Game, set, now what to make of this match?
“Challengers,” a sexy, subversive, R-rated drama set in the world of tennis, easily took first place at a sluggish domestic box office this weekend with $15 million from 3,477 locations. On one hand, it’s a respectable result for an artsy movie aimed at discerning, adult audiences, but what keeps it from being a championship performance is that “Challengers” has a hefty $55 million budget (to say nothing of its marketing costs). The Amazon MGM Studios release will need strong word-of-mouth if it’s going to keep rallying — and next week brings Universal’s “The Fall Guy,” a Ryan Gosling and Emily Blunt action-comedy that marks the start of summer blockbuster season. The competition only stands to get fiercer from here.
Amazon MGM would probably argue that “Challengers” doesn’t need to be a box office phenomenon in order to be successful. The higher...
“Challengers,” a sexy, subversive, R-rated drama set in the world of tennis, easily took first place at a sluggish domestic box office this weekend with $15 million from 3,477 locations. On one hand, it’s a respectable result for an artsy movie aimed at discerning, adult audiences, but what keeps it from being a championship performance is that “Challengers” has a hefty $55 million budget (to say nothing of its marketing costs). The Amazon MGM Studios release will need strong word-of-mouth if it’s going to keep rallying — and next week brings Universal’s “The Fall Guy,” a Ryan Gosling and Emily Blunt action-comedy that marks the start of summer blockbuster season. The competition only stands to get fiercer from here.
Amazon MGM would probably argue that “Challengers” doesn’t need to be a box office phenomenon in order to be successful. The higher...
- 4/28/2024
- by Brent Lang
- Variety Film + TV
Exclusive: Earlier this morning, Amazon revealed that it was laying off several hundred employees across Prime Video and Amazon Studios as part of a review of its business.
Details have emerged about the cuts, which were described by one source close to the company as a “bloodbath”. Senior execs let go include Nancy Cotton, Arturo Interian, Marcy Kaplan, Chris Castallo and Uri Fleming across different divisions.
Most of the exits are a result of the integration of Lindsay Sloane’s MGM Scripted Television team alongside MGM+ and the Barry Poznick-led MGM Alternative TV under Chris Brearton, VP, Corporate Strategy, Prime Video and Studios. Sloane and Poznick’s teams will continue to work closely with the studios teams in developing for Prime Video and also will continue to produce for outside networks and streamers.
Also impacted by layoffs in a consolidation move are multiple other Amazon MGM Studios teams, including Studio Marketing,...
Details have emerged about the cuts, which were described by one source close to the company as a “bloodbath”. Senior execs let go include Nancy Cotton, Arturo Interian, Marcy Kaplan, Chris Castallo and Uri Fleming across different divisions.
Most of the exits are a result of the integration of Lindsay Sloane’s MGM Scripted Television team alongside MGM+ and the Barry Poznick-led MGM Alternative TV under Chris Brearton, VP, Corporate Strategy, Prime Video and Studios. Sloane and Poznick’s teams will continue to work closely with the studios teams in developing for Prime Video and also will continue to produce for outside networks and streamers.
Also impacted by layoffs in a consolidation move are multiple other Amazon MGM Studios teams, including Studio Marketing,...
- 1/10/2024
- by Peter White and Nellie Andreeva
- Deadline Film + TV
Searchlight Pictures’ Poor Things rounded out the top ten this weekend and American Fiction from Amazon MGM Studios continued its slow burn with both films in the running for big awards at the Golden Globes tonight.
Yorgos Lanthimos’ Poor Things starring Emma Stone grossed $2 million in week five on 750 screens for a cume of $14.2 million.
Poor Things has a raft of Globe noms for Motion Picture – Musical or Comedy, Director and Original Score and acting noms for Stone, Willem Dafoe and Mark Ruffalo.
America Fiction by Cord Jefferson had a $1M+ weekend on 114 screens (up from 40) for a cume of $2.98 million. The film starring Jeffrey Wright is in week four, the latest this season to find success in a slow platform release. It’s up for Best Motion Picture – Musical or Comedy and Best Male Actor for Wright.
The numbers show “positive word-of-mouth is percolating,” said Amazon MGM’s theatrical distribution chief Kevin Wilson,...
