Operation Pacific (1951) Poster

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7/10
Tribute to the Silent Service
bkoganbing27 March 2006
I like submarine films, but in watching them one has to realize that there are only so many plot situations and each film seems to cover just about all of them. In fact the officers and men of the U.S.S. Thunderfish during what little spare time they had were watching another Warner Brother submarine adventure, Destination Tokyo. If you remember they exchanged the film with another submarine crew for George Washington Slept Here.

Operation Pacific unfortunately suffered with an additional handicap, not foreseen by the Brothers Warner. Another film from Paramount entitled Submarine Command came out right about the same time as Operation Pacific. It starred John Wayne's very good friend and box office rival William Holden. A lot of the same situations are covered in that film, hard to distinguish between the two.

That being said Operation Pacific is one of John Wayne's better war films and a good tribute to the men of the Silent Service. I remember back in the day, I had a history professor in college who was a marine in World War II. He said without reservation that for all of what he was doing in places like Tarawa, Saipan, and Iwo Jima, the tipping balance in the Pacific War was the American superiority in submarines. Due in no small part to the Commander-in-Chief of the Pacific Fleet Chester W. Nimitz who trained on submarines and appreciated their worth. Cutting supplies to the home islands helped in no small measure to American combat success ultimately.

John Wayne is the Executive Officer of the Thunderfish which is commanded by Ward Bond. His former wife Patricia Neal is a navy nurse at Pearl Harbor. He'd like to win her back, but she's now dating Philip Carey, a navy flier and Bond's younger brother.

Besides the romantic problems the Thunderfish goes on all kinds of missions. We first see them rescuing some orphan children off a Japanese held island, later they have some real problems with defective torpedoes in which Chief Jack Pennick has a big hand in solving. And of course the usual tangles with the Japanese Navy exploding depth charges around them.

In the supporting cast I have to say that my two favorite performances are from Paul Picerni who plays crewman Jonesy. Picerni's best known for being Robert Stack's number 2 guy in The Untouchables, but he's absolutely great as the comic relief in Operation Pacific. Happy-go-lucky sort of guy, if he were Latino, Gilbert Roland would have had the part.

The second is Jack Pennick. You can't think of too many John Ford films his horseface presence wasn't in. He plays the Chief Petty Officer on the Thunderfish and he's simply known as the Chief. Ford usually gave him minimal dialog in his films, he speaks a bit more here. One of my favorite John Wayne moments in cinema is when Wayne speaks a heartfelt tribute to young ensign Martin Milner after Pennick has been killed. Talking about the accomplishments that people of his rank make to the U.S. Navy. If your eyes don't moisten you are made of stone. It is in fact one of my favorite John Wayne scenes of all time.

Though the Duke and Patricia Neal got a lot more attention fourteen years later in In Harm's Way, I think they do just fine in Operation Pacific and I think you'll feel the same way when you see it.
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7/10
"Gung Ho" submarine commander takes on the Japanese Navy.
michaelRokeefe18 May 2000
A very good WW2 movie. John Wayne is 'Duke' Gifford, an ultra devoted commander that leads his submarine crew up against the best the Japanese can put in the water or in the air.

Ward Bond plays 'Pop' Perry, Gifford's mentor and growing naval legend. A young Patricia Neal portrays the love interest. Fleshing out the cast is Cliff Clark, Philip Carey, Martin Milner and Jack Pennick.

If you love submarine movies, this is one of the better ones.
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7/10
What you would expect from a 50s era John Wayne war film...
AlsExGal17 August 2020
... in that it is overall what I would expect from the genre and the actor. John Wayne stars as Lt. Cmdr. Duke Gifford, the first mate aboard a US Navy submarine fighting in the Pacific theater during WWII. He and his fellow submariners brave depth charges and leaky hulls while battling Japanese forces.When they make it back to base, Duke tries to rekindle the flame with his ex-wife, Navy nurse Lt. Mary Stuart (Patricia Neal), but she's also seeing Navy airman Lt. Bob Perry (Philip Carey). Ward Bond, of John Ford's stock company (although this is not a Ford film) and Milburn Stone also make an appearance.

The submarine action is exciting and well-executed, with fine miniature work and editing. Things really bog down, though, when the plot moves back to base and the tired love triangle comes to the forefront. The opening scenes, involving the rescue of a group of nuns and small children, is very corny. All-in-all, I liked the movie well enough, and I would recommend it for fans of John Wayne action films.
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From a submariner
wprigmore18 May 2004
I love this movie for two reasons:

1) It causes me to relive my submarine war patrols in WWII. 2) It's a typical John Wayne movie.

