Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from the wrongheaded to the correct opinion.
The list of sequels to masterpieces that can be considered masterpieces themselves isn’t a very long one; “The Godfather Part II” is an obvious candidate, and arguments can be made for James Cameron‘s “Aliens” and “Terminator 2: Judgment Day.” “Blade Runner 2049,” “Mad Max: Fury Road,” and “The Color of Money” all have their partisans, and Ingmar Bergman scored a late-career triumph with his “Scenes From a Marriage” sequel “Saraband.” One movie that almost never gets mentioned in this company is “The Two Jakes,” the 1990 sequel to “Chinatown” directed by its star,...
The list of sequels to masterpieces that can be considered masterpieces themselves isn’t a very long one; “The Godfather Part II” is an obvious candidate, and arguments can be made for James Cameron‘s “Aliens” and “Terminator 2: Judgment Day.” “Blade Runner 2049,” “Mad Max: Fury Road,” and “The Color of Money” all have their partisans, and Ingmar Bergman scored a late-career triumph with his “Scenes From a Marriage” sequel “Saraband.” One movie that almost never gets mentioned in this company is “The Two Jakes,” the 1990 sequel to “Chinatown” directed by its star,...
- 3/6/2024
- by Jim Hemphill
- Indiewire
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