Copyright 1956 by Sigmund Neufeld Productions. No New York opening. U.S. release through American Releasing: 28 February 1956. U.K. release through Exclusive: floating from October 1958 (sic). No Australian theatrical release. 73 minutes. Censored to just under 71 minutes in the U.K. in order to gain a "Universal Exhibition" certificate.
SYNOPSIS: A frontiersman tries to prevent the outbreak of an Indian war. (How many times have we run across that particular plot? Seven times? Or more likely, seventy times seven?)
COMMENT: Thanks to the liberal use of a parcel of rousing stock footage (some of it obviously ex-color) and careful matching of library long shots with close-ups of Indian encampments and the like, this humble black-and-white western provides more zing than most.
Jim Davis gives his usual full-blooded performance as the villain. The rest of the players are adequate enough in their customary stock roles, and somehow they all manage to survive their corny dialogue and clichéd situations.
Direction and other credits are likewise adequate, without being in any way super-exciting or distinguished. A half-hearted attempt to carry the title tune through the picture doesn't quite succeed.
Although the pace is often reasonably fast, a bit of trimming would certainly bolster the movie's entertainment qualities, especially as there's actually not all that much action and the climax itself is rather tame.
SYNOPSIS: A frontiersman tries to prevent the outbreak of an Indian war. (How many times have we run across that particular plot? Seven times? Or more likely, seventy times seven?)
COMMENT: Thanks to the liberal use of a parcel of rousing stock footage (some of it obviously ex-color) and careful matching of library long shots with close-ups of Indian encampments and the like, this humble black-and-white western provides more zing than most.
Jim Davis gives his usual full-blooded performance as the villain. The rest of the players are adequate enough in their customary stock roles, and somehow they all manage to survive their corny dialogue and clichéd situations.
Direction and other credits are likewise adequate, without being in any way super-exciting or distinguished. A half-hearted attempt to carry the title tune through the picture doesn't quite succeed.
Although the pace is often reasonably fast, a bit of trimming would certainly bolster the movie's entertainment qualities, especially as there's actually not all that much action and the climax itself is rather tame.
