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- In this spectacular free adaptation of the popular theatre play "La Biche au Bois", the valiant Prince Bel-Azor pursues a baleful old witch to her impregnable castle, to save the beautiful young Princess Azurine.
- Unauthorized shot-for-shot remake by the Lubin Manufacturing Company of Edwin S. Porter's 1903 film of the same name. Two bandits break into a telegraph station to board and rob a train before being shot down in a standalone final.
- The leader of a marching band demonstrates an unusual way of writing music.
- Silas Hayseed arrives in town and proceeds to put up a hotel noted for its 'tables,' which are all made of hard wood. The country yokel is shown to his room and divests himself of his best Sunday-go-to-meetin' clothes. His little bunch of whiskers that adorn his chin seem to be as proud of him as his Melindy Jane, whom he left in Grassville, back over yonder. He is finally undressed and tumbles into bed, resolving meanwhile to dream of the good prices he will realize in his produce. While pondering over matters, he looks around and discovers a Ghost standing in the middle of the room. Silas becomes scared, begosh, and leaping out on the floor begs the Ghost to do him no harm. The Ghost suddenly vanishes and the Hayseed is about to jump into bed again when Satan appears from under the sheets and scares him to such an extent that he is willing to promise him even a box of fresh rooster eggs if he will only go away. But his Satanic Majesty says 'nit,' and he is almost frantic. After causing much excitement our poor unfortunate Silas is hustled out in the street, but we are not informed whether he gets his money back or not. This film will cause tears to flow with laughter."
- Against a moonlit Egyptian backdrop duly encompassing the Sphinx, a narrator explains how a prince hires a mystic to bring back his beloved late wife.
- Smith casts his wife as a sluttish housewife who is mutilated by lighting her oven with paraffin.
- Scenes. 1. The Route to the Depths of Perdition (a Dazzingly Sensational New Effect.) 2. The Fantastical Ride. 3. The Gloomy Pass. 4. The Stream. 5. The Entrance to the Lower Regions. 6. The Marvelous Grottoes (tableau with six dissolving Scenes.) 7. The Crystal Stalactites 8. The Devil's Hole 9. The Ice Cavern. 10. The Goddesses of Antiquity (a Superb Fantastical Ballet in a Snowstorm.) 11. The Subterranean Cascade (a New Trick with Apparition in a Waterfall.) 12. The Nymphs of the Underworld.--The Seven Headed Hydra--The Demons--The Struggle of Water with Fire (a big Novelty.) 13. The Descent to Satan's Domain (a clever trick now first shown.) 14. The Furnace. 15. The Triumph of Mephistopheles.
- When this picture opens, you see a large book mounted on an easel. An old student is seen poring over old manuscripts when he advances toward the book, and by the aid of some mysterious power he causes an old man, a clown and a pretty girl to emerge therefrom, turning the page each time and taking a different person from the page in view. Each tries to make love to the maiden, when they are immediately returned to the place from whence they came. Marvelously mystical.
- This is an excellent moving picture of one of the society events of Philadelphia, showing the elite of that city exhibiting their blooded stock. Some of the ladies mounted on spirited horses engaged in hurdle jumping, making this, at once, an excellent subject for any exhibition.
- Numerous pictures have been made of lightning sketch artists and kindred pictures, but this film is entirely different from any ever attempted. An artist appears and proceeds to draw the face of a boy on the canvas. He no sooner draws the outline, than the face assumes life and makes grimaces at everybody. Our artist proceeds to draw a bottle of wine, a glass and a cigar which he takes from the canvas and makes use of in the "good old way." The face on the canvas takes exception to the treatment received at the hands of the artist and shows his displeasure by performing somersaults on the canvas; each time he turns he presents a different face. It will puzzle you to figure out how this is done and you will be free to admit that this is the best picture of its kind you ever saw. There is nothing objectionable in it; you can show it anywhere.
- In a public place in Constantinople at the corner of a bazaar, the executioner is seated upon a stone and is resting from his daily labors while eating a crust of bread. Suddenly there come running into the place a lot of Turkish men and women preceding some Turkish policemen, who drag along four prisoners in chains. The policemen shut up the four prisoners in the pillory. Their four heads stick up through the huge plank, which is provided with four openings. One of the policemen urges the executioner to decapitate the prisoners. He accordingly seizes a mighty sabre and cuts off by a single stroke the four heads, which roll upon the ground. After having placed the heads in a cask, he resumes eating his meal. Immediately the four heads pop out of the cask one at a time to see what the executioner is doing, and in due order each one seeks its body. The four executed prisoners thus reunited throw themselves upon the headsman and in spite of his resistance one of them picks up the sabre lying upon the ground and cuts his body into two pieces. The four prisoners take flight. The two legs and lower part of the body run frantically, while the bust upon the ground calls to them with gestures of despair. Finally, when the legs, in their flight, come close to the bust, it seizes them and thus the pieces of the executioner are united. Then he calls the policemen, who, followed by the crowd, enter into the pursuit of the escaping men.
