The laid-back, plot challenged non-violent western gets a boost in this folksy comedy about two aging cowboys with less sense than the horses they tame. Glenn Ford and Henry Fonda star together for the first time, leaving behind their older images… they’re too tender-hearted for their own good. If the sex comedy wasn’t quite so dated, Burt Kennedy’s picture might be a classic.
The Rounders
Blu-ray
Warner Archive Collection
1965 / Color / 2:35 widescreen / 84 min. / Street Date April 18, 2017 / available through the WBshop / 21.99
Starring: Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills, Edgar Buchanan, Kathleen Freeman, Joan Freeman, Denver Pyle, Barton MacLane, Doodles Weaver, Peter Fonda, Peter Ford, Bill Hart, Warren Oates, Chuck Roberson.
Cinematography: Paul Vogel
Film Editor: John McSweeney
Original Music: Jeff Alexander
From the Novel by Max Evans
Produced by Richard E. Lyons
Written and Directed by Burt Kennedy
Producer Richard E. Lyons is...
The Rounders
Blu-ray
Warner Archive Collection
1965 / Color / 2:35 widescreen / 84 min. / Street Date April 18, 2017 / available through the WBshop / 21.99
Starring: Glenn Ford, Henry Fonda, Sue Ane Langdon, Hope Holiday, Chill Wills, Edgar Buchanan, Kathleen Freeman, Joan Freeman, Denver Pyle, Barton MacLane, Doodles Weaver, Peter Fonda, Peter Ford, Bill Hart, Warren Oates, Chuck Roberson.
Cinematography: Paul Vogel
Film Editor: John McSweeney
Original Music: Jeff Alexander
From the Novel by Max Evans
Produced by Richard E. Lyons
Written and Directed by Burt Kennedy
Producer Richard E. Lyons is...
- 4/22/2017
- by Glenn Erickson
- Trailers from Hell
This proto- juvenile delinquent epic launched celebrated WW2 warrior Audie Murphy on the road to Hollywood fame, fortune and more troubled times. Audie commits every crime short of shooting dogs and nuns, but those wacky liberal social workers still give him the benefit of the doubt. Director Kurt Neumann back our hero with expert acting support from Lloyd Nolan, Jane Wyatt and James Gleason. Bad Boy DVD-r The Warner Archive Collection 1949 / B&W / 1:37 flat Academy / 86 min. / Street Date January 5, 2016 / available through the WBshop / 21.99 Starring Audie Murphy, Lloyd Nolan, Jane Wyatt, James Gleason, Stanley Clements, Martha Vickers, Rhys Williams, Selena Royle, Jimmy Lydon, Dickie Moore, Tommy Cook, William F. Leicester, Stephen Chase, Walter Sande, Ray Teal, Charles Trowbridge. Cinematography Karl Struss Art Direction Theobold Holsopple Production Design Gordon Wiles Film Editor William Austin Original Music Paul Sawtell Written by Robert Hardy Andrews, Karl Kamb, Paul Short Produced by Paul Short...
- 3/5/2016
- by Glenn Erickson
- Trailers from Hell
'Affliction' movie: Nick Nolte as the troubled police officer Wade Whitehouse. 'Affliction' movie: Great-looking psychological drama fails to coalesce Set in a snowy New Hampshire town, Affliction could have been an excellent depiction of a dysfunctional family's cycle of violence and how that is accentuated by rapid, destabilizing socioeconomic changes. Unfortunately, writer-director Paul Schrader's 1998 film doesn't quite reach such heights.* Based on a novel by Russell Banks (who also penned the equally snowy The Sweet Hereafter), Schrader's Affliction relies on a realistic wintry atmosphere (courtesy of cinematographer Paul Sarossy) to convey the deadness inside the story's protagonist, the middle-aged small-town sheriff Wade Whitehouse (Nick Nolte). The angst-ridden Wade is intent on not ending up like his abusive, alcoholic father, Glen (James Coburn), while inexorably sliding down that very path. Making matters more complicated, Wade must come to terms with the fact that his ex-wife, Lillian (Mary Beth Hurt), will never return to him,...
- 8/25/2015
- by Andre Soares
- Alt Film Guide
Here's another installment featuring Joe Dante's reviews from his stint as a critic for Film Bulletin circa 1969-1974. Our thanks to Video Watchdog and Tim Lucas for his editorial embellishments!
Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.
“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch...
