The Movie Brats of the New Hollywood took Hollywood by storm beginning in the late ‘60s, blasting through the studios and marking their territory in modern cinema. Scorsese, Bogdanovich, Ashby, Friedkin, De Palma, Schrader, on and on, made their names during this time. But you don’t get out of an era like that unscathed and even today, some feuds still simmer, like that between Brian De Palma and Paul Schrader, whose collaboration on 1976’s Obsession caused a rift that put an end to one of the could’ve-been perfect pairings of the New Hollywood.
In a recent Facebook post, Schrader was asked if he could ever reconcile with De Palma, to which Schrader replied, “Re: Bdp. Not my call.” This would indicate that Schrader is ready to patch things up with his former friend but maybe De Palma isn’t interested. Now, to be fair here, Schrader can be...
In a recent Facebook post, Schrader was asked if he could ever reconcile with De Palma, to which Schrader replied, “Re: Bdp. Not my call.” This would indicate that Schrader is ready to patch things up with his former friend but maybe De Palma isn’t interested. Now, to be fair here, Schrader can be...
- 4/16/2024
- by Mathew Plale
- JoBlo.com
When none of us are generous enough to just buy an album (or join his notoriously unwieldy streaming service) there’s been a surge of reinterest as Neil Young makes his dizzyingly dense catalog freshly available on Spotify. Likely coinciding with his greatest exposure in years is the uncovering, by Creep director Patrick Brice, of Hal Ashby’s 1984 concert film Solo Trans, which spans some of Young’s earliest recorded music to then-new masterpiece Trans––my pick for his greatest work, which devoted fans have characterized with words such as “untenable” and “insane”––and controversial rockabilly period, which indeed sounds like a joke from Walk Hard.
Among these performances are skits in the tone of Young’s more-than-a-little-amazing feature film Human Highway, albeit (like most things) not as good as Human Highway. More devoted Ashby auteurists will surely find things to identify as distinctly his; it’s easier to admire...
Among these performances are skits in the tone of Young’s more-than-a-little-amazing feature film Human Highway, albeit (like most things) not as good as Human Highway. More devoted Ashby auteurists will surely find things to identify as distinctly his; it’s easier to admire...
- 4/2/2024
- by Nick Newman
- The Film Stage
Comedies often depend on precision, with jokes popping off like synchronized gunfire, though in Between the Temples, Nathan Silver stretches moments out to revel in texture and give his actors room to breathe. The film, written by Silver and C. Mason Wells, is a marvel of lived-in shagginess, of clashing, cacophonous tones that reveal characters’ inner furies. Between the Temples is funny and even suspenseful in its unpredictability, as you never quite know when and where the punchlines will land. The film revels in the volatile human comedy of which John Cassavetes, an obsessive miner of neurotic minutiae, might approve.
Take a scene in which a grieving widower, Ben (Jason Schwartzman), goes to lunch with his childhood music teacher, Carla (Carol Kane). Silver captures them eating in close-up, as they talk about their wonderful burgers, for much longer than most filmmakers would dare. The scene’s punchline—that Ben, the cantor at his local synagogue,...
Take a scene in which a grieving widower, Ben (Jason Schwartzman), goes to lunch with his childhood music teacher, Carla (Carol Kane). Silver captures them eating in close-up, as they talk about their wonderful burgers, for much longer than most filmmakers would dare. The scene’s punchline—that Ben, the cantor at his local synagogue,...
- 1/28/2024
- by Chuck Bowen
- Slant Magazine
Norman Jewison, who directed Best Picture Oscar winner In the Heat of the Night and nominees Fiddler on the Roof, A Soldier’s Story, Moonstruck and The Russians Are Coming, The Russians Are Coming, also producing the latter four, died peacefully Saturday, January 20. He was 97.
Jewison’s film career spanned more than four decades and seven Oscar nominations — three for Best Director and the four for Best Picture. His films received a total of 46 nominations and 12 Academy Awards. In 1999, Jewison was honored with the prestigious Irving G. Thalberg Award at the Academy Awards. He also collected three Emmy Awards for his work in television.
A smattering of his other wide-ranging work includes The Hurricane, Agnes of God, Rollerball (1975) and Jesus Christ Superstar, all of which he also produced. As a producer, Jewison had an eye for talent, as well.
Jewison’s film career spanned more than four decades and seven Oscar nominations — three for Best Director and the four for Best Picture. His films received a total of 46 nominations and 12 Academy Awards. In 1999, Jewison was honored with the prestigious Irving G. Thalberg Award at the Academy Awards. He also collected three Emmy Awards for his work in television.
