Indie News
[Editor’s note: The following story contains spoilers for “The Idea of You.”]
Don’t you hate it when Hollywood changes the ending to your favorite book when adapting it into a film? The process is sacrilege to some readers, but it can often lead to films improving upon their source material. The latest bestseller to see its ending changed is “The Idea of You” — and a recent piece by IndieWire’s Erin Strecker endorses the changes screenwriters Michael Showalter and Jennifer Westfeldt made in adapting Robinne Lee’s 2017 novel.
However, it turns out these changes, well regarded as they are by some, did not receive input from Lee herself. In a recent interview with Entertainment Weekly, the author said she “was not involved at all in the adaptation.”
“I have not even spoken to [director] Michael [Showalter] yet,” Lee said. “But I’m looking forward to meeting him, so no, I haven’t spoken to him about any changes. My...
Don’t you hate it when Hollywood changes the ending to your favorite book when adapting it into a film? The process is sacrilege to some readers, but it can often lead to films improving upon their source material. The latest bestseller to see its ending changed is “The Idea of You” — and a recent piece by IndieWire’s Erin Strecker endorses the changes screenwriters Michael Showalter and Jennifer Westfeldt made in adapting Robinne Lee’s 2017 novel.
However, it turns out these changes, well regarded as they are by some, did not receive input from Lee herself. In a recent interview with Entertainment Weekly, the author said she “was not involved at all in the adaptation.”
“I have not even spoken to [director] Michael [Showalter] yet,” Lee said. “But I’m looking forward to meeting him, so no, I haven’t spoken to him about any changes. My...
- 5/5/2024
- by Harrison Richlin
- Indiewire
“Baby Reindeer” mania has already swept the U.K., and the word-of-mouth export continues to make waves across the U.S., hence our belated review about an incredibly devastating and twisting series that is so much more than you initially expected.
There’s a natural tendency in most savvy viewers to predict how events might unfold in any film or televised event. For years, Netflix established itself as a contender in the truth-is-stranger-than-fiction sweepstakes with the murder-for-hire animal park drama (“Tiger King”) or plunges into the darkest realms of internet video (“Don’t F**k with Cats: Hunting an Internet Killer”).
Continue reading ‘Baby Reindeer’ Review: A Conventional Stalking Thriller Transforms Into A Devastating & Complex Confessional About Abuse & Trauma at The Playlist.
There’s a natural tendency in most savvy viewers to predict how events might unfold in any film or televised event. For years, Netflix established itself as a contender in the truth-is-stranger-than-fiction sweepstakes with the murder-for-hire animal park drama (“Tiger King”) or plunges into the darkest realms of internet video (“Don’t F**k with Cats: Hunting an Internet Killer”).
Continue reading ‘Baby Reindeer’ Review: A Conventional Stalking Thriller Transforms Into A Devastating & Complex Confessional About Abuse & Trauma at The Playlist.
- 5/5/2024
- by Brian Farvour
- The Playlist
Mookie and Buggin’-Out back together again. We love to see it. Filmmaker, artist, tastemaker, and thespian Spike Lee has reunited with “School Daze” and “Do The Right Thing” brethren Giancarlo Esposito in a recent spot for Fiat’s new all-electric Fiat 500e. The commercial is entitled “Italy in America” and sees Esposito, whose father hails from Naples, introducing Lee to “la dolce vita”. In a recent interview with The Hollywood Reporter marking the reunion, Lee and Esposito reflected on their friendship and collaborations, their shared appreciation for Italian culture, and various film projects on approach.
“This is a natural fit,” Lee said of working with Esposito on the project after years apart. “When you’re close, especially in this industry, there might be Spike the love, but there are schedules and delays that prevent working together again. But we have a bond. It’s been announced that I’m...
“This is a natural fit,” Lee said of working with Esposito on the project after years apart. “When you’re close, especially in this industry, there might be Spike the love, but there are schedules and delays that prevent working together again. But we have a bond. It’s been announced that I’m...
- 5/5/2024
- by Harrison Richlin
- Indiewire
With ”The Fall Guy” (Universal), summer 2024 box office didn’t kick off; it just sort of happened. It opened to $28.5 million, a 52 percent drop from last year with “Guardians of the Galaxy Vol. 3.” Hopefully, that will be the last precipitous weekend drop (aside from the inevitable “Barbie”/”Oppenheimer” July weekend of $310 million).
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
This $76 million domestic weekend is bad, but “The Fall Guy” shortfall is worse. Estimates were broad, but worst-case scenarios predicted $30 million. The Ryan Gosling action rom-com had all the earmarks of audience appeal. Whatever its possible limitations — and a $130 million budget — that’s a terrible look to start the summer.
Despite good reviews, Gosling’s momentum, director David Leitch’s proven box office success, the usually lucrative playdate, and a decent A- Cinemascore, “The Fall Guy” opened to only a little more than $3 million above “Civil War” (A24), April’s best opener.
“The Kingdom of the Planet...
- 5/5/2024
- by Tom Brueggemann
- Indiewire
Dua Lipa knows how to bring the party. And apparently it runs in the genes. While making her “Saturday Night Live” hosting debut last night, the award-winning pop star acknowledged how she’d made her television debut in the same building eight years ago and gave a special shoutout to her parents — who were in the audience cheering her on — telling a story about an unlikely run-in she had with her folks one night.
“As you can see,” she said, “they’re kind of cool. They love to party. One night, I was out with my friends and we ended up at the club at three o’clock in the morning and who do I bump into but my parents. Which is embarrassing, cause the last thing you want to see when you’re super high and drunk-off-your-ass is your daughter.”
The punchline got a huge laugh, particularly from her parents up in the balcony.
“As you can see,” she said, “they’re kind of cool. They love to party. One night, I was out with my friends and we ended up at the club at three o’clock in the morning and who do I bump into but my parents. Which is embarrassing, cause the last thing you want to see when you’re super high and drunk-off-your-ass is your daughter.”
The punchline got a huge laugh, particularly from her parents up in the balcony.
- 5/5/2024
- by Harrison Richlin
- Indiewire
“Arise, arise, riders of Rohan! Spears shall be shaken! Shields shall be splintered! A sword-day…a red day…ere the sun rises!”
So begins The Battle of Pelennor Fields, a centerpiece in Peter Jackson’s Best Picture-winning adaptation of J.R.R. Tolkien’s “The Lord of the Rings: The Return of the King”. It’s a visually triumphant scene, with thousands of fighters on horseback and the horns of Howard Shore’s score lifting the sequence off the screen, but it’s Bernard Hill and his character King Theóden’s rousing speech to his troops that pulls the audience in and makes us a part of the action. That was Bernard Hill’s gift. He made things real. He offered a level of authenticity and commitment that transcends the screen and made movie-going a holy experience. Sadly, it was confirmed by his agent, Lou Coulson, that Hill died early this morning...
So begins The Battle of Pelennor Fields, a centerpiece in Peter Jackson’s Best Picture-winning adaptation of J.R.R. Tolkien’s “The Lord of the Rings: The Return of the King”. It’s a visually triumphant scene, with thousands of fighters on horseback and the horns of Howard Shore’s score lifting the sequence off the screen, but it’s Bernard Hill and his character King Theóden’s rousing speech to his troops that pulls the audience in and makes us a part of the action. That was Bernard Hill’s gift. He made things real. He offered a level of authenticity and commitment that transcends the screen and made movie-going a holy experience. Sadly, it was confirmed by his agent, Lou Coulson, that Hill died early this morning...
