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The rom-com is a genre that leans into the restoration of order. No matter how messy things are when we start, by the end of a tiny 90 minutes, we can count on the boy getting the girl or the girl getting the boy or — as things get more progressive — the gender/gender identity/sexual orientation combination of your choosing, provided that we reach “happiness.” It’s a genre that’s satisfying, but the potential for dull inevitability has encouraged storytellers to subvert expectations, upping the stakes on the screwball antics and challenging our notions of what “happy” endings even look like.
The rise of more close-ended stories on the small screen has been particularly fertile ground for rom-com subversion, with results ranging from brilliant (Netflix’s The End of the F***ing World) to forgettable (Hulu’s Four Weddings and a Funeral) to ambitious...
The rom-com is a genre that leans into the restoration of order. No matter how messy things are when we start, by the end of a tiny 90 minutes, we can count on the boy getting the girl or the girl getting the boy or — as things get more progressive — the gender/gender identity/sexual orientation combination of your choosing, provided that we reach “happiness.” It’s a genre that’s satisfying, but the potential for dull inevitability has encouraged storytellers to subvert expectations, upping the stakes on the screwball antics and challenging our notions of what “happy” endings even look like.
The rise of more close-ended stories on the small screen has been particularly fertile ground for rom-com subversion, with results ranging from brilliant (Netflix’s The End of the F***ing World) to forgettable (Hulu’s Four Weddings and a Funeral) to ambitious...
- 9/7/2022
- by Daniel Fienberg
- The Hollywood Reporter - Movie News
Disney+ has unveiled the official trailer for its first UK Original series, the rom-com action thriller Wedding Season.
The eight-episode series is genre-busting series telling the story of Katie and Stefan who fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. The police think Stefan did it. Stefan thinks Katie did it. And no one knows for sure what the truth is…
An action-packed romp across the UK and the US as Katie and Stefan go on the run, all while trying to prove their innocence.
Created and executive produced by up-and-coming screenwriting talent Oliver Lyttelton (“Cheaters”) and directed by George Kane (“Crashing”) and Laura Scrivano (“The Lazarus Project”), the series stars Rosa Salazar and Gavin Drea, with Jade Harrison, Jamie Michie, Callie Cooke, Bhav Joshi,...
The eight-episode series is genre-busting series telling the story of Katie and Stefan who fall for each other at a wedding and begin an affair, despite Katie already having a fiancé. Two months later at Katie’s wedding, her new husband and his entire family are murdered. The police think Stefan did it. Stefan thinks Katie did it. And no one knows for sure what the truth is…
An action-packed romp across the UK and the US as Katie and Stefan go on the run, all while trying to prove their innocence.
Created and executive produced by up-and-coming screenwriting talent Oliver Lyttelton (“Cheaters”) and directed by George Kane (“Crashing”) and Laura Scrivano (“The Lazarus Project”), the series stars Rosa Salazar and Gavin Drea, with Jade Harrison, Jamie Michie, Callie Cooke, Bhav Joshi,...
- 8/12/2022
- by Zehra Phelan
- HeyUGuys.co.uk
Disney+ is giving fans a first look at upcoming U.K. original series “Wedding Season” in a new trailer.
Not to be confused with the recent Netflix film, Disney+’s “Wedding Season” is a “genre busting” eight-part dark comedy that sees a bride’s new family poisoned on the night of her wedding.
The Maze Runner franchise’s Rosa Salazar plays Katie, who meets Stefan (Gavin Drea of “Vikings: Valhalla”) at a wedding. The duo quickly strike up an affair – despite the fact Katie is due to get married to someone else in two months. On the night of her wedding, Katie’s new husband is mysteriously found dead – along with his entire family – and Stefan quickly becomes the main suspect.
Stefan, meanwhile, is wondering whether Katie may be capable of more than just infidelity.
“The series is an action-packed romp across the U.K. and the U.S. as...
Not to be confused with the recent Netflix film, Disney+’s “Wedding Season” is a “genre busting” eight-part dark comedy that sees a bride’s new family poisoned on the night of her wedding.
The Maze Runner franchise’s Rosa Salazar plays Katie, who meets Stefan (Gavin Drea of “Vikings: Valhalla”) at a wedding. The duo quickly strike up an affair – despite the fact Katie is due to get married to someone else in two months. On the night of her wedding, Katie’s new husband is mysteriously found dead – along with his entire family – and Stefan quickly becomes the main suspect.
Stefan, meanwhile, is wondering whether Katie may be capable of more than just infidelity.
“The series is an action-packed romp across the U.K. and the U.S. as...
