The racism in Carl Franklin’s One False Move suggests a festering pool of standing water just waiting to be disturbed. Dale Dixon (Bill Paxton), the police chief of Star City, Arkansas, casually utters the n-word while having a peaceful meal with his colleagues, one of whom is Black. Lila Walker (Cynda Williams), the mixed-race outlaw trying to avoid capture in order to see her son again, understands American inequality all too well: “Looking guilty is being guilty, for Black people,” she tells her brother. Having recently shot a white Texas state trooper in the head at point blank range, the irony of her statement is hard to miss. But that doesn’t mean she’s wrong.
Released days after the 1992 Los Angeles riots, One False Move offers a particularly prescient reflection of regional division and segregation. It sees violence as the common denominator between blue and red states, a...
Released days after the 1992 Los Angeles riots, One False Move offers a particularly prescient reflection of regional division and segregation. It sees violence as the common denominator between blue and red states, a...
- 7/18/2023
- by Glenn Heath Jr.
- Slant Magazine
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