Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-10 of 10
- In 1830's England, a young man from a good but troubled family is unjustly convicted of stealing a watch. He's transported to Van Dieman's Land (Tasmania) where he suffers under the enmity of Lt. Frere while falling in love with Sylvia, the Warden's daughter. Meanwhile, back in England, an imposter lays claim to the young man's inheritance.
- A convict, wrongfully accused and sent a harsh prison colony, attempts to escape.
- A dramatised documentary of the many sightings of the supernatural at Port Arthur, Tasmania's infamous convict penal colony.
- "Who will it help to hear the frightening of angels?" A video dance about suffering and pushing through despair. The dancers, caught like prisoners behind the bars of the Port Arthur Historic Site, struggle to stretch out of their tightly constricted spaces and movement vocabularies to find freedom of movement and spirit. The backdrop of the Historic Site, brought to life very differently than on the usual tourist videos, provides the cells and broken stones of misery and at the same time a transcendently gorgeous vista of hope. The soundtrack borrows a classic statement by Beethoven about the power of beauty and creativity to transcend misery.
- "The Hope Machine" maps the elision between live work for the screen and screen work for the stage. The dancers glide between the 'black box' of the famous Theatre Royal in Hobart, the empty space of the ruined Church at the Port Arthur Historic Site, the four live screen spaces of 'The Hope Machine' created by Australian visual artist Simeon Nelson, and the multiple screens created by the directors in filming and post production. Backstage, on stage, on set, on camera, in the stream of technology. Hope, pain, fear, exultation. "The Hope Machine" is a contemporary look at the subject of hope with a techno pop edge and a worldly point of view. Choreographed in, on, and around a two story "hope machine" created by Australian visual artist Simeon Nelson, the dancers revel in energy which is the engine of hope. This video dance draws fragments of the real world into its choreography making it a dance on hope which is tinged with melancholy - a not quite convinced, but damn willing to try look at creating hope from the exuberance and daring of dance.
- (England) The tragedy of Hampstead Heath. (The High Seas) The convict ship- Meeting on the "Malabar," The burning of the "Hydaspes." (Tasmania) The convict days at Port Arthur- Sylvia and "Good Mr. Dawes."- The Quarries- Ri-tooral-i-lay. (Norfolk Island) The government skin boat- Rescue of the castaways, Etc., Etc.
- The tour of Queen Victoria's Empire continues with visits to New Zealand, Australia and Zambia. In New Zealand, we learn of the ongoing friction between the local Maori people and subsequent colonizers. In Australia, there is a visit to the site of a once large prison in Tasmania followed by trips to Alice Springs, a review of the gold rush and a visit to Melbourne. In Zambia, we learn of Dr. David Livingstone's exploration of the African interior in the hope of finding a navigable waterway to the ocean. In the modern day city of Livingstone, we learn of herbal medicines available at the local market.
- The final three contestants have to cycle in relay to the top of Mount Wellington in three hours, retrieve some treasures scattered around Hobart and raise the main sail of a ship, before they sit their final quiz in a cell at Port Arthur, from which one person emerges as the winner, and another is revealed as the Mole.
- 1995–TV Episode