically in the Cantopop industry. Norris Wong’s initially light and scampering comedy drama is counterbalanced by a cynicism that warns of the emotional hazards of dreaming big in this ego-crushing melody factory. In the words of the film’s swansong: “Success is great, but no one talks about being frustrated.”
Sze (Chung Suet Ying) is part of a high-school posse of aspiring Cantopop lyric- and songwriters. Insisting that her passion and her work should be the same thing, she is determined to go all the way. Undaunted by her tutor’s warning that “no one makes a living as a...
The Oscar Hammersteins, Bernie Taupins and Tim Rices of this world would appreciate this endearing Hong Kong film, which focuses on the overlooked figure of the lyric-writer – here, specifically in the Cantopop industry. Norris Wong’s initially light and scampering comedy drama is counterbalanced by a cynicism that warns of the emotional hazards of dreaming big in this ego-crushing melody factory. In the words of the film’s swansong: “Success is great, but no one talks about being frustrated.”
Sze (Chung Suet Ying) is part of a high-school posse of aspiring Cantopop lyric- and songwriters. Insisting that her passion and her work should be the same thing, she is determined to go all the way. Undaunted by her tutor’s warning that “no one makes a living as a...
- 3/11/2024
- by Phil Hoad
- The Guardian - Film News
As Filmart gets underway, Hong Kong’s major production companies, including Edko Films, Emperor Motion Pictures (Emp), Media Asia, One Cool Group and Universe Entertainment, will be unveiling their new titles in enormous booths at the front of the trade show floor, some of which will be as elaborate as film sets.
Many of the films they are launching are big-budget Hong Kong-China co-productions, featuring top Hong Kong stars and directors, and aimed at audiences in both China and Hong Kong. Emp has Derek Kwok’s Raging Havoc, starring Andy Lau and Nicholas Tse; Mandarin Motion Pictures has The Prosecutor, starring and directed by Donnie Yen; and Media Asia is launching four new titles headed by Behind The Scene, produced by Infernal Affairs director Andrew Lau. One Cool’s slate includes a trio of action films starring Louis Koo and produced by Soi Cheang.
But behind all the glamour, stars and action,...
Many of the films they are launching are big-budget Hong Kong-China co-productions, featuring top Hong Kong stars and directors, and aimed at audiences in both China and Hong Kong. Emp has Derek Kwok’s Raging Havoc, starring Andy Lau and Nicholas Tse; Mandarin Motion Pictures has The Prosecutor, starring and directed by Donnie Yen; and Media Asia is launching four new titles headed by Behind The Scene, produced by Infernal Affairs director Andrew Lau. One Cool’s slate includes a trio of action films starring Louis Koo and produced by Soi Cheang.
But behind all the glamour, stars and action,...
- 3/11/2024
- by Liz Shackleton
- Deadline Film + TV
Norris Wong is a multifaceted Hong Kong artist known for her roles as a director, screenwriter, novelist, and lyricist. Her debut feature film, “My Prince Edward” (2019) – crafted with support from the First Feature Film Initiative (Fffi) scheme – has garnered acclaim, securing various awards such as the 4th First Feature Film Initiative (Higher Education Institution Group), Best New Director at the 39th Hong Kong Film Awards, and Best Screenplay at the 26th Hong Kong Film Critics Society Awards. If “My Prince Edward” can be described as the story of a failing relationship, her second feature “The Lyricist Wannabe” is yet another tale of a failed dream, surprisingly inspired by Wong's own life.
The Lyricist Wannabe is screening at Osaka Asian Film Festival
Law Wing-sze (Chung Suet Ying) is a high-school student and aspiring lyricist who firmly believes songwriting is her innate talent and her future career. She is totally serious about it,...
The Lyricist Wannabe is screening at Osaka Asian Film Festival
Law Wing-sze (Chung Suet Ying) is a high-school student and aspiring lyricist who firmly believes songwriting is her innate talent and her future career. She is totally serious about it,...
- 3/9/2024
- by Adriana Rosati
- AsianMoviePulse
Exclusive: UK distributor Trinity CineAsia has acquired UK rights to Norris Wong’s The Lyricist Wannabe from Hong Kong’s Edko Films and is planning a theatrical release on March 15.
Wong’s second feature following her award-winning debut My Prince Edward (2019) follows a high-school student who is determined to become a successful Cantopop lyricist. But while she works hard to hone her craft, handle rejection and draw inspiration from her personal experiences, nothing seems to go her way.
Chung Suet-ying, an up-and-coming actress who is also a real-life Cantopop lyricist, stars in the film, which features a soundtrack with lyrics composed by Norris Wong. Produced by Wong Hoi (Let It Ghost), the film also stars Ansonbean (Rob N Roll), Tang Lai Ying (Mama’s Affair), Sabrina Ng (Say I Do To Me) and Chu Pak Hong (My Prince Edward).
The UK release will come just one week after the film,...
Wong’s second feature following her award-winning debut My Prince Edward (2019) follows a high-school student who is determined to become a successful Cantopop lyricist. But while she works hard to hone her craft, handle rejection and draw inspiration from her personal experiences, nothing seems to go her way.
Chung Suet-ying, an up-and-coming actress who is also a real-life Cantopop lyricist, stars in the film, which features a soundtrack with lyrics composed by Norris Wong. Produced by Wong Hoi (Let It Ghost), the film also stars Ansonbean (Rob N Roll), Tang Lai Ying (Mama’s Affair), Sabrina Ng (Say I Do To Me) and Chu Pak Hong (My Prince Edward).
The UK release will come just one week after the film,...
- 3/5/2024
- by Liz Shackleton
- Deadline Film + TV
Three Japanese films enjoying their world premieres, along with festival favorites “City of Wind” and “Solids by the Seashore,” are set to appear in the 13-title competition section of the Osaka Asian Film Festival in March.