It would probably not excite a viewer who does not care for John Wayne or war movies, but for anyone who participated in WWII in submarines, it's a must have.

For the current generation, it would be worthwhile just to get the feel of how things were in those days. For many of my vintage, watching this movie over and over, as I do, is a priceless reminder of those days when a few did so much for so many.
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7/10
Nice warfare movie with impressive battle scenes between subs , freighters and cruisers
ma-cortes18 May 2010
Good warfare movie well starred by John Wayne as Duke E Gifford , a sub-officer during the Pacific campaign and in the Pearl Harbor zone who surveys the area and diving under water . The film starts with a foreword : ¨When the Pacific Fleet was destroyed by the Japanese sneak attack on Pearl Harbor , it remained for the submarines to carry the war to the enemy. In the four years that followed our undersea craft sank six million tons of Japanese shipping including some of the proudest ships pf the ImperiaL Navy. Fifty-two of our submarines and thirty-five hundred officers and men were lost. It is to these men and the entire silent service that this picture is humbly dedicated ¨. At the beginning Wayne and crew rescue nuns and children from a Pacific island . Later on , in Pearl Harbor is developed a loving triangle between Wayne, Patricia Neal and Philip Carey . After that, the submarine commanded by Ward Bond and John Wayne attacks freighters and cruisers, executing on varied activities as interception and rescue . But in attack on freighters, torpedoes fired at ideal angle hit target failed to explode as the torpedoes lead a hit right under the stack and nothing happens.

The movie contains warlike action with battles well assembled , thrills, emotion and a love story. Passable special effects by F . Koenekamp though with various scale models and some stock-footage. Acceptable production design and enough budget by Warner Bros , and very superior compared with those at John Wayne 's habitual studio such as Republic or Poverty Row , as Wayne played several more for them . As technical adviser appears Vice-Admiral Charles Lockwood who was commandant of American subs in Pacific. With John Ford's usual players as Ward Bond, Jack Pennick and of course the great Wayne and brief secondary roles for William Campbell and Martin Milner. It's a cool realization with roaring battle scenes and full of emotion , suspense and romance. This large-scale picture is professionally directed by George Waggner and it packs a splendid score by the classic Max Steiner and appropriate cinematography by Bert Glennon . The film is dedicated to the men who lost their lives in submarines and to the United States Navy for its aid and cooperation in making this picture possible, our grateful thanks.
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7/10
pretty good
kyle_furr18 February 2004
A world war II film set on a submarine with John Wayne, who takes over command after the commander, played by Ward Bond, is killed. It's your basic submarine film, nothing special about this one, but it is well made. John Wayne plays John Wayne, Patricia Neal does a good job and in one scene on the sub, you can see the men watch Destination Tokyo with Cary Grant.
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7/10
More than a standard flag-waving actioner
JamesHitchcock18 September 2019
Warning: Spoilers
After routing the Japanese Army in films like "The Fighting Seabees" and "The Sands of Iwo Jima", John Wayne now returns to the fray to take on their Navy. He plays the "executive officer", or second-in-command, of the submarine USS Thunderfish who later takes over as captain after his commanding officer is killed in action. His character is named Lt-Cdr Duke E. Gifford; was this name, I wonder, deliberately coined to reflect the fact that Wayne's nickname was "Duke"? The main action, as one might expect, tells the story of how Duke and his crew send large parts of the Imperial Navy to the bottom of the Pacific, but there are also two sublots. One of these deals with an investigation to find out why torpedoes are not exploding after hitting enemy ships. The other, and more important, subplot concerns Duke's attempts to win back his ex-wife Mary, even though she is now romantically involved with Bob, a handsome young Navy pilot who just happens to be the younger brother of Duke's commanding officer. (Of course, he succeeds in his romantic quest; Bob's youth and good looks count for nothing against the normal Hollywood rule that in any film involving a love-triangle the bigger name star will always end up with the girl).

The film was made six years after the end of the war, and there is a contrast with something like "The Fighting Seabees", which was made while the war was still going on. By 1951 Japan had become one of America's Cold War allies, so the film, while still patriotic in tone, is largely free of the anti-Japanese racism which disfigured "Seabees" and a number of other wartime dramas about the Pacific theatre. No Japanese characters appear at all; they are now merely a faceless enemy rather than figures of hatred.

