Art lovers rejoice. Marquee TV, a streaming platform for arts and culture, has announced new content partnerships that will make it possible for more people all over the globe to watch more top-notch artistic productions.
7-Day Free Trial $8.99 / month Marquee TV via amazon.com
On Monday, Marquee announced that the Washington Ballet and the Orchestra of the Age of Enlightenment have joined the streamer as content partners, joining the London Symphony Orchestra and the London Philharmonic Orchestra. These organizations present digital seasons — including world premieres — exclusively on the platform. Every single creative partner of Marquee TV has a devoted on-platform presence that will include unique performances.
A subscription to Marquee TV costs $8.99 per month or $89.99 annually, both after a seven-day free trial. You can sign up for the service directly, or through Prime Video Channels, which launched the service in March 2022.
Some of the upcoming programming from Marquee TV’s new...
7-Day Free Trial $8.99 / month Marquee TV via amazon.com
On Monday, Marquee announced that the Washington Ballet and the Orchestra of the Age of Enlightenment have joined the streamer as content partners, joining the London Symphony Orchestra and the London Philharmonic Orchestra. These organizations present digital seasons — including world premieres — exclusively on the platform. Every single creative partner of Marquee TV has a devoted on-platform presence that will include unique performances.
A subscription to Marquee TV costs $8.99 per month or $89.99 annually, both after a seven-day free trial. You can sign up for the service directly, or through Prime Video Channels, which launched the service in March 2022.
Some of the upcoming programming from Marquee TV’s new...
- 3/6/2023
- by Jessica Lerner
- The Streamable
Left: Storytellers (2013), Right: Asako I & II (2018).When the Covid-19 pandemic (which health justice activists have been calling a “mass disabling event”) waylaid plans to film Drive My Car in Busan, South Korea, Ryusuke Hamaguchi was initially unenthusiastic about his producer’s suggestion to instead shoot in Hiroshima. In Esprit, he explains his worry that it was too heavy-handed a location, both because of the city’s history and his own. Understanding why requires us to rewind to March 2011, when another social and environmental crisis brought into relief the major themes of his work, notably a focus on disability and its relationship to storytelling, performance, and the power and politics of listening.In the months following the devastating Great East Japan Earthquake, media outlets likened the Japanese government’s expedient response to Hiroshima’s miraculous rebirth after WWII. Meanwhile, filmmakers were seeding an artistic counter-response, documenting the individual voices buried under a homogenized,...
- 3/28/2022
- MUBI
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