Selected actors will vie for five coveted spots in each of the most promising actor and actress categories.
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
France’s Academy of Cinema Arts and Techniques, which runs the prestigious César awards, has unveiled its annual Revelations shortlist of local rising stars. They will vie for five coveted spots in each of the most promising actor and actress categories that will make the official nominees selection ahead of the 48th annual Cesars ceremony in Paris on February 24.
Among this year’s breakout stars are Saint Omer actresses Guslagie Malanda and Kayije Kagame, Cannes’ title Forever Young stars Nadia Tereszkiewicz, Clara Bretheau and Sofiane Bennacer,...
- 11/17/2022
- by Rebecca Leffler
- ScreenDaily
“Did you think you were making a French independent film?” rails literary agent Vincent (Mikaël Chirinian) in French independent film “The World After Us.” He’s angry with his callow young client, Labidi (Aurélien Gabrielli), because Labidi has abruptly changed tack on a novel that’s already been optioned, and has also changed its title to, inevitably, “The World After Us.” Louda Ben Salah-Cazanas’ directorial debut is sensitively made, well observed and beautifully performed, but as this rather desultory stab at reflexivity suggests, it doesn’t have many surprises in store.
Where it really works is as a character portrait of the young aspiring author, to great measure aided by Gabrielli’s soulful, faintly Charles Aznavour vibe and tamped-down, off-kilter charm. Labidi, whose doting and delightful working-class Muslim parents (Saadia Bentaïeb and Jacques Nolot) run a small café in Lyon, lives in Paris. Actually, he basically squats there, sleeping on...
Where it really works is as a character portrait of the young aspiring author, to great measure aided by Gabrielli’s soulful, faintly Charles Aznavour vibe and tamped-down, off-kilter charm. Labidi, whose doting and delightful working-class Muslim parents (Saadia Bentaïeb and Jacques Nolot) run a small café in Lyon, lives in Paris. Actually, he basically squats there, sleeping on...
- 3/18/2021
- by Jessica Kiang
- Variety Film + TV
Le monde après nous is a short, bittersweet feature about a young writer from Lyons, Labidi (Aurélien Gabrielli), trying to make it in Paris. The director has some fun looking at the lot of the impoverished writer: gone is the freezing garret under the gables of nineteenth-century Paris, to be replaced with the decidedly unromantic ‘studio’ apartment Labidi shares with his pal. We see the pair sharing the cramped quarters, barely big enough to accommodate a single bed and room for a sleeping bag on the floor. It would be safe to say that Labidi is a writer of the struggling variety.
However, things start to look up for Labidi when he encounters Elisa (Louise Chevillotte) in a bar. He asks for a cigarette – despite not being a smoker – and a love story is ignited. He’s a writer, she’s studying acting; money is tight, but they decide to look for a place together.
However, things start to look up for Labidi when he encounters Elisa (Louise Chevillotte) in a bar. He asks for a cigarette – despite not being a smoker – and a love story is ignited. He’s a writer, she’s studying acting; money is tight, but they decide to look for a place together.
- 3/4/2021
- by Jo-Ann Titmarsh
- HeyUGuys.co.uk
Produced by Les Idiots, sold by Be For Films and starring Aurélien Gabrielli and Louise Chevillotte, the filmmaker’s first feature will enjoy its premiere in Berlin's Panorama line-up. Louda Ben Salah-Cazanas has made a promising entrance into the world of international cinema with his debut feature film The World After Us, a work which has been selected for the 71st Berlinale’s Panorama line-up and is set to enjoy its world premiere in the festival’s Industry Event (running 1 – 5 March).Having turned heads with his short films, especially Genève (screened in Clermont-Ferrand’s national competition last year), the director’s latest venture sees him putting together a cast comprising Aurélien Gabrielli (who made an appearance in A Violent Life and played the lead in Quand je ne dors pas), Louise Chevillotte, Saadia...
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