The Slamdance Film Festival has unveiled its 25th anniversary narrative and documentary feature film competition programs, as well as the lineup for its new breakouts section.
The narrative lineup includes the coming-of-age drama “Spiral Farm,” starring Piper De Palma, daughter of director Brian De Palma, who is making her feature debut as a teenage girl growing up on a commune where life is disrupted by the arrival of two outsiders, a father and son. Amanda Plummer (“The Hunger Games: Catching Fire”), Teo Halm (“Earth to Echo”), and Jade Fusco (“Youth in Revolt”) co-star.
The festival, launched in 1995 as an alternative to Sundance, has included showings of such notable titles as Oren Peli’s “Paranormal Activity.” The fest, which takes place at the Treasure Mountain Inn in Park City, Utah, from Jan. 25 to Jan. 31, will screen 18 movies including 10 world premieres, four North American premieres, and four U.S. premieres.
Slamdance alumni include Joe and Anthony Russo,...
The narrative lineup includes the coming-of-age drama “Spiral Farm,” starring Piper De Palma, daughter of director Brian De Palma, who is making her feature debut as a teenage girl growing up on a commune where life is disrupted by the arrival of two outsiders, a father and son. Amanda Plummer (“The Hunger Games: Catching Fire”), Teo Halm (“Earth to Echo”), and Jade Fusco (“Youth in Revolt”) co-star.
The festival, launched in 1995 as an alternative to Sundance, has included showings of such notable titles as Oren Peli’s “Paranormal Activity.” The fest, which takes place at the Treasure Mountain Inn in Park City, Utah, from Jan. 25 to Jan. 31, will screen 18 movies including 10 world premieres, four North American premieres, and four U.S. premieres.
Slamdance alumni include Joe and Anthony Russo,...
- 11/26/2018
- by Dave McNary
- Variety Film + TV
Slamdance has revealed their narrative and documentary feature film competition lineup for their 2019 festival. The fest takes place January 25-31, 2019 in Park City.
This year marks the 25th year of the festival and includes 11 narrative features and 9 documentaries throwing their hats in the ring for the competition. The fest will also include 10 World, 4 North American, and 4 U.S. premieres. All competition films were selected by a team of Slamdance alumni and are feature length directorial debuts with budgets of less than $1 million Usd, and without Us distribution.
Slamdance will also welcome back the Russo Fellowship — a $25,000 prize launched in 2018 by celebrated festival alumni Anthony Russo and Joe Russo to provide a deserving filmmaker with mentorship from the Russo duo.
In addition, the festival will introduce the new Breakouts section, which features non-first-time-feature directors who demonstrate a determined vision...
This year marks the 25th year of the festival and includes 11 narrative features and 9 documentaries throwing their hats in the ring for the competition. The fest will also include 10 World, 4 North American, and 4 U.S. premieres. All competition films were selected by a team of Slamdance alumni and are feature length directorial debuts with budgets of less than $1 million Usd, and without Us distribution.
Slamdance will also welcome back the Russo Fellowship — a $25,000 prize launched in 2018 by celebrated festival alumni Anthony Russo and Joe Russo to provide a deserving filmmaker with mentorship from the Russo duo.
In addition, the festival will introduce the new Breakouts section, which features non-first-time-feature directors who demonstrate a determined vision...
- 11/26/2018
- by Dino-Ray Ramos
- Deadline Film + TV
The Slamdance Film Festival has announced the lineups for its 2019 Narrative and Documentary Feature Film Competition programs. The festival, which takes place annually in Park City, Utah, is celebrating its 25th anniversary next year. In addition to the narrative and documentary features in competition, Slamdance has also announced the lineup for its inaugural Breakouts Section.
Featured films playing at Slamdance are all directorial debuts made for less than $1 million and without U.S. distribution. The films were selected for the 2019 festival by a team of Slamdance alumni. Films in both categories are eligible for the Audience Award and Spirit of Slamdance Award, the latter of which is voted upon by filmmakers at the festival.
“When it comes to discovering talent, Slamdance has consistently shown that its artist led community can do it themselves,” said Slamdance Co-founder and President, Peter Baxter. “In a milestone year, our competition lineup symbolizes this ongoing endeavor.
Featured films playing at Slamdance are all directorial debuts made for less than $1 million and without U.S. distribution. The films were selected for the 2019 festival by a team of Slamdance alumni. Films in both categories are eligible for the Audience Award and Spirit of Slamdance Award, the latter of which is voted upon by filmmakers at the festival.
“When it comes to discovering talent, Slamdance has consistently shown that its artist led community can do it themselves,” said Slamdance Co-founder and President, Peter Baxter. “In a milestone year, our competition lineup symbolizes this ongoing endeavor.
- 11/26/2018
- by Zack Sharf
- Indiewire
Among the 87 entries this year, down five from 2017’s whopping 92, there are more documentaries than ever, plus two African countries submitting for the first time: Malawi and Niger. Here’s a guide to the films, including logline, sales, and production contact.
