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1-6 of 6
- This film, with no dialogue at all, follows a psychotic young woman's nightmarish experiences through one skid-row night.
- A workaholic attorney is forced to reinvent her life after her husband suddenly leaves.
- A deranged kid murders his father and has his arm crushed by the farm tractor. After being discharged from the mental hospital with an amputee, he discovers that his mother has remarried, prompting him to go on a homicidal rampage.
- Members of an undercover narcotics unit try to prevent two rival gangs from dealing drugs.
- When a high school senior, Chris, gets in trouble with the West L.A. police for joy riding in stolen cars, his wealthy but neglectful dad hires Chris's older brother Lance to spend time with him and keep him out of trouble. Lance is in the underworld, running guns, so caring for Chris starts out as a good cover. Then, he warms to his brother, and the two develop a strong bond; Chris gets serious about school and starts to come out of his shell. But, will the relationship be strong enough to weather pressures from Lance's business, Chris's discovery that dad is paying Lance for the care, and Lance's enjoyment of female companionship?
- The Cool School is an object lesson in how to build an art scene from scratch and what to avoid in the process. The film focuses on the seminal Ferus Gallery, which groomed the LA art scene from a loose band of idealistic beatniks into a coterie of competitive, often brilliant artists, including Ed Kienholz, Ed Ruscha, Craig Kauffman, Wallace Berman, Ed Moses and Robert Irwin. The Ferus also served as launching point for New York imports, Andy Warhol (hosting his first Soup Can show), Jasper Johns and Roy Lichtenstein as well as leading to the first Pop Art show and Marcel Duchamp's first retrospective. What was lost and gained is tied up in a complex web of egos, passions, money, and art. This is how L.A. came of age.