- 5/5/2024
- by Harrison Richlin
- Indiewire
‘Furiosa’ Composer Tom Holkenberg aka JunkieXL Teases Score with First Single, ‘Dementus Is Gaining’
We can already feel our theater seats shaking. This past Friday, “Furiosa” composer Tom Holkenberg (aka Junkie Xl) dropped a taste of his upcoming score for the film with the single, “Dementus Is Gaining”. The propulsive electronica track features a familiar trance-like beat that incorporates the sound of revving engines, but also has a noticeably more haunting quality than that of the score for “Mad Max: Fury Road”, implying a prequel that may have more of an emotional bite than its predecessor.
“My collaboration with the incredible George Miller began over a decade ago with our work on ‘Mad Max: Fury Road,’ a project that marked a pivotal moment in my career as a film composer,” says Holkenberg. “Returning to this world to score the odyssey of ‘Furiosa,’ an epic tale of survival, resilience and revenge has been just as eye-opening and gratifying. ‘Furiosa: A Mad Max Saga’ is a...
“My collaboration with the incredible George Miller began over a decade ago with our work on ‘Mad Max: Fury Road,’ a project that marked a pivotal moment in my career as a film composer,” says Holkenberg. “Returning to this world to score the odyssey of ‘Furiosa,’ an epic tale of survival, resilience and revenge has been just as eye-opening and gratifying. ‘Furiosa: A Mad Max Saga’ is a...
- 5/5/2024
- by Harrison Richlin
- Indiewire
Adopting the iconography of DC comics, Vera Drew’s subversive and kitschy “The People’s Joker” often feels like a revelation. Transfiguring a genre that, recently, has been oversaturated with rote storytelling and narratives, Drew’s film is something remarkable in the age of constant IP. It’s personal and more than a bit bewildering. It’s also incredibly rough, fusing together various aesthetics to create a collage-like approach to a trans-coming-of-age story.
Continue reading ‘The People’s Joker’ Is A Kitschy, Subversive & Queer Coming Of Age Story [Review] at The Playlist.
Continue reading ‘The People’s Joker’ Is A Kitschy, Subversive & Queer Coming Of Age Story [Review] at The Playlist.
- 5/5/2024
- by Christian Gallichio
- The Playlist
Being an independent film fan is full of surprises, as each slate of festival releases brings a new wave of emerging filmmakers, breakout stars, and established actors playing against type in bold films. But it’s hard to imagine that even the biggest cultural omnivore could have predicted that 2024 would spark a renaissance in Fred Durst’s acting career.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
The Limp Bizkit frontman, who helped pioneer the nu metal genre throughout the ’90s by combining hip-hop and rock on albums with poetic titles like “Three Dollar Bill, Y’all,” and “Chocolate Starfish and the Hot Dog Flavored Water,” has been a sporadic presence in movies for the past quarter century. Aside from a handful of small roles in the 2000s, he’s best known to cinephiles as the director of “The Fanatic,” the infamous 2019 stalker thriller starring John Travolta as an autistic man named Moose that somehow manages to be more offensive than it sounds.
- 5/5/2024
- by Christian Zilko
- Indiewire
Gone are the days of Ryan Gosling beating goons to a pulp in elevators in films like “Drive” or drinking a marriage into dissolution in “Blue Valentine”. At least for right now. In a recent Wall Street Journal Magazine interview, Gosling admitted that the softer, more fun roles he’s taken on lately are largely a result of looking out for his wife, Eva Mendes, and their children. The actor says that his decision to step back from more intense roles with came after preparing for his role in the Oscar-winning musical “La La Land”.
“I think ‘La La Land’ was the first,” Gosling said when asked about his practice of factoring his children into the roles he chooses. “It was just sort of like, ‘Oh, this will be fun for them, too, because even though they’re not coming to set, we’re practicing piano every day or we...
“I think ‘La La Land’ was the first,” Gosling said when asked about his practice of factoring his children into the roles he chooses. “It was just sort of like, ‘Oh, this will be fun for them, too, because even though they’re not coming to set, we’re practicing piano every day or we...
- 5/4/2024
- by Harrison Richlin
- Indiewire
David Lynch hasn’t taken on a feature film or TV project since releasing his groundbreaking “Twin Peaks: The Return” in 2017, but it hasn’t been for lack of trying. First, it was reported back in April that Netflix rejected his pitch for an animated film called “Snootworld.” And now his longtime producer Sabrina Sutherland has shed some light on “Unrecorded Night,” his planned Netflix series that was scrapped during the Covid-19 pandemic.
Loyal Lynch fans will recall that rumors began to circulate in 2020 that the auteur was planning to direct a new series that was developed under the working titles “Wisteria” and “Unrecorded Night.” Many regular Lynch collaborators, including Kyle MacLachlan and Mark Frost, went on to cryptically post images of wisteria flowers on their social media accounts, fueling speculation that Lynch was getting the band back together. Some even speculated that the show would be a Texas-set series...
Loyal Lynch fans will recall that rumors began to circulate in 2020 that the auteur was planning to direct a new series that was developed under the working titles “Wisteria” and “Unrecorded Night.” Many regular Lynch collaborators, including Kyle MacLachlan and Mark Frost, went on to cryptically post images of wisteria flowers on their social media accounts, fueling speculation that Lynch was getting the band back together. Some even speculated that the show would be a Texas-set series...
- 5/4/2024
- by Harrison Richlin
- Indiewire
[Editor’s note: The following includes spoilers for “Sugar.”]
“Sugar” is a neo-noir television series set in modern-day Los Angeles, featuring private investigator John Sugar (Colin Farrell) who, in addition to being very good at his job, is also a huge movie buff. Sugar’s latest case, to find the missing granddaughter of legendary movie producer Jonathan Siegel (James Cromwell), only sends him even further down the path of Hollywood lore.
Throughout the eight episodes of Season 1, Sugar’s journey to find Olivia reminds him of scenes from some of his favorite classic films, which are intercut into the series as if we are seeing little flashes of what is racing through Sugar’s mind.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard” and “The Maltese Falcon.
“Sugar” is a neo-noir television series set in modern-day Los Angeles, featuring private investigator John Sugar (Colin Farrell) who, in addition to being very good at his job, is also a huge movie buff. Sugar’s latest case, to find the missing granddaughter of legendary movie producer Jonathan Siegel (James Cromwell), only sends him even further down the path of Hollywood lore.
Throughout the eight episodes of Season 1, Sugar’s journey to find Olivia reminds him of scenes from some of his favorite classic films, which are intercut into the series as if we are seeing little flashes of what is racing through Sugar’s mind.
“It was all done after the fact, so I had no idea until I saw it how many [and] which clips [they used],” Farrell told IndieWire, adding he was pleasantly surprised to see himself juxtaposed with some of his all-time favorite films, like “Sunset Boulevard” and “The Maltese Falcon.
- 5/4/2024
- by Chris O'Falt
- Indiewire
“Democracy needs a ground to stand on and that ground is the truth.”