Afghanistan
“Rona, Azim’s Mother”
Director: Jamshid Mahmoudi
Logline: A touching drama set in the milieu of Afghan immigrants in Iran who lack full citizens’ rights, with laborer Azim struggling to care for his mother.
Key Cast: Mohsen Tanabandeh, Fatemeh Hosseini
Intl. Sales: Noori Pictures
Algeria
“Until the End of Time”
Director: Yasmine Chouikh
Logline: An elderly grave digger and a 60-something widow meet in the cemetery of Sidi Boulekbour and develop feelings for one another.
Key Cast: Djillali Boudjemaa, Djamila Arres
Intl. Sales: MakingOf Film
Argentina
“El Ángel”
Director: Luis Ortega
Logline: A portrait of the infamous teenage serial killer “The Angel of Death,” who took Argentina by...
Afghanistan
“Rona, Azim’s Mother”
Director: Jamshid Mahmoudi
Logline: A touching drama set in the milieu of Afghan immigrants in Iran who lack full citizens’ rights, with laborer Azim struggling to care for his mother.
Key Cast: Mohsen Tanabandeh, Fatemeh Hosseini
Intl. Sales: Noori Pictures
Algeria
“Until the End of Time”
Director: Yasmine Chouikh
Logline: An elderly grave digger and a 60-something widow meet in the cemetery of Sidi Boulekbour and develop feelings for one another.
Key Cast: Djillali Boudjemaa, Djamila Arres
Intl. Sales: MakingOf Film
Argentina
“El Ángel”
Director: Luis Ortega
Logline: A portrait of the infamous teenage serial killer “The Angel of Death,” who took Argentina by...
- 11/8/2018
- by Alissa Simon
- Variety Film + TV
It’s strange that so many of the movies about “The American Dream” actually take place in America, especially when a Kafka-esque comedy like Darya Zhuk’s “Crystal Swan” — Belarus’ first Oscar submission in 22 years — is so effective at capturing the hopefulness of someone who’s seized by the promise of a better life, and the desperation she feels when that promise starts to slip through her fingers.
Velya, a self-possessed and pixie-like young DJ living in the cold Stalinist mausoleum of Minsk circa 1996, has always felt like a fish out of water. Played with sublime prickliness by Alina Nassibulina, she’s a true individual in a collective society, like a gnarled weed sprouting through a crack in the concrete of the Eastern bloc. While most of the people she knows in post-Soviet Belarus are struggling to reconcile the dark pall of the past with the strong pull of the future,...
Velya, a self-possessed and pixie-like young DJ living in the cold Stalinist mausoleum of Minsk circa 1996, has always felt like a fish out of water. Played with sublime prickliness by Alina Nassibulina, she’s a true individual in a collective society, like a gnarled weed sprouting through a crack in the concrete of the Eastern bloc. While most of the people she knows in post-Soviet Belarus are struggling to reconcile the dark pall of the past with the strong pull of the future,...
- 7/9/2018
- by David Ehrlich
- Indiewire
At a time when the U.S. borders are being made as hostile as possible to migrants, stories of hopeful outsiders betting the farm on the American Dream hit hard and true in the heart — even one as outwardly oddball as “Crystal Swan,” freshman helmer Darya Zhuk’s spirited, bittersweet comedy about a restless Belarusian DJ stuck farcically at the visa application stage. Zhuk’s film may be set in 1996, but the tension it outlines between young Eastern Europeans yearning for a new life and an older, more staid generation bewildered by the youth exodus still feels thoroughly of the moment. That topicality, bolstered by the Vice Films production imprint, should further carry this winningly small, scrappy debut — Belarus’s first Oscar submission in 22 years — across the festival circuit following its Karlovy Vary premiere. For Zhuk, writer Helga Landauer and ball-of-fire lead Alina Nasibullina, meanwhile, it’s an auspicious arrival.
- 7/1/2018
- by Guy Lodge
- Variety Film + TV
"I want to see the birthplace of house music." This looks fantastic! Watch the first trailer for a film titled Crystal Swan from Belarus, the feature directorial debut of filmmaker Darya Zhuk. This is premiering at the Karlovy Vary Film Festival starting at the end of this week - I'll be there, and this is one of my highlights. Set in 1996, Crystal Swan is about a young Belarusian woman named Evelina who is trying desperately to get a visa to the USA so she can pursue her dreams of becoming a DJ. However, a typo in her application forces her to figure things out and possibly cause everything to fall apart. Alina Nasibullina stars, and the cast includes Ivan Mulin, Yury Borisov, Svetlana Anikey, & Ilya Kapanets. This reminds me of Mia Hansen-Løve's excellent film about a young DJ called Eden, but there is a bit more dry humor in this one.
- 6/25/2018
- by Alex Billington
- firstshowing.net
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