- 8/11/2022
- by K.J. Yossman
- Variety Film + TV
(L-r) Samantha Collins, Jessie Mangum and Laura Scrivano.
While she was studying at the UK’s National Film and Television School six years ago, Australian-British screenwriter Samantha Collins wrote a screenplay about an Australian woman who goes to London in search of her missing sister.
Collins began developing the psychological drama a couple of years ago with another UK-based Aussie expat, producer Jessie Mangum.
Both women admired the works of London-based Italian-Australian filmmaker Laura Scrivano, particularly her short film Alice which starred Sarah Snook, and invited her to join the project.
Now entitled My Sister Ellie, it’s among 13 projects selected for Attagirl, the feature film development lab for female and non-binary creative teams.
Collins’ screenplay follows an Australian woman who abandons her life for a British winter, determined to bring home her pregnant sister, the surrogate of her unborn child. Clutching at clues trailing from London to the Kent coast,...
While she was studying at the UK’s National Film and Television School six years ago, Australian-British screenwriter Samantha Collins wrote a screenplay about an Australian woman who goes to London in search of her missing sister.
Collins began developing the psychological drama a couple of years ago with another UK-based Aussie expat, producer Jessie Mangum.
Both women admired the works of London-based Italian-Australian filmmaker Laura Scrivano, particularly her short film Alice which starred Sarah Snook, and invited her to join the project.
Now entitled My Sister Ellie, it’s among 13 projects selected for Attagirl, the feature film development lab for female and non-binary creative teams.
Collins’ screenplay follows an Australian woman who abandons her life for a British winter, determined to bring home her pregnant sister, the surrogate of her unborn child. Clutching at clues trailing from London to the Kent coast,...
- 9/13/2020
- by The IF Team
- IF.com.au
Film lab includes projects from the UK, US, Canada and Australia.
Thirteen international projects have been selected for the inaugural development lab Attagirl, designed to support female and non-binary filmmakers.
It is an initiative of Australia’s For FIlm’s Sake and is supported by Screen Australia’s Enterprise Business and Ideas programme, advocacy organisation For Film’s Sake, and the Toronto and Sydney International Film Festivals.
The first of three workshops in a 10-month programme will take place this week. It will include projects spanning the US, Canada, UK, Australia, Sweden and New Zealand and will include creatives from Mexico and Trinidad.
Thirteen international projects have been selected for the inaugural development lab Attagirl, designed to support female and non-binary filmmakers.
It is an initiative of Australia’s For FIlm’s Sake and is supported by Screen Australia’s Enterprise Business and Ideas programme, advocacy organisation For Film’s Sake, and the Toronto and Sydney International Film Festivals.
The first of three workshops in a 10-month programme will take place this week. It will include projects spanning the US, Canada, UK, Australia, Sweden and New Zealand and will include creatives from Mexico and Trinidad.
- 9/11/2020
- by Michael Rosser
- ScreenDaily
In today’s Global Bulletin, U.K. film bodies respond to AMPAS’ new diversity requirements, ITV details its upcoming virtual TV festival, For Film’s Sake announces the 13 projects selected for its inaugural Attagirl lab, Mexico’s Pixelatl and Cartoon Network Latin America announce their third annual Girl Power winner, Switzerland’s Zurich Film Festival reveals its 2020 Hashtag sidebar, and full casting for Canadian comedy series “Lady Dicks” is confirmed.
Representation
The U.K.’s leading film bodies have weighed in on the Oscars’ recently announced diversity requirements. On Tuesday, following several years of a membership drive designed to increase diverse representation, the Academy of Motion Pictures Arts and Sciences (AMPAS) announced new eligibility standards requiring enhanced diversity in both above and below the line talent.
“We welcome AMPAS’s announcement of representation and inclusion standards inspired by our own BFI Diversity Standards,” said British Film Institute chief executive Ben Roberts.
Representation
The U.K.’s leading film bodies have weighed in on the Oscars’ recently announced diversity requirements. On Tuesday, following several years of a membership drive designed to increase diverse representation, the Academy of Motion Pictures Arts and Sciences (AMPAS) announced new eligibility standards requiring enhanced diversity in both above and below the line talent.
“We welcome AMPAS’s announcement of representation and inclusion standards inspired by our own BFI Diversity Standards,” said British Film Institute chief executive Ben Roberts.
- 9/9/2020
- by Jamie Lang
- Variety Film + TV
‘Fads and Miracles’ (Photo credit: Matt Sav.)
Tracey Rigney, Emma Freeman, Tanya Modini, Laura Scrivano, Zoe Pepper, Eve Spence and Amin Palangi are among the directors who will take part in Attagirl, the new lab dedicated to creating production and distribution pathways for feature films by female and non-binary creative teams.