Wayne is not an actor one would normally associate with films about love and romance, but the Duke/Mary subplot plays a surprisingly large part in the film. In this case, however, the characterisation works better than one might expect. We learn that Duke's marriage broke down because was a strong, silent man of action whose first love was the Navy and who found it difficult to express his emotions, even after the death of his and Mary's infant son. And who was better than Wayne at playing strong, silent, unemotional men of action? Except that here he not only does his normal action man thing but also portrays a man forced for the first time to look inside himself for feelings he did not know he possessed and who learns how to say "I love you" and mean it. The result is not only an unusually nuanced and complex Wayne performance but also a war drama which is something more than a standard flag-waving actioner. 7/10
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6/10
WAYNE AS SECOND BANANA ON A BOAT...!
masonfisk6 July 2019
A John Wayne war movie from 1951. Wayne plays second in command on a submarine as he struggles w/the engagements w/the Japanese (a number of the torpedoes don't explode) & trying to rekindle his relationship w/his ex-wife Stateside, played by Patrica Neal, who is also courting the brother of his commander. Being a film which John Ford didn't make, even though some of the supporting cast are Ford regulars (notably Ward Bond as Wayne's superior) makes this film feel like a Ford also ran. The usual amount of male camaraderie & boorish humor is evident but the whole doesn't quite add up making the adventure slightly off kilter but ultimately mildly entertaining. Look for future police officer Martin Milner (of Adam-12 fame) & William Campbell who famously essayed a couple of roles on the original Star Trek (Trelaine & the Klingon Koloth).
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9/10
"Take 'er down!" is a line from the movie and from a real life submarine commander in WWII.
Danz-216 February 1999
I was stationed on the submarine tender, "U.S.S. Howard W. Gilmore" during the Viet Nam War. It was there that I learned about Cdr. Howard W. Gilmore and the "U.S.S. Growler." The "Growler," under the command of Cdr. Gilmore, was on patrol in early 1942 when she came under attack by a Japanese gunboat. Gilmore was mortally wounded and as he lay on the bridge of the sub gave the command to "Take 'er down!" just as "Pop" did in "Operation Pacific" and thus saved the crew further casualties. He was awarded the Congressional Medal of Honor posthumously for his action. Also the "Growler" rammed the gunboat and bent the bow of the sub just as depicted in "Operation Pacific." I would be interested in knowing if the film used the Gilmore/"Growler" incident as its basis for the scene depicted with Ward Bond, and if there were other facts in the film based on real incidents.

Thank you,
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7/10
well worth the watch
disdressed1213 February 2011
Warning: Spoilers
for me,this was a good war movie with exciting action scenes and good acting all around.most of the action takes place at sea.the dramatic scenes are OK,but it's the action sequences that work the best here.the subplot involving the engineers trying to figure out why the torpedoes haven't been exploding is a bit unusual,and slows the movie down a little bit,but it's a short sequence,so it's not that big of a deal.but this is not just a war movie.it's also a romance.and the romance angle works surprisingly well.Patricia Neal plays the love interest for John Wayne's character and they have good chemistry together.overall,this is a movie that is well worth the watch.for me,Operation Pacific is a 7/10
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5/10
Sub par Movie
NewInMunich26 April 2008
This movie, which i revisited on German and English DVD yesterday is definitely more in the B Movie of the Sub Marine Genre. They could have learned from watching Destination Tokyo more closely, as this was with all its limitations still a fine movie and much less a strange flag waver whilst closer to the actual war time. Ward Bond and John Wayne still look like somebody stole their horses and don't know where to go, the submarine is spacious as an Ikea show room and the stress level when depth charged more like a tenant being annoyed with next door noise when watching Super Bowl. What did work quite good was the Wayne - Neal relationship, which you will see much more developed and mature in Harm's Way about 20 years later. Not urgent to watch.
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8/10
A nifty submarine film...and an exceptional performance by Wayne.
planktonrules29 December 2008
Warning: Spoilers
This movie is an excellent submarine movie that combines exciting and generally believable action along with a decent back-story. John Wayne is the second in command on a sub and he's become reacquainted with his ex-wife, Patricia Neal. His trying to win her back and his difficulties with expressing himself is handled more credibly than most Wayne characters, as he is vulnerable and more 3-dimensional than his usual self. As for the action itself, the movie spends a lot of time on a lesser-known aspect of US sub warfare--the fact that our torpedoes at the beginning of the war were often duds. And the subplot involving the death of the commander is interesting as well. About the only down-side is that, at times, the sub does rather extraordinary things that no sub ever did--such as sinking 3 ships in mere minutes--including a sub, destroyer and an aircraft carrier! With victories like that, we could have won the war in just a few weeks. BUT, considering this is counter-balanced with dud torpedoes and the destruction of a fellow sub, this is a little more realistic than the standard fare.

