User Reviews

Lawyer John Wayne's friend, a high school basketball star from his town, is shot down and then run over by a car. The death is declared a suicide by the local coroner. Wayne goes to the big city to investigate.

Wayne's directed to see Edward Ellis who is the local political boss and of course the Duke falls big time for Ellis's daughter Frances Dee. Never mind he's got a job to do, even if it costs him Dee.

This was John Wayne's one and only attempt at playing a crusader type, a scaled down version of Jefferson Smith. Ellis is a combination of the characters played by Edward Arnold and Claude Rains in Mr. Smith Goes to Washington and Dee combines both Jean Arthur and Astrid Allwyn. I'd say the results were mixed. Perhaps with a better script at a larger studio with more production values, Wayne might have done more with the part.

As it is there are some nice John Wayne style fight scenes in A Man Betrayed, a couple with Ward Bond, and a king sized brawl outside a polling place where Ellis is bringing in repeaters from his sponsored soup kitchens. Machine politics, American style. Hopefully none of those countries where we're crusading for democracy ever sees this film.

Ward Bond plays the moronic brother of Alexander Granach, owner of the red light district club where Wayne's friend was killed in. His performance while good, was a carbon copy of Lon Chaney, Jr.'s from Of Mice and Men. I expected him to ask Granach about the bunny rabbits any minute.

At this phase of Wayne's career, Republic was casting him in a variety of parts to broaden his casting potential in the wake of his success with Stagecoach. Herbert J. Yates of Republic films was making almost as much money loaning Wayne out as in his own films and he was trying to make him more marketable. He didn't succeed with A Man Betrayed, but it wasn't the Duke's fault by any means.

**SPOILERS** Small-time country boy lawyer Lynn Hollister takes on the big city political machine and ends up hitched to the corrupt city boss' daughter in this really weird combination of a screw-ball comedy and murder/suspense movie.

Johnny Smith who had just help his Spring Valley college basketball team win the big game staggers out of the red-light district Club Inferno, in a driving rainstorm. Johnny almost gets hit by a car leans against a lamppost which then gets hit by a bolt of lighting and plops to the ground dead. At the hospital it's found out that Johnny was actually shot in the Inferno Club, which caused him to stagger around the streets like a drunk, and that was the real reason for his death, in short he was murdered.

In no time at all Johnny's friend, who he was more like a brother to, Lynn Hollister's in town trying to get to the bottom of what happened to Johnny and who killed him. The coroner for some strange reason had declared Johnny's death to be suicide which was obviously done to cover up the real reason for his murder. He had a fight with the Club Inferno's manager Amato over him being cheated in cards and was gunned down, with the loud music causing nobody to hear the shot, by one of Amato's henchmen the bird-brained and not too bright Floyd.

Lynn is directed to Big Boss Tom Cameron's mansion to get the low-down to what happened to Johnny but, after belting the butler, falls for Tom's pretty daughter Sabra. It's then the film that at first look like a murder/suspense/mystery turns into a light romantic screwball comedy.

Lynn and Sabra hit it off right away and for almost half of the film you, as well as the cast, completely forgot that Lynn was here to find out what really happened to Johnny? We get as far as learning that Johnny and Sabra were in love with each other but it wasn't until late in the movie that it's found out that it was Sabra's dad the Big Boss who was in some way, if not all the way, responsible for her boyfriends murder.

Boss Cameron himself gets royally screwed by his under, as well as upper, links when after rigging the election for them to get into office they drop him like a hot potato and leave him out in the cold as they celebrate the stolen political victory that he engineered for them; now that's what I call gratitude.

In he meantime Lynn, between smooching sessions with Sabra, got the goods on both Boss Cameron and his crew by first attempting to beat the truth out of Flyod who was shot by one of Amato's gunmen before he could finish telling it. Then Lynn going and finding in a law library textbook that rigging elections is illegal, lawyer Lynn didn't know this on his own? With this amazing revelation discovered by Lynn the election results are thrown out and those who rigged it, the Cameron/Amoto Mob,arrested and held without bail.

Big Boss Tom Cameron disgusted at what he did, and what was done to him in return by his boys, comes clean after a tender heart-to-heart talk with Sabra and then spills the beans, to the D.A's office, with the entire crooked bunch of politicians and mobsters thrown behind bars together with him; I hope for his sake he asked to be put into protective custody.

Lynn with his job in town now over, in solving Johnny Smith's murder and putting those responsible behind bars, rides off in a limousine into the sunset together with Sabra to sleepy quiet and friendly Spring Valley with a squad of local police motorcycle men as escorts.

