A farm boy must rescue his sweetheart from being married off to someone she does not love.A farm boy must rescue his sweetheart from being married off to someone she does not love.A farm boy must rescue his sweetheart from being married off to someone she does not love.
Photos
Monty Banks
- Farmhand
- (uncredited)
Frank Hayes
- Frank - Winnie's Father
- (uncredited)
Kate Price
- Kitty - the Cook
- (uncredited)
Al St. John
- Al Clove - Fatty's Rival
- (uncredited)
Winifred Westover
- Winnie
- (uncredited)
- Director
- Roscoe 'Fatty' Arbuckle(uncredited)
- Writers
- Roscoe 'Fatty' Arbuckle(uncredited)
- Vincent Bryan(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaPaul E. Gierucki of Laughsmith Entertainment produced the reconstruction of this film in 2004/2005 from the only surviving elements which were foreign release versions provided by The Danish Film Institute and La Cineteca Del Friuli. The final result appears on the DVD collection, "The Forgotten Films of Roscoe "Fatty" Arbuckle" with an original score by Rodney Sauer.
- Quotes
Fatty: [to Winnie] Your father doesn't like me because I'm too fat.
Kitty - the Cook: You should diet! I lost fifty pounds and look at "my" figure!
Fatty: I "figure" that you could lose at least a hundred more.
Featured review
Well, Well, Well, Incredible Growth in the Complexity of the Arbuckle's Gags
I've just watched the 13 Arbuckle-Keaton shorts that were done just before this film. It is astonishing to watch how the films of Arbuckle grew during the Keaton period and astonishing to watch how Keaton's engineering of gags was developed so much further here in this film. This rivals Keaton's "Neighbors" and other early shorts for the elaborate development of the gags. It is also comparable to the Arbuckle-Keaton film "Oh Doctor" for the risque undertones.
Several people complained about the "Well" gags going on too long. On the contrary, I think they are are masterpiece of "topping," where each gag tops the previous one and increases in ridiculousness.
This film is evidence that Arbuckle belongs in stature with Chaplin, Keaton, and Lloyd in the evaluation of great artists of the medium. The false accusations and moral witchhunt that killed his career is equivalent to the false accusations and moral witchhunt that killed the career of Bill Cosby, the greatest television comedian of our times.
Several people complained about the "Well" gags going on too long. On the contrary, I think they are are masterpiece of "topping," where each gag tops the previous one and increases in ridiculousness.
This film is evidence that Arbuckle belongs in stature with Chaplin, Keaton, and Lloyd in the evaluation of great artists of the medium. The false accusations and moral witchhunt that killed his career is equivalent to the false accusations and moral witchhunt that killed the career of Bill Cosby, the greatest television comedian of our times.
helpful•01
- jayraskin
- Jan 29, 2023
Details
- Runtime23 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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