The event will be held March 1-10 at venues including ABC Hall, Cine Libre Umeda, T-Joy Umeda and the Nakanoshima Museum of Art. The opening and closing films will be announced in early February.
The 19th edition of the festival, which will eventually contain 55 feature and short films, is set to also include three special programs – a “Thai Cinema Kaleidoscope,” “Taiwan: Movies on the Move,” and “Special Focus on Hong Kong” – as well as its regular Spotlight Section on underrated Asian films and the Indie Forum of more challenging and innovative works.
The competition titles are: “City of Wind,” by Mongolia’s Lkhagvadulam Purev-Ochir; “Fire on Water,” by Malaysia’s Sun-j Perumal; “Hyphen,” by...
The event will be held March 1-10 at venues including ABC Hall, Cine Libre Umeda, T-Joy Umeda and the Nakanoshima Museum of Art. The opening and closing films will be announced in early February.
The 19th edition of the festival, which will eventually contain 55 feature and short films, is set to also include three special programs – a “Thai Cinema Kaleidoscope,” “Taiwan: Movies on the Move,” and “Special Focus on Hong Kong” – as well as its regular Spotlight Section on underrated Asian films and the Indie Forum of more challenging and innovative works.
The competition titles are: “City of Wind,” by Mongolia’s Lkhagvadulam Purev-Ochir; “Fire on Water,” by Malaysia’s Sun-j Perumal; “Hyphen,” by...
- 1/25/2024
- by Patrick Frater
- Variety Film + TV
At the Moment is a taiwanese series directed by Lien Yi-Chi, Ray Wu, Pin-Chuan Kao, Norris Wong, and Remii Huang.
Today, on Friday, we are introduced to this pleasant yet bittersweet and realistic Taiwanese series about the lives of individuals who, while sharing apartments, lives, spaces, and situations, have much more in common than it seems: they all want to feel that “something more” in this world that, seemingly, wants to deny it.
At the Moment is a series that excels in its photographic quality and manages a dynamic and lively pace in a series that goes beyond being a typical sitcom, putting the camera and waiting for the characters to develop: it is filmed like a cinematic piece, carefully considering each shot and framing, the positioning of light, and more, with great respect for the viewer.
Thematically, it quickly liberates itself from its romantic comedy tone and takes the...
Today, on Friday, we are introduced to this pleasant yet bittersweet and realistic Taiwanese series about the lives of individuals who, while sharing apartments, lives, spaces, and situations, have much more in common than it seems: they all want to feel that “something more” in this world that, seemingly, wants to deny it.
At the Moment is a series that excels in its photographic quality and manages a dynamic and lively pace in a series that goes beyond being a typical sitcom, putting the camera and waiting for the characters to develop: it is filmed like a cinematic piece, carefully considering each shot and framing, the positioning of light, and more, with great respect for the viewer.
Thematically, it quickly liberates itself from its romantic comedy tone and takes the...
- 11/10/2023
- by Alice Lange
- Martin Cid - TV
Hong Kong-based studio Edko Films will launch “Table for Six 2,” a sequel to its 2022 smash hit, at Tiffcom, the rights market attached to the Tokyo International Film Festival.
The heartfelt comedy is again written and directed by Sunny Chan, who enjoyed breakout success with “Table for Six,” a comedy-drama that starts with an awkward family reunion dinner where past and present romantic relationships are tangled and almost anything that could go wrong did.
For the sequel. Chan has reunited the original cast – Stephy Tang, Louis Cheung, Ivana Wong, Lin Min Chen, Peter Chan Charm Man – for three weddings and their aftermath. “Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins,” says Edko,
Now in production, the film is being produced by Bill Kong, Ivy Ho and Tang Wai But. Rights will also be pitched at the American Film Market.
The firm is...
The heartfelt comedy is again written and directed by Sunny Chan, who enjoyed breakout success with “Table for Six,” a comedy-drama that starts with an awkward family reunion dinner where past and present romantic relationships are tangled and almost anything that could go wrong did.
For the sequel. Chan has reunited the original cast – Stephy Tang, Louis Cheung, Ivana Wong, Lin Min Chen, Peter Chan Charm Man – for three weddings and their aftermath. “Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins,” says Edko,
Now in production, the film is being produced by Bill Kong, Ivy Ho and Tang Wai But. Rights will also be pitched at the American Film Market.
The firm is...
- 10/22/2023
- by Patrick Frater
- Variety Film + TV
The drama about two sisters is from first-time feature director Sasha Chuk.
Hong Kong project Fly Me To The Moon won five awards at the closing of this year’s Hong Kong-Asia Film Financing Forum.
The film will mark the feature directorial debut of Sasha Chuk and is produced by Hong Kong filmmaker Stanley Kwan, whose films as a director include Venice 2005 title Everlasting Regret, Cannes 2001 film Lan Yu and Berlin competition titles Center Stage, The Island Tales, Hold You Tight and Red Rose White Rose.
Scroll down for full list of winners
Fly Me To The Moon was among...
Hong Kong project Fly Me To The Moon won five awards at the closing of this year’s Hong Kong-Asia Film Financing Forum.
The film will mark the feature directorial debut of Sasha Chuk and is produced by Hong Kong filmmaker Stanley Kwan, whose films as a director include Venice 2005 title Everlasting Regret, Cannes 2001 film Lan Yu and Berlin competition titles Center Stage, The Island Tales, Hold You Tight and Red Rose White Rose.
Scroll down for full list of winners
Fly Me To The Moon was among...
- 3/16/2023
- by Michael Rosser
- ScreenDaily
Young Hong Kong filmmaker Sasha Chuk emerges as the biggest winner as the three-day 21st Hong Kong – Asia Film Financing Forum (HAF21) successfully concluded today with the announcement of the recipients of 20 cash and in-kind awards worth more than US$170,000.
