Carmen, Juni, and the rest of the Cortez family are back for another butt-kicking spy adventure. In April, Netflix announced that Robert Rodriguez, the original director of the 2000s action films, signed on to write and direct an upcoming "Spy Kids" reboot movie. Skydance Media optioned the film rights to Netflix with the intention of reimagining the spy thriller for a modern audience, according to Variety.
Officially titled "Spy Kids: Armageddon," the new project will be the fifth installment in the "Spy Kids" franchise, following the original 2001 "Spy Kids" and it's three sequels: "Spy Kids 2: The Island of Lost Dreams," "Spy Kids 3-D: Game Over," and "Spy Kids: All the Time in the World." If you've ever stared off into the distance pondering the complexities of Steve Buscemi's deeply existential quote in "Spy Kids 2," or if you're still waiting on that instant Happy Meal microwave to hit the market,...
Officially titled "Spy Kids: Armageddon," the new project will be the fifth installment in the "Spy Kids" franchise, following the original 2001 "Spy Kids" and it's three sequels: "Spy Kids 2: The Island of Lost Dreams," "Spy Kids 3-D: Game Over," and "Spy Kids: All the Time in the World." If you've ever stared off into the distance pondering the complexities of Steve Buscemi's deeply existential quote in "Spy Kids 2," or if you're still waiting on that instant Happy Meal microwave to hit the market,...
- 7/31/2023
- by Chanel Vargas
- Popsugar.com
This week’s Shot by Shot podcast tackles one of the greatest films of all-time. We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one […]
The article The Perfect Shots of ‘Vertigo’ appeared first on Film School Rejects.
The article The Perfect Shots of ‘Vertigo’ appeared first on Film School Rejects.
- 4/26/2017
- by H. Perry Horton
- FilmSchoolRejects.com
This week’s Shot by Shot podcast tackles one of the greatest films of all-time.
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
We’re going all in for the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, in which myself and co-host Geoff Todd are talking about a film most consider to be one of the best ever made, and some consider the best ever made: Alfred Hitchcock’s 1958 masterpiece Vertigo, which was shot by Hitch’s most frequent collaborator, Oscar-winning cinematographer Robert Burks.
Vertigo is hands down Hitchcock’s most experimental film, and as a result it boasts the most innovative and nuanced cinematography of the director’s career, including the dolly zoom, a shot so synonymous with the film it was once primarily known as “the Vertigo shot.”
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from...
- 4/26/2017
- by H. Perry Horton
- FilmSchoolRejects.com
‘Vertigo,’ ‘Free Fire,’ and Much, Much More
This week on the One Perfect Podcast Channel we have a score of great shows coming up.
First off, Matthew Monagle is joined by critic Tomris Laffly to discuss — what else? — Ben Wheatley’s Free Fire starring Brie Larson, Armie Hammer, and Cillian Murphy. If you don’t know the format, Monagle and his guest discuss the film both before and after seeing it, weighing expectations against reality. The result is a review show unlike every other, and one you have to check it out.
Then on Shot by Shot, the cinematography podcast hosted by myself and One Perfect Shot creator Geoff Todd, we’re talking about a film many consider to be the greatest ever made, Alfred Hitchcock’s Vertigo, which was shot by the Master of Suspense’s favorite Dp, the great Robert Burks.
Then there’s Neil Miller’s The Big Idea, the...
This week on the One Perfect Podcast Channel we have a score of great shows coming up.
First off, Matthew Monagle is joined by critic Tomris Laffly to discuss — what else? — Ben Wheatley’s Free Fire starring Brie Larson, Armie Hammer, and Cillian Murphy. If you don’t know the format, Monagle and his guest discuss the film both before and after seeing it, weighing expectations against reality. The result is a review show unlike every other, and one you have to check it out.
Then on Shot by Shot, the cinematography podcast hosted by myself and One Perfect Shot creator Geoff Todd, we’re talking about a film many consider to be the greatest ever made, Alfred Hitchcock’s Vertigo, which was shot by the Master of Suspense’s favorite Dp, the great Robert Burks.
Then there’s Neil Miller’s The Big Idea, the...
- 4/24/2017
- by H. Perry Horton
- FilmSchoolRejects.com
On this week’s Shot by Shot podcast we’re dodging zombies.
