User Reviews

A couple of saddle pals, Audie Murphy and Charles Drake, go their separate ways after a job in the Johnson County War in Wyoming. Murphy heads for a job offer from cattle baron Donald Randolph. But like John Wayne who refuses a job from Ed Asner in El Dorado, Murphy decides to throw in with small rancher Paul Kelly. Of course that Paul has an attractive daughter in Susan Cabot has a great deal to do with it.

El Dorado is only one of the other westerns that you can see plot elements from. I can count The Man from Laramie, Coroner Creek, and Destry Rides Again in which parts of those films are plainly visible in Gunsmoke.

Audie Murphy was always one of the success stories of Hollywood and then unfortunately a tragedy. Our most decorated combat veteran could have had a choice of any number of careers after World War II. He had what only could be described as an instinct in that he chose a movie career. He turned out to be a natural for westerns.

His product was always good. Too bad his career never took the path of a successful long running television series or going into A budget projects like John Wayne. Either of those paths might have led him to a longer career and life.

In fact both leads in this film met tragic ends, Audie in a plane crash and Susan Cabot, a notorious Hollywood homicide at the hands of her son. Cabot, but for a decision to leave Universal to free lance, might also have gone a television route. Though she became a cult favorite with The Wasp Woman, cult parts are hard to come by and usually really type cast people.

By the way, though it is not the only element of Desty Rides Again in this film, saloon girl Mary Castle gets to sing the Marlene Dietrich classic See What the Boys in the Backroom will Have in Gunsmoke. And why not? Since Universal produced Destry Rides Again and they own the song why not use it here as it costs them not a cent.

I think western fans will not be disappointed in Gunsmoke.

Good shoot-em-up with Murphy as Reb Kittredge, a gunhand in between jobs. He is offered a job to run a cattleman out of the country so the evil Matt Telford can control the entire valley. In an odd turn of events Kittredge comes into ownership of the disputed acreage and begins a hazardous journey to get the bovine to market before the mortgage to Telford comes due. Of course, Telford does everything in his power to ensure the drive is unsuccessful. A side plot along the way involves Kittredge as one corner of a love triangle, pitting him against a hot headed, back shooting polecat for the love of a beautiful woman: gotta have that thrown in, eh? Pretty standard stuff, but I enjoyed the production.

Gunsmoke is directed by Nathan Juran and adapted to screenplay by D.D. Beauchamp from the novel Roughshod written by Norman A. Fox. It stars Audie Murphy, Susan Cabot and Paul Kelly. Music is supervised by Joseph Gershenson and cinematography by Charles P. Boyle.

A safe recommendation to Western fans who just want to be entertained by an Audie Murphy picture of no pretensions. Nicely filmed out of Big Bear Valley, San Bernardino National Forest, it's an unassuming film that follows familiar B Western plotting. Bad guy has reform in him and finds it when he ends up fighting for the underdog and falling in love with the daughter of said underdog. Characters are well defined, pace is brisk and the action is well constructed by Juran (latterly 7th Voyage of Sinbad/Jack the Giant Killer). Enjoy the shoot-outs, the cattle drive, the wagon down the hill sequence (those stunt workers rock!), and get on board with the devilishly handsome Murphy and the heart achingly sexy Cabot (check out how she carries off a red number during one scene as she gets the boys all hot and bothered).

It's not original and it doesn't bring any psychological smarts to the narrative, but it plays the clichés well and all involved deliver a professional and good looking picture. 7/10

Hired gun Audie Murphy hits town to help bad guy Matt Telford (Donald Randolph) take over Dan Saxon's (Paul Kelly) spread. After winning Saxon's ranch and cattle in a game of chance, Audie declines Telford's offer and keeps the ranch for himself. Murphy then decides to drive his newly won cattle herd to the railhead to meet the note payment on the ranch, with the help of Saxon, his daughter (Susan Cabot), and their former wranglers. Forced to get a new rent-a-gun, Telford hires Murphy's old cohort Johnny Lake (Charles Drake) to stop Murphy from reaching the rail line.

