Xavier Giannoli is one of those rare French directors who has a stronger relationship with the Venice Film Festival than Cannes back home.
He has competed for Venice’s Golden Lion three times in the last decade with Superstar (2012), Marguerite (2015) and the sumptuous Honoré de Balzac adaptation Lost Illusions (2021).
The filmmaker is back for a fourth time this year playing Out of Competition with his first-ever drama series, the international thriller Of Money And Blood. All 12 episodes will world premiere in a marathon screening on Thursday, with further seances at the back end of the festival.
Liberally adapted from the eponymous book by investigative journalist Fabrice Arfi, the series delves into a real-life, carbon credit tax scam, which swindled the French state of at least $1.7 billion, in an operation that came to be known as the “fraud of the century” when it came to trial in 2018.
Related: Venice Film Festival...
He has competed for Venice’s Golden Lion three times in the last decade with Superstar (2012), Marguerite (2015) and the sumptuous Honoré de Balzac adaptation Lost Illusions (2021).
The filmmaker is back for a fourth time this year playing Out of Competition with his first-ever drama series, the international thriller Of Money And Blood. All 12 episodes will world premiere in a marathon screening on Thursday, with further seances at the back end of the festival.
Liberally adapted from the eponymous book by investigative journalist Fabrice Arfi, the series delves into a real-life, carbon credit tax scam, which swindled the French state of at least $1.7 billion, in an operation that came to be known as the “fraud of the century” when it came to trial in 2018.
Related: Venice Film Festival...
- 8/31/2023
- by Melanie Goodfellow
- Deadline Film + TV
The Last Days of Disco. Barely a few minutes into Whit Stillman’s The Last Days of Disco (1998), a young Manhattanite refers to the city’s bustling nightclub scene as a full-blown movement—partying is not a lifestyle nor a hobby, but a kind of mission. His name is Josh (Matt Keeslar), a recent graduate who still cringes at the “social wasteland” of his college years, and evidently thought clubs would fix that overnight. “What I found so encouraging,” he tells a pal, “was the idea that when the time came to have a social life, there’d be all these places where people could go to.” Except the right places are impossible to get into. Ironically, the disco enthusiast has never actually stepped foot inside a disco, and as he sneaks his way into one of New York’s most iconic, he marvels at the neon-lit world as if...
- 7/10/2023
- MUBI
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