If it’s Wednesday, errr Thursday (apologies for the delay), it must be time for another episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects hosted by myself and Ops founder Geoff Todd. This week we’re tackling our first comedy on the ‘cast, Edgar Wright’s debut feature Shaun of the Dead, starring — duh — Simon Pegg and Nick Frost and shot by cinematographer David M. Dunlap.
Comedy isn’t often thought of as being especially cinematographical, but that’s one way in which Shaun stands out: the film is full of crafty techniques and stylish flourishes that not only spice up the film’s visual landscape, they also contribute to tone, atmosphere, and even narrative.
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a...
If it’s Wednesday, errr Thursday (apologies for the delay), it must be time for another episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects hosted by myself and Ops founder Geoff Todd. This week we’re tackling our first comedy on the ‘cast, Edgar Wright’s debut feature Shaun of the Dead, starring — duh — Simon Pegg and Nick Frost and shot by cinematographer David M. Dunlap.
Comedy isn’t often thought of as being especially cinematographical, but that’s one way in which Shaun stands out: the film is full of crafty techniques and stylish flourishes that not only spice up the film’s visual landscape, they also contribute to tone, atmosphere, and even narrative.
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a...
- 4/20/2017
- by H. Perry Horton
- FilmSchoolRejects.com
A new week brings three new episodes.
This week is maybe the best yet over at One Perfect Pod, our podcasting channel, and features a pair of reviews of the hottest film in the land, a look back at one of the most beloved films of the 21st century, and an exploration of the success of Beauty and the Beast (the new one).
First up, the latest episode of Matthew Monagle’s After the Credits, podcasting’s only before-and-after review show. This week the film up for discussion is — what else? — The Fate of the Furious, and Matthew’s guest is film critic Erin Whitney. Find out where they land on what many are already calling the most polarizing film yet from the eight-film franchise.
Then there’s this week’s Shot by Shot podcast, the official cinematography podcast of One Perfect Shot and Film School Rejects. This go-around Geoff Todd, Ops...
This week is maybe the best yet over at One Perfect Pod, our podcasting channel, and features a pair of reviews of the hottest film in the land, a look back at one of the most beloved films of the 21st century, and an exploration of the success of Beauty and the Beast (the new one).
First up, the latest episode of Matthew Monagle’s After the Credits, podcasting’s only before-and-after review show. This week the film up for discussion is — what else? — The Fate of the Furious, and Matthew’s guest is film critic Erin Whitney. Find out where they land on what many are already calling the most polarizing film yet from the eight-film franchise.
Then there’s this week’s Shot by Shot podcast, the official cinematography podcast of One Perfect Shot and Film School Rejects. This go-around Geoff Todd, Ops...
- 4/17/2017
- by H. Perry Horton
- FilmSchoolRejects.com
On this week’s Shot by Shot Podcast, Ryan Gosling finds new uses for your average hammer.
For the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, myself and Geoff Todd have selected hands-down one of the coolest films of all-time, Nicolas Winding Refn’s Drive, which was shot by cinematography Newton Thomas Sigel.
If this is your first listen to the show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Already we’ve done episodes on 2001: A Space Odyssey, Mad Max: Fury Road, and Silence and next week we’re talking Edgar Wright’s Shaun of the Dead, so there’s never been a better time to start following, which you can do on Twitter @OnePerfectPod and Facebook at facebook.com/oneperfectshot, and...
For the latest episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, myself and Geoff Todd have selected hands-down one of the coolest films of all-time, Nicolas Winding Refn’s Drive, which was shot by cinematography Newton Thomas Sigel.
If this is your first listen to the show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Already we’ve done episodes on 2001: A Space Odyssey, Mad Max: Fury Road, and Silence and next week we’re talking Edgar Wright’s Shaun of the Dead, so there’s never been a better time to start following, which you can do on Twitter @OnePerfectPod and Facebook at facebook.com/oneperfectshot, and...
- 4/12/2017
- by H. Perry Horton
- FilmSchoolRejects.com
A Change in Oscar Rules Makes One Category More Exclusive, Another More Inclusive, But with an AsteriskWhen the Academy closes a door it opens a window, but only halfway.