Although "Gunsmoke" is pretty much 1950's drive-in fare, this one has Audie Murphy in top form. Directed by Nathan Juran in just his second film, this movie moves along at a nice clip. A strong script that avoids a lot of clichés, makes the dialog far better than average for this type movie. Murphy and and the familiar face veteran cast all deliver good performances and turn a what might have been a pretty standard medium budget horse opera into one of Audie's best films. Watch for Jack Kelly in his pre-Maverick television series days as malcontent foreman Curly Mather.

Entertaining Western. Definitely worth a watch.

Today was the Celebration of the Débarquement de Provence (in France ...), and I saw an excellent five minutes report on Audie Murphy and his act of war in Ramatuelle. So I decided to watch Gunsmoke I just bought a few days ago, thinking I was going to see a classic Murphy western. But from the first minutes, I discovered a very impertinent Murphy and not looking as fresh as in his other westerns, almost dirty and moving very fast. And permanent twisty action and hit dialogues, even though the subject is well known in westerns, it turns to be very original in its construction with permanent moves sometimes every twenty seconds. The whole casting is good, Susan Cabot, Paul Kelly, Charles Drake, Mary Castle, ... Produced by Aaron Rosenberg (Gunsmoke is not far from Anthony Mann's westerns produced by Rosenberg) and directed by Nathan Juran (who directed two other fine Murphy westerns, Tumbleweed and Drums Across The River), a very tense and unforgettable western.

Like most westerns between 1945 and 1985, the hero begins as an outlaw. I always called this Saul/Paul syndrome. Americans love a bad guy gone good better than anything. That said, this formula western had a creative twist a lot of people who enjoyed the movie never noticed. It may be the only Western ever where the lead character chickened out of fistfights and still held his dignity. In this movie, Audie Murphy plays a man who has virtually one skill-gunmanship. He is not a champion boxer, fighter, cowhand; he can do one thing good, and he is thinking about his future. In fact, his character is much like what the later anti hero of the seventies strived to be. That said, this is a very action packed interesting movie, with bad guys, wise guys, and good direction.

Audie's lines are tough and fearless. But I look into his eyes, and wonder where he left his teddy bear, just as I suppose we all do.

I have never seen an Audie movie with such a huge disconnect between how tough his lines are, and how sweet his face is. If everyone weren't so deadly serious, it would be satirical.

I sit there, and I just can't believe it. That's no way to watch a movie.

It's interesting to imagine the lines being delivered by a real tough, like Morgan Woodward or Clint Eastwood. Then the movie would start to make sense.

I understand Audie is a courageous war hero, and that Americans owe him as much as any veteran. Based on his baby-face, I have always found that paradoxical. My conclusion has always been that such a decent kid shouldn't have had to go into battle. Yes, it's a lesson.

Instead, my problem is with the casting director. Although Audie never lets any doubt leak through to his delivery, there is just no hiding how decent he is. It was a mistake to give him a role that's so darned tough. It just doesn't work.

While certainly in the mold of a "B" western, Gunsmoke manages to raise itself above its peer group. Good production values, an above average supporting cast that appeared to enjoy themselves, an OK plot bolstered by some spirited dialog, and a young Murphy showing he was incorrect in his self-assessment of "no talent."

The plot is pretty much by the numbers: Gambler Telford (Donald Randolph) wants Dan Saxon's (Paul Kelly) ranch and sends for gunslinger Reb Kittridge (Murphy) to arrange an early departure for Saxon from this earth. Due to the luck of the draw, or more probably Saxon's card skills, Kittridge ends up owning said ranch but has to get the cattle to market to maintain possession. Taking to the trail with Saxon, now a cowhand, Saxon's daughter Rita (Susan Cabot), her possessive boyfriend / ranch foreman Curly (Jack Kelly), and the rest of Saxon's old crew, Kittridge must beat both the elements and Telford who doesn't give up just because he's had a setback.