These are the words of Maryland Congressman Jamie Raskin, featured in a trailer for the A24 documentary film “The Sixth”, an portrait of public service that features interviews with Raskin, a photographer, a Hill aide, and three police officers, all of whom, had their lives changed by the violent Capitol assault on January 6, 2021. The documentary hails from husband and wife team Sean Fine and Andrea Nix, who have received two Emmy Awards for their work with National Geographic, the Best Documentary (Short Subject) Oscar in 2013 for “Innocente”, and in 2021, through HBO, released “Lfg”, a documentary that tracks women’s soccer’s fight with the US Soccer Federation over pay discrimination. This all to say, Fine and Nix are highly regarded in their field and yet their most recent and vital work, a film that tracks the insurrection...
These are the words of Maryland Congressman Jamie Raskin, featured in a trailer for the A24 documentary film “The Sixth”, an portrait of public service that features interviews with Raskin, a photographer, a Hill aide, and three police officers, all of whom, had their lives changed by the violent Capitol assault on January 6, 2021. The documentary hails from husband and wife team Sean Fine and Andrea Nix, who have received two Emmy Awards for their work with National Geographic, the Best Documentary (Short Subject) Oscar in 2013 for “Innocente”, and in 2021, through HBO, released “Lfg”, a documentary that tracks women’s soccer’s fight with the US Soccer Federation over pay discrimination. This all to say, Fine and Nix are highly regarded in their field and yet their most recent and vital work, a film that tracks the insurrection...
- 5/4/2024
- by Harrison Richlin
- Indiewire
Keeping up with the subset cult around whispering David Lynch rumors can be a little taxing and trying, but as we know, the filmmaker hasn’t released anything since the transformative “Twin Peaks: The Return” series in 2017. But as it turns out, there appear to be some truths to some of the rumors and speculation circulated over the last five years.
Most of it started when the “Blue Velvet” filmmaker was spotted in the offices at Netflix in 2018, presumably taking some meetings, and things subsequently snowballed.
Continue reading David Lynch’s ‘Unrecorded Night’ Was Canceled At Netflix When The Pandemic Hit & Ideas Exist For More ‘Twin Peaks’ at The Playlist.
Most of it started when the “Blue Velvet” filmmaker was spotted in the offices at Netflix in 2018, presumably taking some meetings, and things subsequently snowballed.
Continue reading David Lynch’s ‘Unrecorded Night’ Was Canceled At Netflix When The Pandemic Hit & Ideas Exist For More ‘Twin Peaks’ at The Playlist.
- 5/4/2024
- by Rodrigo Perez
- The Playlist
“I look back at my life…and all I see…are the messes I made.”
And boy, did we love those messes. These words, uttered by leader of the eponymous ragtag group of vigilantes, Billy Butcher (Karl Urban), begin the full trailer for the upcoming season 4 of Prime Video’s smash superhero satire “The Boys”. What follows is a rousing montage of teams getting back together, new supes joining the fray, new monsters revealing themselves, chickens flying out of chests, and bloody sheep being torn apart mid-air all juxtaposed against inspirational speeches and quotes from Butcher, Homelander, and the rest of the gang of fucked-up folks trying to save humanity in their own ways.
Coming on the heels of the series’ breakout spin-off “Gen V”, this latest season of “The Boys” looks to be incorporating characters old and new. One figure who hasn’t shown up in either series though...
And boy, did we love those messes. These words, uttered by leader of the eponymous ragtag group of vigilantes, Billy Butcher (Karl Urban), begin the full trailer for the upcoming season 4 of Prime Video’s smash superhero satire “The Boys”. What follows is a rousing montage of teams getting back together, new supes joining the fray, new monsters revealing themselves, chickens flying out of chests, and bloody sheep being torn apart mid-air all juxtaposed against inspirational speeches and quotes from Butcher, Homelander, and the rest of the gang of fucked-up folks trying to save humanity in their own ways.
Coming on the heels of the series’ breakout spin-off “Gen V”, this latest season of “The Boys” looks to be incorporating characters old and new. One figure who hasn’t shown up in either series though...
- 5/4/2024
- by Harrison Richlin
- Indiewire
Responding to new sexual assault allegations brought to light by U.K.’s Channel 4 in the documentary “Spacey Unmasked”, Kevin Spacey sat down for an interview on X, formerly Twitter, with controversial British journalist Dan Wooton. In the documentary, which airs next week and will stream on Max via an acquisition by ID Network, nine new victims come forward accusing Spacey of various forms of inappropriate behavior ranging from sexual harassment on set to masturbating in a movie theater during the storming of Normandy scene in “Saving Private Ryan”.
“I take full responsibility for my past behavior and my actions,” Spacey said in his interview on X. “But I cannot and will not take responsibility or apologize to anyone who’s made up stuff about me or exaggerated stories about me.”
These allegations and interview come less than a year after a U.K. court found Spacey not guilty...
“I take full responsibility for my past behavior and my actions,” Spacey said in his interview on X. “But I cannot and will not take responsibility or apologize to anyone who’s made up stuff about me or exaggerated stories about me.”
These allegations and interview come less than a year after a U.K. court found Spacey not guilty...
- 5/4/2024
- by Harrison Richlin
- Indiewire
Sometimes the fan campaigning really works, though in this case, the fan is actor Giancarlo Esposito, known for his roles in “Breaking Bad,” and “The Mandalorian.” In the last year or more, Esposito has made it no secret that he’s been eager to join the Marvel Cinematic Universe, seemingly talking it up every chance he gets and telling audiences. Previously, the actor revealed he had met with Marvel Studios and said he was keen to play a new version of Professor X in the “X-Men” movies.
Continue reading Giancarlo Esposito Joins Marvel Universe In Mystery Role & Promises “It’s Better Than You Imagine” at The Playlist.
Continue reading Giancarlo Esposito Joins Marvel Universe In Mystery Role & Promises “It’s Better Than You Imagine” at The Playlist.
- 5/4/2024
- by Rodrigo Perez
- The Playlist
One of cinema’s living legends, at 85 years old, filmmaker Francis Ford Coppola has finally made “Megalopolis,” an ambitious sci-fi epic he’s been dreaming of making since the 1980s. With the film set to premiere at the Cannes Film Festival later this month, in a matter of days, French distributor Le Pacte has released the first look teaser of the movie.
Continue reading ‘Megalopolis’ Teaser Trailer: Adam Driver Stops Time In First Look At Francis Ford Coppola’s Upcoming Dramatic Epic at The Playlist.
Continue reading ‘Megalopolis’ Teaser Trailer: Adam Driver Stops Time In First Look At Francis Ford Coppola’s Upcoming Dramatic Epic at The Playlist.
- 5/4/2024
- by Rodrigo Perez
- The Playlist
A clip for one of the most anticipated films of Cannes has been unveiled this morning by writer/director Francis Ford Coppola. Opening with that famous American Zoetrope logo from the 1970s, the clip begins with Adam Driver’s character exiting a window at the top floor of a skyscraper and slowly inching towards the building’s sloped edge. As he bends to look down at the street below, then lifts a leg to step off, he loses his balance and yells, “Time stop!” The world freezes and Driver’s character is able to lean back and regain his footing before snapping time back into action. If one looks deep enough, a metaphor can be found for Coppola’s entire cinematic career within this simple two minute scene.
The film’s official description reads: “Megalopolis” is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change,...
The film’s official description reads: “Megalopolis” is a Roman Epic fable set in an imagined Modern America. The City of New Rome must change,...
