Ricardo Cortez biography 'The Magnificent Heel: The Life and Films of Ricardo Cortez' – Paramount's 'Latin Lover' threat to a recalcitrant Rudolph Valentino, and a sly, seductive Sam Spade in the original film adaptation of Dashiell Hammett's 'The Maltese Falcon.' 'The Magnificent Heel: The Life and Films of Ricardo Cortez': Author Dan Van Neste remembers the silent era's 'Latin Lover' & the star of the original 'The Maltese Falcon' At odds with Famous Players-Lasky after the release of the 1922 critical and box office misfire The Young Rajah, Rudolph Valentino demands a fatter weekly paycheck and more control over his movie projects. The studio – a few years later to be reorganized under the name of its distribution arm, Paramount – balks. Valentino goes on a “one-man strike.” In 42nd Street-style, unknown 22-year-old Valentino look-alike contest winner Jacob Krantz of Manhattan steps in, shortly afterwards to become known worldwide as Latin Lover Ricardo Cortez of...
- 7/7/2017
- by Andre Soares
- Alt Film Guide
Lon Chaney on TCM: He Who Gets Slapped, The Unknown, Mr. Wu Get ready for more extreme perversity in West of Zanzibar (1928), as Chaney abuses both Warner Baxter and Mary Nolan, while the great-looking Mr. Wu (1927) offers Chaney as a Chinese creep about to destroy the life of lovely Renée Adorée — one of the best and prettiest actresses of the 1920s. Adorée — who was just as effective in her few early talkies — died of tuberculosis in 1933. Also worth mentioning, the great John Arnold was Mr. Wu's cinematographer. I'm no fan of Laugh, Clown, Laugh (1928), The Hunchback of Notre Dame (1923), or The Phantom of the Opera (1925), but Chaney's work in them — especially in Hunchback — is quite remarkable. I mean, his performances aren't necessarily great, but they're certainly unforgettable. Chaney's leading ladies — all of whom are in love with younger, better-looking men — are Loretta Young (Laugh, Clown, Laugh), Patsy Ruth Miller...
- 8/15/2011
- by Andre Soares
- Alt Film Guide
By Doug Gerbino
The Warner Archive Collection released six rare Lon Chaney, Sr. films on October 26 -- five silents and one talkie (his one and only talkie). The films are He Who Gets Slapped (1924); The Monster and The Unholy Three (both 1925); Mr. Wu and Mockery (both 1927); and The Unholy 3 (1930), the sound remake of the 1925 film with a numerical title and a different ending. Lon Chaney, Sr. was a fascinating actor. It's a shame that he is pigeon-holed as a horror star. This is due to the over-availability of two of his most famous films: Hunchback of Notre Dame (1923) and Phantom of the Opera (1925/29). The fact that these two films are public domain has made them the most widely available of his movies. Within recent years, Warner Home Video has been releasing some of Chaney's MGM films. In 2003, Warner Home Video and TCM released The Lon Chaney Collection, which contained three films: The Aces of Hearts,...
The Warner Archive Collection released six rare Lon Chaney, Sr. films on October 26 -- five silents and one talkie (his one and only talkie). The films are He Who Gets Slapped (1924); The Monster and The Unholy Three (both 1925); Mr. Wu and Mockery (both 1927); and The Unholy 3 (1930), the sound remake of the 1925 film with a numerical title and a different ending. Lon Chaney, Sr. was a fascinating actor. It's a shame that he is pigeon-holed as a horror star. This is due to the over-availability of two of his most famous films: Hunchback of Notre Dame (1923) and Phantom of the Opera (1925/29). The fact that these two films are public domain has made them the most widely available of his movies. Within recent years, Warner Home Video has been releasing some of Chaney's MGM films. In 2003, Warner Home Video and TCM released The Lon Chaney Collection, which contained three films: The Aces of Hearts,...
- 11/7/2010
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Written by Scott Essman
From 1980 to 1995 Rob Bottin was one of the most accomplished special makeup effects artists working in motion pictures. With groundbreaking work in films like The Howling, The Thing, Explorers, Robocop, Total Recall and Seven, he set new standards for the craft.
But after 1999 and Fight Club he dropped almost completely out of sight, with a scant few credits in the early part of the next decade and none since. Certainly, Bottin has left a legacy of great work that provides inspiration for film buffs and emerging artists alike. And now there’s only a vacant shop where his legendary Azusa studio used to be. The makeup and creature genius ran his operation out of an old public works building at the foot of the San Gabriel Mountains, its own little magical cavern a freeway ride from the magic of Hollywood. From there he nurtured his distinctive design aesthetic,...
From 1980 to 1995 Rob Bottin was one of the most accomplished special makeup effects artists working in motion pictures. With groundbreaking work in films like The Howling, The Thing, Explorers, Robocop, Total Recall and Seven, he set new standards for the craft.
But after 1999 and Fight Club he dropped almost completely out of sight, with a scant few credits in the early part of the next decade and none since. Certainly, Bottin has left a legacy of great work that provides inspiration for film buffs and emerging artists alike. And now there’s only a vacant shop where his legendary Azusa studio used to be. The makeup and creature genius ran his operation out of an old public works building at the foot of the San Gabriel Mountains, its own little magical cavern a freeway ride from the magic of Hollywood. From there he nurtured his distinctive design aesthetic,...
- 1/26/2010
- by Jesse
- FamousMonsters of Filmland
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