Post-production tampering mitigates against this Western by Sam Peckinpah finding its deserved reception from better-class audiences. Shortened release version is vague, confusing, and is being sold as routine action entry in saturation breaks where it should perform routinely, no more. Kris Kristofferson and acting debut of Bob Dylan provide youth lures. Rating: R.
“It feels like times have changed,” says Pat Garrett. “Times, maybe—not me," says Billy the Kid. A classical Sam Peckinpah exchange, reflecting one of the numerous obsessive themes that run through his latest Western. But times certainly haven’t changed for Peckinpah—for, despite the overdue success of his last venture, The Getaway, the embattled and iconoclastic director who revolutionized the Western with The Wild Bunch...
- 8/6/2015
- by Joe Dante
- Trailers from Hell
By Fred Blosser
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
Many books have been written about Hollywood Westerns. After 45 years, the late William K. Everson’s “A Pictorial History of the Western Film” (The Citadel Press, 1969) remains one of the best: a coffee-table book with substance. Everson appropriately tips his sombrero to John Ford, John Wayne, Henry Hathaway, and Howard Hawks (with measured praise for “Red River”), and his comments on films spanning the history of the genre up to the end of the 1960s, from “The Great Train Robbery” (1903) to “The Wild Bunch” (1969), are incisive and thought-provoking. As a film scholar and preservationist, Everson was particularly knowledgeable about older and often obscure movies from the silent and early sound eras. Three of the classic titles he highlights are worthy of his approval and deserve to be better known than they are.
King Vidor’s “Billy the Kid” (1930) is slow going at times, particularly if you’re...
- 9/13/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The “adult” Western – as it would come to be called – was a long time coming. A Hollywood staple since the days of The Great Train Robbery (1903), the Western offered spectacle and action set against the uniquely American milieu of the Old West – a historical period which, at the dawn of the motion picture industry, was still fresh in the nation’s memory. What the genre rarely offered was dramatic substance.
Early Westerns often adopted the same traditions of the popular Wild West literature and dime novels of the 19th and early 20th centuries producing, as a consequence, highly romantic, almost purely mythic portraits the Old West. Through the early decades of the motion picture industry, the genre went through several creative cycles, alternately tilting from fanciful to realistic and back again. By the early sound era, and despite such serious efforts as The Big Trail (1930) and The Virginian (1929), Hollywood Westerns were,...
Early Westerns often adopted the same traditions of the popular Wild West literature and dime novels of the 19th and early 20th centuries producing, as a consequence, highly romantic, almost purely mythic portraits the Old West. Through the early decades of the motion picture industry, the genre went through several creative cycles, alternately tilting from fanciful to realistic and back again. By the early sound era, and despite such serious efforts as The Big Trail (1930) and The Virginian (1929), Hollywood Westerns were,...
- 1/4/2013
- by Bill Mesce
- SoundOnSight
Well, the dog days of summer are fast approaching, and what better way to duck out of the heat than by spending a cool day inside, AC-blasting, with your Blu-ray player and an endless supply of chilled adult beverages. June sees the release of an Alfred Hitchcock classic (beautifully restored), a trio of Lina Wertmüller gems, a nearly lost Michael Curtiz effort, a movie about the sex lives of ghosts, and a plane crash survival tale sold on the, er, ample merits of its female lead.
“The 39 Steps” (Alfred Hitchcock, 1935)
Why You Should Care: Because “The 39 Steps,” a crackling (86 minutes!) spy thriller from Alfred Hitchcock, is one of the most beloved British movies of all time, coming in at fourth place in the British Film Institute’s poll of top British films, and more recently, named the 21st greatest British film of all time by movie magazine Total Film. The film,...
“The 39 Steps” (Alfred Hitchcock, 1935)
Why You Should Care: Because “The 39 Steps,” a crackling (86 minutes!) spy thriller from Alfred Hitchcock, is one of the most beloved British movies of all time, coming in at fourth place in the British Film Institute’s poll of top British films, and more recently, named the 21st greatest British film of all time by movie magazine Total Film. The film,...
- 6/7/2012
- by Drew Taylor
- The Playlist
Big Bang Theory Recap 'Presenting, the relationship agreement'
Tonight’s episode of The Big Bang Theory centered on dealing with kinds of remorse, now hang on a minute, no one breaks up or dies or anything. But the geek’s variety of buyer’s remorse is a very real thing. It afflicts countless collectors the World over whenever an expansion pack or worse yet, a special collector’s edition of an item one already owns is available on the market, and with better added features. If you continue to resist, you may well eventually come to regret it. Leonard, Raj, and Howard deal with trying to keep from getting ensnared in the countless special editions of a card game that have been directly marketed toward them, (who would win in a one on one fight between Billy the Kid and the White Wizard anyway?) While Sheldon attempts to avoid a...
