Lady from Louisiana (1941) Poster

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7/10
The Louisiana Lottery
bkoganbing20 August 2006
Lady from Louisiana took a surprising turn towards relevancy when Hurricane Katrina struck New Orleans in 2005. Too bad the levees couldn't have been repaired in the way they were, at least temporarily as was done in Lady from Louisiana.

There was actually a lottery in Louisiana that was started by the carpetbagger Republican government, post Civil War and continued on into the Gay Nineties when this film is set. And there was a great deal of corruption associated with it. But it was more white collar crime than the extortion racket we see operating here.

In this film John Wayne through the good lobbying of Helen Westley and her good government people gets himself appointed a city attorney to prosecute the Lottery and those connected with it. Not so easy in a city like New Orleans known for its tradition of genteel corruption.

But even more because the Lottery in fact did do some good, financing all kinds of charitable institutions. Plus the fact it was the leading source of revenue for the Louisiana state government in those days before income tax. It was supposed to finance the upkeep of the levees, but that's the part of the story that makes Lady from Louisiana oh so relevant now.

In that tradition of genteel corruption when the stealing gets too out of hand one deals with the problem in house. Which was what Henry Stephenson tried to do with Ray Middleton. Unfortunately Middleton dealt with Stephenson first.

Henry Stephenson has always been one of my favorite character actors. On screen he always played the perfect English gentleman. Though he tries to affect a French creole accent for his part as General Mirabeau and not always successfully, he's a pleasure to watch and even more of one to listen to. His part is based on real life former Confederate General Pierre Beauregard who was associated with the Louisiana Lottery in real life.

Stephenson's daughter is played by Ona Munson. This part and that of Belle Watling in Gone With the Wind are her two best remembered roles. She pairs off with John Wayne nicely, too bad she didn't do more films with him in particular or just in general.

Dorothy Dandridge has a small role here as Munson's maid. Ironically both she and Munson died young and by their own hand. Not a hint here of what Ms. Dandridge would prove capable of.

That climax involving a flash flood and the breakdown of the levees is quite melodramatic, but effective. New Orleans has had a board in place to oversee updating and repair of the levees. Too often it became a sinecure for political hacks as the results of Katrina showed in 2005. That part of the Katrina story has never been reported enough.

The Duke and Munson make a great pair of lovers/rivals and Lady from Louisiana though melodramatic in spots is still entertaining and quite relevant today.
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6/10
A Passable Timekiller
chinaskee20 June 2001
John Wayne battles the forces of corruption down New Orleans way in this passable time-killer.Henry Stephenson as the owner of a lottery game that's been robbing the town blind and Ray Middleton as his right hand man both put in decent performances.There's also a love story here but the sparks between Wayne and Ona Munson don't fly too far.The ending with biblical overtones that could have stood some better special effects,but all in all this film is fun to watch.
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6/10
Interesting B movie in New Orleans
happytrigger-64-3905172 September 2021
Lady from Louisiana was directed by Bernard Vorhaus who shot some nice B movies like Amazing Mr X, Bury me dead, and of course the fantastic thriller "the Last journey".

In Lady from Louisiana, we have the classic opposition of law against corruption, with a love story between the prosecutor (John Wayne) and the owner of vice establishments financed by her lottery (Ona Munsen) who ignores the rackets and killings Of Ray Middleton. Really classic story, but set in New Orleans and wonderfully shot by Vorhaus and cinematographer Jack Marta, the movie has some fine visual moments at night with travellings and strong editing, the best part being the hurricane with not enough budget for being spectacular. Forget the lousy comedy scenes.

Bernard Vorhaus wrote an interesting autobiography, Saved from oblivion.
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7/10
Who could have imagined that a guy named 'Blackie' would be a bad guy?!
planktonrules9 December 2016
When this story begins, Julie (One Munson) and John Reynolds (John Wayne) meet and fall for each other when he arrives in New Orleans. Little do either realize that they are both destined to be on the opposite side. It seems that Julie's father, the General (Henry Stephenson), is head of the lottery and the new Anti-Lottery League has brought in John to clean up this racket.

