Ryan Lambie Mar 28, 2017
Creepy sets, gore, a sweary Emile Hirsch and lots of gallows humour. We visited the set of indie horror, The Autopsy Of Jane Doe...
Nb: The following contains some saucy language and discussions that some may consider Not Safe For Work.
Half an hour out east on the Hammersmith & City Line, across a busy dual carriage way, just down from a branch of Tesco’s and tucked away in an old warehouse, about 200 people are making a horror film.
The warehouse interior is now, thanks to the ingenuity of production designer Matt Gant and a few dozen set builders, a basement mortuary in Virginia. There are long corridors. Low lighting that picks out the Victorian wallpaper but leaves corners shrouded in deep shadow. A junk-strewn room houses a man-sized furnace, something the production designer jokingly refers to as “the pizza oven”, but is actually a place where...
Creepy sets, gore, a sweary Emile Hirsch and lots of gallows humour. We visited the set of indie horror, The Autopsy Of Jane Doe...
Nb: The following contains some saucy language and discussions that some may consider Not Safe For Work.
Half an hour out east on the Hammersmith & City Line, across a busy dual carriage way, just down from a branch of Tesco’s and tucked away in an old warehouse, about 200 people are making a horror film.
The warehouse interior is now, thanks to the ingenuity of production designer Matt Gant and a few dozen set builders, a basement mortuary in Virginia. There are long corridors. Low lighting that picks out the Victorian wallpaper but leaves corners shrouded in deep shadow. A junk-strewn room houses a man-sized furnace, something the production designer jokingly refers to as “the pizza oven”, but is actually a place where...
- 3/27/2017
- Den of Geek
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