IMDb RATING
6.6/10
9.3K
YOUR RATING
As a new star and planet hurtle toward a doomed Earth, a small group of survivalists frantically work to complete the rocket which will take them to their new home.As a new star and planet hurtle toward a doomed Earth, a small group of survivalists frantically work to complete the rocket which will take them to their new home.As a new star and planet hurtle toward a doomed Earth, a small group of survivalists frantically work to complete the rocket which will take them to their new home.
- Won 1 Oscar
- 1 win & 1 nomination total
Peter Hansen
- Dr. Tony Drake
- (as Peter Hanson)
Rachel Ames
- Julie Cummings
- (as Judith Ames)
Kirk Alyn
- Rioter Bringing Guns
- (uncredited)
Gertrude Astor
- Traveler
- (uncredited)
Mary Bayless
- Club Patron
- (uncredited)
Nina Borget
- Translator
- (uncredited)
Steve Carruthers
- Delegate
- (uncredited)
Robert Chapman
- Student
- (uncredited)
Gene Collins
- Newsdealer
- (uncredited)
James Congdon
- Eddie Garson
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGeorge Pal wanted to film the novel's sequel, "After Worlds Collide," which depicted the struggle of human survivors on the alien planet. However, the failure of his film Conquest of Space (1955), and the declining health of uncredited executive producer Burgess Meredith, damaged his relationship with Paramount, and the sequel was never made.
- GoofsThroughout the film, Bellus is referred to as a star; this is presumably how life is able to be sustained on Zyra. However, if this was the case, Earth would have been destroyed from the heat long before Bellus collided with it, even if it was a small brown-dwarf star. Also, departure should have been at least 17 days earlier, before descending deep into Bellus' gravity well and needing far more fuel. This part of the plot, and the time to build the ship, could have been resolved by sticking to the novel's pair of planets and a longer time frame - Zyra and Bellus both passing by with Bellus, a gas giant planet, ripping up Earth's surface, then returning months later for Bellus' direct collision with Earth, as Zyra enters orbit around the sun.
- Quotes
Sydney Stanton: Your salvation doesn't interest me; mine does.
- ConnectionsEdited from Spawn of the North (1938)
Featured review
A classic and a controversy
George Pal, Hungarian born Puppetoon creator and fantasy legend made several great science fiction space movies. Adaptations of popular books in the 50's included former German rocket scientist Willy Ley's "Conquest Of Space" using designs and ideas illustrated by space artist Chestley Bonestell, who's work is seen in almost all of Pal's space films in one way or another, considered cutting edge for the time. His others included H.G.Wells classic "War Of The Worlds", Robert Heinlein's "Destination Moon" and the Edwin Balmer & Philip Wylie 1932 novel "When World's Collide".
The results still stand as seminal classics of science fiction filmwork, often copied, referenced and paid homage in one way or another. Although perhaps dated by the computer generated, digitally enhanced SFX of today's so-called masterpieces, these films still stand out as the major influences which helped shape our dream, visions and often spoke to our deepest fears, such as the end of the world.
From the inverted ski jump launch system (used today on aircraft carriers), to expendable booster rockets (a Space Shuttle standard), the Ark spaceship spawned the imagination of many filmakers, including some who reused the model for other films such as "Flight To Mars" and "The Queen Of Outer Space". The movie still stands as a milestone as the first science fiction disaster movie.
Once again, Leith Stevens' musical score enriches the experience, as it did for Pal's previous space adventure, "Destination Moon". The film's special effects won it the Oscar in 1951. All this, and in the rich tones of Technicolor that shall never been seen in a first run movie theater again. Thank you Lord for revival houses that still manage to seek out old time prints for festivals (the Alamo Drafthouse in Austin, Texas comes to mind).
There still remains a bit of controversy, though, about the film's ending. A wide, panoramic Bonestell matte painting is seen from the hatch of the newly arrived Ark. In the image can be seen two clearly pyramidal mountains in perfect proportions, as if artificial, as well as the base of what appears to be a building constructed by an alien intelligence. Although the actors don't react to this (the matte effect added in post production), the artwork hints at the planet Zyra as being inhabited (In the novel, the planet is known as Bronson Beta, and is indeed found to be once inhabited, and is explored further in the sequel "After Worlds Collide").
In the 1970s, producers Richard Zanuck and David Brown attempted to do a remake, which eventually mutated into the 1998 film, "Deep Impact". As in "When Worlds Collide", the human interaction was as important as the science fiction elements.
The results still stand as seminal classics of science fiction filmwork, often copied, referenced and paid homage in one way or another. Although perhaps dated by the computer generated, digitally enhanced SFX of today's so-called masterpieces, these films still stand out as the major influences which helped shape our dream, visions and often spoke to our deepest fears, such as the end of the world.
From the inverted ski jump launch system (used today on aircraft carriers), to expendable booster rockets (a Space Shuttle standard), the Ark spaceship spawned the imagination of many filmakers, including some who reused the model for other films such as "Flight To Mars" and "The Queen Of Outer Space". The movie still stands as a milestone as the first science fiction disaster movie.
Once again, Leith Stevens' musical score enriches the experience, as it did for Pal's previous space adventure, "Destination Moon". The film's special effects won it the Oscar in 1951. All this, and in the rich tones of Technicolor that shall never been seen in a first run movie theater again. Thank you Lord for revival houses that still manage to seek out old time prints for festivals (the Alamo Drafthouse in Austin, Texas comes to mind).
There still remains a bit of controversy, though, about the film's ending. A wide, panoramic Bonestell matte painting is seen from the hatch of the newly arrived Ark. In the image can be seen two clearly pyramidal mountains in perfect proportions, as if artificial, as well as the base of what appears to be a building constructed by an alien intelligence. Although the actors don't react to this (the matte effect added in post production), the artwork hints at the planet Zyra as being inhabited (In the novel, the planet is known as Bronson Beta, and is indeed found to be once inhabited, and is explored further in the sequel "After Worlds Collide").
In the 1970s, producers Richard Zanuck and David Brown attempted to do a remake, which eventually mutated into the 1998 film, "Deep Impact". As in "When Worlds Collide", the human interaction was as important as the science fiction elements.
helpful•170
- redbeard_nv
- Jan 12, 2002
Details
- Release date
- Country of origin
- Languages
- Also known as
- Ko trčijo svetovi
- Filming locations
- Calabasas, California, USA(Rocket Ship Campsite)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $936,000 (estimated)
- Runtime1 hour 23 minutes
- Sound mix
- Aspect ratio
- 1.37 : 1
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