This week The Academy of Motion Pictures Arts and Sciences — the Oscar people — made a couple of significant changes to the nomination guidelines for two major categories, Best Documentary Film and Best Animated Film. In the case of the former, the changes make the category more exclusive, and in the case of the latter, they opened the category to a wider range of voters. Allow me to explain, via Deadline, who broke the news.
The changes in the doc category came about owing to the most recent winner, O.J.: Made in America, which caused some controversy when it was nominated seeing as it’s a 7 ½-hour multi-part, limited-run series that premiered at Sundance but then was released on television, specifically Espn, who...
This week The Academy of Motion Pictures Arts and Sciences — the Oscar people — made a couple of significant changes to the nomination guidelines for two major categories, Best Documentary Film and Best Animated Film. In the case of the former, the changes make the category more exclusive, and in the case of the latter, they opened the category to a wider range of voters. Allow me to explain, via Deadline, who broke the news.
The changes in the doc category came about owing to the most recent winner, O.J.: Made in America, which caused some controversy when it was nominated seeing as it’s a 7 ½-hour multi-part, limited-run series that premiered at Sundance but then was released on television, specifically Espn, who...
- 4/10/2017
- by H. Perry Horton
- FilmSchoolRejects.com
This week’s Big Idea pod is here with a discussion about the inception, sale, and future of One Perfect Shot.
In this week’s edition of The Big Idea, Neil sits down with One Perfect Shot founder and Shot for Shot host Geoff Todd to talk about the inception of the popular film twitter brand, the thought process that goes into picking Shots, our emotional connection to movies, and some listener questions. Then, at the end, they announce the newest addition to the One Perfect Pod channel.
Listen to the episode here.
Be sure to follow us on Twitter (@OnePerfectPod) and Facebook (facebook.com/oneperfectshot). Subscribe in iTunes, Stitcher, on TuneIn, or wherever you get your podcasts. You can also follow host Neil Miller (@rejects) and guest Geoff Todd (@thegeofftodd). We’d very much appreciate your feedback, as well. Leave us a review on iTunes or email us: pod@filmschoolrejects.com...
In this week’s edition of The Big Idea, Neil sits down with One Perfect Shot founder and Shot for Shot host Geoff Todd to talk about the inception of the popular film twitter brand, the thought process that goes into picking Shots, our emotional connection to movies, and some listener questions. Then, at the end, they announce the newest addition to the One Perfect Pod channel.
Listen to the episode here.
Be sure to follow us on Twitter (@OnePerfectPod) and Facebook (facebook.com/oneperfectshot). Subscribe in iTunes, Stitcher, on TuneIn, or wherever you get your podcasts. You can also follow host Neil Miller (@rejects) and guest Geoff Todd (@thegeofftodd). We’d very much appreciate your feedback, as well. Leave us a review on iTunes or email us: pod@filmschoolrejects.com...
- 4/9/2017
- by Film School Rejects
- FilmSchoolRejects.com
On this week’s ‘Shot by Shot’ Podcast.
For the third episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, myself and Ops Founder Geoff Todd talk Martin Scorsese’s latest, Silence, and the Oscar-nominated cinematography of Rodrigo Prieto, who joins the show in the second half to give an exclusive interview about the challenges and triumphs of shooting the film.
If this is your first listen to the show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Already we’ve done episodes on 2001: A Space Odyssey and Mad Max: Fury Road, and next week we’re tackling Nicolas Winding Refn’s Drive, so there’s never been a better time to start following, which you can do on Twitter @OnePerfectPod and Facebook at facebook.com...
For the third episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, myself and Ops Founder Geoff Todd talk Martin Scorsese’s latest, Silence, and the Oscar-nominated cinematography of Rodrigo Prieto, who joins the show in the second half to give an exclusive interview about the challenges and triumphs of shooting the film.
If this is your first listen to the show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Already we’ve done episodes on 2001: A Space Odyssey and Mad Max: Fury Road, and next week we’re tackling Nicolas Winding Refn’s Drive, so there’s never been a better time to start following, which you can do on Twitter @OnePerfectPod and Facebook at facebook.com...
- 4/5/2017
- by H. Perry Horton
- FilmSchoolRejects.com
Plus: trailers galore and perfect shots.