Tonight’s episode of The Big Bang Theory centered on dealing with kinds of remorse, now hang on a minute, no one breaks up or dies or anything. But the geek’s variety of buyer’s remorse is a very real thing. It afflicts countless collectors the World over whenever an expansion pack or worse yet, a special collector’s edition of an item one already owns is available on the market, and with better added features. If you continue to resist, you may well eventually come to regret it. Leonard, Raj, and Howard deal with trying to keep from getting ensnared in the countless special editions of a card game that have been directly marketed toward them, (who would win in a one on one fight between Billy the Kid and the White Wizard anyway?) While Sheldon attempts to avoid a...
- 11/18/2011
- by Keysh
- TVovermind.com
Robert Taylor, Joan Fontaine in Richard Thorpe’s Ivanhoe (lower photo) Robert Taylor had some trouble early in his career because he was considered too pretty, with some complaining that he wore more makeup than Greta Garbo in Camille. As a result, MGM toughened him up in subsequent vehicles such as The Crowd Roars (1938), Billy the Kid (1941) and Johnny Eager (1942). By the 1950s, Taylor, his features now much hardened, had developed into a full-fledged tough guy — steely stare and all. By then, he’d also matured as an actor. Richard Thorpe’s Ivanhoe (1952), to be shown on Turner Classic Movies this evening, is my favorite among the three dozen or so Robert Taylor movies I’ve seen. In addition to being [...]...
- 4/20/2010
- by Andre Soares
- Alt Film Guide
Ridley Scott claims his new film starring Russell Crowe will be the most historically accurate ever. But what do we actually know about the real outlaw and his merrie men?
In pictures: men in tights from Errol Flynn to Russell Crowe
'Robin Hood was almost certainly a pedestrian," David Crook, the retired former assistant keeper of public records at the Public Record Office, tells me over tea one afternoon at his home in Grantham. Robin, in other words, had no horse. This is significant, because, as I settle down to try to unravel the eight centuries of myth and legend that have accreted around the outlaw, I am looking at a still from the new Ridley Scott movie, which will open the Cannes film festival on 12 May. Russell Crowe – looking the spit of Maximus, the hero of Gladiator, with cropped hair, bloodied cheek and an expression of furious determination – is astride a horse.
In pictures: men in tights from Errol Flynn to Russell Crowe
'Robin Hood was almost certainly a pedestrian," David Crook, the retired former assistant keeper of public records at the Public Record Office, tells me over tea one afternoon at his home in Grantham. Robin, in other words, had no horse. This is significant, because, as I settle down to try to unravel the eight centuries of myth and legend that have accreted around the outlaw, I am looking at a still from the new Ridley Scott movie, which will open the Cannes film festival on 12 May. Russell Crowe – looking the spit of Maximus, the hero of Gladiator, with cropped hair, bloodied cheek and an expression of furious determination – is astride a horse.
- 4/14/2010
- by Stephen Moss
- The Guardian - Film News
Robert Taylor, Greta Garbo Camille Robert Taylor on TCM: Waterloo Bridge, Escape, When Ladies Meet 9:00pm [Drama] Waterloo Bridge (1940) A ballerina turns to prostitution when her fiance is reported killed in World War I. Cast: Vivien Leigh, Robert Taylor, Lucile Watson, Virginia Field Dir: Mervyn LeRoy Bw-109 mins. 11:00pm [Western] Billy The Kid (1941) A misunderstood youngster turns into one of the West’s most notorious outlaws. Cast: Robert Taylor, Brian Donlevy, Ian Hunter, Mary Howard Dir: David Miller C-94 mins. 12:45am [Comedy] When Ladies Meet (1941) A female novelist doesn’t realize her new friend is the wife whose husband she’s trying to steal. Cast: Joan Crawford, Robert Taylor, Greer Garson, Herbert Marshall Dir: Robert Z. Leonard Bw-105 mins, 2:45am [Adventure] Flight Command (1940) A cocky cadet tries to prove himself [...]...
- 4/7/2010
- by Andre Soares
- Alt Film Guide
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