- In a corner of the garden we see an ornamental fountain. An old professor comes along, looking for a nice spot where he can teach his pupils. Finding the fountain to his liking he goes after his scholars. A mysterious person who has noticed the old man, by means of a balloon, a handkerchief and a coat, constructs a peculiar figure, doing a lot of tricks at the same time. The professor returns with his class and all prepare for work, when, at the sign of the juggler, the statue comes to life, makes fun of the professor and finally is transformed into a fountain surmounted by a dolphin, throwing up streams of water. The unlucky professor loses his balance, tumbles into the water and gets a shower bath while the pupils sketch the scene. A most laughable subject.
- In this brief "trick film" two clowns assemble an enormous magic lantern which first projects moving images, then emits dancing girls.
- A magician transforms a woman into a portrait of herself, then restores her to life.
- Showing Pygmalion at work in his studio on the statue of Galatea, who, on being completed, comes to life. He attempts to clasp her to his arms, when the bust leaves the body and crossing the room mocks at him standing with the lower portion of her body in his hands. Further startling illusions are seen in this most beautiful picture.
- Reenactment of an event from the Chinese Boxer Rebellion.
- This picture describes the well-known biblical story of Samson and Delila. The picture commences with Samson's visit to Gaza, a city of the Philistines. While there they closed the gates upon him and set watchmen to defend them, intending to put him to death on the following day. Samson slept until midnight, and then arose. Upon reaching the gates, he slew the watchman, pulled down the gates and carried them to the top of an adjoining hill, where he left them to the confusion and disappointment of the Philistines. After many feats of this kind, Samson permitted himself to become infatuated with a treacherous woman among the Philistines, named Delila. He revealed to her that the secret of his strength lay in the fact that, being a Nazarite, he never had cut his hair. After hearing this, she waited until Samson was asleep, and then having cut off his seven locks, called out that the Philistines were coming. Samson, on awakening, found his strength gone, and Delila, having called in the Philistines, they came in and put out her eyes. They then throw him into prison.
- This funny individual will make you laugh until your sides ache. He is funny in all his actions, yet when he puts on his shoes you can imagine the noise he can make when he dances an ordinary clog. The shoes referred to are made of some elastic material which enables Little Tich to bow almost to the floor without bending his legs, the spring in the shoes carrying him down and up again. He places his hat on the floor and, leaning over on the toes of his wonderful shoes, dips his head into the hat and comes up without having to move from the spot or to bend his legs. He is a comical looking sight at best, being made up to suit the part, and he will make you laugh whether you want to or not.
- This scene exhibits the infuriated cortege on the way to the place of crucifixion. Simon of Cyrene, who has assisted Jesus in bearing the cross, is compelled to leave the entire burden to Christ. Jesus, weary and suffering from loss of blood, staggers and falls under the burden.
- An old miller, feeling that his end is near, assembles his three sons to divide his property among them. He leaves his mill to the oldest, his land and property to the second, and when his youngest son enters he has nothing to give him any more but the old, purring cat. After this the old man dies. The youngest son, despaired for having been so badly served, mourns over his sad lot, when the cat, getting suddenly taller, caresses and comforts him, telling him that she is in a position to procure him a fortune and honors. She asks him to dress her, and begs him to give her a pair of boots, hat and a wallet. Having left her master, the cat goes in the forest, where a lot of young rabbits are frolicking. She suddenly appears in the midst of them, provided with a bag, and seizes one, which she puts in the bag and carries it away. The cat then runs to the King's palace, where she offers the rabbit to the King as a present of his master, Marquis of Carabas. She asks her master to go to the bank of the river, take his clothes off and throw himself in the river, pretending to be drowning, at the very moment when the King's coach is passing by, wherein the King with the Princess is taking a ride. The miller's son jumps into the water. The coach stops, the King alights, followed by the Princess, and orders the servants to help the young man. The Princess, seeing the charming young man, falls in love with him. The King invites him to get into the coach, and the three ride towards the palace. The cat, in the meantime, went to the corn fields, where country men and women are harvesting. She asks the reapers to tell the King when his coach passes by that all these fields are the property of the Marquis of Carabas. If they do not tell so they will be minced in pie meat. The king's coach appears; he asks whose fields these are. They belong to the Marquis of Carabas answer the countrymen. While the King is reviewing the Marquis of Carabas' estate, the cat goes to the Ogres's Castle, asking him if it is true that he can assume any form he likes. The Ogre, to show his cleverness, changes himself immediately into a roaring lion. The cat admires this, but says she does not believe that he can make himself into one of the smallest animals, and asks him to transform himself into a rat, which the Ogre does. The cat immediately catches the rat and eats her up. The cat then goes to the dining room, where the servants are preparing a great dinner for the Ogre and tells them that they are released and that the castle and everything in it belongs now to the Marquis of Carabas. Soon after this the King and Princess enter, followed by their court. The young miller's son, who has been informed by the cat of the situation, does the honor of his house to his royal guests.
