IMDb RATING
6.6/10
9.1K
YOUR RATING
The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.
Margaretta Scott
- Roxana
- (as Margueretta Scott)
- …
Derrick De Marney
- Richard Gordon
- (as Derrick de Marney)
Patrick Barr
- World Transport Official
- (uncredited)
Noel Brophy
- Irishman
- (uncredited)
John Clements
- The Airman
- (uncredited)
- Director
- Writer
- H.G. Wells(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBefore filming started, author H.G. Wells told everyone connected with the film how much he'd hated Fritz Lang's film Metropolis (1927) and how he wanted them to do the opposite of what Lang (whom he called "Lange") and his crew had done.
- GoofsIn Everytown in 1970 industrial production has ceased, but the Boss's men still are able to go into battle against the Hill People with firearms, including machine guns, which couldn't be used without an industrial infrastructure to produce ammunition for them.
However, this takes place about four years after the end of the war and there would likely still be lots of military equipment and ammunition available.
- Quotes
The Boss: Who are you, I said!
John Cabal: The law. Law and sanity.
The Boss: I'm the law here!
John Cabal: I said law and sanity.
- Crazy creditsDuring the opening credits, as the title is revealed, the shadow over the letters is removed as if the clouds in the background are blowing past it.
- Alternate versionsAvailable in a colorized version on DVD and Blu-ray.
- ConnectionsEdited into Murder on Diamond Row (1937)
- SoundtracksThe First Noel
(uncredited)
Traditional 18th Century Cornish Christmas Carol
Arranged by Arthur Bliss
[Heard during opening montage]
Featured review
Art Deco Science Fiction
There are some film classics that we have almost lost. I don't mean the might-have-beens, like Laughton's "I Claudius," but films that were released and quite successful and are now in grave need of rescue. The hallmark of such films is the terrible quality of the available prints because the master negative is lost. "My Man Godfrey" and "Nothing Sacred" come to mind. And, of course, "Things to Come".
If the abstractions of the art deco aesthetic could be reified into a story, "Things to Come" might be the result. If the Chrysler Building really were a rocket ship and could fly past the moon and stars and comets of art deco friezes...if we could look into those naive mindsets, whose visions of man's destiny were being energized by the discoveries of relativity, atomic energy and deep space...we might indeed embrace the images of "Things to Come".
Some of the scenes may strike us a corny - as might those of Fritz Lang's "Metropolis" - but they are no cornier in their context than those in "2001, a Space Odyssey" or, for that matter, "Starship Troopers". Here is an honest attempt to project the world into the future, not some silly cowboys-in-space flick.
"Things to Come" makes only a couple of demands: first, that we ditch our smug sophistication and presentist prejudices; second, that we have the discipline to see past the print quality. It may take repeated viewings, as it did with me, but in the end you will be rewarded by a unique odyssey, not into our future but into the future of history.
If the abstractions of the art deco aesthetic could be reified into a story, "Things to Come" might be the result. If the Chrysler Building really were a rocket ship and could fly past the moon and stars and comets of art deco friezes...if we could look into those naive mindsets, whose visions of man's destiny were being energized by the discoveries of relativity, atomic energy and deep space...we might indeed embrace the images of "Things to Come".
Some of the scenes may strike us a corny - as might those of Fritz Lang's "Metropolis" - but they are no cornier in their context than those in "2001, a Space Odyssey" or, for that matter, "Starship Troopers". Here is an honest attempt to project the world into the future, not some silly cowboys-in-space flick.
"Things to Come" makes only a couple of demands: first, that we ditch our smug sophistication and presentist prejudices; second, that we have the discipline to see past the print quality. It may take repeated viewings, as it did with me, but in the end you will be rewarded by a unique odyssey, not into our future but into the future of history.
helpful•12118
- jacksflicks
- May 4, 2004
- How long is Things to Come?Powered by Alexa
Details
Box office
- Budget
- £300,000 (estimated)
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
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