- 5/4/2024
- by Harrison Richlin
- Indiewire
It’s May 4th, and you know what that means. In honor of the annual “Star Wars” fan holiday (“May The Force”), Lucasfilm has revealed the new trailer for “The Acolyte,” and if you were maybe a bit underwhelmed by the secretive nature of the first teaser, well, this trailer rips off the mask, unveils secrets and looks pretty damn great. The suspenseful new live-action “Star Wars” series, which seems to have a lot of connections to “The Phantom Menace” era of conspiracy, lies, and hidden truths, premieres on Tuesday, June 4, with the first two episodes exclusively on Disney+.
Continue reading ‘The Acolyte’ Trailer: Lucasfilm Reveals More Secrets In Terrific New May The 4 Teaser at The Playlist.
Continue reading ‘The Acolyte’ Trailer: Lucasfilm Reveals More Secrets In Terrific New May The 4 Teaser at The Playlist.
- 5/4/2024
- by Edward Davis
- The Playlist
To understand the love letter that is “The Fall Guy” — a passion project of former stunt performer turned A-list action director David Leitch — consider that Drew Pearce couldn’t write the script until Leitch identified the old-school stunts that would serve as its centerpieces.
IndieWire talked to Leitch and stunt designer Chris O’Hara about four of those jaw-dropping action scenes: the record-breaking cannon roll on the beach, the 225-foot car jump, the helicopter high-fall, and the boat jump. The personal and creative stories of how they came about are almost as gripping as the scenes themselves.
The Cannon Roll
After his accident, stunt double Colt Seavers’ (Ryan Gosling) first stunt is a big one: an explosion that sends his Jeep into a cannon roll. It was so big that Gosling’s own stunt double, Logan Holladay (who is seen on screen buckling Gosling into the Jeep), broke the Guinness World Record with eight-and-half rolls.
IndieWire talked to Leitch and stunt designer Chris O’Hara about four of those jaw-dropping action scenes: the record-breaking cannon roll on the beach, the 225-foot car jump, the helicopter high-fall, and the boat jump. The personal and creative stories of how they came about are almost as gripping as the scenes themselves.
The Cannon Roll
After his accident, stunt double Colt Seavers’ (Ryan Gosling) first stunt is a big one: an explosion that sends his Jeep into a cannon roll. It was so big that Gosling’s own stunt double, Logan Holladay (who is seen on screen buckling Gosling into the Jeep), broke the Guinness World Record with eight-and-half rolls.
- 5/4/2024
- by Chris O'Falt
- Indiewire
At the end of the 2001 movie “Monsters, Inc.,” the titular company decides to cut ties with tradition and do away with human children’s screams as a power source in favor of laughter. It was a fun tag that put a nice bow on Sulley’s character growth after meeting the human Boo. What the movie doesn’t show is whether the larger world of Monstropolis will be open to such a drastic change to their traditions and culture. That is at the heart of Disney+’s “Monsters at Work,” which, in its second season, brought workplace existentialism and the environmental revolution to the popular Pixar franchise — along with the surprise return of Steve Buscemi’s Randall Boggs. (More on that later.)
“The end of ‘Monsters, Inc.’ is great for the audience, but that doesn’t necessarily extend to the larger city and the larger world,” “Monsters at Work” showrunner Kevin Deters told IndieWire.
“The end of ‘Monsters, Inc.’ is great for the audience, but that doesn’t necessarily extend to the larger city and the larger world,” “Monsters at Work” showrunner Kevin Deters told IndieWire.
- 5/4/2024
- by Rafael Motamayor
- Indiewire
On Friday nights, IndieWire After Dark takes a feature-length beat to honor fringe cinema in the streaming age.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Justice for Lori Petty!
One of cinema’s greatest action heroes is a fiercely feminist freedom fighter captured by an oppressive regime controlling the water supply of a post-apocalyptic landscape. Seeking revenge after her family was ripped from her, the heroine escapes the grasp of the army by stealing a vehicle of war, and ventures across the vast post-punk deserts of Australia with the ultimate goal of eventually slaying the white-haired tyrant who ruined her life.
No, I’m not talking about Furiosa, Charlize Theron’s iconic badass in “Mad Max: Fury Road.
First, the spoiler-free pitch for one editor’s midnight movie pick — something weird and wonderful from any age of film that deserves our memorializing.
Then, the spoiler-filled aftermath as experienced by the unwitting editor attacked by this week’s recommendation.
The Pitch: Justice for Lori Petty!
One of cinema’s greatest action heroes is a fiercely feminist freedom fighter captured by an oppressive regime controlling the water supply of a post-apocalyptic landscape. Seeking revenge after her family was ripped from her, the heroine escapes the grasp of the army by stealing a vehicle of war, and ventures across the vast post-punk deserts of Australia with the ultimate goal of eventually slaying the white-haired tyrant who ruined her life.
No, I’m not talking about Furiosa, Charlize Theron’s iconic badass in “Mad Max: Fury Road.
- 5/4/2024
- by Wilson Chapman and Alison Foreman
- Indiewire
Romance is complicated. The meshing together of two or more people isn’t designed to be a smooth process and art has reflected that for generations, most recently in the new Amazon MGM rom-com “The Idea of You”. In honor of the film dropping on Prime Video, IndieWire has compiled a list of the best age-gap romance films to enjoy after watching Anne Hathaway and Nicholas Galitzine’s jaunt within the genre. From the best-selling novel by Robinne Lee, “The Idea of You” follows a 40-year-old gallery owner and divorceé, who, after escorting her daughter to Coachella, ends up in a whirlwind romance with the 24-year-old lead singer of a famous boy band. The book was adapted for the screen by Michael Showalter, as well as Jennifer Westfeldt, who’s dabbled in complicated romances in the past with films like “Kissing Jessica Stein” and “Friends With Kids”.
In terms of...
In terms of...
- 5/3/2024
- by Harrison Richlin and Wilson Chapman
- Indiewire
Chris Pine felt like more than a million bucks after being cast in “Princess Diaries 2: Royal Engagement” — he felt like $50 million, to be exact. Not that he made anywhere near that sum.
During an upcoming appearance on NBC News’ “Sunday Today with Willie Geist,” Pine recalled how joining the 2004 sequel film proved to be a pivotal point in his career. Pine played Prince Nicholas Devereaux who tries to woo Princess Mia (Anne Hathaway) in her ancestral home country of Genovia.
“It was the height of summer and I was getting off at Magnolia. I was on my little Verizon tiny little flip phone, my silver one, and I got a call from my agents that I booked the job,” Pine said. “I pulled over onto the side of the freeway and they said, ‘You’re getting paid $65,000,’ and it was like they had just told me I’d made $50 million.
During an upcoming appearance on NBC News’ “Sunday Today with Willie Geist,” Pine recalled how joining the 2004 sequel film proved to be a pivotal point in his career. Pine played Prince Nicholas Devereaux who tries to woo Princess Mia (Anne Hathaway) in her ancestral home country of Genovia.
“It was the height of summer and I was getting off at Magnolia. I was on my little Verizon tiny little flip phone, my silver one, and I got a call from my agents that I booked the job,” Pine said. “I pulled over onto the side of the freeway and they said, ‘You’re getting paid $65,000,’ and it was like they had just told me I’d made $50 million.
- 5/3/2024
- by Samantha Bergeson
- Indiewire
Asexuality is rare enough on screen that a film that does acknowledge its existence can build an entire storyline out of it. But the scant few depictions of it in popular media that do exist — mostly in progressive teen shows like Netflix’s “Sex Education” or “Heartbreak High” — generally present storylines about the orientation in an instructive manner for general audiences. Their supporting asexual characters are typically young, confused teens, and their journeys to understand and accept their orientation are highlighted by arcs that pit them with love interests who struggle with the unconventional shape their relationship takes.