This could have been a B caliber movie but it's better than that. The plot is predictable but pretty much everything else is a step up. Veteran screenwriter D.D. Beauchamp's script has more life than usually found in this type of movie. Saxon – "He ain't no killer, Doc." Doc –"Well, if he isn't , he's been taking money under false pretenses all the way from Texas to the Canadian line." Later, when Saxon says he's willing to work for Kittridge in the cattle drive, his daughter pounces on him in an epic fail. Rita – "You mean you're going to work for him?" Saxon – "Well, we gotta eat don't we?" Rita – "I'd rather go hungry." Saxon – "I've tried that too. I wouldn't recommend it."

Paul Kelly adds immeasurably in his role as a rancher who sees parallels in Kittridge with his own early life and wants to provide a bit of course correction into the gunfighter's life. His timing is great and his easy going drawl a great counterpoint for Murphy. His scenes with Chubby Johnson are also great fun. While certainly a lot is filmed on sets, there are some good outdoor scenes and some nifty wagon riding down a hillside. The only quibble I have is with Susan Cabot. Somehow she doesn't have quite the presence of some other not-quite-A- list actresses of that era such as, say, a young Piper Laurie, but I guess that's a personal taste.

All in all, this is a better oater than most B pictures and shows an inexperienced Murphy could perform quite well when given good direction and surrounded with a good cast to play off of. Give it a try, you won't regret it.

Audie Murphy plays Reb Kittredge in this 1953 classic western of good versus bad. When land-grabber Matt Telford wants to buy the entire valley there is one land owner that will not sell. So Telford sends for hired gunman, Reb Kittredge, to make sure that the hold-out, Dan Saxon, will not get his cattle to market to pay the mortgage on his farm- the farm that Telford wants to buy.

But when Reb does not get the payment he was seeking, he then teams up with the Saxon and his beautiful daughter Rita (Susan Cabot) to make sure the cattle makes it to market. Reb and his team are going to meet obstacles along the way as Telford hires his own men to stop the cattle-drive.

Even though Audie Murphy was not the most talented actor on the lot, the story plays out well. At the beginning of the movie it was difficult to see Murphy as the outlaw. But as usual the world returns to harmony as Murphy turns from the outlaw ways and embraces a family in need of his help.

Not the most memorable western but one with many good lines and lots of action. A movie that a western lover will not quickly forget.

This exciting Western packs thrills , noisy action , breathtaking struggles and lots of gutsy adventure . Brawling , sprawling , almost primitive action in which our protagonist is forced to guide cattle across dangerous landscapes , teeming across the screen by means of cattle driving , attacks , gun-fire and ambushes . The picture contains whirlwinds of manic action , fights , sustained energy and often commendable results . It deals with a gunslinger , Reb Kittridge (Audie Murphy) , who rides into town expecting to take a job , he gets it by supporting malicious land baron Matt Telford (Donald Randolph) as hired gun to get rid of upright owner Dan Saxon . At the beginning he is hired by the villains ; after a while , Reb wins Saxon's ranch with a cut of the cards . Later on , Kittridge turns to defend the rancher Saxon after learning the true situation . Then , Reb helps his buyer Saxon and while he fights off badman Telford and his hoodlums . He also has to find time in falling love with Saxon's gorgeous but independent daughter (Susan Cabot) . After that , Reb's best friend Johnny Lake (Charles Drake) arrives in town and he is contracted by malignant Telford to kill Kittridge . Finally , Telford and Johnny Lake attempt everything from wildfire , bushwhacking to setting up a stampede to stop Reb Kittridge . This gun was for hire and a woman was ready to pay his price '¡ . Hired Gunslinger In A Lawless Land!