- A traveler is lost in the streets of Paris. Finally discovering where he is, he walks hurriedly away, but is accosted by a beggar, who has lost both feet and is crawling along the ground. Annoyed, he turns away, only to be met by another beggar similarly afflicted. Every way he turns he finds someone in his path, until he is surrounded by a bunch of hungry beggars, who, when feeling safe that the gendarmes are not near, rise to their feet and proceed to strip the traveler of his clothes. It is plain to be seen that the beggars are by no means cripples and that their deformity is only a sham to provoke pity of the passer-by. After robbing the man of all he had, one of the fellows places a bucket over his head and jams it down so tight that he cannot remove it, and one and all dance away, leaving our traveler alone. A number of female students pass by and are frightened by the man's antics. Finally he removes the bucket from his head, and at the same time the gendarmes make their appearance, but he is in such rage that he throws them to the ground, thinking they are his persecutors. They finally land him, and he is marched to the lock-up. This is comical and exciting.
- A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about a wand, is changed to a napkin, and afterward to a tablecloth. Out of the table cloth comes a servant. The servant brings a low table upon which the juggler throws some magic powder. The powder takes fire and blazes up into a large flame, in the midst of which appears a beautiful female. The flame dies away, the lady descends to show that she is alive. She mounts the table again. The juggler leaves the room. The servant falls in love with the lady and proposes marriage, but she fades from view. The juggler reenters and head over heals disappears from the top of the chair. The servant rushes toward the chair, juggler reappears coming out from under the table, seizes the servant and, throwing him to the floor, reduces him to smoke. He disposes of the chair in like manner and dances off.
- A cook and his assistant are seen preparing dinner. While cook leaves the room he cautions his assistant to watch the pot so that it will not boil over. The assistant proceeds to pick the feathers from a chicken. Meanwhile the pot boils over and Satan appears, surrounded by a cloud of steam. He alights and creeps over to within a few feet of the bench on which the assistant is sitting. Suddenly the chicken takes life and Satan stands out in the centre of the floor. He seizes the assistant and, after wrestling with him, throws him bodily into the large pot, the chicken meanwhile hops away. Satan disappears and the cook returns. Missing his assistant, he looks into the pot and tastes the contents thereof with a large ladle. The soup not being to his taste, he digs into it with a large spit, when out comes one of the legs of his assistant. He dips in again and repeats until the entire body, in small pieces, lies on the floor before him. Fishing for the head, he finally pulls out the head of an ass. Throwing it on the floor, the pieces come slowly together, but the head of the assistant is still missing. He returns to the cauldron and finally fishes out the head, which, together with an arm that had been overlooked, he throws at his assistant, and he is again restored to his natural shape. He relates his experience to the cook, who listens with mouth wide open. In the meantime the cauldron takes the shape of a huge devil head, and in their excitement to run away the bench is overturned and the cook is precipitated to the floor with great force. Extraordinarily funny.
- This picture depicts the eruption of the volcano by which over 30,000 souls were hurled into eternity. The numerous explosions which took place during the eruption are plain to be seen. Thousands upon thousands of tons of molten lava, sand, rocks and steam are thrown high in the air and descend with crushing force upon the unfortunate inhabitants of the doomed city of St. Pierre. This is the worst calamity which occurred since a similar eruption by Mt. Vesuvius when Pompeii was destroyed.
- The picture opens showing a gentleman in full evening dress costume. Removing his opera hat and cloak, he leaves the hat on the table and by a few passes causes it to assume immense proportions. Prior to increasing the size of the hat, he takes from it a table cloth, napkins, knives and forks, and a few dishes. Then the hat is increased in size and he takes therefrom several chairs, after which the guests are produced from the same hat, consisting of two men and two women. They seat themselves at the table and proceed to eat of the good things provided, when the conjurer jumps backward on the table, and in the excitement everything disappears, leaving him as he was before with the original high hat. The scene is so funny that the pictures on the wall assume life and appear to enjoy the situation to such an extent that they almost fall down. After everything is righted the magician bows himself out of the picture.