Mubi has unveiled their November 2023 lineup, featuring notable new releases such as Ashley McKenzie’s Queens of the Qing Dynasty and Alain Gomis’ Thelonious Monk documentary Rewind & Play. Also in the lineup is three stellar earlier films from Christian Petzold––Yella, Jerichow, and The State I Am In––along with John Cassavetes’ Husbands and Gloria, a Hayao Miyazaki short, and a retrospective dedicated to Argentinian-born, French-educated filmmaker and theorist Nelly Kaplan.
Check out the lineup below and get 30 days free here.
November 1
A Very Curious Girl, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
The Pleasure of Love, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Charles and Lucie, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Papa the Little Boats, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Yella, directed by Christian Petzold | Phantoms Among Us: The Films of Christian Petzold
Jerichow,...
Check out the lineup below and get 30 days free here.
November 1
A Very Curious Girl, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
The Pleasure of Love, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Charles and Lucie, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Papa the Little Boats, directed by Nelly Kaplan | A Mischievous Rebellion: Films by Nelly Kaplan
Yella, directed by Christian Petzold | Phantoms Among Us: The Films of Christian Petzold
Jerichow,...
- 10/25/2023
- by Jordan Raup
- The Film Stage
With the 2022 edition of Museum of the Moving Image’s First Look festival beginning on Wednesday, the series has just dropped a trailer — a brisk 1-minute+ showing the range of this year’s selections. The First Look schedule now includes a number of recently announced additions, including a screening of Jenny Perlin’s documentary Bunker followed by a discussion with the film’s producer, the well-known critic A.S. Hamrah; Deniz Tortum and Kathryn Hamilton’s single-channel video installation Our Ark (now viewable in the gallery); and Charlie Shackleton’s single-viewer VR experience As Mine Exactly. Also, there are a number of films in the program from […]
The post Watch: MoMI’s Trailer for the 2022 First Look Festival first appeared on Filmmaker Magazine.
The post Watch: MoMI’s Trailer for the 2022 First Look Festival first appeared on Filmmaker Magazine.
- 3/11/2022
- by Scott Macaulay
- Filmmaker Magazine - Blog
With the 2022 edition of Museum of the Moving Image’s First Look festival beginning on Wednesday, the series has just dropped a trailer — a brisk 1-minute+ showing the range of this year’s selections. The First Look schedule now includes a number of recently announced additions, including a screening of Jenny Perlin’s documentary Bunker followed by a discussion with the film’s producer, the well-known critic A.S. Hamrah; Deniz Tortum and Kathryn Hamilton’s single-channel video installation Our Ark (now viewable in the gallery); and Charlie Shackleton’s single-viewer VR experience As Mine Exactly. Also, there are a number of films in the program from […]
The post Watch: MoMI’s Trailer for the 2022 First Look Festival first appeared on Filmmaker Magazine.
The post Watch: MoMI’s Trailer for the 2022 First Look Festival first appeared on Filmmaker Magazine.
- 3/11/2022
- by Scott Macaulay
- Filmmaker Magazine-Director Interviews
Multimedia artist Jenny Perlin, whose work includes 16mm hand-drawn animated films, videos, installations, and drawings (some of which are in MoMA’s collection), opens this year’s hybrid Doc Fortnight with Bunker, a literal underground film. Beginning back in pre-pandemic 2018 Perlin took a cross-country road trip, hoping to explore the lives of men who call decommissioned nuclear silos and military bunkers home. Along the way, she also meets the (demographically similar) businessmen building, selling and sometimes even living the fear-driven American dream. Filmmaker caught up with Perlin a few days before the doc’s February 23rd […]
The post “The Pandemic was Raging but the People I was Filming were Unfazed”: Jenny Perlin on her Doc Fortnight-Opening Bunker first appeared on Filmmaker Magazine.
The post “The Pandemic was Raging but the People I was Filming were Unfazed”: Jenny Perlin on her Doc Fortnight-Opening Bunker first appeared on Filmmaker Magazine.
- 2/22/2022
- by Lauren Wissot
- Filmmaker Magazine-Director Interviews
Multimedia artist Jenny Perlin, whose work includes 16mm hand-drawn animated films, videos, installations, and drawings (some of which are in MoMA’s collection), opens this year’s hybrid Doc Fortnight with Bunker, a literal underground film. Beginning back in pre-pandemic 2018 Perlin took a cross-country road trip, hoping to explore the lives of men who call decommissioned nuclear silos and military bunkers home. Along the way, she also meets the (demographically similar) businessmen building, selling and sometimes even living the fear-driven American dream. Filmmaker caught up with Perlin a few days before the doc’s February 23rd […]
The post “The Pandemic was Raging but the People I was Filming were Unfazed”: Jenny Perlin on her Doc Fortnight-Opening Bunker first appeared on Filmmaker Magazine.
