Charles Starrett's 116th western is one of his better endeavors, thanks to a vigorous, well-characterized script that astutely hides the identity of the villainous mastermind, plus very competent direction by Fred F. Sears who even employs occasional crane shots to add a bit of spice to the proceedings.
True, the chases are filmed from fixed camera positions (instead of the more expensive and exciting running inserts), but the angles have been chosen with unusual care. Sears even uses an occasional crane shot effectively, and I loved the pan along the enormous banner welcoming Duke Jackson.
Barry Shipman's script not only features sharp dialogue and believable characterizations, but keeps interest at a high level by astutely hiding the identity of the mastermind.
Also to be praised, casting is a little off-beat with Bob Wilke a more subdued villain than usual, Dick Elliott as an unscrupulous buffoon, and Stanley Andrews making the most of the meatiest part that ever came his way.
Smiley Burnette (as "Smiley Burnette") has one of the film's most engaging roles, his foolery forming an integral part of the plot instead of just being tacked on in additional scenes (as was the policy at most other studios).
Remember, always specify Fred F. Sears if tempted to invest your time and/or money in the Durango Kid.
True, the chases are filmed from fixed camera positions (instead of the more expensive and exciting running inserts), but the angles have been chosen with unusual care. Sears even uses an occasional crane shot effectively, and I loved the pan along the enormous banner welcoming Duke Jackson.
Barry Shipman's script not only features sharp dialogue and believable characterizations, but keeps interest at a high level by astutely hiding the identity of the mastermind.
Also to be praised, casting is a little off-beat with Bob Wilke a more subdued villain than usual, Dick Elliott as an unscrupulous buffoon, and Stanley Andrews making the most of the meatiest part that ever came his way.
Smiley Burnette (as "Smiley Burnette") has one of the film's most engaging roles, his foolery forming an integral part of the plot instead of just being tacked on in additional scenes (as was the policy at most other studios).
Remember, always specify Fred F. Sears if tempted to invest your time and/or money in the Durango Kid.