Chuk received [an unprecedented] four awards – the Heaven Pictures Young Director Award, the Ccg Grand Award, the mm2 Award, and the Wip Award – for her Stanley Kwan-produced Fly Me to the Moon. The work-in-progress is also one of the five projects selected for this year's Haf Goes To Cannes initiative.
Taiwan's Lien Chien-Hung and Mainland China's Guan Tian also excelled at HAF21, each taking home three awards for Salli and The Poison Cat, respectively.
Returning to its regular March dates with the Hong Kong International Film & TV Market (Filmart), HAF21 was the first physical, in-person event since 2019 after three consecutive online editions. The event attracted 30% more accredited participants than the last edition.
Chuk received [an unprecedented] four awards – the Heaven Pictures Young Director Award, the Ccg Grand Award, the mm2 Award, and the Wip Award – for her Stanley Kwan-produced Fly Me to the Moon. The work-in-progress is also one of the five projects selected for this year's Haf Goes To Cannes initiative.
Taiwan's Lien Chien-Hung and Mainland China's Guan Tian also excelled at HAF21, each taking home three awards for Salli and The Poison Cat, respectively.
Returning to its regular March dates with the Hong Kong International Film & TV Market (Filmart), HAF21 was the first physical, in-person event since 2019 after three consecutive online editions. The event attracted 30% more accredited participants than the last edition.
- 3/15/2023
- by Rouven Linnarz
- AsianMoviePulse
“Fly Me to the Moon,” a work-in-progress from Hong Kong, dominated the prizes presented at the Hong Kong – Asia Film Financing Forum project market. It collected five awards and was invited to continue its journey at Cannes in May.
Directed by first-time feature maker Sasha Chuk and produced by the veteran Stanley Kwan, the film tells the tale of a pair of sisters moving from Hunan to Hong Kong in the 1990s. They are faced with an identity crisis, poverty and their father’s drug addiction. It entered the market with $640,000 of its intended $705,000 production budget in place, and more than filled the gap with the prizes announced on Wednesday.
The Haf operated its 21st edition March 13-15 on the side lines of the FilMart rights market. It showcased 28 in-development projects and 15 works-in-progress, for which it arranged one-on-one meetings that were intended to facilitate co-financing, co-production and rights sales.
Another work-in-progress “Salli,...
Directed by first-time feature maker Sasha Chuk and produced by the veteran Stanley Kwan, the film tells the tale of a pair of sisters moving from Hunan to Hong Kong in the 1990s. They are faced with an identity crisis, poverty and their father’s drug addiction. It entered the market with $640,000 of its intended $705,000 production budget in place, and more than filled the gap with the prizes announced on Wednesday.
The Haf operated its 21st edition March 13-15 on the side lines of the FilMart rights market. It showcased 28 in-development projects and 15 works-in-progress, for which it arranged one-on-one meetings that were intended to facilitate co-financing, co-production and rights sales.
Another work-in-progress “Salli,...
- 3/15/2023
- by Patrick Frater
- Variety Film + TV
Hong Kong has been haunted on the screen for a very long time, but starting with Sammo Hung “Encounters of a Spooky Kind” (1980) the city also found plenty of humor in it. The Hk ghost genre has developed its completely unique style: smart, quirky, bonkers and scary at the same time. Supernatural served this way is not exactly what horror genre is supposed to be about – chilling, mocking the improbable elements of scare, the things your logic tells you are ridiculous, but your instincts don’t. Ultimately, this works pretty well when it involves a harmonious balance between humor, dread, and melodrama.
Let it Ghost is screening at International Film Festival Rotterdam
Wong Hoi might be a first time director, but he cooks his dish according to the traditional recipe. In his omnibus “Let It Ghost” there are three different type of ghosts the audience encounters, none of them...
Let it Ghost is screening at International Film Festival Rotterdam
Wong Hoi might be a first time director, but he cooks his dish according to the traditional recipe. In his omnibus “Let It Ghost” there are three different type of ghosts the audience encounters, none of them...
- 1/27/2023
- by Marina D. Richter
- AsianMoviePulse
Hong Kong’s Asia Film Financing Forum (Haf) on Thursday unveiled a rich, 28-title selection for its forthcoming 21st edition, featuring promising projects in development from Singaporean Camera d’Or winner Anthony Chen, maverick Hong Kong director Fruit Chan, rising Thai talent Jakrawal Nilthamrong and veteran festival ringmaster Marco Mueller, among many others. Haf is returning in 2023 for its first in-person forum since 2019, following three consecutive online editions during the coronavirus pandemic.
As per usual, the event will be held March 13–15 in tandem with the 27th Hong Kong Film & TV Market (aka Filmart), which runs March 13-16.
Of the 28 titles picked from 244 submissions spanning 38 countries and territories, Haf says half are from first-time filmmakers and eight are Chinese-language projects developed at recent editions of the Haf Film Lab mentorship program. The selection spans a broad range of genres, including arthouse drama, horror, fantasy, romance, animation and family films.
Chen, director...
As per usual, the event will be held March 13–15 in tandem with the 27th Hong Kong Film & TV Market (aka Filmart), which runs March 13-16.
Of the 28 titles picked from 244 submissions spanning 38 countries and territories, Haf says half are from first-time filmmakers and eight are Chinese-language projects developed at recent editions of the Haf Film Lab mentorship program. The selection spans a broad range of genres, including arthouse drama, horror, fantasy, romance, animation and family films.
Chen, director...
- 1/12/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
The selection will be showcased at the first physical Haf since 2019.
The Hong Kong International Film Festival Society (Hkiffs) has announced 28 in-development projects for the 21st Hong Kong-Asia Film Financing Forum (Haf), which is set to return as an in-person event for the first time since 2019.
The projects span horror, fantasy, romance, family drama and animation, and include seven from Hong Kong, eight from Haf Film Lab and 14 directorial debuts. There are also projects from acclaimed filmmakers and producers such as Arsalan Amiri, Anthony Chen, Fruit Chan, Jakrawal Nilthamrong, Lin Yu-Hsien, Nai An, Nader Saeivar, Teddy Robin and Tian Zhuangzhuang.
