Anya Taylor-Joy, Ryan Gosling, Ry Barrett, Garfield, Odie, Owen TeaguePhoto: Warner Bros. Pictures, Eric Laciste (Universal Pictures), Pierce Derks (IFC Films & Shudder), Project G Productions, LLC, 20th Century Studios
And so the summer movie season begins with a whimper. Unfortunately, because of the work stoppages last summer that the studios...
And so the summer movie season begins with a whimper. Unfortunately, because of the work stoppages last summer that the studios...
- 4/26/2024
- by Matt Schimkowitz
- avclub.com
In his Sundance review, Matt Donato wrote that Chris Nash's In a Violent Nature "...gushes exquisite gore and reimagines the slasher structure with newfound originality," and ahead of its May 31st theatrical release via IFC Films, the film's official trailer teases some of the new movie's macabre moments after a corpse is resurrected for a vengeful rampage in the woods.
Synopsis: When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and proceeds to methodically slaughter them one by one in his mission to get it back - along with anyone in his way.
Writer / Director: Chris Nash
Starring: Ry Barrett, Andrea Pavlovic,...
Synopsis: When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 60-year old crime, his body is resurrected and becomes hellbent on retrieving it. The undead golem hones in on the group of vacationing teens responsible for the theft and proceeds to methodically slaughter them one by one in his mission to get it back - along with anyone in his way.
Writer / Director: Chris Nash
Starring: Ry Barrett, Andrea Pavlovic,...
- 3/21/2024
- by Derek Anderson
- DailyDead
The Alexa 35 is booming! As IndieWire released its camera survey, it seems that the new Super 35 flagship from Arri is among the most popular cameras chosen by Sundance 2024’s filmmakers. The Arri 35 causes the notable Super 35 format to go back to the game. Furthermore, the Arri Alexa Mini is the most popular camera five years in a row. Watch the segmentation.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
Sundance 2024’s Narratives: Camera Manufacturers’ chart
As you can see in the chart, Super 35 is the dominant format. As we thought that large sensors would pull down the notable Super 35, it’s not as simple as that, since the Arri 35 kicks the Super 35 to the popularity line again. Additionally, this is the first time that we have seen a solid presence of the Arri 35 in our charts. Head to head with the old (and mighty) Alexa Mini, the Arri 35 is climbing strong and may become the most preferred camera among storytellers.
- 1/29/2024
- by Yossy Mendelovich
- YMCinema
Writer/Director Chris Nash’s feature debut, In a Violent Nature, upends a straightforward Friday the 13th-inspired slasher concept by reframing the events almost entirely from the perspective of the undead killer. That’s not the only massive shift that sets Nash’s slasher apart from conventional fare. In a Violent Nature may offer slasher thrills and a delightfully gory rampage across the wilderness, but Nash’s approach captures the carnage through ambient realism. It results in a fascinating arthouse horror experiment that plays more like a minimalist slice-of-life feature with a grim twist.
The opening frame signals a vastly different type of slasher as unseen voices recount the local legend of the White Pines slaughter as the camera fixates on the remnants of a dilapidated fire tower. Once those voices retreat back to their friend group for a weekend of fun in the woods, undead Johnny (Ry Barrett) awakens...
The opening frame signals a vastly different type of slasher as unseen voices recount the local legend of the White Pines slaughter as the camera fixates on the remnants of a dilapidated fire tower. Once those voices retreat back to their friend group for a weekend of fun in the woods, undead Johnny (Ry Barrett) awakens...
- 1/25/2024
- by Meagan Navarro
- bloody-disgusting.com
A slow-cinema spin on well-burnished tropes, In a Violent Nature largely strips the artifice of the slasher formula, which dictates a deformed man must hunt down attractive teens or young adults in either the woods or suburbia. A film built around a mythology that comes to life, as our killer rises from a grave, Chris Nash’s picture could almost be the kind of film Kelly Reichardt might make if her current patron A24 asked her to make a slasher flick.
The result is a deconstruction of all of the clichés that never quite comes into its own, suffering from the same shortcomings as David Gordon Green’s more traditional slasher character study Halloween Ends. The story is told largely from the perspective of a masked killer who may or may not be the son of a rural logging town figure who was executed due to a vendetta. Like László...