PS--a cute part of the film is when the crew is watching the movie DESTINATION TOKYO (with Cary Grant). One of the crewmen comments that this is a great movie but it was awfully short on realism. Ha.
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7/10
A Decent World War 2 Movie
loveablejohn-2623329 July 2018
This movie was decent overall even with some major goofs as it had action along with comedy and romance. The acting was excellent but the cinematography and the script could have been better which is why I gave it 7 stars.
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5/10
Routine Stuff
utgard1424 April 2014
A middle-of-the-road submarine picture starring John Wayne that unfortunately didn't appeal much to me. First, I'm not a huge fan of Patricia Neal. I know, I know. She was a fine actress and I respect her. But as leading ladies go, she leaves me cold. Second, this is full of clichés and stereotypical plot lines, even for 1951. I'm not huge on war movies in general. Oh it's not some philosophical thing. I actually like a lot of the WW2-era war movies. But many of the ones made from the '50s onward, like this one, feel like programmers to me. There are exceptions, of course, and I praise those movies when I see them. But, for the most part, these types of movies are predictable and dull. There's an audience for this picture that will like it a lot but unfortunately I didn't.
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Good showcase for Wayne as war hero
JohnSol14 April 2001
It's hard to decide which genre provided John Wayne the greater opportunity to showcase his talents - the "Western" or the "War Movie". Clearly, he excelled at both (and had more than a few opportunities to demonstrate it). Personally, I've always been a greater fan of his westerns, but when this film appeared on one of my favorite cable channels this afternoon, I found myself willingly drawn in. Although a lot of its elements are standard WWII fare, Operation Pacific still demonstrates why the genre has proven so successful to Hollywood.

This one includes all the cliches - the tragedy of lives lost for a just cause (in this case, the war in the Pacific), the heroism of the men who gave up their lives for that cause (here it's a submarine crew based out of "Pearl"), and the women forced to wait patiently while the men they loved went into harm's way.

Although a lot of this seems outdated and stereotyped some 50 years later, the movies that were made during and immediately following WWII nevertheless reflect the ideals and values that drove an entire nation (and generation) to act and feel as it did. My own father, who was a Navy man during the war, was a big fan of John Wayne. I have to believe that Wayne personified some of the very same values my father had come to embrace as a youth and during his time in the military. For me, this adds some validity and perspective.

I know this is not considered to be Wayne's best war film (and admit to not being an enthusiastic student of the genre), but I'm confident that it's a good example of why these films were (and remain) so popular.
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7/10
Definitely Worth Watching
pmtelefon12 November 2023
"Operation Pacific" may not be a classic but it has a lot going for it. John Wayne gives a very nice performance in this movie. His supporting cast is also on top of its game. The action scenes are done very well. They're exciting and also pack quite a punch at times. The scenes with Patricia Neal are fine (she gives a very appealing performance) but the submarine scenes are a lot better. So "Operation Pacific" ends up skipping a beat here and there but none of it is a deal breaker. This is still a good John Wayne movie it's just I don't watch nearly as often as I do many of The Duke's other movies (I'm a huge fan by the way).
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6/10
the chivalrous self
Cristi_Ciopron16 November 2015
Warning: Spoilers
A good-natured, charming and lively patriotic movie, of a chivalrous spirit, with Wayne in uniform, as Duke (lieut. Comdr.), a cardboard character among cardboard characters, either on his submarine 'Thunderfish' or on shore, rescuing nuns, negotiating with dishonest Hawaiians, claiming his love, looking clueless, self-righteous and stubborn, checking torpedoes, in the middle of the Japanese Imperial Navy, or of a salon of babies; in each of these occasions, he looks conveniently dignified, as an ideal navy officer, and is being given the occasion to avenge his mentor. A vehicle for uplifting militarism, smoothly directed by Waggner, who had the subtlety of mentioning 'G. W. slept here' and of peppering the dialogue with lines about movies, so it also has this meta dimension, with warriors on a submarine watching a movie about submarines. The funny scenes also have the chivalrous spirit. The romance plot is blunted by the edifying zeal, of undeniable hypocrisy. So, an assemblage of patriotic and populist clichés about competing, winning, etc., unpretentious fun for the unpretentious audiences eager to see Wayne doing his role; but as it may be unfair to require this movie to be what it wasn't even meant to, another possible take on it would be: watching Wayne playing a navy officer, in one of the mediocre and watchable movies made in the '50s, no sillier than many of the standard comedies and musicals, so good for an evening watching Wayne, gentle and chivalrous fun, meant to be appreciated by a perhaps not very pretentious audience.

