Sundown Trail (1931) Poster

(1931)

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6/10
Type Two
boblipton8 October 2014
Frank Gruber once claimed there were only seven western plots. This would be the second in his list, the ranch story, in which outside forces threaten a rancher. In this case, it's Marion Shilling who has just inherited a ranch but if she wants it, she has to live on it for five years, lest it go to Tom Keene.

Tom was a dedicated actor who occasionally got small roles in A pictures, but most of his work was in the Cowboy Bs. This is a decent example of the sort of shoot-em-ups that RKO turned out. Within a couple of years, however, they dropped their lesser efforts in favor of two long-running series, first with George O'Brien and later with Tim Holt.

This one is not just an early example of the singing cowboy western -- people burst into song at reasonable moments -- but also a pretty good western on its own. With Ted McCord handling the camera work and Yakima Canutt as a stunt double, it's a well-done if not terribly exceptional one-hour western.
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5/10
Leave the property and it's no longer yours
bkoganbing4 May 2019
Sundown Trail would probably have served as a plot to a Roy Rogers/Dale Evans type western years later. There is some singing here as the cowboys gather round the campfire and warble a few western ballads. Roy and Dale would have handled the vocalizing better.

As it is this film falls under the funny will provision where only in Hollywood does someone make out wills like these. Marion Shilling with her lawyer Hooper Atchley has come west to claim her inheritance. But the will has a few jokers in the deck such as 50% of the place goes to his foreman Tom Keene and 100% of it if within the next five years she leaves ranch property for more than 10 days straight. I've often wondered how enforceable these things are in real life.

In any event Shilling who is most unwilling eventually takes a liking to the westerner Keene as opposed to that eastern lawyer. Keene also saves her from making one big mistake about the herd that's on the range now.

This is a passably good B western, but it would have been great with Roy and Dale.
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6/10
It may be modern times in the big city, but in the old west, it's always somewhere in the 1800's.
mark.waltz30 January 2021
Warning: Spoilers
It's always interesting when modern life pops up in these westerns where you see modern conveniences like cars among the horse and buggies and tumbleweed. Marion Shilling is the feisty heroine, coming to her father's ranch for the reading of the will. She learns that she needs to stay there for 5 years in order to inherit the estate, and if she doesn't, it will go to his ranch hand, Tom Keene, whom she finds to be a smart aleck. Keene is out to help troubled pal Nick Stuart who is suspected of being one of the bandits who robbed the wagon train that Shilling was on. Hooper Atchley is her shady big city lawyer marry her so he can get his hands on her money.

There's also the always welcome Louise Beavers as Aunt Jenny, Shilling's traveling companion, always with a big smile that turns into shock when she comes across something that could put her or her lady in jeopardy. She's also a bit of a matchmaker, encouraging Shilling with the handsome Keene over the shifty Atchley who may not be one of the bandits but is worthy of hissing as audiences would do in films like this.

Made at the RKO B unit, that indicates that this is going to be a step above westerns made at Tiffany or Monogram. Certainly, the master prints are a lot better. In the hour-long running time, you get plenty of action, some comedy and romance, and of course a happy ending. There's absolutely no unnecessary padding and the acting is first rate with decent photography and editing, and some songs among the perky score.
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7/10
Good value!
JohnHowardReid28 January 2018
Warning: Spoilers
I had the feeling that there must be a decent two-reeler among Alpha's westerns somewhere, and "Sundown Trail" (1934) provided the answer.

Wally Wales plays the well-spoken hero, Jim Sheridan, the bloodthirsty villain, and super-lovely Fay McKenzie, the heroine.

Director/writer Robert Emmett Tansey makes great use of his real locations. No cattle in sight, but the budget did run to an extremely large herd of sheep.

On the same disc, Alpha provides a spectacular three-reel silent, The Invaders (1912), directed by Thomas Ince and/or Francis Ford (who plays the cavalry commander).

True, a better print is available in "More Treasures from American Film Archives" but Alpha has a price advantage. Story, acting, direction, photography and production values are remarkably accomplished for a film of this vintage.
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