There are plenty of stories about criminals, their paths to salvation, and being mired in a cycle of poor decisions. “Florida Man” recounts the same narrative in a more humorous and pulpy tone. With excellent performances and an intricate plotline, the series pulls off the feat of providing an entertaining show to a specific sort of audience that is always craving crime thrillers. However, too many subplots, turns, and twists in “Florida Man” final episode feel unnecessary and seem to have been inserted simply to extend the story rather than bring it to a satisfying conclusion. From the very start of the series, the several subplots didn’t bore us, but at the ending, it felt predictable and didn’t really surprise us. However, let’s explore the ending to know better where the story of “Florida Man ” actually headed.
Spoilers Ahead
Who Killed Moss? What Happened To Delly?
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Spoilers Ahead
Who Killed Moss? What Happened To Delly?
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- 4/16/2023
- by Poulami Nanda
- Film Fugitives
Florida Man is a Netflix series created and directed by Donald Todd and starring Édgar Ramírez and Abadía Lee, is a drama in the world of mobsters full of entanglements.
An “American-style” thriller that leaves us the best and the least good of the entertainment industry: the system knows how to create a great production without risking the slightest.
Without being salient, it has all the elements of an 80’s thriller, those that didn’t go down in history and didn’t pretend to, but that gave us so many good moments.
About the Series
A film that does not want to stand out and that, full of desires to achieve in the cinematographic aspect, is born without the taste needed to be outstanding, but as a perfect television product in which good professionals get, without too much effort, “just another day at the office”.
A Florida Man tastes like a “serial” series,...
An “American-style” thriller that leaves us the best and the least good of the entertainment industry: the system knows how to create a great production without risking the slightest.
Without being salient, it has all the elements of an 80’s thriller, those that didn’t go down in history and didn’t pretend to, but that gave us so many good moments.
About the Series
A film that does not want to stand out and that, full of desires to achieve in the cinematographic aspect, is born without the taste needed to be outstanding, but as a perfect television product in which good professionals get, without too much effort, “just another day at the office”.
A Florida Man tastes like a “serial” series,...
- 4/13/2023
- by Veronica Loop
- Martin Cid - TV
Exclusive: Isaiah Johnson is set as a series regular and Sibongile Mlambo, Paul Schneider, Lauren Buglioli and Michael Esper have been tapped for recurring roles in Netflix’s Florida Man, its eight-episode series starring Edgar Ramírez, from veteran TV writer producer Donald Todd and Jason Bateman & Michael Costigan’s Aggregate Films.
In Florida Man, created by Todd, when a struggling ex-cop (Ramírez) is forced to return to his home state of Florida to find a Philly mobster’s runaway girlfriend, what should be a quick gig becomes a spiraling journey into buried family secrets and an increasingly futile attempt to do the right thing in a place where so much is wrong. The series is described as a wild odyssey into a sunny place for shady people in the spirit of Body Heat and Elmore Leonard’s Out of Sight.
Johnson will play Benny, the people-loving Haitian immigrant who owns the Florida motel.
In Florida Man, created by Todd, when a struggling ex-cop (Ramírez) is forced to return to his home state of Florida to find a Philly mobster’s runaway girlfriend, what should be a quick gig becomes a spiraling journey into buried family secrets and an increasingly futile attempt to do the right thing in a place where so much is wrong. The series is described as a wild odyssey into a sunny place for shady people in the spirit of Body Heat and Elmore Leonard’s Out of Sight.
Johnson will play Benny, the people-loving Haitian immigrant who owns the Florida motel.
- 8/18/2021
- by Denise Petski
- Deadline Film + TV
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