Now in its third week, our One Perfect Pod channel is bigger than ever. In addition to our regular programs, Fsr boss Neil Miller has been cranking out Emergency Podcasts to cover all the late-breaking big news, so if you’re not already, be sure to follow us on Twitter so you can be sure you won’t miss a minute of the good stuff. As for our regularly scheduled programming, there are some great things happening this week. Check it out:
On After the Credits, host and Fsr Columnist Matthew Monagle will be joined once again by Fsr film critic Rob Hunter, this time to discuss last week’s biggest release, Ghost in the Shell, starring white person Scarlett Johansson.
Then, over on Shot by Shot, the official cinematography podcast of One Perfect Shot, yours truly and Ops founder Geoff Todd are going to be discussing our favorite frames from...
Now in its third week, our One Perfect Pod channel is bigger than ever. In addition to our regular programs, Fsr boss Neil Miller has been cranking out Emergency Podcasts to cover all the late-breaking big news, so if you’re not already, be sure to follow us on Twitter so you can be sure you won’t miss a minute of the good stuff. As for our regularly scheduled programming, there are some great things happening this week. Check it out:
On After the Credits, host and Fsr Columnist Matthew Monagle will be joined once again by Fsr film critic Rob Hunter, this time to discuss last week’s biggest release, Ghost in the Shell, starring white person Scarlett Johansson.
Then, over on Shot by Shot, the official cinematography podcast of One Perfect Shot, yours truly and Ops founder Geoff Todd are going to be discussing our favorite frames from...
- 4/3/2017
- by H. Perry Horton
- FilmSchoolRejects.com
115 shots, 151 seconds, 1 Oscar, and a masterclass in action editing.
If you listened to this week’s Shot by Shot podcast, you heard myself and Geoff Todd discussing the cinematography of George Miller’s Mad Max: Fury Road, shot by John Seale. But in the midst of that conversation we touched for a moment on the film’s editing, which was done by Margaret Sixel, who for her efforts was awarded an Oscar. Particularly we were talking about the fight scene that occurs between Max and Furiosa the first time they encounter one another, her taking a water break with the wives after jacking a truck, and he recently-escaped from his duties as a blood bag but still muzzled and chained to Nux.
Geoff mentioned that over the course of this fight, which lasts less than three minutes of screen-time, there are more than 100 shots flickering past. He pointed out, and rightfully so I think, that...
If you listened to this week’s Shot by Shot podcast, you heard myself and Geoff Todd discussing the cinematography of George Miller’s Mad Max: Fury Road, shot by John Seale. But in the midst of that conversation we touched for a moment on the film’s editing, which was done by Margaret Sixel, who for her efforts was awarded an Oscar. Particularly we were talking about the fight scene that occurs between Max and Furiosa the first time they encounter one another, her taking a water break with the wives after jacking a truck, and he recently-escaped from his duties as a blood bag but still muzzled and chained to Nux.
Geoff mentioned that over the course of this fight, which lasts less than three minutes of screen-time, there are more than 100 shots flickering past. He pointed out, and rightfully so I think, that...
- 3/31/2017
- by H. Perry Horton
- FilmSchoolRejects.com
A companion piece to this week’s Shot by Shot podcast.
For this week’s episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, Ops founder Geoff Todd and myself selected easily one of the most popular films of the last few years, as well as one of the outright greatest action films of all-time: George Miller’s Mad Max: Fury Road, shot by legendary cinematographer John Seale, who came out of retirement just to work on this picture.
As usual, both Geoff and I have chosen three shots or types of shots from the film that we use as the basis for an in-depth discussion about the particular brilliance of Fury Road, which is an adrenaline-fueled nightmare from start to finish that simultaneously manages to be a rich drama full of heart and hope. This balance is only one element of the film to which cinematography lends itself...
For this week’s episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, Ops founder Geoff Todd and myself selected easily one of the most popular films of the last few years, as well as one of the outright greatest action films of all-time: George Miller’s Mad Max: Fury Road, shot by legendary cinematographer John Seale, who came out of retirement just to work on this picture.