One can't reduce Wayne's understanding of the movies to the sheer banality of this, but it certainly is a way he enjoyed being shown on the screen, the icon of his ideal self. It made me yearn for something less phony. But when one sees Wayne's name on a war movie's credits, one also knows what to expect.

Also in the cast: Patricia Neal, Ward Bond.
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6/10
"Let's go get Butch . . . "
oscaralbert15 April 2015
Warning: Spoilers
. . . actor John Wayne as "Duke" commands his ex-wife while appropriating a random, unrelated orphan newborn from the local hospital to close OPERATION PACIFIC. So while this ready-made Daddy is busy bringing down enemy destroyers, planes, subs, tankers, and aircraft carriers, Junior can look forward to about six days annually with dear old Pops. Speaking of "Pop," goes the weasel, if you can suffer a spoiler about OP's Captain Ahab moment. And talk about product DIS-placement. Near the middle of this flick, producer Warner Bros. asserts that their 1942 Jack Benny film titled GEORGE WASHINGTON SLEPT HERE is so boring that it will doom any submarine below the surface of the seas on the weekly movie night. It's a wonder that OP's lead actress Patricia Neal didn't wind up with Prince Albert in a can by the end of 1951. First she got Michael Rennie from a saucer during THE DAY THE EARTH STOOD STILL, and then "the Duke" from a sardine tin here. Klaatu Barada Nikto, anyone?
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6/10
Lightly entertaining John Wayne submarine drama
grantss5 February 2016
Lightly entertaining John Wayne submarine drama.

The Pacific Theatre of WW2. Lt Commander Duke Gifford (played by John Wayne) is the Executive Officer of a US Navy submarine, the USS Thunderfish. The submarine fleet, incl the Thunderfish, is suffering from malfunctioning torpedoes. Meanwhile Commander Gifford is also trying to win back his ex-wife...

A stereotypical John Wayne movie, i.e. overly gung ho and not that accurate, militarily. Some quite unrealistic battle scenes. The relationship side is mildly interesting but also overly melodramatic and complex.