“Slow,” the second feature from Lithuanian director Marija Kavtaradzė, offers a somewhat different type of asexual character. Dovydas (Kęstutis Cicėnas) certainly talks about his difficulties coming to terms with his asexuality as a child, but when the audience first meets him he’s decidedly not an awkward teenager. He’s a grown...
“Slow,” the second feature from Lithuanian director Marija Kavtaradzė, offers a somewhat different type of asexual character. Dovydas (Kęstutis Cicėnas) certainly talks about his difficulties coming to terms with his asexuality as a child, but when the audience first meets him he’s decidedly not an awkward teenager. He’s a grown...
- 5/3/2024
- by Wilson Chapman
- Indiewire
“I knew daredevils — and I ain’t got nothing against ‘em — it’s just they’re all dead.”
So says the titular character of “The Stunt Man” to his trainer the first time his desire for mortality is put into question. The theme of death is a constant one in this 1980 film. It’s what propels the main character, Vietnam-Vet Cameron, to go on the run — the state in which we meet him at the beginning of the film. It’s what draws him to a movie set near the beach where dozens of bodies are ripped apart, sporting soldier’s uniforms from World War I, and buried across the sand. It’s what fascinates the film’s director, Eli Cross, whose need to draw reality out of a production that’s drowning in artifice places Cameron in the precarious position of both stuntman and muse. What begins as a...
So says the titular character of “The Stunt Man” to his trainer the first time his desire for mortality is put into question. The theme of death is a constant one in this 1980 film. It’s what propels the main character, Vietnam-Vet Cameron, to go on the run — the state in which we meet him at the beginning of the film. It’s what draws him to a movie set near the beach where dozens of bodies are ripped apart, sporting soldier’s uniforms from World War I, and buried across the sand. It’s what fascinates the film’s director, Eli Cross, whose need to draw reality out of a production that’s drowning in artifice places Cameron in the precarious position of both stuntman and muse. What begins as a...
- 5/3/2024
- by Harrison Richlin
- Indiewire
Fiona Apple is the go-to songwriter for exorcising your romantic demons, ruing the ones you loved, the ones who didn’t love you back, the ones you pushed away amid yet another freefall of your own design. She’s also the go-to singer for three studio comedy auteurs: Michael Showalter, Judd Apatow, and Paul Feig.
Apple’s songs have featured in three of their films — Apple wrote the original song “Dull Tool” for Apatow’s “This Is 40,” capturing a decades-long marriage at its breaking point. Elsewhere, her epic ball of romantic resignation “Cosmonauts,” off the 2020 album “Fetch the Bolt Cutters,” was also originally meant for that film. Meanwhile, her classic cabaret-inspired love song “Paper Bag,” about having too much emotional baggage to enter into a new relationship she wants “so bad, oh it kills,” featured in Feig’s “Bridesmaids” in a montage of Annie (Kristen Wiig) making cupcakes as...
Apple’s songs have featured in three of their films — Apple wrote the original song “Dull Tool” for Apatow’s “This Is 40,” capturing a decades-long marriage at its breaking point. Elsewhere, her epic ball of romantic resignation “Cosmonauts,” off the 2020 album “Fetch the Bolt Cutters,” was also originally meant for that film. Meanwhile, her classic cabaret-inspired love song “Paper Bag,” about having too much emotional baggage to enter into a new relationship she wants “so bad, oh it kills,” featured in Feig’s “Bridesmaids” in a montage of Annie (Kristen Wiig) making cupcakes as...
- 5/3/2024
- by Ryan Lattanzio
- Indiewire
[Editor’s note: The following interview contains spoilers for “Unfrosted.”]
The Pop-Tarts were heated up and soon to pop — if Kellogg’s only had a name for its new toaster treat. For that, Jerry Seinfeld went to the best 1960s ad men he, or anyone, could find: Don Draper (Jon Hamm) and Roger Sterling (John Slattery) of Sterling Cooper Draper Pryce — and of AMC’s “Mad Men.”
Who would have thought that Netflix’s “Unfrosted” — a Pop-Tarts faux origin story — would be what got those two back in their single-vented suits? A fantastical (and fantastic) cinematic universe was created, almost by accident. Here’s the not-fake origin story of the film-stealing scene.
“We would take breaks when we were writing this movie and watch ‘Mad Men’ scenes,” the film’s cowriter Spike Feresten told IndieWire. “Jerry had just rewatched the entire [series] again and said, ‘You’ve gotta see this scene.’ And it would play in our meetings like a comedy.
The Pop-Tarts were heated up and soon to pop — if Kellogg’s only had a name for its new toaster treat. For that, Jerry Seinfeld went to the best 1960s ad men he, or anyone, could find: Don Draper (Jon Hamm) and Roger Sterling (John Slattery) of Sterling Cooper Draper Pryce — and of AMC’s “Mad Men.”
Who would have thought that Netflix’s “Unfrosted” — a Pop-Tarts faux origin story — would be what got those two back in their single-vented suits? A fantastical (and fantastic) cinematic universe was created, almost by accident. Here’s the not-fake origin story of the film-stealing scene.
“We would take breaks when we were writing this movie and watch ‘Mad Men’ scenes,” the film’s cowriter Spike Feresten told IndieWire. “Jerry had just rewatched the entire [series] again and said, ‘You’ve gotta see this scene.’ And it would play in our meetings like a comedy.
- 5/3/2024
- by Tony Maglio
- Indiewire
As you are likely well aware, the Walt Disney Company bought 20th Century Fox back in 2019, just one year after “Deadpool 2” hit theaters, and in the process, became the owners of all of Fox’s Marvel properties, The Fantastic Four, X-Men, and the Deadpool franchise. But if you’re wondering why it took so long for a third ‘Deadpool’ movie to happen, six years after the second film, well, we finally have answers.
Continue reading Marvel’s Kevin Feige Admits He Turned Down Ryan Reynolds’ ‘Deadpool & Wolverine’ Pitch At First at The Playlist.
Continue reading Marvel’s Kevin Feige Admits He Turned Down Ryan Reynolds’ ‘Deadpool & Wolverine’ Pitch At First at The Playlist.
- 5/3/2024
- by Edward Davis
- The Playlist
Variety held their annual Power of Women event Thursday, May 2 at Cooper Hewitt, Smithsonian Design Museum, in New York City. Honorees included Anitta, Mariska Hargitay, Shonda Rhimes, and Amy Schumer, along with presenters that included Glenn Close, Bela Bajaria, Bruna Marquezine, and Sascha Seinfeld.
IndieWire caught up with Francesca Scorsese, who’s featured as an “Up Next” talent in Variety’s issue, on the event’s red carpet, where she reflected on working with Luca Guadagnino in HBO’s 2020 limited series “We Are Who We Are.” “He’s the most amazing, sweetest guy. Very eccentric, but that’s the best part about him,” Scorsese said. “It was really cool because I got to experience another filmmaker. You know what I mean? I grew up being on my dad’s film sets and seeing his directing style and just like literally just like living in that world.”
“I saw similarities but...
IndieWire caught up with Francesca Scorsese, who’s featured as an “Up Next” talent in Variety’s issue, on the event’s red carpet, where she reflected on working with Luca Guadagnino in HBO’s 2020 limited series “We Are Who We Are.” “He’s the most amazing, sweetest guy. Very eccentric, but that’s the best part about him,” Scorsese said. “It was really cool because I got to experience another filmmaker. You know what I mean? I grew up being on my dad’s film sets and seeing his directing style and just like literally just like living in that world.”