While John thinks the General is his big problem, the General isn't that bad a guy. But neither realize just how low and dangerous the General's assistant, Blackie (Ray Middleton) is. When the General starts to suspect, the General is murdered...and Blackie encourages his lottery ticket salesmen to use ANY tactic to get tickets sold. It essentially becomes a shakedown racket...and folks pay protection by buying tickets...or else.

Can the nice guy John manage to clean up this den of thieves? And what about Julie? After all, she is foolish enough to blame John for the death of her father!

The style of this film is very similar to Wayne's other films in this time period. Since he's becoming more of a star, the budgets and look of the films have gotten much better than his cheap B- westerns of the 1930s. But despite looking much better and having a spectacular finale in this film, the Republic films are essentially B-movies with longer running times and bigger budgets. There were exceptions at this time (such as the films he did with John Ford, such as "Stagecoach") but this film fits in style-wise with Wayne's "Seven Sinners", "Dark Command" and "In Old California"...rather formulaic but enjoyable. My only quibble is that the baddie is named 'Blackie'...and yet no one seems to suspect him of villainy through most of the film!!
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7/10
Yankee and southern Belle fight over Louisiana lotteries.
weezeralfalfa1 August 2017
Warning: Spoilers
The plot of this 'southern' is concerned about 2 topics, which are sometimes intertwined. There's the on again-off again romance between Yankee lawyer John Reynolds(John Wayne) and southern belle Julie Mirbeau(Ona Munson), which began while they were traveling to New Orleans on a steamer. Then, there's the fuss about the Louisiana Lottery Company siphoning off too much of the proceeds for members and not enough for the charities and government projects it supposedly supports. Initially, the Company is headed by Julie's father, played by Henry Stephenson. But he is murdered, supposedly by the anti-lottery faction, of which Wayne is one. Blackie, the recently disgraced former second in command, complements and competes with Julie for leadership of the Company. Blackie attempts to woo Julie, since she has disowned Wayne, who is generally blamed for her father's death. The romance between Wayne and Julie follows a common pattern in films of this era: They serendipitously meet and it's love at first sight. But later, they find they are on opposite sides of a power struggle or other type of feud. The lady doesn't want to have any more to do with the man. Furthermore, she takes up with the chief villain, whom she may see as a good guy. Further events prove that the villain is a villain. She changes her allegiance back to the hero, who bests the villain in a fight.

Thus, Blackie much increased the criminal element in The Company after Julie's father was murdered. Often, the person was pressured to pay protection money in the form of buying lottery tickets. If they didn't, dire consequences were expected. Lottery winners were sometimes murdered and their winnings stolen. But Wayne found that victims usually clamed up in court, thus it was difficult to get a conviction. Besides, the judge was a crooked member of The Company. It turns out that the villains are punished not by the court system, but by an 'Act of God': a violent storm that wrecks the court house, breaks through the levee, flooding much of the city. Blackie gets his due during the flood, curtesy of Wayne.

Where else have I heard the name Blackie used in reference to a Caucasian? Ah. Clark Gable, in "San Francisco", where he's sort of a villain. Another commonality with that film is the destruction of evil people by an 'Act of God': an earthquake, and subsequent fire in that case.

Henry Stephenson, playing Julia's father, typically played a grandfather-like character in quite a few films of the '30s and '40s. Here, he knew there was some corruption going on in the Lottery business, but tried to minimize its visibility, in contrast to Blackie's strong arm tactics. Tall, handsome, Ray Middleton, who played Blackie, actually had a background strong in musical theater. Helen Wesley, playing Wayne's aunt, was quite a colorful and combative character in her anti-lottery campaign. She would die only a year later.

See it at YouTube if you wish. I rate it as moderately interesting.
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5/10
Dull costume romance/crime drama
AlsExGal11 October 2021
It's the 1890s, and Northern lawyer John Reynolds (John Wayne) is traveling south to New Orleans via riverboat to meet with his elderly aunt Blanche (Helen Westley). On the boat, John meets Julie Mirbeau (Ona Munson), and the two fall in love. When they reach New Orleans, John learns that his aunt wants him to help head up legal efforts to stop the corrupt State Lottery, which just so happens to be run by Julie's father General Anatole (Henry Stephenson). However, the real force behind the corruption is the General's right-hand man Black-ie (Ray Middleton).