A smattering of his other wide-ranging work includes The Hurricane, Agnes of God, Rollerball (1975) and Jesus Christ Superstar, all of which he also produced. As a producer, Jewison had an eye for talent, as well.
- 1/22/2024
- by Tom Tapp
- Deadline Film + TV
by Cláudio Alves
Barbra Streisand in Funny Girl was the last performance William Wyler directed to an Oscar win.
As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…...
Barbra Streisand in Funny Girl was the last performance William Wyler directed to an Oscar win.
As stated in the Scorsese at the Oscars write-up, the Killers of the Flower Moon auteur is one of only four directors to have helmed Academy Award-winning performances in all acting categories. The others are William Wyler, Elia Kazan, and Hal Ashby, with the former having the record to end all records. Across 32 years, Wyler directed fourteen victorious turns, including multiple champions in the four races. Such a feat won't likely be equaled, but that doesn't mean the quartet is bound to stay put forever. Some directors are on the cusp of joining the ranks of Wyler, Kazan, Ashby, and Scorsese…...
- 11/17/2023
- by Cláudio Alves
- FilmExperience
Filmmaker Alexander Payne doesn’t exactly have the corner on curmudgeonly Paul Giamatti performances, or unexpected road trip movies that result in deeply emotional bonds, or stories about found families, or even tales about high school teachers who really, really need to get their lives in order. Still, those do tend to be his most recognizable hallmarks.
They’re all on display in his latest, the Christmastime dramedy “The Holdovers,” which stars Paul Giamatti as, yes, a curmudgeonly high school teacher who needs to get his life in order, and ends up (sort of) doing that by way of an unexpected road trip and the forging of a found family (including Da’Vine Joy Randolph and newbie Dominic Sessa).
“The Holdovers” sounds like pure Payne, right? It is, but it’s also a David Hemingson effort, with the longtime television writer picking up his first film credit with the script, which...
They’re all on display in his latest, the Christmastime dramedy “The Holdovers,” which stars Paul Giamatti as, yes, a curmudgeonly high school teacher who needs to get his life in order, and ends up (sort of) doing that by way of an unexpected road trip and the forging of a found family (including Da’Vine Joy Randolph and newbie Dominic Sessa).
“The Holdovers” sounds like pure Payne, right? It is, but it’s also a David Hemingson effort, with the longtime television writer picking up his first film credit with the script, which...
- 11/8/2023
- by Kate Erbland
- Indiewire
Today (Tuesday September 5 2023) CBS broadcasts an episode of “The Young and the Restless“.
We’ve got the scoop on everything you need to know about the upcoming episode, including if it’s new, the time, cast, how to watch and all the episode details!
The Young and the Restless Episode Summary
Phyllis Summers Abbott steps into Daniel Romalotti’s love life, causing potential complications and unexpected turns. Lily Winters Ashby finds herself reconnecting with Billy Abbott, rekindling their dynamic and raising questions about their shared history. Devon Hamilton aids Mariah Copeland in making an unexpected move, potentially leading to new paths and choices for the characters involved.
The Young and the Restless Preview Is Today’s Episode New or a Repeat?
Today’s “The Young and the Restless” episode is new.
What Time is Today’s Episode On?
Today’s “The Young and the Restless” episode will be broadcast on...
We’ve got the scoop on everything you need to know about the upcoming episode, including if it’s new, the time, cast, how to watch and all the episode details!
The Young and the Restless Episode Summary
Phyllis Summers Abbott steps into Daniel Romalotti’s love life, causing potential complications and unexpected turns. Lily Winters Ashby finds herself reconnecting with Billy Abbott, rekindling their dynamic and raising questions about their shared history. Devon Hamilton aids Mariah Copeland in making an unexpected move, potentially leading to new paths and choices for the characters involved.
The Young and the Restless Preview Is Today’s Episode New or a Repeat?
Today’s “The Young and the Restless” episode is new.
What Time is Today’s Episode On?
Today’s “The Young and the Restless” episode will be broadcast on...
- 9/3/2023
- by Alex Matthews
- TV Regular
With his long hair, sunglasses and bellbottoms, Hal Ashby was the epitome of the 1970s flower child, even though he was a decade older than most of the filmmakers working at the time. Though his flame burned brightly and briefly, he left behind a series of classics that signified the nose-thumbing, countercultural attitude of the era, with a bit of humanism and heart thrown in for good measure. Let’s take a look back at all 12 of his films, ranked worst to best.
