In the early days of the Academy’s animated feature Oscar, there were questions as to whether enough films would qualify each year for the award to be given. Not anymore! This year sees a record number of contenders across a wide variety of genres, styles and audiences, from serious, adult-targeted films (like “Charlotte” and “Eternal Spring”) to boffo offerings from Hollywood’s top toon studios — and that doesn’t even count such anime franchise sensations as “One Piece Film: Red” and “Jujutsu Kaisen 0,” which didn’t submit but further illustrate the vitality of the form.
Apollo 10½: A Space Age Childhood
Director: Richard Linklater
Voices: Glen Powell, Zachary Levi, Jack Black
Studios: Minnow Mountain, Submarine, Detour Filmproduction
Distributor: Netflix
A time capsule made possible through a sophisticated blend of 2D, 3D and rotoscope techniques, allows the “Boyhood” director to revive the style of “Waking Life” and his own 1960s Texas boyhood.
Apollo 10½: A Space Age Childhood
Director: Richard Linklater
Voices: Glen Powell, Zachary Levi, Jack Black
Studios: Minnow Mountain, Submarine, Detour Filmproduction
Distributor: Netflix
A time capsule made possible through a sophisticated blend of 2D, 3D and rotoscope techniques, allows the “Boyhood” director to revive the style of “Waking Life” and his own 1960s Texas boyhood.
- 12/6/2022
- by Peter Debruge
- Variety Film + TV
Every time someone takes a comic book character the world adores and decides to make an animated movie, there’s a risk they won’t do justice to the original designs. “The Adventures of Tintin” comes immediately to mind, since Spielberg and company made the bold choice of swapping artist Hergé’s appealing clean-line designs with appalling performance-capture zombies. Or 2019’s disappointing “The Addams Family” reboot, which effectively turned Charles Addams’ macabre sketches into benign, generic-looking balloon animals.
It’s a problem the folks at On Entertainment take seriously. They’re the ones who translated Antoine de Saint-Exupéry’s “The Little Prince” to the screen, erring on the side of overdoing the CG equivalent in that case. Now, the same studio has done right by Jean-Jacques Sempé and René Goscinny’s Petit Nicolas — or Little Nicholas to English speakers, who are almost certainly less familiar with the source material (essentially...
It’s a problem the folks at On Entertainment take seriously. They’re the ones who translated Antoine de Saint-Exupéry’s “The Little Prince” to the screen, erring on the side of overdoing the CG equivalent in that case. Now, the same studio has done right by Jean-Jacques Sempé and René Goscinny’s Petit Nicolas — or Little Nicholas to English speakers, who are almost certainly less familiar with the source material (essentially...
- 6/19/2022
- by Peter Debruge
- Variety Film + TV
This delightful family-friendly animation blends tales of Little Nicholas - a sort of French equivalent of the likes of Just William or The Perishers - with the biography of his creator René Goscinny (voiced by Alain Chabat) and Jean-Jacques Sempé (Laurent Lafitte at the mic). Goscinny is the more internationally famous of the two, having also co-created Asterix and Obelix, who are nicely referenced, but here the focus is on the bond between him and Sempé, which though it weakened down the years lasted until Goscinny's untimely death from a heart attack at just 51.
The dialogue between the fictional life of Nicholas and the lives of his creators is achieved by having Nicholas (voiced by Simon Faliu) step off the page to engage in conversation with the two men as they first begin to create his family and friends before moving on to a series of tales, including -...
The dialogue between the fictional life of Nicholas and the lives of his creators is achieved by having Nicholas (voiced by Simon Faliu) step off the page to engage in conversation with the two men as they first begin to create his family and friends before moving on to a series of tales, including -...
- 5/30/2022
- by Amber Wilkinson
- eyeforfilm.co.uk
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