User Reviews

One of the best of the film noir movies was "Nocturne" directed by Edwin L. Marin starring George Raft. The two teamed once more in an attempt to recreate the magic of that movie. Though the result "Race Street" doesn't have the compactness nor the intricate story lines of "Nocturne," it is worthwhile film noir. George Raft while not a great actor had an aura about him that gave authenticity to roles such as that of Dan Gannin. William Bendix, perhaps the most underrated actor Hollywood ever produced with the possible exception of Bob Mitchum, steals the show as always. Marilyn Maxwell makes a dandy femme fatale and the rest of the cast do their part to make this one a winner.

The cinematography of the San Francisco area is crisp black and white at its best. Who ever designed the stairs that Harry Morgan is thrown down to his death deserves special recognition. Later George Raft is beat up on the same stairs. They appear menacing with the cold drab look of death about them.

The music is appropriate and the songs well chosen to capture the necessary mood of the piece. Even the title is a good one. "Race Street" may indicate horses since the film is about double dealing bookies but it is also a metaphor for the story.

George Raft was a much better actor than people (and himself) gave him credit for. The fact that 20 years after his first film he was still making good movies is a credit to his durability and star power.

This is a pretty good crime movie with many twists. Raft plays Dan Gannin, a bookie, who with the love of his girl "Robbie" (Marilyn Maxwell) wants to leave the race track racket for good. There is a protection racket starting to operate. Dan has told them he is not interested and being friends with Barney (William Bendix), a detective, helps to keep them at bay. His childhood friend Hal (a young Harry Morgan) is not so lucky - he is killed by some thugs who throw him down stairs.

That is all Dan needs to flush the rats out. It leads him after a few twists and turns to Robbie's brutish husband Phil Dixon, who is very much alive and well (she had told Dan that he had been killed in the war). Frank Faylen plays Dixon. He was in so many films in the 40s, often playing vile characters but always memorable in a "Say, wasn't he the guy"!! way. Playing a harassed father in the TV series "Dobie Gillis" finally made him a household name.

The deceiving Robbie was played by former singer Marilyn Maxwell, She was blonde (although a beautiful brunette in this film) pretty and curvaceous but just couldn't break through the ranks into stardom. Gale Robbins played Dan's sister Elaine but the role was just an excuse to let her sing a couple of songs - which she did very well. Charles Lane plays a sly hotel clerk. See it for the co-stars alone.

Recommended.

Interesting Bill Bendix and George Raft film filled with back-stabbing galore. With Bendix as the cop and Raft as a bookie, threatened by a protection racket, we have a taut story here.

Marilyn Maxwell is Raft's new love interest who is lying through her teeth. She sports a black wig here, but Bendix recognizes her for what she is.

Interesting to see Raft in a role trying to go straight.

This is basically the story of friendship and betrayal as told by the Bendix character. When their friend, played by Henry Morgan, is killed for not playing ball with the racketeers, Bendix and Raft step in to avenge his murder, but in different ways.

The film would have been better had it been longer. The Maxwell character, the stinker that she was, could have been stretched to show how evil she really was.

You know this is a different film for George Raft as he is not throwing that coin up and down in the manner that only he could do.

. . . with some sob story about being a war widow or a nun-turned-atheist, he'd be totally hole-in-the-head wacko crazy NOT to have a skirt specialist physician in HIS employ give her a thorough third-degree exam, as well as running her name, mug shot, driver's license, S.S.N. # and fingerprints through ALL of the national forensic files data bases plus credit report providers AND getting at least second, third and fourth verdicts from respectable Private Eye Agencies, RACE STREET suggests. This movie's key chump "Danny" ignores all of these Common Sense Dating Game Rules, indirectly dooming his best friend and himself to premature graves while condemning his younger sister to a life of bitter poverty when he allows himself to be brazenly bamboozled by an obvious harpy harlot. Mercenary strumpet "Robin" smells fishier than a beached shark with a belly full of rotting skunks, but clueless romantic loser Danny enables this wanton witch to pull her wool over his eyes. Since America is literally crawling with bawdy bed bugs like Robin, RACE STREET recommends preemptive delousing before permitting any potentially demonic dame to get within 12 feet of yourself.

RACE STREET – 1948

This is the last of a half dozen films done by George Raft and director Edwin L. Marin. In this one Raft is a San Fransisco bookie on the verge of quitting the racket. He has just opened a night club and is in love with a hot looking dame, Marylyn Maxwell.

The plan comes crashing down when childhood friend, Harry Morgan is murdered. A group of thugs are offering "accident protection" to the local bookie crowd. Morgan refuses to cough up and he goes for a long tumble down a flight of stairs.

In the mix now is another of Raft's childhood buddies, William Bendix. Bendix is however a San Francisco Police Detective. Bendix knows all about the heavy boys leaning on the bookies and wants help from Raft. Raft refuses to help as he intends to settle the score his own way.

Raft however is not as bright as he thinks. The racket boys take him for a ride and tell him it is his turn to "join" the protection scheme. He asks for time to think the matter over. By all means, the mob tells Raft as they give him a right curb stomping. Bendix finds Raft recovering from his "friendly talk" in a hospital ward. Raft still will not help Bendix with any info.

Needless to say the story continues with Raft seeking payback. A nice turn here is dolly Maxwell ending up to be not quite, the loving girlfriend. She is quite sharp looking in a non-blonde role. There are a couple of twists and turns in the film but nothing really wild.

Director Marin and Raft both did better work on their earlier films, the under-rated NOCTURNE and JOHNNY ANGEL. Some nice cinematography though is featured throughout this one from, Roy J. Hunt. Hunt's work includes, I WALKED WITH A ZOMBIE, TRAIL STREET, THE DEVIL THUMBS A RIDE, CROSSFIRE, RETURN OF THE BADMEN, KILL OR BE KILLED and THE LAWLESS.

Worth a watch.