The Hong Kong International Film Festival Society (Hkiffs) has announced 28 in-development projects for the 21st Hong Kong-Asia Film Financing Forum (Haf), which is set to return as an in-person event for the first time since 2019.
The projects span horror, fantasy, romance, family drama and animation, and include seven from Hong Kong, eight from Haf Film Lab and 14 directorial debuts. There are also projects from acclaimed filmmakers and producers such as Arsalan Amiri, Anthony Chen, Fruit Chan, Jakrawal Nilthamrong, Lin Yu-Hsien, Nai An, Nader Saeivar, Teddy Robin and Tian Zhuangzhuang.
- 1/12/2023
- by Silvia Wong
- ScreenDaily
International projects already have at least 70 of funding in place.
The Venice Film Festival’s Gap-Financing Market has selected 33 international feature and documentary projects for its ninth edition this year, which runs from September 2-4.
The international projects nearing completion will have the chance to close their financing through one-to-one meetings at the Market, which is part of the Venice Production Bridge.
Each of the feature and documentary projects has at least 70 of its funding in place.
The countries in focus at this year’s event are France and Taiwan, with a number of projects from each country receiving a special invite to the Market.
The Venice Film Festival’s Gap-Financing Market has selected 33 international feature and documentary projects for its ninth edition this year, which runs from September 2-4.
The international projects nearing completion will have the chance to close their financing through one-to-one meetings at the Market, which is part of the Venice Production Bridge.
Each of the feature and documentary projects has at least 70 of its funding in place.
The countries in focus at this year’s event are France and Taiwan, with a number of projects from each country receiving a special invite to the Market.
- 7/1/2022
- by Tim Dams
- ScreenDaily
In the world of Asian cinema, Hong Kong has cultivated a reputation for punching above its weight. Once producing 300 films a year, the small territory hatched global martial arts superstars like Bruce Lee and Jackie Chan, Michelle Yeoh and Donnie Yen. It nurtured the visions of auteur Wong Kar Wai and put itself on the map with compelling crime thrillers like “Infernal Affairs” — remade by Martin Scorsese as Oscar winner “The Departed” — and Johnnie To’s “Election.”
These days, however, the Hong Kong cinema scene is getting a disturbing reboot. Beijing’s increasing political control, especially the draconian National Security Law that curtails freedom of expression, passed last June, has accelerated the mounting challenges.
“The Nsl feels like the beginning of the end. Internationally, and even regionally, Hong Kong as a film hub is now in danger,” says San Diego State University professor Brian Hu, whose research has centered on...
These days, however, the Hong Kong cinema scene is getting a disturbing reboot. Beijing’s increasing political control, especially the draconian National Security Law that curtails freedom of expression, passed last June, has accelerated the mounting challenges.
“The Nsl feels like the beginning of the end. Internationally, and even regionally, Hong Kong as a film hub is now in danger,” says San Diego State University professor Brian Hu, whose research has centered on...
- 4/22/2021
- by Rebecca Davis, Vivienne Chow and Patrick Frater
- Variety Film + TV
After the first edition successful run in February, when UK audiences celebrated Chinese New Year with a great selection of new and classic Hong Kong films, Focus Hong Kong is back.
This Easter edition of the festival runs online from 31st March to 6th April 2021 inclusive,giving audiences across the UK the chance to watch a carefully curated selection of some of the best new Hong Kong films of the last year along with much-loved classics.
This time too, Focus Hong Kong features a fantastic and diverse line-up of films, including 3 UK premieres, as well as another free selection of Hong Kong Fresh Wave shorts.
Here are all the titles:
Romance “My Prince Edward” (2019) by Norris Wong – UK Premiere
one of the most acclaimed Hong Kong films of recent years, starring Stephy Tang.
Inspirational sports drama “I Still Remember” (2021) by He Liheng – UK Premiere
following characters trying to become runners...
This Easter edition of the festival runs online from 31st March to 6th April 2021 inclusive,giving audiences across the UK the chance to watch a carefully curated selection of some of the best new Hong Kong films of the last year along with much-loved classics.
This time too, Focus Hong Kong features a fantastic and diverse line-up of films, including 3 UK premieres, as well as another free selection of Hong Kong Fresh Wave shorts.
Here are all the titles:
Romance “My Prince Edward” (2019) by Norris Wong – UK Premiere
one of the most acclaimed Hong Kong films of recent years, starring Stephy Tang.
Inspirational sports drama “I Still Remember” (2021) by He Liheng – UK Premiere
following characters trying to become runners...
- 3/18/2021
- by Adriana Rosati
- AsianMoviePulse
With the beginning of the pandemic taking place in the Sinophone world, the already tumultuous circumstances of the area reached a level pretty close to eruption. However, as it usual the case with sociopolitical instability, the creative forces of the artists emerged once more triumphant, ending up in a number of films that could easily be described as great. Taiwan cemented its place as one of the countries with the most intriguing cinema, China continued with its festival-appealing, European style movies along with a number of blockbusters, while Hong Kong took a definite step back, with the political situation in combination with the pandemic leaving an already declining industry in a rather bad situation, with very few, but occasionally notable, productions overall.
Without further ado, here are the best Sinophone films of 2020, in reverse order. Some films may have premiered in 2019, but since they mostly circulated in 2020, we decided to include them.
Without further ado, here are the best Sinophone films of 2020, in reverse order. Some films may have premiered in 2019, but since they mostly circulated in 2020, we decided to include them.
- 12/20/2020
- by AMP Group
- AsianMoviePulse
In many ways, “My Prince Edward” reminds me of the 2012 independent film – Frances Ha, since it has a similar identity if not the same level of exuberance as the American one. It is driven by a similar personality as the prior. With a refusal to grow-up, the lead characters in both the cases live in a state of denial – without completely acknowledging their immaturity. Still, both of them struggle to get out of the mundane routines of their lives. It is a skill to keep one interested in their flawed personalities that get shadowed by an undeniable gloominess. Norris achieves it just as well as Noah, despite a different approach.