Nice-looking but run-of-the-mill International Universal Picture Western , including some novelties , but also with usual elements , such as franctic action, thrills , stampedes , crossfire , drama , romance and some spectacular action scenes . Along with a love triangle in which implicates Audie Murphy/Reb Kittredge who falls with Susan Cabot/Rita Saxon who is also in love for Jack Kelly/Curly Mather . The plot is plain and simple, an evil, wealthy land owner wants to avoid the cattle arrives in Yellowstone , as Murphy tries to help a rancher and his daughter save their land and cattle but they result to be chased and ambushed by the nasty band . A blending of functional main actors with great character players of whom Audie Murphy holds the best role as a brave gunslinger . A warm and thrilling storyline and thanks to a personable and overwhelming action scenes makes an enjoyable movie , a real pleasure to listen to as well as watch . The hothouse plot drives mercilessly forward with frenetic action , breathtaking shooting , thrills , impressive attacks , treason , rivalry , twists and turns . The tale is strong one and the yarn is wonderfully located against a colorful background from Big Bear San Bernardino National Park , California . Well directed by Nathan Juran who made a lot of low-budget movies , though he followed to work for a big-budget cinema and was capable of making large-scale movies as ¨Tumbleweed¨ and this one ¨Gunsmoke¨in medium-budget and revolving around the first great drive to Yellowstone . Finely performed by Audie Murphy as a gunfighter who gets redemption guiding cattle to their destination and here director takes a fine penned script by D.D. Beauchamp based on the novel "Roughshod" by Norman A. Fox , creating an attractive tale that is far from ordinary , exploring the anguish and desperation of the valiant participants in a cattle drive and of the pursuers . Audie Murphy delivers a fine acting as a gunfighter who lands up with the job of getting a cattle herd . Murphy won more than 20 medals , being the most decorated American soldier , including the Congressional Medal of Honor and he was also awarded with five decorations conceded by France and Belgium country . He starred a rendition based on his own self-biography titled ¨To Hell and back¨ that was an acceptable picture based on actual events about Audie Murphy who played himself following his Army career in WWII , being professionally directed by Jesse Hibbs and it was a box-office hit for Universal Pictures and its record was apparently not broken until Jaws (1975 ). Murphy starred a great number of Westerns , such as : ¨The kid from Texas¨, ¨Cimarron Kid¨, ¨Gunpoint¨, ¨Night Passage¨, ¨The Gunrunners¨, ¨Posse from Hell¨, ¨Gunfight at Comanche¨, ¨Rifles Apaches¨, ¨The Unforgiven¨, ¨Red badge of courage¨, ¨Legend of Sam Ward¨, ¨Whispering Smith¨, ¨40 Guns at Apache pass¨ , ¨Texas kid¨ , among others . Being usually directed by Jesse Hibbs who made various Audie Murphy vehicles , such as : ¨To hell and Back¨ (1955) , ¨World in My Corner¨ (1956) , ¨Ride a Crooked Trail¨ (1958) , ¨Medal of Honor¨ and ¨To Hell and Back¨. Support cast is frankly nice , providing splendid interpretations , such as : Paul Kelly who manages that Murphy become owner of his ranch , but the has other reasons for deliberately losing the gamble , Charles Drake as his best friend and subsequent enemy , Jack Kelly , the beatiful Mary Castle , Donald Randolph , Jesse White , Chubby Johnson , William Fawcett and brief acting by Denver Pyle.

It contains shining and glittering cinematography in gleaming Technicolor by director of photography by Charles F. Boyle . And thrilling and atmospheric musical score by Universal regular : Herman Stein . Marvellously filmed on location in Big Bear Valley, San Bernardino National Forest, California , and Universal Studios , Universal City Plaza, Universal City, California . This classic as well as traditional movie was produced by Aaron Rosenberg from Universal Pictures and compellingly directed by Nathan Juran , containing some vigorous scenes . Juran was a good craftsman who made a lot of movies of all kinds of genres . Nathan Juran, who sometimes used pseudonym "Nathan Hertz" collaborated with Charles H. Schener in several films . Here Nathan directed it all in stylish Technicolor . Before entering the film industry as an art director in 1937 Nathan ¨Jerry¨Juran won an Academy Award for art direction on How Green Was My Valley (1941). World War II interrupted his film career, and he spent his war years with the OSS . Returning to Hollywood, he turned to directing films in the 1950s. He handled mostly low-budget westerns and sci-fi opuses, as ¨First man in the moon¨, ¨The brain from planet Arous¨, ¨The deadly Mantis¨ , ¨20 million miles to Earth¨ , ¨Jack the Giant Killer¨ , his most famous being ¨The attack of the 50 foot woman¨(1958) . He was also responsible for the superb fantasy adventure ¨The 7th voyage of Sinbad¨ (1958). Juran directed some Westerns starred by Audie Murphy such as ¨Drums Across the River¨, ¨Tumbleweed¨ , ¨Gunsmoke¨ and ¨Law and Order¨ with Ronald Reagan . In the early 1960s, he journeyed to Europe, where he spent several years piloting adventure epics and spaghetti westerns such as ¨Land raiders¨. Juran made sensational Sci-fi and fantastic movies , his main legacy , such us : ¨First men oh the moon¨, ¨The 7th voyage of Simbad¨ , ¨20 million miles to earth¨, ¨Jack the Giant Killer¨ and several others . Rating : 6.5/10, decent Western that will appeal to Audie Murphy fans .