As usual, both Geoff and I have chosen three shots or types of shots from the film that we use as the basis for an in-depth discussion about the particular brilliance of Fury Road, which is an adrenaline-fueled nightmare from start to finish that simultaneously manages to be a rich drama full of heart and hope. This balance is only one element of the film to which cinematography lends itself...
- 3/29/2017
- by H. Perry Horton
- FilmSchoolRejects.com
Plus: A news and article roundup and five perfect shots
If it’s Monday, then it’s time for a new week of episodes from our One Perfect Podcast channel.
Up first and dropping today, the latest installment of After the Credits, our new kind of review show with Columnist Matthew Monagle. This week Matthew is once again joined by Fsr Chief Film Critic Rob Hunter, and the film up for discussion is the Jake Gyllenhaal, Ryan Reynolds sci-fi freak-out Life.
Then, coming up on Wednesday it’s the newest episode of Shot by Shot in which myself, Fsr Video Content Editor H. Perry Horton, and One Perfect Shot founder Geoff Todd will be discussing the cinematography of the most adrenaline-fueled action film of all-time, Mad Max: Fury Road.
And finally, Fsr head honcho Neil Miller is back on Friday with another episode of The Big Idea, his weekly take on the biggest media and entertainment news...
If it’s Monday, then it’s time for a new week of episodes from our One Perfect Podcast channel.
Up first and dropping today, the latest installment of After the Credits, our new kind of review show with Columnist Matthew Monagle. This week Matthew is once again joined by Fsr Chief Film Critic Rob Hunter, and the film up for discussion is the Jake Gyllenhaal, Ryan Reynolds sci-fi freak-out Life.
Then, coming up on Wednesday it’s the newest episode of Shot by Shot in which myself, Fsr Video Content Editor H. Perry Horton, and One Perfect Shot founder Geoff Todd will be discussing the cinematography of the most adrenaline-fueled action film of all-time, Mad Max: Fury Road.
And finally, Fsr head honcho Neil Miller is back on Friday with another episode of The Big Idea, his weekly take on the biggest media and entertainment news...
- 3/27/2017
- by H. Perry Horton
- FilmSchoolRejects.com
A companion piece to the Shot by Shot podcast.
For the inaugural episode of our Shot by Shot podcast, Geoff Todd — One Perfect Shot founder — and myself decided to swing for the fences by tackling what we both consider to be a film that has some of the absolute best cinematography ever captured on film: 2001: A Space Odyssey, directed by Stanley Kubrick and shot by both Geoffrey Unsworth and John Alcott.
https://medium.com/media/d62f9ca70397e7133db35923684ace1e/href
In many ways, 2001 is the film that attracted popular attention to cinematography, so we thought it was the perfect place to start this new podcast, which each week will be looking at the perfect shots of a different film. Below you’ll find a link to the podcast and the six shots Geoff and I selected for discussion. Be sure to subscribe on iTunes, Stitcher, Soundcloud, or...
For the inaugural episode of our Shot by Shot podcast, Geoff Todd — One Perfect Shot founder — and myself decided to swing for the fences by tackling what we both consider to be a film that has some of the absolute best cinematography ever captured on film: 2001: A Space Odyssey, directed by Stanley Kubrick and shot by both Geoffrey Unsworth and John Alcott.
https://medium.com/media/d62f9ca70397e7133db35923684ace1e/href
In many ways, 2001 is the film that attracted popular attention to cinematography, so we thought it was the perfect place to start this new podcast, which each week will be looking at the perfect shots of a different film. Below you’ll find a link to the podcast and the six shots Geoff and I selected for discussion. Be sure to subscribe on iTunes, Stitcher, Soundcloud, or...
- 3/22/2017
- by H. Perry Horton
- FilmSchoolRejects.com
A next generation pop culture podcast.Subscribe: iTunes | Stitcher | RSS | Soundcloud | More Coming Soon.
One Perfect Pod is a new podcast channel from Film School Rejects and One Perfect Shot. This new channel will include, at the start, three shows in one feed. They are:
The Big Idea, hosted by Neil Miller. A weekly show in which we wrangle some of the industry’s most talented minds and discuss what’s on our minds as the biggest topic in the world of pop culture.Shot by Shot, hosted by Geoff Todd and H. Perry Horton. A weekly deep dive into the brilliant cinematography we’ve celebrated for years via One Perfect Shot. Including discussions of films we love and chats with some of the cinematographers whose work we admire.After the Credits, hosted by Matthew Monagle. A new kind of movie review show that explores our expectations and how they impact the way we feel about what...