My Prince Edward is Screening at Five Flavours Asian Film Festival
‘My Prince Edward’ is about a woman named Fong who is in her late twenties. She works as a clerk in Golden Plaza, a shopping mall from Hong Kong...
My Prince Edward is Screening at Five Flavours Asian Film Festival
‘My Prince Edward’ is about a woman named Fong who is in her late twenties. She works as a clerk in Golden Plaza, a shopping mall from Hong Kong...
- 12/4/2020
- by Akash Deshpande
- AsianMoviePulse
In order to thank our followers on Instagram, who recently surpassed the thousand, we offer 1 DVD of My Prince Edward, courtesy of Cheng Cheng Films
All you have to do is follow us on Instagram and leave a comment in the particular post about the competition. The deadline is Sunday December 6, 23.59 (GMT+2)
Check what Akash Deshpande wrote about the film in our review
Throughout the duration, ‘My Prince Edward’ follows Fong’s journey with a restrained approach. It never goes overboard with the dramatic sequences. And this female character is given room to breathe and live with her flaws, without blaming her for any of that. The narrative does not try to show her guilt for laziness and rather portrays her flaws with compassion. After all, these shortcomings are what makes one human. The film completely realizes that and gives an empathetic tale about this unambitious young woman.
While showing...
All you have to do is follow us on Instagram and leave a comment in the particular post about the competition. The deadline is Sunday December 6, 23.59 (GMT+2)
Check what Akash Deshpande wrote about the film in our review
Throughout the duration, ‘My Prince Edward’ follows Fong’s journey with a restrained approach. It never goes overboard with the dramatic sequences. And this female character is given room to breathe and live with her flaws, without blaming her for any of that. The narrative does not try to show her guilt for laziness and rather portrays her flaws with compassion. After all, these shortcomings are what makes one human. The film completely realizes that and gives an empathetic tale about this unambitious young woman.
While showing...
- 11/30/2020
- by AMP Group
- AsianMoviePulse
Cheng Cheng Films are bringing the award-winning film “My Prince Edward”, the directorial debut of Norris Wong, to DVD & digital in the UK on December 15th, 2020.
Synopsis:
Serving countless newlyweds in Hong Kong’s go-to one-stop-shop of cheap wedding supplies doesn’t exempt Fong from social pressure to marry. Since nodding to Edward’s proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she’s supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, My Prince Edward pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis’s divisions with humor and wisdom.
Synopsis:
Serving countless newlyweds in Hong Kong’s go-to one-stop-shop of cheap wedding supplies doesn’t exempt Fong from social pressure to marry. Since nodding to Edward’s proposal, she has been pushed beyond limits by unaffordable housing, archaic customs, and intrusive in-laws. What befuddles her further is the reappearance of Shuwei, a mainlander she’s supposed to be divorced from out of a sham marriage that solved her coming-of-age hardship. Zeroing in on nuts and bolts of modern marriage, My Prince Edward pokes around fixated correlations of freedom with relationship status and geographic residence. Like a breath of fresh air out of the breathless space it navigates, the whimsical gem contributes a rare humane take on the worldly metropolis’s divisions with humor and wisdom.
- 11/20/2020
- by Rhythm Zaveri
- AsianMoviePulse
Five Flavours Asian Film Festival invite you for a journey through taste, colors, and sounds of the Asian continent, hoping they can provide food for your thoughts and solace for your spirits.
The Programme of this year’s Festival comprises more than forty titles representing the extreme variety of Asian cinemas – from horror cinema to sweet melodramas, from grasping auteur cinema to relaxing journeys around the continent.
All the films will be presented online between November 25 and December 6.
Preparing this year’s edition forced the organisers to face up to completely new challenges – from the matters of logistics to finding new ways of thinking about their mission, priorities, building bridges between filmmakers and audiences outside the screening rooms. The online edition of the Festival is not a compromise, but a different way to reach the, perhaps even wider, audiences, discover the rich variety of Asian cultures, and explore the contemporary...
The Programme of this year’s Festival comprises more than forty titles representing the extreme variety of Asian cinemas – from horror cinema to sweet melodramas, from grasping auteur cinema to relaxing journeys around the continent.
All the films will be presented online between November 25 and December 6.
Preparing this year’s edition forced the organisers to face up to completely new challenges – from the matters of logistics to finding new ways of thinking about their mission, priorities, building bridges between filmmakers and audiences outside the screening rooms. The online edition of the Festival is not a compromise, but a different way to reach the, perhaps even wider, audiences, discover the rich variety of Asian cultures, and explore the contemporary...
- 11/2/2020
- by Adriana Rosati
- AsianMoviePulse
My Prince Edward Cheng Cheng Films Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Norris Wong Writer: Norris Wong Cast: Stephy Tang, Pak Hon Chu, Hee Ching Paw Screened at: Critics’ link, NYC, 8/26/20 Opens: September 2, 2020 Right up until the mid-1960s, all my single friends and I lived […]
The post My Prince Edward Movie Review appeared first on Shockya.com.
The post My Prince Edward Movie Review appeared first on Shockya.com.
- 8/28/2020
- by Harvey Karten
- ShockYa
Celebrating its 5th Anniversary, Asian Pop Up Cinema: Season 11 will present 22 movies and one of its strongest lineups with its first joint virtual and drive-in film festival both opening September 10 and running through October 10, 2020, with a Plus addition October 30 – 31 celebrating Halloween at the drive-in.