This film essentially begins with two gunmen by the names of "Reb Kittredge" (Audie Murphy) and "Johnny Lake" (Charles Drake) parting ways in Montana with Johnny going north to an area near the Big Sandy Creek while Reb heads in a more westerly direction to the town of Billings. On his way to Billings, however, he is bushwhacked by a lone gunman who kills his horse before riding off once Reb returns fire. Not long afterward, Reb manages to hitch a ride on a passing stagecoach and it's then that he meets an attractive woman named "Rita Saxon" (Susan Cabot) who is on her way to Billings to meet her father. As it so happens, once the stagecoach arrives in Billings, Reb is offered money by a wealthy landowner named "Matt Telford" (Donald Randolph) to kill a man named "Dan Saxon" (Paul Kelly)--who is Rita's father. At that point, Reb heads into the saloon to consider the offer. It's then that he meets Dan who proposes a high-stakes bet in which he offers the deed to his ranch if Reb can select a higher card than him from a nearby deck. The alternative being that, if Dan wins, then Reb has to turn down Telford's offer and leave town. Reb accepts the bet and, surprisingly, wins. However, he soon discovers that owning a ranch is much more difficult than he initially realized. Not only that, but he also learns that Telford is prepared to do whatever is necessary to take his ranch from him--and he hires Johnny Lake to help him out in that regard. Now, rather than reveal any more I will just say that, although Audie Murphy certainly starred in a number of Western films, he was never quite able to display the charisma or acting ability of more successful stars like John Wayne, Gary Cooper or Randolph Scott. For that reason, most of his films never quite resonated with audiences to the same extent. Even so, this particular film was still enjoyable enough in its own right and I have rated it accordingly. Slightly above average.

One my favorite actor Audie Murphy plays a hired gun Reb Kittredge, he headed to Montana to discuss a job with a rich and powerful Cattleman Matt Telford (Donald Randolph) who want get the last ranch nearby from the clever Dan Saxon (Paul Kelly) he was in financial troubles, however he refuses sell his ranch to Telford, Reb and Telford didn't reach a fair agreement, but the smart Dan Saxon makes a best offers to him on a car game, which Saxon never lost, if Reb got the highest card he gets the ranch, if not he has to work to Saxon, Reb accepts and win the ranch on cards, Saxon has a beauty daughter Rita Saxon (Susan Cabot) Reb and Rita often are in clash, but under this hate has a mutual hidden love interest, Reb knows that to keep the ranch he has to driven the cattle sold to an railroad at Yellowstone in fifteen days in time to pay the Saxon's debit with Telfold, meantime he already contract another Gunman Johnny (Charles Drake) a friend of Reb, Murphy made something alike in "Cast a Long Shadow" where he used be rough with the cattlemen, fine B-Western from Murphy!!

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First watch: 2020 / How many: 1 / Source: DVD / Rating: 7.25

I first saw this Audie Murphy western back in 1985 on ITV ( London channel) and I loved it then and love it now. Well-paced western with plenty of suspense, action and camerawork. Love Audie's one liners, he executes them with style and flair. Susan Cabot gets the temperature running high, and the rest of the cast give great support.