Republic attempts to make a MGM-caliber costumer with less than thrilling results. The sets and costumes are well done, but the story is dull, barely coherent, and predicated on just a few too many coincidences and failures of communication. There's some disaster-movie action near the end with the failure of levees and flooding. I don't know if Wayne enjoyed making a movie where he wasn't on a horse for a change, but he seems ill-suited for this one. Some sources label this movie a Western, but it in no way is, unless one thinks any movie set in the 19th century is a Western.
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7/10
The rotting underbelly of the American South . . .
oscaralbert15 May 2016
Warning: Spoilers
. . . is exposed in this 1941 flick which eerily forecasts the carnage of Hurricane Katrina. LADY FROM LOUISIANA is so on-target with its prognostications that the main villain is called "Blackie," in anticipation of New Orleans Real Life Bumbler-in-Chief "You're doing a heck of a job" Brownie. But even Blackie's crimes pale in comparison to Julie Mirbeau's (the title character here), who brags about using her feminine wiles to curtail inspections of the Crescent City's failing levees while overseeing a Protection Racket run on a far larger scale than even the Mafia's most audacious New York City or Chicago shake-down schemes. The daughter of a high-ranking Civil War Traitor, Julie feels no qualms about French-kissing Dear-Old-Dad's killer. To call Julie a cold-blooded serpent would constitute calumny against the Snake Family. A heartless mercenary, this Belle from Hell thinks that her checkbook can nullify the anguish of all the widows created by her henchmen. The writers of this cautionary expose rightly conclude that Blackie is too good for Julie. Since she deserves a fate WORSE than death, Julie winds up married to John Wayne.
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5/10
John Wayne down in New Orleans.
michaelRokeefe28 February 2015
Warning: Spoilers
The Duke is the dude to clean up New Orleans. Wayne plays northern lawyer John Reynolds, who makes his way to that port city of the south with a big job to do. With the strong lobbying of Blanche Brunot(Helen Westley), Reynolds is elected city attorney and to clean up New Orleans his first target is General Anatole Mirbeau(Henry Stephenson), who controls the local crime syndicate based on a popular lottery. Reynolds will meet Julie Mirbeau(Ona Munson)and is smitten. Miss Mirbeau has mixed emotions and doesn't want to go against her big gambler daddy. Will her southern belle charm persuade the Yankee lawyer not to knock down her daddy's kingdom? My favorite sequence is the great storm scene.

Another good Black and White feature from Republic Pictures and directed by Bernard Vorhaus. Also featured in the cast: Ray Middleton, Paul Scardon, James H. McNamara and Jack Pennick.
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7/10
Lady from Louisiana
coltras353 April 2024
Bound for New Orleans, young attorney John Reynolds falls in love with Julie, a high-spirited southern belle. But their Mardi Gras romance is ill-fated, for his mission is to end the town lottery, run by General Mirbeau, Julie's beloved father, and when he decides to see Reynold's way and when he learns of his employee's (Blackie) duplicitous dealing, he gets killed, shot by Blackie's right hand man.

The Lady from Louisiana sounds like a western, but it isn't - it's set in circa 1890's New Orleans, and the location, costumes and extravagant period detail is sharp as is the dialogue and the plot. Don't expect too much action, just a solid story with some melodrama. The subject matter about lottery is interesting and fairly relevant. John Wayne and Ona Munson have a good chemistry.
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5/10
Extravagant façade fronts this passable B movie
shakercoola8 April 2022
An American drama; A story set in the 1890s about a New England attorney who goes to New Orleans to aid the local reform league in their fight against the corrupt lottery run by a Southern ex-general and his beautiful daughter. John Wayne performs well as an idealistic, self-assured lawyer but there is not much chemistry between him and Ona Munson. The film plods along with a serviceable story and there are a few comic moments but it is resolved in the third act by deus ex machina. Many of the scenes are lavishly staged with sumptuous interiors amd lavish props and nice costumes which go a small way to vanquishing the staleness of the script. Nevertheless, it upturns with impressive special effect in the finale.
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