The Song Of Names producer Robert Lantos on introducing composer Howard Shore to François Girard: “I had worked with Howard a few times before. Three David Cronenberg films. Crash, eXistenZ and Eastern Promises.” Photo: Anne-Katrin Titze
François Girard’s The Song Of Names, based on the novel by Norman Lebrecht, screenplay by Jefferey Caine with a score by Howard Shore (two-time Oscar-winner for Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring and one for The Lord Of The Rings: The Return Of The King) is produced by Robert Lantos, Lyse Lafontaine and Nick Hirschkorn, and stars Tim Roth and Clive Owen with Catherine McCormack, Jonah Hauer-King (Prince Eric in Rob Marshall’s upcoming The Little Mermaid), Luke Doyle, Gerran Howell, Misha Handley, Daniel Multu and Eddie Izzard.
Atom Egoyan and Robert Lantos with Anne-Katrin Titze at the Museum of Tolerance in New York for...
François Girard’s The Song Of Names, based on the novel by Norman Lebrecht, screenplay by Jefferey Caine with a score by Howard Shore (two-time Oscar-winner for Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring and one for The Lord Of The Rings: The Return Of The King) is produced by Robert Lantos, Lyse Lafontaine and Nick Hirschkorn, and stars Tim Roth and Clive Owen with Catherine McCormack, Jonah Hauer-King (Prince Eric in Rob Marshall’s upcoming The Little Mermaid), Luke Doyle, Gerran Howell, Misha Handley, Daniel Multu and Eddie Izzard.
Atom Egoyan and Robert Lantos with Anne-Katrin Titze at the Museum of Tolerance in New York for...
- 2/8/2020
- by Anne-Katrin Titze
- eyeforfilm.co.uk
People today (well always but more so now) really enjoying having lots of choices, be it food (as in buffets and food courts) or in entertainment. And with the latter, we’re talking the multiplex which often presents several types of films, or genres if you want to sound “fancy-schmancy’, from comedies to family flicks, to, well, this week’s unique mix. That’s because this new film is tough to “pin down”, so it may be a multiplex in itself. It’s a musical (in a way), an historical drama, a mystery, a look at faith and religion, and a “coming of age” buddy film. Somehow all those themes and elements come together in the film strangely named The Song Of Names.
It all begins with a flashback to 1951. It’s moments before the big debut of 21-year-old violin virtuoso David Rapoport at a London concert hall. But the concert producer,...
It all begins with a flashback to 1951. It’s moments before the big debut of 21-year-old violin virtuoso David Rapoport at a London concert hall. But the concert producer,...
- 1/17/2020
- by Jim Batts
- WeAreMovieGeeks.com
Howard Shore on Judith Clurman and the Juilliard connection in casting Daniel Mutlu as the cantor in The Song Of Names: “He was able to learn the new piece and create the role with Judith's help. She was really instrumental in creating that scene. And particularly the congregation, so that the response was accurate.” Photo: Anne-Katrin Titze
In the second half of my conversation at Sony in New York with three-time Oscar-winning composer Howard Shore, we discussed what director François Girard wanted for the Paganini battle of the violins in The Song Of Names, performed by the 'great virtuoso' Ray Chen, the help from Brooklyn Heights Synagogue conductor and choral director Judith Clurman in the casting of the cantor played by Daniel Multu, and where in the film Shore used a chamber orchestra with ten male singers when he recorded the score with the Orchestre Métropolitain in Montreal.
Dovidl...
In the second half of my conversation at Sony in New York with three-time Oscar-winning composer Howard Shore, we discussed what director François Girard wanted for the Paganini battle of the violins in The Song Of Names, performed by the 'great virtuoso' Ray Chen, the help from Brooklyn Heights Synagogue conductor and choral director Judith Clurman in the casting of the cantor played by Daniel Multu, and where in the film Shore used a chamber orchestra with ten male singers when he recorded the score with the Orchestre Métropolitain in Montreal.
Dovidl...
- 12/26/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
“The Song of Names” is the kind of mediocre Holocaust drama that used to be taken more seriously in the 1990s, partly thanks to the Weinstein brothers and Miramax.