The post “The Pandemic was Raging but the People I was Filming were Unfazed”: Jenny Perlin on her Doc Fortnight-Opening Bunker first appeared on Filmmaker Magazine.
- 2/22/2022
- by Lauren Wissot
- Filmmaker Magazine - Blog
IndieWire exclusively announces the lineup for the Museum of Modern Art’s 2022 Doc Fortnight, its annual series of documentary screenings at the New York museum. The festival runs from February 23 to March 10, and the lineup focuses heavily on environmental issues. This year’s edition of Doc Fortnight will be a hybrid festival, with 19 features and 10 short documentaries screening in the museum’s Titus Theater, with a selection of films available online via MoMA’s Virtual Cinema streaming platform.
The festival is set to open with “Bunker,” Jenny Perlin’s documentary about men living in military bunkers awaiting the end of the world. The official synopsis describes the film as “a timely reflection on ideas of survival and shelter among those preparing for the disintegration of society from a hundred feet underground.” The closing night selection is “The United States of America,” directed by James Benning. The documentary finds the filmmaking...
The festival is set to open with “Bunker,” Jenny Perlin’s documentary about men living in military bunkers awaiting the end of the world. The official synopsis describes the film as “a timely reflection on ideas of survival and shelter among those preparing for the disintegration of society from a hundred feet underground.” The closing night selection is “The United States of America,” directed by James Benning. The documentary finds the filmmaking...
- 2/10/2022
- by Christian Zilko
- Indiewire
One of the best regional fests on the circuit is back in action! Indie Memphis kicks of the 24th edition tonight with Sean Baker's Cannes hit Red Rocket. The Tennessee festival runs through Monday the 25th and will feature such festival season faves as Ryûsuke Hamaguchi's Drive My Car, Pablo Larrain's Spencer, Céline Sciamma's Petite Maman, Jonas Carpignano's A Chiara, Robert Greene's Procession, Jane Schoenbrun's We're All Going to the World's Fair, Danielle Kummer and Lucy Harve's Alien On Stage, and many more. The fest will also see the world premiere of Andrew Infante's Ferny & Luca and Jenny Perlin's Bunker. There is plenty more info on all the films and events as well as on the festival's particular focus on Bipoc and female filmmakers...
[Read the whole post on screenanarchy.com...]...
[Read the whole post on screenanarchy.com...]...
- 10/20/2021
- Screen Anarchy
Rabbit holes within rabbit holes, the experimental corners of film festivals are zones to lose yourself into. Freed from conventional narrative requirements, they offer different ways of experiencing cinema—unusual textures and rhythms, raw materials molded into perplexingly new compositions, assertive visions that seem to leave iridescent marks on the viewer's corneas. Striking as they are, these avant-garde works often prove difficult to catch in the whirlwind of multiple film programs, leaving the adventurous cinephile to seek these titles on laptop monitors when they should be watched on the big screen for their full, visceral effect. Which makes this week's retrospective of the New York Film Festival's Projections program (sponsored by our very own Mubi) all the more valuable: a chance for audiences to encounter innovative artists and approaches that, as the festival notes put it, “expand upon our notions of what the moving image can do and be.”It's...
- 10/2/2015
- by Fernando F. Croce
- MUBI
This year, Mubi is sponsoring the New York Film Festival's essential Projections strand, running October 2 - 4, and is bringing to U.S. audiences a stunning collection of highlights from last year's inaugural edition.The New York Film Festival’s Projections section presents an international selection of film and video work that expands upon our notions of what the moving image can do and be. Drawing on a broad range of innovative modes and techniques, including experimental narratives, avant-garde poetics, crossovers into documentary and ethnographic realms, and contemporary art practices, Projections brings together a diverse offering of short, medium, and feature-length work by some of today’s most vital and groundbreaking filmmakers and artists.Our selection includes:Letters To Max (Eric Baudelaire, France)A record of the epistolary encounter between French artist and filmmaker Eric Baudelaire and Maxim Gvinjia, former Foreign Minister of the breakaway Caucasian state of Abkhazia, Letters to Max...
- 9/26/2015
- by Notebook
- MUBI
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