In addition to many North American premieres, the drive-in features seven movies with a grand opening and closing night screenings, the recurring annual Mid-Autumn Festival “Movie with Mooncakes” and a screening fundraiser for the Filipino Young Leaders Program (Fylpro) benefiting the frontline healthcare workers, while celebrating Filipino American History Month. The two drive-in screenings for Halloween weekend is a double-feature horror presentation directed by the internationally known Korean director Yeon Sang-ho, Train to Busan and its new sequel Peninsula.
The Festival’s programming is selected by Sophia’s Choice (aka Festival Director and Founder Sophia Wong Boccio) who went the extra mile to spotlight an exciting...
In addition to many North American premieres, the drive-in features seven movies with a grand opening and closing night screenings, the recurring annual Mid-Autumn Festival “Movie with Mooncakes” and a screening fundraiser for the Filipino Young Leaders Program (Fylpro) benefiting the frontline healthcare workers, while celebrating Filipino American History Month. The two drive-in screenings for Halloween weekend is a double-feature horror presentation directed by the internationally known Korean director Yeon Sang-ho, Train to Busan and its new sequel Peninsula.
The Festival’s programming is selected by Sophia’s Choice (aka Festival Director and Founder Sophia Wong Boccio) who went the extra mile to spotlight an exciting...
- 8/27/2020
- by Adam Symchuk
- AsianMoviePulse
Nyaff 2020 to honour South Korean Lee Joo-young with the 2020 Screen International Rising Star Award
South Korea’s actress Lee Joo-young, whose credits include Netflix drama “Itaewon Class” and the upcoming “Baseball Girl”, will be granted the 2020 Screen International Rising Star Award at the 19th (virtual) edition of New York Asian Film Festival (Nyaff).
Lee, who won last year the Actress of the Year award at Busan in 2018 for “Maggie” and the Special Short Drama Actress Award at the 2019 Kbs Drama Awards for the TV drama “House of the Universe”, debuted in 2012 in the short film “Encounter”, but it is mainly known for her roles in “Weightlifting Fairy Kim Bok-joo”, several TV dramas and Netflix success “Itaewon Class”.
This year’s Nyaff features a “Women Transforming Film” programme including films directed and/or led by women such as the opening movie “The Girl And The Gun” by Pilipino Rae Red, Taiwanese Hsieh Pei-ju’s “Heavy Craving”, Norris Wong’s “My Prince Edward” from Hong Kong,...
Lee, who won last year the Actress of the Year award at Busan in 2018 for “Maggie” and the Special Short Drama Actress Award at the 2019 Kbs Drama Awards for the TV drama “House of the Universe”, debuted in 2012 in the short film “Encounter”, but it is mainly known for her roles in “Weightlifting Fairy Kim Bok-joo”, several TV dramas and Netflix success “Itaewon Class”.
This year’s Nyaff features a “Women Transforming Film” programme including films directed and/or led by women such as the opening movie “The Girl And The Gun” by Pilipino Rae Red, Taiwanese Hsieh Pei-ju’s “Heavy Craving”, Norris Wong’s “My Prince Edward” from Hong Kong,...
- 8/20/2020
- by Adriana Rosati
- AsianMoviePulse
Talent stars in festival selection Baseball Girl, one of several South Korean films this year.
The 19th New York Asian Film Festival (Nyaff) will honour South Korea’s Lee Joo-young with the 2020 Screen International Rising Star Award at its upcoming virtual edition.
Lee stars in Choi Yun-Tae’s Baseball Girl, which receives its international premiere and screens throughout the festival from August 28-September 12 on the Smart Cinema USA app.
Baseball Girl centres on a talented high school athlete who battles chauvinism to make it into the team.
Lee, who stars in Netflix drama Itaewon Class, made her screen debut in...
The 19th New York Asian Film Festival (Nyaff) will honour South Korea’s Lee Joo-young with the 2020 Screen International Rising Star Award at its upcoming virtual edition.
Lee stars in Choi Yun-Tae’s Baseball Girl, which receives its international premiere and screens throughout the festival from August 28-September 12 on the Smart Cinema USA app.
Baseball Girl centres on a talented high school athlete who battles chauvinism to make it into the team.
Lee, who stars in Netflix drama Itaewon Class, made her screen debut in...
- 8/19/2020
- by 36¦Jeremy Kay¦54¦
- ScreenDaily
Since premiering at last year’s Taiwan Golden Horse Film Festival, the “Chinese Oscars”, Norris Wong‘s debut dramedy “My Prince Edward” (2019) will reach North american theatres through Cheng Cheng Films starting September 4th. The film will also arrive at VOD and DVD on December 15th.
Distributor Cheng Cheng Films states: “Before “My Prince Edward,” Norris Wong had won wide admiration for her writing in some of most groundbreaking Cantonese TV series recent years. Challenging macroscale gender and social economic pressures her worldwide peers face with this directorial debut, she poured real individual experience into a microscale story set in her neighborhood in her home city. Her humane and multidimensional filmmaking soothes the disorientation and anger we consume from sensational headlines on related issues. It’s a notable cinematic contribution from a Hong Kong’s homegrown woman to the city’s global discourse. Witnessing legendary veterans William Chang, Paw Hee-ching...
Distributor Cheng Cheng Films states: “Before “My Prince Edward,” Norris Wong had won wide admiration for her writing in some of most groundbreaking Cantonese TV series recent years. Challenging macroscale gender and social economic pressures her worldwide peers face with this directorial debut, she poured real individual experience into a microscale story set in her neighborhood in her home city. Her humane and multidimensional filmmaking soothes the disorientation and anger we consume from sensational headlines on related issues. It’s a notable cinematic contribution from a Hong Kong’s homegrown woman to the city’s global discourse. Witnessing legendary veterans William Chang, Paw Hee-ching...