Born on September 2, 1929 in Utah, Ashby ambled around before becoming an apprentice editor for Robert Swink, working for Hollywood legends William Wyler and George Stevens. He moved up the ranks to become an editor for Norman Jewison, with whom he shared a fraternal and professional relationship. They cut five films together, including “The Russians Are Coming! The Russians Are Coming!” (1966), which earned him his first Oscar nomination,...
Born on September 2, 1929 in Utah, Ashby ambled around before becoming an apprentice editor for Robert Swink, working for Hollywood legends William Wyler and George Stevens. He moved up the ranks to become an editor for Norman Jewison, with whom he shared a fraternal and professional relationship. They cut five films together, including “The Russians Are Coming! The Russians Are Coming!” (1966), which earned him his first Oscar nomination,...
- 8/25/2023
- by Zach Laws and Chris Beachum
- Gold Derby
He’s baaack! Savvy viewers of The Young and the Restless had already guessed what today’s episode confirms: Cameron Kirsten (Linden Ashby) is back in Genoa City! (Who else would have sent a blood-stained champagne bottle to Sharon Newman Rosales given that she once clubbed the killer with one?) TV Insider chatted with Ashby about his return to Y&r and whether or not his character, now out of jail, will be headed for redemption — or if he’s back for some plain old-fashioned revenge! Cameron isn’t the only role Ashby reprised this year. In January, he got back into Sheriff Stilinski’s uniform in Teen Wolf: The Movie. Read on to get Ashby’s thoughts on both reprising Cameron and how social media played a big role in the success of Teen Wolf. This is your second reunion with Y&r this year – you and your wife Susan Walters...
- 5/26/2023
- TV Insider
Melinda Dillon, who received supporting Oscar nominations for her turns in Close Encounters of the Third Kind and Absence of Malice and portrayed the doting mom in the holiday perennial A Christmas Story, died Jan. 9, her family announced. She was 83.
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
Right out of the gate, Dillon earned a Tony nomination and Theatre World award in 1963 for her debut performance on Broadway as the childlike wife Honey in the original production of Edward Albee‘s Who’s Afraid of Virginia Woolf?
Later, the Arkansas native played two characters opposite David Carradine — Woody Guthrie’s first wife, Mary, and a dark-haired folk singer named Memphis Sue — in the biopic Bound for Glory (1976), directed by Hal Ashby; was a lesbian hockey wife in George Roy Hill’s Slap Shot (1977); and portrayed John Lithgow’s wife in the family film Harry and the Hendersons (1987).
Her big-screen résumé also included Norman Jewison’s F.I.S.T. (1978), as...
- 2/3/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
When Michelle Williams entered the Best Actress Oscar race for “The Fabelmans,” that put Steven Spielberg in line to become the fifth person to direct Oscar winners in all four acting categories. That, of course, is still possible, but someone else may beat him to that quartet set this season: Martin McDonagh.
“The Banshees of Inisherin” is looking increasingly strong to nab four acting nominations for lead Colin Farrell and supporting players Kerry Condon, Brendan Gleeson and Barry Keoghan. All four earned Golden Globe and Critics Choice bids last week. At the Oscars, McDonagh needs Farrell to win Best Actor and Condon to win Best Supporting Actress to complete his collection as he previously directed “Three Billboards Outside of Ebbing, Missouri” (2017) stars Frances McDormand to a Best Actress prize and Sam Rockwell to a Best Supporting Actor statuette.
If that happens, McDonagh will join William Wyler, Elia Kazan, Hal Ashby and Martin Scorsese,...
“The Banshees of Inisherin” is looking increasingly strong to nab four acting nominations for lead Colin Farrell and supporting players Kerry Condon, Brendan Gleeson and Barry Keoghan. All four earned Golden Globe and Critics Choice bids last week. At the Oscars, McDonagh needs Farrell to win Best Actor and Condon to win Best Supporting Actress to complete his collection as he previously directed “Three Billboards Outside of Ebbing, Missouri” (2017) stars Frances McDormand to a Best Actress prize and Sam Rockwell to a Best Supporting Actor statuette.
If that happens, McDonagh will join William Wyler, Elia Kazan, Hal Ashby and Martin Scorsese,...
- 12/22/2022
- by Joyce Eng
- Gold Derby
In the early stages of the troubled production of "One Flew Over the Cuckoo's Nest," potential director Hal Ashby suggested casting Jack Nicholson for the role of the movie's lead character, the swaggering scoundrel R.P. McMurphy. At this point in Nicholson's career, he was one of the most desired actors in Hollywood, fresh off yet another star-making performance in "Chinatown." The film's producer, Michael Douglas, was still unsure whether Nicholson was the man for the job, according to a 2017 Guardian piece. He knew Nicholson was talented, but he hadn't seen him play a role quite like McMurphy before.