This is however a good western, typical from Universal studios. It is not boring, it is colourful, full of charm but unfortunately so predictable, bringing no surprise at all. Nothing to do with NO NAME ON THE BULLET, with this so exciting, ambivalent lead character played by Murphy. Here, the most decorated soldier in WW2 has a classic role, the good hero, nothing new. I even preferr KID FROM KANSAS, where he was Billy The Kid, which was helped by his baby face. It is a standard Universal western, an Audie Murphy vehicle, nothing more. This studio hired directors able to make any kind of films, such as Nathan Juran, Jack Arnold, George Sherman, Jesse Hibbs - though he made mostly westerns, wrong example...Not the best Nathan Juran's film either.

No, not the long running TV show but an Audie Murphy Western from 1953. A land baron wants to take over the homestead of a man, along w/his dutiful daughter, so he hires Murphy to come in & do his thing to rid the baron of his problem but when he doesn't meet Murphy's money requirement, Murphy decides to work the cattle himself (he has won the property from the owner in a gentleman's cut of a card deck) & bring them in for sale. The baron decides to bring in another hired hand to deal w/Murphy (who turns out to be an old friend of his) & the race to bring the steers in begins. W/crackling dialogue & a short, terse running time, this oater only falters in its presentation (a blu-ray or remastered print would be a key asset to this classic) which in the version I saw had its colors look a bit washed out & faded but being a superior Murphy outing makes up for the faulty showing.

And does very little work save to buy land by devious means. Thus he has ONE piece of land that isnt available so he tries to hire a gunman who ends up working for the 1 person who has his own piece of land. Pretty fast paced western about good white v bad white. Very watchable from the point of view of entertaining to pass a little time, around 80 minutes. Murphy did some that are quite bland, this one does at least tell a story although the ending is somewhat less than satisfactory!

Audie Murphy plays a hired gun with principles in the kind of routine western he was churning out on a regular basis in the 1950s. He's hired to run rancher Paul Kelly and his comely daughter Susan Cabot off their land by the decidedly camp Donald Randolph, but changes sides when he sees how nasty Randolph is (and curvy Cabot is, even though she's already spoken for). So we're rooting for a guy who is a paid killer and stealer of women. One of those to watch then forget.

Murph Begins as a Gunslinger Anti-Hero but is Destined to Flip as Numerous Twists and Turns Occur and Characters are Introduced in the Deep Plot.

Not the Least is Susan Cabot an Audie Attraction in a Number of Movies. Paul Kelly Charles Drake and Jack Kelly Bounce Around the Plot and the Film Pin-Balls with Fast Action on Rugged Terrain and Dialog the Snaps.

With this Western the Murphy Style was given a Cutting-Edge and with His Character Arc more Profound and the Budding Star was Beginning to Solidify a Decade or more to come with a Brand He would Ride into the Sunset.

Some Say Audie Murphy was Never Allowed to Fully Come Out as an Actor or A-Lister and His Career was Mishandled by Many. Maybe Even by the Hero Himself.

Superlative cast given great dialogue in good story and well directed and photographed in turn give us a thoroughly admirable and enjoyable movie.

Despite my interest, I had never even heard of this excellent Audie Murphy movie until accidentally seeing the listing at YouTube.

Murphy is backed by another Irishman, the veteran and extremely talented Paul Kelly. The leading lady, Susan Cabot, is someone of whom I knew nothing until reading the IMDb bio. Now I see that she had a very unhappy life, which ended young and tragically.

The only complaint I have about "Gunsmoke" is that Susan Cabot, despite being beautiful and talented, was outrageously padded, apparently a frequent flaw in Hollywood pictures of this era. (Even pre Weinstein.)

Other players, including veteran Western performer Hank Mann who figured merely in the background, and the great Edmund Cobb, with a memorable windy stagecoach driver part, merely made this "Gunsmoke" even better.

Not knowing whom to credit for the excellent writing, that is, whether the dialogue is from the novel by Norman A. Fox or by the screenplay writer D.D. Beauchamp, I will merely again express my admiration.

Director Nathan Juran helmed beautifully, with no obtrusive gimmickry and a seamless progression of the action.

I highly recommend this "Gunsmoke," but if you look for it on YouTube, some knucklehead has it dated 1958 so hunt carefully. You'll be glad.