The movie is just too silly to take seriously and John Wayne as Lynn Hollister is not at all believable as a lawyer or a lawman or even a Cary Grant impersonator. Frances Dee as Boss Cameron's pretty daughter Sabra is both naive and unfeeling. Sabra at first doesn't have a clue to what her father is, the city's big machine boss, and later doesn't as much as shed a tear as he's put behind bars for what may well be the rest of his life! I don't even think that she even planned to visit him as she happily took off with Lynn together with a half dozen motorized policemen provided by her disgraced and imprisoned dad! Even behind bars he could pull all this off?

Alexande Granach as the sleazy Club Inferno manager Amato played it a bit too much for laughs and Ward Bond as the nimble brained Floyd did his best to act punch-drunk even when he didn't take one, or two or three, to the head. In fact the only time Floyd acted as if he were in full control of his mental faculties was after he was punched out by Lynn only to get shot and killed for his new found intelligence.

Going out for the day and seeing the BBC had a John Wayne movie on for the afternoon I left and set the tape running. Later I started to watch it expecting a western, I was disappointed at first and then pleasantly surprised. I have seen very few John Wayne movies that were not westerns and not always good but this I enjoyed. Good storyline and a plot which was well thought out. This is the first time I have seen Frances Dee and she was very convincing in her conflict of emotions in loyalty to her father and love for the "Duke". Edward Ellis was wooden but he was old school so I could put up with that. Ward Bond was unnerving in his role as the simple-minded killer henchman. I shall keep the tape and look for more Frances Dee movies, a good actress easy on the eye - and married for 57 years to the same man - respect!!

In New York, a small-town basketball player stumbles out of kingpin Cameron's club, Inferno, gets struck by lightening and dies. Investigation reveals he was shot but the papers are put under pressure to report it as a suicide. Lawyer Lynn Hollister arrives the next day from Spring Valley to investigate the death, firm in his belief that his friend would not have taken his own life.

From the plot summary, this film sounded like Wayne would be in a tough-talking crime thriller where he uncovers a political web of corruption. However, despite the dramatic (rather supernatural) opening, for over an hour it simply isn't that at all. It actually seems to aim for some sort of light comedy where Lynn is very much the small-town hick who greets everything with a smile and an `ahh-schucks'. This is not a bad thing but it doesn't really sit with the dramatic intensions.

After an hour, Lynn turns on those he has been feeling out for a while, but even then it keeps the gently comic tone in spits and spats. However the arrival of tough talking (even with comic interludes) is welcome and it helps the film a great deal in the final 30 minutes. The lack of tension and excitement is not so much due to the comic stuff as it is to the lack of a really tight, coherent script. The film is about the powerful Cameron who has his hands everywhere - controlling the media and the politicians just enough to put the squeeze on them. However the film doesn't deliver this well enough and I was left unconvinced by the size of the web - and therefore rather uninvolved in the whole film.

Wayne is OK at the comic stuff and the tough talking stuff but it's like he's flicking a switch in this film - tough one minute, completely different the next; it spoils his character a bit. Why his character is called Lynn is beyond me as I've never heard it for a boy before - although Wayne's no stranger to unusual names. Dee is dark and sexy in a good role, but she isn't given enough time. Ellis is OK but fails to come across as the master that the plot requires him to be. A small role for noir favourite Ward Bond adds to the interest.

Overall this is an OK film but it's mix of comedy and drama just doesn't work and it gives the film an uneven feel. It turns it around a bit in the final 25 minutes but by then it is too late to build tension. The power of Cameron never really comes through and, for the majority of the film, you could be forgiven for thinking it was a whimsical romantic comedy rather than a murder mystery film.

This John Wayne film is rarely seen and I was surprised to see it being aired on a local TV channel. Since I've seen just above all of Wayne's AVAILABLE films, I was excited to see this film. While it wasn't bad, it also was underwhelming since, at heart, it was just a cheap B- movie made just before John Wayne became a super-star.

When the film begins, a man is murdered. However, it's all quickly chalked up to suicide and it's all swept under the rug. What they didn't anticipate was that the dead guy had a bull-headed friend, Lynn (John Wayne) and he was intent on getting to the bottom of things. At first, the local political boss is able to make Wayne believe that there was no conspiracy and the man died of natural causes. Besides, the man's daughter, Sabra (Frances Dee) was cute and Lynn was obviously very taken with her. But, over time, Lynn starts to realize that there is more than meets the eye to all this...the local 'Progressive Party' is anything but! What's next? See the film.

This film is pretty much like most Bs--hastily written, full of plot problems and yet is entertaining. It's also featuring John Wayne as a caveman, of sorts--the sort of role folks liked back in the 40s but which will annoy many viewers with today's sensibilities. A film mostly for big-time Wayne fans and that's all--especially with the really, really dumb ending where the ultra-bad guy suddenly changes his spots!

One wonders how the script came to be written.

Wayne and the other performers do an OK job but as it is neither comedy, romantic thriller or anything else it is all rather disappointing.