Six Australian projects and one from New Zealand are among 13 from around the world selected for the lab designed and run by For Film’s Sake (Ffs), financially supported by Screen Australia’s Enterprise Business and Ideas funding program and other Australian and international screen agencies.
The first of three workshops consisting of nine days of project development during TIFF’s Industry Conference and digital festival begins tomorrow. The second next January will look at ways to identify and reach the target audience, including digital distribution and the future of exhibition.
The third, affiliated with the Sydney Film Festival in June,...
Tracey Rigney, Emma Freeman, Tanya Modini, Laura Scrivano, Zoe Pepper, Eve Spence and Amin Palangi are among the directors who will take part in Attagirl, the new lab dedicated to creating production and distribution pathways for feature films by female and non-binary creative teams.
Six Australian projects and one from New Zealand are among 13 from around the world selected for the lab designed and run by For Film’s Sake (Ffs), financially supported by Screen Australia’s Enterprise Business and Ideas funding program and other Australian and international screen agencies.
The first of three workshops consisting of nine days of project development during TIFF’s Industry Conference and digital festival begins tomorrow. The second next January will look at ways to identify and reach the target audience, including digital distribution and the future of exhibition.
The third, affiliated with the Sydney Film Festival in June,...
- 9/8/2020
- by The IF Team
- IF.com.au
The Edinburgh TV festival has revealed the 30 successful candidates selected for its popular ‘Ones to Watch’ program.
Reflecting the nature of the U.K. television industry, more than 70% of the candidates, including producers, directors, writers and journalists, are freelance, and the rest are from leading production companies and broadcasters, including the BBC, Lime Pictures, True North and Rdf. Of the 30 selected, 77% are women, 40% are from Black, Asian and Minority Ethnic (Bame) backgrounds, 37% work outside of London and 33% are disabled.
The candidates will benefit from bespoke sessions and training, access to the digital edition of the TV Festival in August, and receive 12 months of mentoring from senior industry figures.
Founded in 1994, ‘Ones to Watch’ is designed for those who have three or more years’ experience in TV and are looking to make the next major move in their career. “House Through Time” host David Olusoga, who is delivering the festival’s MacTaggart Lecture this year,...
Reflecting the nature of the U.K. television industry, more than 70% of the candidates, including producers, directors, writers and journalists, are freelance, and the rest are from leading production companies and broadcasters, including the BBC, Lime Pictures, True North and Rdf. Of the 30 selected, 77% are women, 40% are from Black, Asian and Minority Ethnic (Bame) backgrounds, 37% work outside of London and 33% are disabled.
The candidates will benefit from bespoke sessions and training, access to the digital edition of the TV Festival in August, and receive 12 months of mentoring from senior industry figures.
Founded in 1994, ‘Ones to Watch’ is designed for those who have three or more years’ experience in TV and are looking to make the next major move in their career. “House Through Time” host David Olusoga, who is delivering the festival’s MacTaggart Lecture this year,...
- 7/29/2020
- by Naman Ramachandran
- Variety Film + TV
Sbs's countdown to Tropfest highlights the best of short film ahead of the summer festival. Which are your favourites?
For Australian film fans, Tropfest is a summer essential that has long been celebrated with a picnic in Sydney's Domain – or other outdoor venues broadcasting around the country – while keeping a wary eye on summer storm clouds. So those with both sunbaked and sodden memories of battling the crowds and the elements to champion short films will surely join me in welcoming the launch of Tropfest TV. Launched on Sunday night, the next 12 weeks, SBS2 has the next 12 weeks sorted with weekly thematically linked selections of Tropfest shorts from home and away, including New Zealand, USA and the Middle East.
I can trace my love of short films back to Disney's 1952 classic Lambert the Sheepish Lion. I must have watched that eight-minute fable a thousand times as a child. These days,...
For Australian film fans, Tropfest is a summer essential that has long been celebrated with a picnic in Sydney's Domain – or other outdoor venues broadcasting around the country – while keeping a wary eye on summer storm clouds. So those with both sunbaked and sodden memories of battling the crowds and the elements to champion short films will surely join me in welcoming the launch of Tropfest TV. Launched on Sunday night, the next 12 weeks, SBS2 has the next 12 weeks sorted with weekly thematically linked selections of Tropfest shorts from home and away, including New Zealand, USA and the Middle East.
I can trace my love of short films back to Disney's 1952 classic Lambert the Sheepish Lion. I must have watched that eight-minute fable a thousand times as a child. These days,...
- 9/10/2013
- by Alice Tynan
- The Guardian - Film News
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