- 8/14/2020
- by Grace Han
- AsianMoviePulse
(above) Still from “They Say Nothing Stays The Same,”Joe Oagiri, 2019, Japan
The 19th edition of the Lincoln Center’s New York Asian Film Festival will be virtual this year, and will go from August 28 to September 12, 2020. This year’s focus is on women filmmakers, under the title “Women Transforming Film.” In this year’s line-up, Nyaff spotlights titles directed and led by women — including “Heavy Craving”, “Lucky Chan-sil”, “Kim Ji-young, Born 1982,”, “My Prince Edward”, and “Victim(s)”.
A generous share of the program is devoted to new filmmakers, including striking directorial debuts and sophomore efforts. This edition reflects today’s particularly kinetic innovations, much informed by social media and the hyper information highway. An impressive cross-section of work highlights new ideas in storytelling and tackles social mores and personal demons, including “John Denver Trending”, “Beauty Water”, “Detention”, and “IWeirDo”, to name a few. Work by first and second-time directors...
The 19th edition of the Lincoln Center’s New York Asian Film Festival will be virtual this year, and will go from August 28 to September 12, 2020. This year’s focus is on women filmmakers, under the title “Women Transforming Film.” In this year’s line-up, Nyaff spotlights titles directed and led by women — including “Heavy Craving”, “Lucky Chan-sil”, “Kim Ji-young, Born 1982,”, “My Prince Edward”, and “Victim(s)”.
A generous share of the program is devoted to new filmmakers, including striking directorial debuts and sophomore efforts. This edition reflects today’s particularly kinetic innovations, much informed by social media and the hyper information highway. An impressive cross-section of work highlights new ideas in storytelling and tackles social mores and personal demons, including “John Denver Trending”, “Beauty Water”, “Detention”, and “IWeirDo”, to name a few. Work by first and second-time directors...
- 8/11/2020
- by Grace Han
- AsianMoviePulse
New York-based distributor Cheng Cheng releases a new poster of “My Prince Edward“, the directorial debut from Hong Kong’s acclaimed scriptwriter Norris Wong. Since premiering at last year’s Taiwan Golden Horse Film Festival, the “Chinese Oscars”, the dramedy about a newly engaged Hong Kong woman trying to nullify her secret sham marriage with a mainlander has been bagging awards from the most reputed film festivals in Chinese-speaking world, including Hong Kong Film Awards, China’s Cinephile Prize and Hong Kong Film Critics Society Award. “My Prince Edward” is now one of the highest grossing and best reviewed films of the year in Hong Kong where theatrical exhibition has resumed. Cheng Cheng is planning to show this brand new title to North American audience in reopening cinemas and via virtual formats through the rest of 2020.
Norris Wong is one of the just-announced recipients of the Hong Kong Film Revival Plan Development Fund.
Norris Wong is one of the just-announced recipients of the Hong Kong Film Revival Plan Development Fund.
- 7/22/2020
- by Rhythm Zaveri
- AsianMoviePulse
Writer and director Norris Wong set her debut feature My Prince Edward in a crowded shopping district of Hong Kong, specifically the Golden Plaza mall. We’re introduced to Cheung Lei-fong (Stephy Tang) and her boyfriend Edward Yan (Chu Pak-hong), who work in a bridal shop but have yet to marry themselves. Fong is wondering whether to end the relationship when Edward suddenly proposes. That’s when Fong finds out she’s still technically in a sham marriage with Yang Shuwei (Jin Kaijie) from mainland China.
A mosaic of small, telling moments, My Prince Edward builds an intricate world of lost dreams and disappointments. Fong seems to drift passively through life, Edward has mommy issues, and Yang can’t commit to any of his plans. Yet Wong’s humor and sympathy for her characters make them people to care about.
Wong established herself as a novelist, songwriter, and screenwriter before...
A mosaic of small, telling moments, My Prince Edward builds an intricate world of lost dreams and disappointments. Fong seems to drift passively through life, Edward has mommy issues, and Yang can’t commit to any of his plans. Yet Wong’s humor and sympathy for her characters make them people to care about.
Wong established herself as a novelist, songwriter, and screenwriter before...
- 7/14/2020
- by Daniel Eagan
- The Film Stage
(Left: Stephy Tang, Right: Chu Pak Hong | Cheng Cheng Films)
New York-based distributor Cheng Cheng has acquired North American rights to “My Prince Edward,” the directorial debut from Hong Kong’s acclaimed scriptwriter Norris Wong. Since premiering at last year’s Taiwan Golden Horse Film Festival, the “Chinese Oscars”, the dramedy about a newly engaged Hong Kong woman trying to nullify her secret sham marriage with a mainlander has been bagging awards from the most reputed film festivals in Chinese-speaking world, including Hong Kong Film Awards, China’s Cinephile Prize and Hong Kong Film Critics Society Award. “My Prince Edward” is now one of the highest grossing and best reviewed films of the year in Hong Kong where theatrical exhibition has resumed. Cheng Cheng is planning to show this brand new title to North American audience in reopening cinemas and via virtual formats through the rest of 2020.
“Before “My Prince Edward,...
New York-based distributor Cheng Cheng has acquired North American rights to “My Prince Edward,” the directorial debut from Hong Kong’s acclaimed scriptwriter Norris Wong. Since premiering at last year’s Taiwan Golden Horse Film Festival, the “Chinese Oscars”, the dramedy about a newly engaged Hong Kong woman trying to nullify her secret sham marriage with a mainlander has been bagging awards from the most reputed film festivals in Chinese-speaking world, including Hong Kong Film Awards, China’s Cinephile Prize and Hong Kong Film Critics Society Award. “My Prince Edward” is now one of the highest grossing and best reviewed films of the year in Hong Kong where theatrical exhibition has resumed. Cheng Cheng is planning to show this brand new title to North American audience in reopening cinemas and via virtual formats through the rest of 2020.
“Before “My Prince Edward,...