One feels as if one of the threads had been pursued it could have been something worthwhile. It is nonetheless interesting to see a real turkey of a story made just before the USA became directly involved with the war. I wonder if the surrounding politics had something to do with trying to make a movie for all tastes but ending up with something that pleases no one.

Nonetheless it has historical value.

Lynn Hollister, a small-town lawyer, travels to the nearby big city on business connected with the death of his friend Johnny. (Yes, Lynn is a man despite the feminine-sounding Christian name. Were the scriptwriters trying to make a snide reference to the fact that John Wayne's birth name was "Marion"?) Hollister at first believes Johnny's death to have been an accident, but soon realises that Johnny was murdered. Further investigations reveal a web of corruption, criminality and election rigging connected to Boss Cameron, the leading light in city 's political machine.

That sounds like the plot of a gritty crime thriller, possibly made in the film noir style which was starting to become popular in 1941. It isn't. "A Man Betrayed", despite its theme, is more like a light romantic comedy than a crime drama. Hollister falls in love with Cameron's attractive daughter Sabra, and the film then concentrates as much on their resulting romance as on the suspense elements.

This film might just have worked if it had been made as a straightforward serious drama. One reviewer states that John Wayne is not at all believable as a lawyer, but he couldn't play a cowboy in every movie, and a tough crusading lawyer taking on the forces of organised crime would probably have been well within his compass. Where I do agree with that reviewer is when he says that Wayne was no Cary Grant impersonator. Romantic comedy just wasn't up his street. One of the weaknesses of the studio system is that actors could be required to play any part their bosses demanded of them, regardless of whether it was up their street or not, and as Wayne was one of the few major stars working for Republic Pictures they doubtless wanted to get as much mileage out of him as they could.

That said, not even Cary Grant himself could have made "A Man Betrayed" work as a comedy. That's not a reflection on his comic talents; it's a reflection on the total lack of amusing material in this film. I doubt if anyone, no matter how well developed their sense of humour might be, could find anything to laugh at in it. The film's light-hearted tone doesn't make it a successful comedy; it just prevents it from being taken seriously as anything else. This is one of those films that are neither fish nor flesh nor fowl nor good red herring. 3/10

John Wayne has the ability to shine through even the poorest of scripts. Its an interesting story where the Duke has to deal with his morals and conscience when moving to a corrupt city and falls in love with a dirty politicians daughter.

Francis Dee and Wayne have good on screen chemistry but this can be seen as the strength of Waynes acting rather Dees performance.

The show has the classic 40s slapstick comic relief. If you want to sit with some Wayne nostalgia then you will enjoy this movie. But if your looking for an exciting story with a well written script and good acting, then don't rush to this movie. It not a classic of the 40s, but its a classic example of 40s movies :-)

I enjoyed watching this movie, but there is no use pretending that it has any particular merit. It is interesting to watch early John Wayne movies where he is not playing a cowboy and not fiddling with his revolver. The female lead, Frances Dee, was very interesting to watch, lively and attractive. She reminds me of Geena Davis when young as in EARTH GIRLS ARE EASY (1988, see my review). She stopped acting in 1954, aged 55, and had made 56 films by then. The story of this film is so unconvincing and implausible that it is not even worthwhile attempting to describe it. It is nonsense from beginning to end. The Hungarian émigré director John H. Auer directed the film. It is both easy to watch and easy to forget.

After a young man supposedly commits suicide after leaving a nightclub in New York, a rural lawyer named "Lynn Hollister" (John Wayne) travels from the same hometown as the victim and goes to the Big Apple to investigate. When he gets there he finds that clues leading to the truth are hard to come by and eventually they lead to a corrupt politician named "Tom Cameron" (Edward Ellis) who knows more than he admits. But rather than simply give up he decides to continue his investigation with the help of the politician's daughter "Sabra Cameron" (Frances Dee). What he doesn't know is that Sabra may not have the same intention of finding the killer as he does. Now rather than reveal any more I will just say that this was a typical John Wayne film which benefited from a good plot and a decent script. I was especially impressed with the scenes involving the nightclub called "the Inferno" which could have easily come from a movie filmed 20 or 30 years later. On the other hand, the one thing I didn't care for was the rather jumbled ending which I thought should have been more fully developed. Likewise, I would have preferred a bit more drama as well. Even so, it was a fairly decent movie for the most part and I have rated it accordingly. Average.

An American drama; A story about a country lawyer who courts the daughter of a city politician who he is investigating for corruption. This film attempts crime mystery and screwball comedy but fails to hit the mark on both subgenres because it is short on action and brims over with dialogue. John Wayne makes appeal but he is less than convincing as a small town attorney with small town charm. That said, his scenes with Francis Dee are satisfying. The film has good pace but the story doesn't seem to click together because of its artifice. Even the action scenes fail to produce tension because of the trace of comedy.