Director Francois Girard (“The Red Violin”) and screenwriter Jeffrey Caine’s adaptation of Norman Lebrecht’s novel is full of empty gestures and banal observations about remembrance and family, most of which flop because of wooden performances and trite dialogue.
Girard’s direction, as well as some star charisma from co-leads Tim Roth and Clive Owen, both give the movie enough emotional resonance to keep afloat its bland narrative — about the 35-year-long search for a missing Jewish violinist prodigy — but there’s no urgency or mystery to the movie, nor any compelling reason to care about its characters beyond a general hope that they’ll ultimately discover something true and/or moving about Judaism, music, and genocide. They do not, though...
Director Francois Girard (“The Red Violin”) and screenwriter Jeffrey Caine’s adaptation of Norman Lebrecht’s novel is full of empty gestures and banal observations about remembrance and family, most of which flop because of wooden performances and trite dialogue.
Girard’s direction, as well as some star charisma from co-leads Tim Roth and Clive Owen, both give the movie enough emotional resonance to keep afloat its bland narrative — about the 35-year-long search for a missing Jewish violinist prodigy — but there’s no urgency or mystery to the movie, nor any compelling reason to care about its characters beyond a general hope that they’ll ultimately discover something true and/or moving about Judaism, music, and genocide. They do not, though...
- 12/23/2019
- by Simon Abrams
- The Wrap
It’s been thirty-five years since Dovidl (Jonah Hauer-King) disappeared in 1951. He was a violinist—a genius virtuoso depending on whom you asked (himself included)—primed to make his London debut in a sold out house courtesy of the man that served as his guardian the previous decade-plus (Stanley Townsend’s Gilbert Simmonds). One second he had his prized instrument in-hand while friend/surrogate brother/Gilbert’s son Martin (Gerran Howell) told him to relax and enjoy the moment. Dovidl was finally going to show the world exactly how good he was, but he didn’t show for curtain. He didn’t return home later either. For all Martin and his family knew, Dovidl was dead. And that presumption held a terrible weight considering the same uncertainty loomed over his own family at Treblinka.
François Girard’s The Song of Names therefore begins with ample drama atop the mystery of...
François Girard’s The Song of Names therefore begins with ample drama atop the mystery of...
- 12/23/2019
- by Jared Mobarak
- The Film Stage
The Song Of Names star Clive Owen with producer Robert Lantos and director François Girard at Sony in New York Photo: Anne-Katrin Titze
François Girard’s The Song Of Names, based on the novel by Norman Lebrecht, screenplay by Jefferey Caine with a score by Howard Shore is produced by Robert Lantos, Lyse Lafontaine and Nick Hirschkorn, and stars Tim Roth and Clive Owen with Catherine McCormack, Jonah Hauer-King (Prince Eric in Rob Marshall’s upcoming The Little Mermaid), Luke Doyle, Gerran Howell, Misha Handley, and Eddie Izzard.
Martin (Gerran Howell) with Dovidl (Jonah Hauer-King) in The Song Of Names Photo: Sabrina Lantos
From what Ed Bahlman calls the 'fantastic' documentary Thirty Two Short Films About Glenn Gould to The Red Violin (Oscar to John Corigliano for Best Original Score), starring Samuel L Jackson, Greta Scacchi, Jason Flemyng, Carlo Cecchi and Sylvia Chang, François Girard is no stranger to films centered around music.
François Girard’s The Song Of Names, based on the novel by Norman Lebrecht, screenplay by Jefferey Caine with a score by Howard Shore is produced by Robert Lantos, Lyse Lafontaine and Nick Hirschkorn, and stars Tim Roth and Clive Owen with Catherine McCormack, Jonah Hauer-King (Prince Eric in Rob Marshall’s upcoming The Little Mermaid), Luke Doyle, Gerran Howell, Misha Handley, and Eddie Izzard.