The result is a deconstruction of all of the clichés that never quite comes into its own, suffering from the same shortcomings as David Gordon Green’s more traditional slasher character study Halloween Ends. The story is told largely from the perspective of a masked killer who may or may not be the son of a rural logging town figure who was executed due to a vendetta. Like László...
- 1/25/2024
- by John Fink
- The Film Stage
In A Violent Nature might be Canadian writer and director Chris Nash’s feature debut, but he’s hardly an untested rookie (and it shows). His ABCs of Death 2 segment “Z is for Zygote” teases his knack for producing practical effects and what to expect by the bucket full in his subversive Sundance slasher. Nash’s experience in effects departments, like serving as On-Set Creature Effects Supervisor for Psycho Goreman, translates into a slasher experience that stands pound-for-pound with modern masterclasses of mutilation like the Terrifier series. In A Violent Nature is one of the bloodiest, most punishing, and refreshingly original slashers in some time, but its unique approach will divide horror audiences — that’s the looming risk that comes along with shoot-for-the-moon ambitions.
Everything starts at the site of the “White Pines Slaughter.” Cinematographer Pierce Derks opens on a shot of rotted and mossy wood planks, remnants of a...
Everything starts at the site of the “White Pines Slaughter.” Cinematographer Pierce Derks opens on a shot of rotted and mossy wood planks, remnants of a...
- 1/23/2024
- by Matt Donato
- DailyDead
Slasher movies often droop between grisly highlights due to the weak plotting and cardboard characters meant to lend structural integrity to their shock content. “In a Violent Nature” avoids those pitfalls by pretty much sidestepping entirely the standard niceties of narrative and psychological detail. There is explanatory backstory — however piecemeal and possibly-inaccurate — but otherwise writer-director Chris Nash’s first feature approaches the usual bloody business with a sort of minimalist purity, enabled by focusing almost wholly on the Pov of one Unstoppable Killing Machine.
It’s a gambit that might easily turn monotonous. Yet this Canadian indie manages to keep us engaged, stirring queasy viewer dread if not much outright terror. Premiering in Sundance’s Midnight section, the Shudder Original is slated to begin streaming on that genre platform sometime this spring.
We seem to be back in “Blair Witch” territory at the beginning (and again during a panicked stretch...
It’s a gambit that might easily turn monotonous. Yet this Canadian indie manages to keep us engaged, stirring queasy viewer dread if not much outright terror. Premiering in Sundance’s Midnight section, the Shudder Original is slated to begin streaming on that genre platform sometime this spring.
We seem to be back in “Blair Witch” territory at the beginning (and again during a panicked stretch...
- 1/23/2024
- by Dennis Harvey
- Variety Film + TV
Sundance 2024 Midnight selection In A Violent Nature puts a twist on the slasher film by sticking with its killer rather than its victim. Shot in woods of Northern Ontario, much of the film consists of one figure navigating that locale rather than advancing the story in the tried-and-true methods associated with the genre. Below, cinematographer Pierce Derks discusses the difficulties of shooting in such a remote location and how, with limited equipment, the crew found a setup that achieved the look that they wanted. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up […]
The post “Instead of Fighting Those Limitations, I Had to Learn to Embrace Them”: Dp Pierce Derks on In A Violent Nature first appeared on Filmmaker Magazine.
The post “Instead of Fighting Those Limitations, I Had to Learn to Embrace Them”: Dp Pierce Derks on In A Violent Nature first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine-Director Interviews
Sundance 2024 Midnight selection In A Violent Nature puts a twist on the slasher film by sticking with its killer rather than its victim. Shot in woods of Northern Ontario, much of the film consists of one figure navigating that locale rather than advancing the story in the tried-and-true methods associated with the genre. Below, cinematographer Pierce Derks discusses the difficulties of shooting in such a remote location and how, with limited equipment, the crew found a setup that achieved the look that they wanted. See all responses to our annual Sundance cinematographer interviews here. Filmmaker: How and why did you wind up […]
The post “Instead of Fighting Those Limitations, I Had to Learn to Embrace Them”: Dp Pierce Derks on In A Violent Nature first appeared on Filmmaker Magazine.
The post “Instead of Fighting Those Limitations, I Had to Learn to Embrace Them”: Dp Pierce Derks on In A Violent Nature first appeared on Filmmaker Magazine.
- 1/22/2024
- by Filmmaker Staff
- Filmmaker Magazine - Blog
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