Ultimately, while Ashby didn't end up directing — Miloš Forman would take on the project instead — Nicholson did star. While production had to wait for a gap in the actor's very busy schedule to start filming, it was worthwhile since the team got not only a fantastic performance but a leader on set.
Ultimately, while Ashby didn't end up directing — Miloš Forman would take on the project instead — Nicholson did star. While production had to wait for a gap in the actor's very busy schedule to start filming, it was worthwhile since the team got not only a fantastic performance but a leader on set.
- 11/23/2022
- by Matt Rainis
- Slash Film
Michael Butler, the Tony-winning producer who brought Hair to Broadway in 1968 and later produced the film adaptation and many other productions of the show, died Monday in Santa Barbara. He was 95.
His attorney confirmed the news on behalf of Butler’s family but give not provide details.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story 'The Music Man' Extends Broadway Run By Two Weeks Related Story Jimmy Fallon Confirms "I'm In!" To Reprise 'Almost Famous' Film Role For Broadway Musical In Drop-By Performances – Update
As a producer, social figure and international bon vivant, Michael Butler was an international celebrity in the 1960s and ’70s. As his 1968 production of Hair became an international hit, with 12 productions around the world, his friendships grew among exotic global figures such as the Shah of Iran and the Mahajarah of Jaipur. As a host at his lavish polo grounds in the UK,...
His attorney confirmed the news on behalf of Butler’s family but give not provide details.
Related Story Hollywood & Media Deaths In 2022: Photo Gallery Related Story 'The Music Man' Extends Broadway Run By Two Weeks Related Story Jimmy Fallon Confirms "I'm In!" To Reprise 'Almost Famous' Film Role For Broadway Musical In Drop-By Performances – Update
As a producer, social figure and international bon vivant, Michael Butler was an international celebrity in the 1960s and ’70s. As his 1968 production of Hair became an international hit, with 12 productions around the world, his friendships grew among exotic global figures such as the Shah of Iran and the Mahajarah of Jaipur. As a host at his lavish polo grounds in the UK,...
- 11/8/2022
- by Erik Pedersen
- Deadline Film + TV
“Is it still Ok to call you my disco pickle?” By the time that Florence Shaw, Dry Cleaning’s conversational poet-in-residence, asks that question on “Hot Penny Day,” a tune that marks the halfway mark for the group’s second album, Stumpwork, the answer will invariably be yes. Any reluctant cukes likely would’ve moved on to another record several tracks earlier since the group makes such a divisive racket. As on Dry Cleaning’s lauded debut, New Long Leg, the quartet specializes in the audio equivalent of a double...
- 10/19/2022
- by Kory Grow
- Rollingstone.com
Best Actress, the most stacked Oscar race of the year, got even more competitive last week when Michelle Williams opted to campaign in the lead category for Steven Spielberg‘s “The Fabelmans” instead of supporting. If she prevails in March, Spielberg will become just the fifth person to have directed Oscar winners in all four acting categories.
The two-time Best Director champ would follow in the footsteps of William Wyler, Elia Kazan, Hal Ashby and Martin Scorsese. Thus far, Spielberg has directed 15 nominated performances, yielding three wins, and perhaps most remarkably, all three have occurred in the last decade. Daniel Day-Lewis became the first performer to win for a Spielberg film when he garnered his record-breaking third Best Actor Oscar for “Lincoln” (2012). Spielberg then watched Mark Rylance pull off a Best Supporting Actor upset for “Bridge of Spies” (2015) and Ariana DeBose sweep the season in Best Supporting Actress for last year’s “West Side Story.
The two-time Best Director champ would follow in the footsteps of William Wyler, Elia Kazan, Hal Ashby and Martin Scorsese. Thus far, Spielberg has directed 15 nominated performances, yielding three wins, and perhaps most remarkably, all three have occurred in the last decade. Daniel Day-Lewis became the first performer to win for a Spielberg film when he garnered his record-breaking third Best Actor Oscar for “Lincoln” (2012). Spielberg then watched Mark Rylance pull off a Best Supporting Actor upset for “Bridge of Spies” (2015) and Ariana DeBose sweep the season in Best Supporting Actress for last year’s “West Side Story.
- 9/27/2022
- by Joyce Eng
- Gold Derby
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