Martin (Gerran Howell) with Dovidl (Jonah Hauer-King) in The Song Of Names Photo: Sabrina Lantos
From what Ed Bahlman calls the 'fantastic' documentary Thirty Two Short Films About Glenn Gould to The Red Violin (Oscar to John Corigliano for Best Original Score), starring Samuel L Jackson, Greta Scacchi, Jason Flemyng, Carlo Cecchi and Sylvia Chang, François Girard is no stranger to films centered around music.
- 12/21/2019
- by Anne-Katrin Titze
- eyeforfilm.co.uk
By Lee Pfeiffer
Squeezed in between the seemingly endless barrage of cinematic "tent pole" action and super hero franchises and tasteless comedies are some exquisite smaller films that traditionally get overlooked. One film that deserves plenty of accolades and a wide audience is director Francois GIrard's "The Song of Names", a Canadian production that is being released by Sony Classics. I first saw the film at the Sony screening room in New York City in September and was completely absorbed and moved by it from the opening frames. It's always a danger that a critic, in trying champion a film, might reveal too many details and thus compromise the impact of the movie for potential viewers. "The Song of Names" is one such film. Based on the novel by Norman Lebrecht, the script by the estimable Jeffrey Caine is steeped in religious dogma but it is not a film that is primarily about a religion,...
Squeezed in between the seemingly endless barrage of cinematic "tent pole" action and super hero franchises and tasteless comedies are some exquisite smaller films that traditionally get overlooked. One film that deserves plenty of accolades and a wide audience is director Francois GIrard's "The Song of Names", a Canadian production that is being released by Sony Classics. I first saw the film at the Sony screening room in New York City in September and was completely absorbed and moved by it from the opening frames. It's always a danger that a critic, in trying champion a film, might reveal too many details and thus compromise the impact of the movie for potential viewers. "The Song of Names" is one such film. Based on the novel by Norman Lebrecht, the script by the estimable Jeffrey Caine is steeped in religious dogma but it is not a film that is primarily about a religion,...
- 12/13/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The Song of Names directed by François Girard, is an instant classic about World War II, a Jewish child violin prodigy who disappears on the eve of his debut as a violinist and his “brother” who tracks him down.
We are entranced by the period on the eve of war in London when an Orthodox Jewish man leaves his son with a British family whose father recognizes the great talent of the child. We watch with interest as he fights and bonds with the son of the music publisher who has taken the boy in as his father leaves to return to Poland in the late 1930s.
You can see this at AFI Fest For Free!
November 17, 3:00 p.m., Tcl Chinese Theatre
November 19, 1:00 p.m., Chinese 1
Director François Girard takes Norman Lebrecht’s acclaimed novel and orchestrates a stellar ensemble as its players in this story about two Jewish boys,...
We are entranced by the period on the eve of war in London when an Orthodox Jewish man leaves his son with a British family whose father recognizes the great talent of the child. We watch with interest as he fights and bonds with the son of the music publisher who has taken the boy in as his father leaves to return to Poland in the late 1930s.
You can see this at AFI Fest For Free!
November 17, 3:00 p.m., Tcl Chinese Theatre
November 19, 1:00 p.m., Chinese 1
Director François Girard takes Norman Lebrecht’s acclaimed novel and orchestrates a stellar ensemble as its players in this story about two Jewish boys,...
- 11/4/2019
- by Sydney Levine
- Sydney's Buzz
"Go and find him!" Sony Classics has unveiled a trailer for the film The Song of Names, an emotional drama that spans two continents and half a century. This just premiered at the Toronto and San Sebastian Film Festivals, and will be opening in the Us on Christmas Day at the end of this year. The Song of Names tells the story of a prodigy violinist from Poland, who moves to London to study music at the beginning of WWII. The film splits the time between his youth, and years later when him and his British friend are both adults. Tim Roth stars as the adult Martin, attempting to find his friend Dovidl who disappeared years ago right before playing a major concert in London. Clive Owen also co-stars, with a cast including Jonah Hauer-King, Gerran Howell, Catherine McCormack, Saul Rubinek, Richard Bremmer, Misha Handley, Luke Doyle, and Eddie Izzard.
- 10/11/2019
- by Alex Billington
- firstshowing.net
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