Yorgos Lanthimos’ Poor Things starring Emma Stone grossed $2 million in week five on 750 screens for a cume of $14.2 million.
Poor Things has a raft of Globe noms for Motion Picture – Musical or Comedy, Director and Original Score and acting noms for Stone, Willem Dafoe and Mark Ruffalo.
America Fiction by Cord Jefferson had a $1M+ weekend on 114 screens (up from 40) for a cume of $2.98 million. The film starring Jeffrey Wright is in week four, the latest this season to find success in a slow platform release. It’s up for Best Motion Picture – Musical or Comedy and Best Male Actor for Wright.
The numbers show “positive word-of-mouth is percolating,” said Amazon MGM’s theatrical distribution chief Kevin Wilson,...
- 1/7/2024
- by Jill Goldsmith
- Deadline Film + TV
The indie box office busted out this year, hitting is stride post-Covid with an eclectic string of releases that made a splash artistically and financially.
Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore.
Focus Features had the biggest limited opening of the year with Wes Anderson’s Asteroid City (gross $28 million). Alexander Payne’s The Holdovers with Paul Giamatti ($17.9 million) drew older demos, picky, yes, but finally comfortable back in theaters. Ditto for MGM’s Air, a film Amazon originally slated to go directly to Prime Video, that hit a core 45+ audience and a $52 million cume.
A24’s Past Lives, the much-nominated first film by Celine Song, made $10.9 million and its low-budget horror Talk to Me cleared $48 million. Emma Seligman’s raunchy teen comedy Bottoms from MGM topped $12 million.
That led into a fall bonanza heading into awards season with Anatomy Of A Fall,...
Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore.
Focus Features had the biggest limited opening of the year with Wes Anderson’s Asteroid City (gross $28 million). Alexander Payne’s The Holdovers with Paul Giamatti ($17.9 million) drew older demos, picky, yes, but finally comfortable back in theaters. Ditto for MGM’s Air, a film Amazon originally slated to go directly to Prime Video, that hit a core 45+ audience and a $52 million cume.
A24’s Past Lives, the much-nominated first film by Celine Song, made $10.9 million and its low-budget horror Talk to Me cleared $48 million. Emma Seligman’s raunchy teen comedy Bottoms from MGM topped $12 million.
That led into a fall bonanza heading into awards season with Anatomy Of A Fall,...
- 1/1/2024
- by Jill Goldsmith
- Deadline Film + TV
Christmas week rang in an estimated $281.4M, +14% from the Dec. 23-29 period a year ago ($246.4M), indicating that moviegoing remains healthy post-pandemic for a family-heavy, yet diversified lineup of movies — this despite the lack of one big five-quad tentpole on marquees.
Warner Bros./DC’s Aquaman and the Lost Kingdom won the week with $58.3M, but Wonka wasn’t far behind with a second week take of $53.1M.
Warner Bros.’ Wonka for the third day in a row led all movies on Thursday with $8M at 4,213 theaters, a great hold from Wednesday at -2%. Per iSpot, Warner Bros spent close to what they did on TV spots for Wonka as they did for Aquaman and the Lost Kingdom, $13M to $14M, in a household TV campaign that reached close to a billion impressions. The spots that grabbed the most impressions aired on ABC (13.7%), NBC (10.2%), TBS (6.5%), Fox (6.4%) and CBS (6.1%). Meanwhile, Wonka...
Warner Bros./DC’s Aquaman and the Lost Kingdom won the week with $58.3M, but Wonka wasn’t far behind with a second week take of $53.1M.
Warner Bros.’ Wonka for the third day in a row led all movies on Thursday with $8M at 4,213 theaters, a great hold from Wednesday at -2%. Per iSpot, Warner Bros spent close to what they did on TV spots for Wonka as they did for Aquaman and the Lost Kingdom, $13M to $14M, in a household TV campaign that reached close to a billion impressions. The spots that grabbed the most impressions aired on ABC (13.7%), NBC (10.2%), TBS (6.5%), Fox (6.4%) and CBS (6.1%). Meanwhile, Wonka...
- 12/29/2023
- by Anthony D'Alessandro
- Deadline Film + TV
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