UK director, writer and cinematographer Molly Manning Walker, who won the Cannes Un Certain Regard prize last year for How To Have Sex, has been selected for the festival’s four-and-a-half month La Résidence program in Paris.
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
She will be joined by Aditya Ahmad (Indonesia), Daria Kashcheeva (Tajikistan), Danech San (Cambodia), Ernst De Geer (Sweden) and Anastasiia Solonevych (Ukraine).
They follow in the wake of Meltse Van Coillie (Belgium), Diana Cam Van Nguyen (Vietnam/Czech Republic), Hao Zhao (China), Gessica Généus (Haiti), Andrea Slaviček (Croatia), Asmae El Moudir (Morocco) who are currently coming to the end of their residency.
Both intakes will be brought together at the Cannes Film Festival’s 77th edition, running May 14 to 25.
Since its launch in 2000, La Résidence has welcomed 250 directors from around 60 countries including Lucrecia Martel, Kornél Mundruczó, Sebastián Lelio, Antonio Campos, Karim Aïnouz and Jonas Carpignano.
Based in a large flat in Paris’ ninth arrondissement,...
- 3/20/2024
- by Melanie Goodfellow
- Deadline Film + TV
It’s not only paid room and board in Paris but a true opportunity to help support the next generation of international filmmakers. A mandate that is now in its 46th edition, Asmae El Moudir, Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček will receive support for their first or second feature film screenplays and get to connect with industry professionals via the Résidence of the Festival de Cannes.
Moroccan filmmaker Asmae El Moudir is best known for debut masterwork The Mother of All Lies – which was selected for the Un Certain Regard section winning Best Director and she also won this year’s L’Oeil d’or (tied) – for the Best Documentary film at this year’s Cannes.…...
Moroccan filmmaker Asmae El Moudir is best known for debut masterwork The Mother of All Lies – which was selected for the Un Certain Regard section winning Best Director and she also won this year’s L’Oeil d’or (tied) – for the Best Documentary film at this year’s Cannes.…...
- 10/6/2023
- by Eric Lavallée
- IONCINEMA.com
“The most beautiful gestures from my film came to mind at the kitchen in the Résidence when I was pressing oranges in the juice machine,” said Nadiv Lapid.
Six first or second-time international filmmakers are taking part in the Cannes Film Festival’s annual Résidence programme that kicked off on October 1 in Paris and will run through February 2024.
Belgian director Meltse Van Coillie, Czech-Vietnamese filmmaker Diana Cam Van Nguyen, Chinese director Zhao Hao, Haitian director Gessica Généus, Croatian filmmaker Andréa Slaviček, and Moroccan director Asmae El Moudi will all work on their upcoming features with advice from industry experts in writing and producing their films.
Six first or second-time international filmmakers are taking part in the Cannes Film Festival’s annual Résidence programme that kicked off on October 1 in Paris and will run through February 2024.
Belgian director Meltse Van Coillie, Czech-Vietnamese filmmaker Diana Cam Van Nguyen, Chinese director Zhao Hao, Haitian director Gessica Généus, Croatian filmmaker Andréa Slaviček, and Moroccan director Asmae El Moudi will all work on their upcoming features with advice from industry experts in writing and producing their films.
- 10/6/2023
- by Rebecca Leffler
- ScreenDaily
The Cannes Film Festival has admitted six filmmakers, five women and one man, to its 2024 residency program.
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
The list of filmmakers includes Morrocan director Asmae El Moudir, best known for her feature The Mother of All Lies, which shared last year’s the L’Oeil d’or (Golden Eye) prize for the best documentary with Four Daughters (Kaouther Ben Hania) at this year’s Cannes Film Festival.
The other participants are Meltse Van Coillie, Diana Cam Van Nguyen, Zhao Hao, Gessica Généus, and Andréa Slaviček. The residency program runs over four and a half months, during which all participants will live in Paris and receive personalized support to aid the writing of their first or second feature film screenplay.
The Cannes residency program was created in 2000 by Pierre Viot and Gilles Jacob and was first headed by Sylvie Perras. It is now helmed by Stéphanie Lamome.
“This year, five female...
- 10/6/2023
- by Zac Ntim
- Deadline Film + TV
Eleven of the projects are debut features.
European development programme Less Is More (Lim) has selected 16 feature film projects for its 2022 scheme, plus the 12 ‘development angels’ who will follow the development of the projects, and four tutors who will provide guidance to the selected teams.
Among the titles are Bethan, the debut feature of UK writer-director Zillah Bowes; and Deborah Viegas’ Brazilian-Portuguese debut feature Young Woman Seen From Behind.
Scroll down for the full list of projects, filmmakers and development angels
Eleven of the 16 films are from debut filmmakers, with four from second-time directors and one – Christian Volckman’s Herself – from a third-time filmmaker.
European development programme Less Is More (Lim) has selected 16 feature film projects for its 2022 scheme, plus the 12 ‘development angels’ who will follow the development of the projects, and four tutors who will provide guidance to the selected teams.
Among the titles are Bethan, the debut feature of UK writer-director Zillah Bowes; and Deborah Viegas’ Brazilian-Portuguese debut feature Young Woman Seen From Behind.
Scroll down for the full list of projects, filmmakers and development angels
Eleven of the 16 films are from debut filmmakers, with four from second-time directors and one – Christian Volckman’s Herself – from a third-time filmmaker.
- 3/1/2022
- by Ben Dalton
- ScreenDaily
The Berlin Film Festival has unveiled the lineup of 20 shorts from 17 countries which will compete for the Golden and Silver Bear awards for short films.
The festival said the films “daringly confront the present and rewrite the past,” while imagining “a new tomorrow” in many different ways. “There is longing to understand and to be understood (running) through the selection,” said the fest.
Among the films selected, some explore colonial history, such as “Motorcyclist’s Happiness Won’t Fit Into His Suit,” “Strange Object,” “One Hundred Steps;” others tackle political violence, such as “International Dawn Chorus Day,” and right-wing terror, like “Your Street.”
“A Love Song in Spanish” and “My Uncle Tudor,” meanwhile, confront trauma within people and their families. “Vadim on a Walk,” “Glittering Barbieblood,” “One Thousand and One Attempts to Be an Ocean” look at society; or “Rehearsal” looks at institutions.
Some of the more philosophical and spiritual...
The festival said the films “daringly confront the present and rewrite the past,” while imagining “a new tomorrow” in many different ways. “There is longing to understand and to be understood (running) through the selection,” said the fest.
Among the films selected, some explore colonial history, such as “Motorcyclist’s Happiness Won’t Fit Into His Suit,” “Strange Object,” “One Hundred Steps;” others tackle political violence, such as “International Dawn Chorus Day,” and right-wing terror, like “Your Street.”
“A Love Song in Spanish” and “My Uncle Tudor,” meanwhile, confront trauma within people and their families. “Vadim on a Walk,” “Glittering Barbieblood,” “One Thousand and One Attempts to Be an Ocean” look at society; or “Rehearsal” looks at institutions.
Some of the more philosophical and spiritual...
- 2/9/2021
- by Elsa Keslassy
- Variety Film + TV
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