“I saw similarities but...
- 5/3/2024
- by Vincent Perella
- Indiewire
It’s already been a busy week for the upcoming Cannes film market, with new films from Julia Ducournau, Romain Gavras, and Panos Cosmatos entering the fray. But what about something lighter than those three, which, considering their directors, will all be audacious in their own ways? “Takes One To Know One” may fit the bill there, as Deadline reports that CAA Media Finance and Cornerstone have the upcoming romance ready for sales on the Croisette once the Cannes Film Festival gets underway in eleven days.
Continue reading ‘Takes One To Know One’: Olivia Cooke & Jamie Bell To Star In Upcoming Italy-Set Romance at The Playlist.
Continue reading ‘Takes One To Know One’: Olivia Cooke & Jamie Bell To Star In Upcoming Italy-Set Romance at The Playlist.
- 5/3/2024
- by Ned Booth
- The Playlist
With highly anticipated titles “The Fall Guy” and “I Saw the TV Glow” hitting theaters this weekend and a slew of studio blockbusters following in the coming weeks, the summer movie season is officially upon us. But studio slates look thinner this year than in the past, as strikes prevented many titles from wrapping production in 2023. But streaming services remain a reliable content source for anyone with a movie itch that the latest releases just aren’t scratching. And this month’s additions to the Netflix film library are no exception.
The streaming giant is rolling out Jerry Seinfeld’s long-awaited Pop-Tarts movie “Unfrosted” as its highest-profile release of the month. The comedy is flanked by a robust collection of repertory titles that should satisfy a variety of film tastes.
Keep reading for seven new movies hitting Netflix in May 2024.
The streaming giant is rolling out Jerry Seinfeld’s long-awaited Pop-Tarts movie “Unfrosted” as its highest-profile release of the month. The comedy is flanked by a robust collection of repertory titles that should satisfy a variety of film tastes.
Keep reading for seven new movies hitting Netflix in May 2024.
- 5/3/2024
- by Christian Zilko
- Indiewire
Marvel’s upcoming blockbuster “Captain America: Brave New World” isn’t due in theaters until February 2024, but as you may have noticed by now, companies like McDonald’s are already advertising the film, and various pieces of marketing have revealed some early spoilers. The issue, it seems, is that “Captain America: Brave New World” was initially scheduled for release this summer, with a date that once included May 3, 2024, and a subsequent date for July 26, 2024.
Continue reading New ‘Captain America: Brave New World’ First Look May Explain Why Some Spoilers Are Out Super Early at The Playlist.
Continue reading New ‘Captain America: Brave New World’ First Look May Explain Why Some Spoilers Are Out Super Early at The Playlist.
- 5/3/2024
- by Edward Davis
- The Playlist
Brian De Palma apparently was less than enthused by Pauline Kael’s scathing “Body Double” review. The legendary critic didn’t seem to grasp what De Palma was attempting with his 1984 meta noir send-up of Hollywood.
The auteur’s take on “Rear Window” centered on a struggling actor (Craig Wasson) who seems to witness a murder while housesitting for his friend’s (Gregg Henry) pal. His relationship with a rising young porn actress (Melanie Griffith) leads to him investigating whether or not his voyeurism could solve a crime.
“Body Double,” which is receiving a theatrical re-release as part of Netflix’s Milestone Movies program in honor of its 40th anniversary, was received “harshly” by critics, according to actor Henry, who reunited with writer/director/producer De Palma after having a single yet memorable line in “Scarface.” Henry went on to work with De Palma for six more films.
“You always...
The auteur’s take on “Rear Window” centered on a struggling actor (Craig Wasson) who seems to witness a murder while housesitting for his friend’s (Gregg Henry) pal. His relationship with a rising young porn actress (Melanie Griffith) leads to him investigating whether or not his voyeurism could solve a crime.
“Body Double,” which is receiving a theatrical re-release as part of Netflix’s Milestone Movies program in honor of its 40th anniversary, was received “harshly” by critics, according to actor Henry, who reunited with writer/director/producer De Palma after having a single yet memorable line in “Scarface.” Henry went on to work with De Palma for six more films.
“You always...
- 5/3/2024
- by Samantha Bergeson
- Indiewire
The 2024 blockbuster season kicks off in earnest this weekend with David Leitch‘s “The Fall Guy” now in theaters. But their latest film wasn’t the only thing Leitch and his wife and creative partner Kelly McCormick spoke about while on the “Happy Sad Confused” podcast this week. They also had to dodge questions about Leitch’s brief tenure as the director of the upcoming “Jurassic World” reboot.
Continue reading David Leitch Talks Around Bailing On The ‘Jurassic Park’ Reboot & Having “Creative Freedom” at The Playlist.
Continue reading David Leitch Talks Around Bailing On The ‘Jurassic Park’ Reboot & Having “Creative Freedom” at The Playlist.
- 5/3/2024
- by The Playlist
- The Playlist
Watch the full episode above or listen to it below.
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
On this week’s “Screen Talk,” co-hosts Ryan Lattanzio and Anne Thompson review new releases “The Fall Guy” (Universal), “Wildcat” (Oscilloscope), and “I Saw the TV Glow” (A24). While they both enjoyed David Leitch’s latest stunt-fest, starring Ryan Gosling as a movie stuntman and Emily Blunt as his director and ex-girlfriend, Thompson said the movie set in Sydney was well-mounted but a tad shallow and cartoony, while Lattanzio said it was not a challenging movie in any way, and that a series of showdowns and battles pile on at the end. Box office projections are all over the map, from $25-50 million. Upbeat word of mouth should carry the day.
Despite lukewarm Sundance reactions to Ethan Hawke’s “Wildcat” — which the actor-director-writer (“Blaze”) crafted specifically for his daughter, actress Maya Hawke, who plays Southern writer Flannery O’Connor — both Lattanzio and Thompson admired the movie,...
- 5/3/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
BookTok just might make it all the way to the Oscars.
Academy Award winner Siân Heder is confirmed to be adapting Gabrielle Zevin’s bestselling novel “Tomorrow, and Tomorrow, and Tomorrow” for the big screen. The feature is Heder’s latest buzzy project post-Oscar win for “Coda,” which took the title of Best Picture in 2022.
“Tomorrow, and Tomorrow, and Tomorrow” will be written by Mark Bomback, who penned the script based off a draft penned by author Zevin. The novelist will serve as an executive producer on the Paramount Pictures release.
The film is a modern love story that spans three decades between friends Sam and Sadie who both work in the cutthroat video game industry. The novel — exploring the challenges and thrills of lifelong friendship — was published in 2022 and has sold more than 2.8 million copies worldwide while spending 50 weeks on the New York Times bestsellers list.
Marty Bowen, Wyck Godfrey,...
Academy Award winner Siân Heder is confirmed to be adapting Gabrielle Zevin’s bestselling novel “Tomorrow, and Tomorrow, and Tomorrow” for the big screen. The feature is Heder’s latest buzzy project post-Oscar win for “Coda,” which took the title of Best Picture in 2022.
“Tomorrow, and Tomorrow, and Tomorrow” will be written by Mark Bomback, who penned the script based off a draft penned by author Zevin. The novelist will serve as an executive producer on the Paramount Pictures release.