One Perfect Pod is a new podcast channel from Film School Rejects and One Perfect Shot. This new channel will include, at the start, three shows in one feed. They are:
The Big Idea, hosted by Neil Miller. A weekly show in which we wrangle some of the industry’s most talented minds and discuss what’s on our minds as the biggest topic in the world of pop culture.Shot by Shot, hosted by Geoff Todd and H. Perry Horton. A weekly deep dive into the brilliant cinematography we’ve celebrated for years via One Perfect Shot. Including discussions of films we love and chats with some of the cinematographers whose work we admire.After the Credits, hosted by Matthew Monagle. A new kind of movie review show that explores our expectations and how they impact the way we feel about what...
- 3/21/2017
- by Film School Rejects
- FilmSchoolRejects.com
Plus: A lot more ‘Alien,’ the first photo of Luke Skywalker, and the weekend’s best shots.
This week marks the start of a great new chapter in the history of Film School Rejects/One Perfect Shot, as we’re pleased to present the premiere episodes of our first three shows under the new One Perfect Podcast banner.
Up first and available today, After the Credits, a new kind of movie review show hosted by Fsr Columnist Matthew Monagle. Each week Matthew will be joined by a special guest to help him explore our expectations of certain films and how they impact the way we feel about what we ultimately see in theaters. This week the special guest is Fsr Chief Film Critic Rob Hunter, and the film in question is The Belko Experment.
Subscribe to One Perfect Pod: iTunes | Stitcher | RSS | Soundcloud
Then on Wednesday, March 22nd, the first episode of Shot by Shot drops. Hosted...
This week marks the start of a great new chapter in the history of Film School Rejects/One Perfect Shot, as we’re pleased to present the premiere episodes of our first three shows under the new One Perfect Podcast banner.
Up first and available today, After the Credits, a new kind of movie review show hosted by Fsr Columnist Matthew Monagle. Each week Matthew will be joined by a special guest to help him explore our expectations of certain films and how they impact the way we feel about what we ultimately see in theaters. This week the special guest is Fsr Chief Film Critic Rob Hunter, and the film in question is The Belko Experment.
Subscribe to One Perfect Pod: iTunes | Stitcher | RSS | Soundcloud
Then on Wednesday, March 22nd, the first episode of Shot by Shot drops. Hosted...
- 3/20/2017
- by H. Perry Horton
- FilmSchoolRejects.com
Our new podcast channel is coming soon and we’d love for you to help us test it out.
Hello beautiful subscribers. I’m here with a quick update on our upcoming podcast venture, One Perfect Pod. Next week, we’ll be launching this new One Perfect Shot-based podcast channel with three shows.
The Big Idea, hosted by yours truly. A weekly show in which we wrangle some of the industry’s most talented minds and discuss what’s on my mind as the biggest topic in the world of pop culture.Shot by Shot, hosted by Geoff Todd and H. Perry Horton. A weekly deep dive into the brilliant cinematography we’ve celebrated for years via One Perfect Shot. Including discussions of films we love and chats with some of the cinematographers whose work we admire.After the Credits, hosted by Matthew Monagle. A new kind of movie review show that explores our expectations and how...
Hello beautiful subscribers. I’m here with a quick update on our upcoming podcast venture, One Perfect Pod. Next week, we’ll be launching this new One Perfect Shot-based podcast channel with three shows.
The Big Idea, hosted by yours truly. A weekly show in which we wrangle some of the industry’s most talented minds and discuss what’s on my mind as the biggest topic in the world of pop culture.Shot by Shot, hosted by Geoff Todd and H. Perry Horton. A weekly deep dive into the brilliant cinematography we’ve celebrated for years via One Perfect Shot. Including discussions of films we love and chats with some of the cinematographers whose work we admire.After the Credits, hosted by Matthew Monagle. A new kind of movie review show that explores our expectations and how...
- 3/16/2017
- by Neil Miller
- FilmSchoolRejects.com
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