This film is presumed lost.
Debut of actress Isabel La Mal.
The French film historian Georges Sadoul, who was able to see the film before it disappeared, considered it a forerunner of Italian neo realism.
When Pál Fejös' approached producer Edward M. Spitz with the idea for this film, Spitz said he was either crazy or a genius, and advanced $5,000. Fejos then talked Georgia Hale and Otto Matieson into working for no pay, DuPont into providing film stock on credit. His total budget was about $13,000.