The film is a modern love story that spans three decades between friends Sam and Sadie who both work in the cutthroat video game industry. The novel — exploring the challenges and thrills of lifelong friendship — was published in 2022 and has sold more than 2.8 million copies worldwide while spending 50 weeks on the New York Times bestsellers list.
Marty Bowen, Wyck Godfrey,...
- 5/3/2024
- by Samantha Bergeson
- Indiewire
Tom Hardy, keep your phone off silent — you may soon be getting a call from George Miller.
Miller told Entertainment Weekly that he has written another “Mad Max” prequel film set one year before the events of 2015’s “Mad Max: Fury Road,” which starred Hardy as the title character.
The upcoming prequel installment, “Furiosa: A Mad Max Saga,” which will premiere at Cannes, has Anya Taylor-Joy as a younger version of warrior Furiosa after Charlize Theron originated the character in “Fury Road.” The script for “Furiosa” was birthed out of the pre-production process for “Fury Road.”
“In doing what we did in the preparation of ‘Mad Max: Fury Road,’ we also wrote what happened to Max in the year before we encounter him in [that film],” Miller said.
In fact, the possible Mad Max-character’s origin story could overlap with the events of “Furiosa.”
“Basically, we had to see that Mad...
Miller told Entertainment Weekly that he has written another “Mad Max” prequel film set one year before the events of 2015’s “Mad Max: Fury Road,” which starred Hardy as the title character.
The upcoming prequel installment, “Furiosa: A Mad Max Saga,” which will premiere at Cannes, has Anya Taylor-Joy as a younger version of warrior Furiosa after Charlize Theron originated the character in “Fury Road.” The script for “Furiosa” was birthed out of the pre-production process for “Fury Road.”
“In doing what we did in the preparation of ‘Mad Max: Fury Road,’ we also wrote what happened to Max in the year before we encounter him in [that film],” Miller said.
In fact, the possible Mad Max-character’s origin story could overlap with the events of “Furiosa.”
“Basically, we had to see that Mad...
- 5/3/2024
- by Samantha Bergeson
- Indiewire
Andrew Garfield and Claire Foy will star in their first project together since 2017’s “Breathe” in a movie adaptation of one of the UK’s most beloved children’s book series. Deadline reports that the pair will star in Ben Gregor‘s “The Magic Faraway Tree,” based on Enid Blyton‘s mid-20th century series. And Blyton’s books are in good hands: “Paddington 2” scribe and BAFTA-winner Simon Farnaby pens the film’s script.
Continue reading ‘The Magic Faraway Tree’: Claire Foy & Andrew Garfield To Star In Adaptation Of Beloved UK Children’s Book Series at The Playlist.
Continue reading ‘The Magic Faraway Tree’: Claire Foy & Andrew Garfield To Star In Adaptation Of Beloved UK Children’s Book Series at The Playlist.
- 5/3/2024
- by Ned Booth
- The Playlist
In the first major sale ahead of the Cannes Film Festival, A24 has acquired the North American rights to the competition title “Parthenope” from director Paolo Sorrentino, the distributor announced Friday, May 3.
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
“Parthenope” is the latest film from the Oscar winner Sorrentino, who will be competing for the Palme d‘Or for the seventh time. A24 describes the film as a “monumental and deeply romantic story of a lifetime.”
The film follows the titular character Parthenope, who is born in the sea of Naples in 1950 and searches for happiness over the long summers of her youth, falling in love with her home city and its many memorable characters. From Sorrentino, who also wrote the script, we expect a lot of lush Italian vistas and colorful, garish interiors.
The film features Gary Oldman and also stars, in alphabetical order, Dario Aita, Celeste Dalla Porta, Silvia Degrandi, Isabella Ferrari, Lorenzo Gleijeses, Biagio Izzo,...
- 5/3/2024
- by Brian Welk
- Indiewire
With the Cannes Film Festival right around the corner, the Cannes film market is really heating up this week, with dozens of new projects up for grabs. One of the most exciting projects coming together from HanWay Films is “This “Blue Is Mine,” a new psychosexual thriller starring “Atlanta” and “Deadpool 2” star Zazie Beetz and Elizabeth Debicki from “The Crown” and “The Guardians of The Galaxy” franchise.
Continue reading ‘This Blue Is Mine’: Zazie Beetz & Elizabeth Debick To Star In New Psychosexual Sci-Fi Drama at The Playlist.
Continue reading ‘This Blue Is Mine’: Zazie Beetz & Elizabeth Debick To Star In New Psychosexual Sci-Fi Drama at The Playlist.
- 5/3/2024
- by Edward Davis
- The Playlist
What’s Michael Sarnoski up to after “A Quiet Place: Day One“? Deadline reports the “Pig” director has his next project ready for the upcoming Cannes market through WME Independent. And “The Death Of Robin Hood” sounds great: a dark take on the outlaw legend with Hugh Jackman and Jodie Comer set to star.
Continue reading ‘The Death Of Robin Hood’: Hugh Jackman & Jodie Comer To Star In Michael Sarnoski’s Upcoming Dark Take On The Legendary Outlaw at The Playlist.
Continue reading ‘The Death Of Robin Hood’: Hugh Jackman & Jodie Comer To Star In Michael Sarnoski’s Upcoming Dark Take On The Legendary Outlaw at The Playlist.
- 5/3/2024
- by Ned Booth
- The Playlist
“Hacks” opened its first episode of its first season with a bravura tracking shot that followed its stand-up star Deborah Vance (Jean Smart) from door to casino floor to backstage to stage of the Palmetto Casino. The opening shot of Season 3 echoes that original — but with several twists.
The biggest one is the reveal that the figure we’ve been following from behind, wearing Deborah’s sequined jacket from the pilot episode, hair done up in the exact same way, is actually a lookalike. She’s one among many Deborah Vance-ettes, so to speak, at the launch of slot machines themed in the actual comedienne’s honor.
It’s a strong opening statement from the show’s co-creators Jen Statsky, Lucia Aniello, and Paul W. Downs, one that tells us exactly the ride we’re going to be on in Season 3 of the Max series. “Hacks” isn’t just mining comedy bits.
The biggest one is the reveal that the figure we’ve been following from behind, wearing Deborah’s sequined jacket from the pilot episode, hair done up in the exact same way, is actually a lookalike. She’s one among many Deborah Vance-ettes, so to speak, at the launch of slot machines themed in the actual comedienne’s honor.
It’s a strong opening statement from the show’s co-creators Jen Statsky, Lucia Aniello, and Paul W. Downs, one that tells us exactly the ride we’re going to be on in Season 3 of the Max series. “Hacks” isn’t just mining comedy bits.
- 5/3/2024
- by Sarah Shachat
- Indiewire
[Editor’s note: The following interviews contain spoilers for “Sugar,” Episode 6.]
When showrunner Mark Protosevich began writing Apple TV+ series “Sugar,” he knew two things: He would start with the story of a throwback anti-hero and then completely flip the perception.
“To pull off almost a genre switch,” Protosevich told IndieWire. “You’re introduced to this guy and story, and the rug gets pulled out from under you.”
Protosevich rips out the carpet at the end of episode 6 when it revealed that private investigator John Sugar (Colin Farrell), who loves dogs and old movies and metabolizes alcohol 50 times faster than anyone else…
…is an alien.
IndieWire talked to Farrell, executive producer/director Fernando Mierelles, editor Fernando Stutz, and Protosevich about the big twist.