Not all bad though, as long as you don't think too much. The battle scenes are quite exciting and there are some insights into submarine life.
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8/10
Very good
SanteeFats26 July 2013
Warning: Spoilers
The start of this movie starts out with a tragedy when the submarine commander, played very well if shortly, Ward Bond, is trapped on deck when the sub comes under attack. John Wayne is the executive officer and orders the submarine to dive leaving Ward Bond to die. The crew resents his actions and show it in certain ways. In the early part of the war the torpedoes were well known to have problems detonating when they hit a target. John Wayne's character, Gifford, is tasked with solving this problem. He does and the enemy ships start blowing up. Gifford also runs into his ex-wife, played by Patricia Neal. Sparks fly again and they appear to hook up again. Gifford and the sub go to sea again and of course are successful attacking the enemy.
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6/10
Adequate submarine movie
jamesrupert20144 September 2017
Warning: Spoilers
John Wayne headlines this tale of the USN Thunderfish as it takes on the Japanese Navy early in WW2. Admittedly, I thought the submarine's exploits were pretty much unbelievable until I read that many of them were based on actual incidents (not all involving the same submarine and crew of course). Despite that "Operation Pacific" is pretty weak. Much of the film was shot in studio and it shows, especially in the dockyard and underwater scenes. The best sequences (such as dive-bombing and torpedo runs at Leyte) are archival footage that are often not well matched to the newly filmed material. The 'on the beach' storyline is a tedious triangle between Wayne's character ('Lt Cmdr. Duke E. Gifford'), his ex-wife (a too young Patricia Neal) and "Lt. Bob Perry" the brother of Duke's buddy and "CO 'Pops' Perry" (played by Wayne perennial Ward Bond). Neither interesting nor believable, the love story requires lots of predictable coincidences in order to run its course and really slows the film down. The rest of the cast are OK, playing the stereotypical sailors found in these movies (the wiseacre, the loose cannon, etc) but their interactions with their commanding officers (including Wayne) never rang true to me. Some of the battle sequences are OK but the 'action footage', especially the obligatory depth-charging scenes, lacked the tension that makes for a really good submarine yarn (such as "Hell Below" or "Das Boot"). Good for die-hard fans of the Duke or the genre, otherwise, not a must-see.
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5/10
What Stinks in this Submarine? This Movie!
eastmanyes15 July 2022
Warning: Spoilers
Ridiculous scene after scene. A US sub picking up a group of children that have free run of the sub? Big tall guys that never duck in the sub? Is it really cool for everyone to smoke in a closed sub? John Wayne purposely grounds the sub and sends a raft full of sailors (while under enemy fire) to rescue a single flyer but when they get shot up he dives off the sub and swims out to rescue them? Swims back and takes a bullet but battles on? Entire film is a silly cliche for bad war movies.
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8/10
It was a simpler time...
editguy28 November 2006
Warning: Spoilers
Talk about broad brush strokes -- there isn't an ounce of subtlety in this movie as far as the eye can see. But it's a classic post-WWII "sea picture", and it swaggers and struts just like The Duke himself. It's impossible to imagine anyone else starring in this picture.

Wayne plays "Duke" Forrest, executive officer of the submarine Thunderfish, commanded by his mentor and friend "Pop", who you figure is wearing a Star Trek red shirt under his khakis by the second reel.

Sure enough, Duke winds up captaining the "Thunder" while trying to patch things up with his Ex, the high-maintenance Patricia Neal. In one memorable scene she reads him the riot act about his behavior, while he stares at a point in space above her head, several miles away. You can almost hear him thinking, "Dames like this always got pot roast in the oven..."

This film is a rather jarring counterpoint to realistic epics like "Das Boat" -- clearly OUR subs had it all -- climate control (no one sweats), plenty of space (enough for a boat-load of rescued Nuns with about 20 orphans -- each one more scrubbed and freckle-faced than the last), and enough interior lighting to make Martha Stewart jealous. The brave crew features the usual lily-white, WASP-y cross-section of America, featuring Junior ("my Great Grandpappy was on the Merrimack!"), Jonesy (a wisecracking Mike Dukakis lookalike) and Lieutenant Larry, who sounds like a Cary Grant knockoff. The Chief, who obviously served as a cabin boy on the Ark, is along to keep everyone in line.

Having said all that, this is a wonderful film to break out on Memorial Day, to honor the brave sailors who went into harm's way in glorified sewer pipes with busted torpedoes, many to remain "on patrol" for eternity. Big, loud and jingoistic, this film nevertheless has its heart in the right place.
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6/10
ANOTHER GOOF...
sherylb-222 January 2020
When the typewriter is typing the word Thunderfish is spelled THUNDER FISH...then as the typewriter goes over it (towards the end of the scene it's one word THUNDERFISH! Ha!
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5/10
Up periscope
Chase_Witherspoon4 June 2011
The Duke playing Lt. Duke Gifford (Wayne), a naval officer assigned to a dangerous mission in the Pacific where his submarine is attacked by a Japanese warship after its lured to the surface by a white flag. His pal and commander (Bond) is killed in the ensuing battle, and Wayne must defend his actions to the younger brother of his slain friend (Carey) who is in love with Wayne's ex-wife (Neal). Neal and Wayne still share a mutual affection for one another, much to Carey's chagrin (who regards Wayne as a show-pony), but Bond's death and Wayne's loyalty to his crew threatens to push Neal into Carey's arms.

Melodramatic love triangle set against a WWII backdrop with a likable cast that also contains Kathryn Givney as Neal's officious commanding officer, as well as a youthful looking Martin Milner as a submarine officer and durable actor-stuntman Paul Picerni as one of Wayne's rabble-rousing crewman. Battle scenes are done on the cheap here, director Waggner opting for copious stock footage and miniatures.

If you worship Wayne, or enjoy a uniformed soap-opera, then "Operation Pacific" should suffice.
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