- 7/9/2020
- by Grace Han
- AsianMoviePulse
Norris Wong studied filmmaking at Hong Kong Baptist University after finishing her first degree in biology. When she earned an Mfa in 2012, she started experimenting with short films, including “From Here to There” (2012), about two men, inseparable as teens, reconnecting with each other after a decade. In 2013, Norris won Best Screenplay at the Hong Kong FreshWave International Short Film Festival with “Fall” and went on writing and directing her first feature film “My Prince Edward“ under the guidance of the First Feature Film Initiative (Fffi) scheme.
On the occasion of “My Prince Edward” streaming at the online edition of Udine Far East Film Festival 2020 we talked with director Wong about her inspirations, why the location of her film is so important, her vision and much more.
Producer Felix Tsang of Golden Scene (International Distribution) was translating for director Wong. Matthew Scott and his students of the Far East Festival Campus...
On the occasion of “My Prince Edward” streaming at the online edition of Udine Far East Film Festival 2020 we talked with director Wong about her inspirations, why the location of her film is so important, her vision and much more.
Producer Felix Tsang of Golden Scene (International Distribution) was translating for director Wong. Matthew Scott and his students of the Far East Festival Campus...
- 7/7/2020
- by Adriana Rosati
- AsianMoviePulse
As every year, with the usual online announcement, the Festival’s director Sabrina Baracetti, has launched the 22nd edition’s Programme of the Udine Far East Film Festival 2020. This year, Sabrina talks from her office instead of the beautiful Teatro Nuovo of Udine, in a Zoom call, but the enthusiasm is as strong as ever.
After the incredible success of the lockdown teaser Programme called “Io Resto a Casa” (I Stay at Home) the Festival will continue the partnership with the online streaming platform MyMovies.it, From the 8yh of June the accreditations will be available on the Official Website
Festival Director Sabrina Baracetti
But, let’s have a look at the titles. Here are some interesting numbers: 46 Films, of which 38 in competition (the audience will be able to vote), 8 Countries, 12 Firs-time directors, and 25% of directors are women.
All The Films At A Glance. Online Festival Line-up 2020 And Territorial Restrictions...
After the incredible success of the lockdown teaser Programme called “Io Resto a Casa” (I Stay at Home) the Festival will continue the partnership with the online streaming platform MyMovies.it, From the 8yh of June the accreditations will be available on the Official Website
Festival Director Sabrina Baracetti
But, let’s have a look at the titles. Here are some interesting numbers: 46 Films, of which 38 in competition (the audience will be able to vote), 8 Countries, 12 Firs-time directors, and 25% of directors are women.
All The Films At A Glance. Online Festival Line-up 2020 And Territorial Restrictions...
- 6/4/2020
- by Adriana Rosati
- AsianMoviePulse
The festival will play 46 features from eight Asian countries.
Udine’s Far East Film Festival (Feff) has revealed a lineup of 46 features including four world premieres, for the online-only edition of the event that will run from June 26 until July 4.
It will open with the international premiere of Lee Hae-jun and Kim Byung-seo’s disaster action film Ashfall, available to viewers in Europe only.
The film was a blockbuster hit in South Korea over Christmas, grossing almost $60m (£47.9m) by the end of January.
The world premieres are Ning Yuanyuan’s Chinese title An Insignificant Affair; Daigo Matsui’s Japanese...
Udine’s Far East Film Festival (Feff) has revealed a lineup of 46 features including four world premieres, for the online-only edition of the event that will run from June 26 until July 4.
It will open with the international premiere of Lee Hae-jun and Kim Byung-seo’s disaster action film Ashfall, available to viewers in Europe only.
The film was a blockbuster hit in South Korea over Christmas, grossing almost $60m (£47.9m) by the end of January.
The world premieres are Ning Yuanyuan’s Chinese title An Insignificant Affair; Daigo Matsui’s Japanese...
- 6/4/2020
- by 1101321¦Ben Dalton¦26¦
- ScreenDaily
Hong Kong Arts Centre: Moving Images announces their May programme, which includes their Golden Scene Selection, “Hong Kong Short Film: New Action Express” Online Short Film Selection: And Here Comes the Dawn, Hong Kong Arts Centre x Hong Kong Independent Film Festival – Independently Yours: Memories to Choke On, Drinks to Wash Them Down and Independently Yours – May.
Golden Scene Selection – May
Venue: Louis Koo Cinema, Hong Kong Arts Centre Date: 2020.05.26 – 2020.05.31Price: Standard ticket: $80. Tickets are now available at Putyourself.in.
“Golden Scene Selection”, proudly presented by the Hong Kong Arts Centre (Hkac) and Golden Scene Company Limited, will bring the audience a series of cherry-picked selections from around the world at the Hkac.Screening Schedule26/5 (Tue) 8pm Suk Suk (Preview)27/5 (Wed) 8pm Beyond The Dream (Preview)28/5 (Thu) 8pm My Prince Edward (Preview)29/5 (Fri) 8pm Tora-san, Wish You Were Here*30/5 (Sat) 3pm Beyond The Dream (Preview)30/5 (Sat) 7pm Suk Suk31/5 (Sun) 3pm Tora-san,...
Golden Scene Selection – May
Venue: Louis Koo Cinema, Hong Kong Arts Centre Date: 2020.05.26 – 2020.05.31Price: Standard ticket: $80. Tickets are now available at Putyourself.in.
“Golden Scene Selection”, proudly presented by the Hong Kong Arts Centre (Hkac) and Golden Scene Company Limited, will bring the audience a series of cherry-picked selections from around the world at the Hkac.Screening Schedule26/5 (Tue) 8pm Suk Suk (Preview)27/5 (Wed) 8pm Beyond The Dream (Preview)28/5 (Thu) 8pm My Prince Edward (Preview)29/5 (Fri) 8pm Tora-san, Wish You Were Here*30/5 (Sat) 3pm Beyond The Dream (Preview)30/5 (Sat) 7pm Suk Suk31/5 (Sun) 3pm Tora-san,...
- 5/20/2020
- by Rhythm Zaveri
- AsianMoviePulse
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