The Twist Used to Be Much Earlier
Protosevich didn’t pitch the show to Apple. He wrote the first two episodes on spec, believing that studios and stars needed to read the story to understand his intent.
“The...
When showrunner Mark Protosevich began writing Apple TV+ series “Sugar,” he knew two things: He would start with the story of a throwback anti-hero and then completely flip the perception.
“To pull off almost a genre switch,” Protosevich told IndieWire. “You’re introduced to this guy and story, and the rug gets pulled out from under you.”
Protosevich rips out the carpet at the end of episode 6 when it revealed that private investigator John Sugar (Colin Farrell), who loves dogs and old movies and metabolizes alcohol 50 times faster than anyone else…
…is an alien.
IndieWire talked to Farrell, executive producer/director Fernando Mierelles, editor Fernando Stutz, and Protosevich about the big twist.
The Twist Used to Be Much Earlier
Protosevich didn’t pitch the show to Apple. He wrote the first two episodes on spec, believing that studios and stars needed to read the story to understand his intent.
“The...
- 5/3/2024
- by Chris O'Falt
- Indiewire
2021 Palme d’Or winner Julia Ducournau returns to the Cannes Film Festival this year, but not in competition. Instead, Variety reports that she’ll be on the Croisette shopping her next project, entitled “Alpha,” with FilmNation and Charades handling its sales.
Read More: Cannes Critic Weeks Announces 2024 Line-Up
There’s no plot details yet for “Alpha,” but the film stars Golshifteh Farahani and Tahar Rahim, two actors who, like Ducournau, are modern Cannes legends in their own right.
Continue reading ‘Alpha’: ‘Titane’ Director Julia Docournau’s Next Film To Hit Cannes Market, Stars Tahar Rahim & Golshifteh Farahani at The Playlist.
Read More: Cannes Critic Weeks Announces 2024 Line-Up
There’s no plot details yet for “Alpha,” but the film stars Golshifteh Farahani and Tahar Rahim, two actors who, like Ducournau, are modern Cannes legends in their own right.
Continue reading ‘Alpha’: ‘Titane’ Director Julia Docournau’s Next Film To Hit Cannes Market, Stars Tahar Rahim & Golshifteh Farahani at The Playlist.
- 5/3/2024
- by Ned Booth
- The Playlist
Chris Hemsworth wanted to go “mad” years ago, before his Marvel reign had gotten off the ground.
The “Thor” actor revealed to Entertainment Weekly that he actually auditioned to play Mad Max in 2015’s “Fury Road.” Now, he stars in the upcoming prequel film “Furiosa: A Mad Max Saga” playing villain Dementus.
Hemsworth tried to audition for George Miller’s “Fury Road” shortly after parting ways with Australian soap series “Home and Away” but he”couldn’t even get a call or a meeting or anything” about playing Mad Max.
“I just hadn’t done enough to warrant that,” Hemsworth said. And while Tom Hardy landed the part, Hemsworth was even more determined to work with director Miller after watching the completed film…and having had his own career soar thanks to the MCU.
“I was completely absorbed and taken for the adventure and the ride. I said, ‘I’ve...
The “Thor” actor revealed to Entertainment Weekly that he actually auditioned to play Mad Max in 2015’s “Fury Road.” Now, he stars in the upcoming prequel film “Furiosa: A Mad Max Saga” playing villain Dementus.
Hemsworth tried to audition for George Miller’s “Fury Road” shortly after parting ways with Australian soap series “Home and Away” but he”couldn’t even get a call or a meeting or anything” about playing Mad Max.
“I just hadn’t done enough to warrant that,” Hemsworth said. And while Tom Hardy landed the part, Hemsworth was even more determined to work with director Miller after watching the completed film…and having had his own career soar thanks to the MCU.
“I was completely absorbed and taken for the adventure and the ride. I said, ‘I’ve...
- 5/3/2024
- by Samantha Bergeson
- Indiewire
Universal and Blumhouse aren’t ready to give up on their new “The Exorcist” trilogy just yet. Deadline reports that the studios eye horror maestro Mike Flanagan to helm their upcoming sequel “The Exorcist: Deceiver” after David Gordon Green exited the franchise in January. But is that a good idea for all involved?
Read More: ‘Exorcist’ Review: It Takes A Village Of ‘Believers’ To Combat Evil In This Unapologetically Vile But Fascinating Legacy Horror
It’s easy to see why both studios want Flanagan to join their new franchise, as he’s one of the genre’s most respected filmmakers.
Continue reading ‘The Exorcist: Deceiver’: Mike Flanagan In Talks To Direct Upcoming Sequel From Blumhouse & Universal at The Playlist.
Read More: ‘Exorcist’ Review: It Takes A Village Of ‘Believers’ To Combat Evil In This Unapologetically Vile But Fascinating Legacy Horror
It’s easy to see why both studios want Flanagan to join their new franchise, as he’s one of the genre’s most respected filmmakers.
Continue reading ‘The Exorcist: Deceiver’: Mike Flanagan In Talks To Direct Upcoming Sequel From Blumhouse & Universal at The Playlist.
- 5/3/2024
- by Ned Booth
- The Playlist
Mubi Picks at Posteritati is a series in which we invite our favorite artists to the prestigious movie art gallery in New York City to discuss their favorite movie posters of all time.Hot on the heels of his debut feature, Dogleg (2023), Al Warren joins us at Posteritati to share his love for the posters of Yasujiro Ozu, Robert Altman, David Lynch, and Rainer Werner Fassbinder.Dogleg is now showing exclusively on Mubi in the United States and Canada.
- 5/3/2024
- MUBI
Kevin Feige almost shut down his own movie.
The Marvel head recalled in an Empire magazine interview having advised Hugh Jackman to not return as Wolverine for the upcoming third “Deadpool” installment. (Though “Deadpool vs. Wolverine” would have been pretty weird without Wolverine…)
Feige actually advised Jackman to stay away from playing Wolverine ever again.
“I said, ‘Let me give you a piece of advice, Hugh. Don’t come back,'” Feige said. “‘You had the greatest ending in history with ‘Logan.’ That’s not something we should undo.'”
However, Feige now calls “Deadpool and Wolverine” an action film where the “stakes are universe-sized” as it toys with different timelines within the superhero franchise. The events of “Logan” are not altered by “Deadpool and Wolverine” — “Logan” is set in 2029, “Deadpool and Wolverine” is set in the present.
Jackman admitted to Empire that he needed some time to ruminate on Feige’s advice.
The Marvel head recalled in an Empire magazine interview having advised Hugh Jackman to not return as Wolverine for the upcoming third “Deadpool” installment. (Though “Deadpool vs. Wolverine” would have been pretty weird without Wolverine…)
Feige actually advised Jackman to stay away from playing Wolverine ever again.
“I said, ‘Let me give you a piece of advice, Hugh. Don’t come back,'” Feige said. “‘You had the greatest ending in history with ‘Logan.’ That’s not something we should undo.'”
However, Feige now calls “Deadpool and Wolverine” an action film where the “stakes are universe-sized” as it toys with different timelines within the superhero franchise. The events of “Logan” are not altered by “Deadpool and Wolverine” — “Logan” is set in 2029, “Deadpool and Wolverine” is set in the present.
Jackman admitted to Empire that he needed some time to ruminate on Feige’s advice.
- 5/3/2024
- by Samantha Bergeson
- Indiewire
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