San Quentin prison inmate Arnie Judlow asks his twin brother Bill and his wife Ruth to assist him in a daring escape plan.San Quentin prison inmate Arnie Judlow asks his twin brother Bill and his wife Ruth to assist him in a daring escape plan.San Quentin prison inmate Arnie Judlow asks his twin brother Bill and his wife Ruth to assist him in a daring escape plan.
Timothy Carey
- Frenchy - Arnie's Cell Mate
- (uncredited)
John Cliff
- Officer
- (uncredited)
John Close
- Guard
- (uncredited)
Joe Conley
- Convict
- (uncredited)
Richard H. Cutting
- Assistant Warden
- (uncredited)
Danny Davenport
- Inmate
- (uncredited)
Burt Douglas
- Dave
- (uncredited)
Bill Erwin
- Bank Teller
- (uncredited)
Joel Fluellen
- Ashlow - Convict
- (uncredited)
Michael Galloway
- Al Webson
- (uncredited)
Duane Grey
- Patrolman
- (uncredited)
Paul Keast
- Captain of Guards
- (uncredited)
Donna Martell
- Lois
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn one scene from inside Bill's cell, a cat passes outside. San Quentin has a long history of feral cats roaming the prison, getting in through drainage and sewer pipes. They are generally tolerated as they keep the rodent population down.
- Crazy creditsThe opening credits are stamped on the screen by a hand.
- ConnectionsFeatured in The Impossible Itself (2010)
Featured review
Palance plays double role in oddly sedate Big-House break movie
As director and screenwriter, Russell Rouse usually had something a little different up his sleeve, at least when he was toiling in film noir. His D.O.A remains one of the best-remembered films of the cycle, but he also contributed The Well, The Thief, Wicked Woman, and New York Confidential each of them at least some distance off the beaten track. His films tended to be less ostentatious than their rivals quieter even (none quieter than The Thief, that dialogue-free experiment).
House of Numbers was his last urban crime drama; he would go on to helm a few westerns and, in 1966, the dreadful The Oscar. But House of Numbers shows him in reasonably fine form. Jack Palance plays brothers: Arnie, in San Quentin for killing a man in a fight (he was a boxer so his hands are `lethal weapons') and Bill, who moves to San Francisco to spring him out. His helpmate in this Mission-Impossible-style scheme is Arnie's wife Ruth (Barbara Lang). The scheme is far from simple, involving Bill's smuggling himself into prison for a spell and posing as Arnie (not so far-fetched, since the same actor plays both roles). But things go wrong, such as Bill and Ruth happening to rent a house next to that of a prison guard who knows Arnie, and then falling in love with one another....
Though House of Numbers may be the least violent Big-House story ever filmed, Rouse doesn't let the reins go slack. He twists the plot along to its surprisingly sedate conclusion, and brings it off. Maybe the most memorable aspect of the film is Barbara Lang's subdued and touching performance. This blonde stunner's film credits could be counted on the fingers of a maimed hand, and that's both a puzzle and a shame.
The score, too is memorable, thanks to André Previn. His galley years in Hollywood, before he left to become a `serious' conductor and composer, were spent on a startling number of low-budget productions, including many noirs. He did them proud. Had he teamed up with a director of auteurist aspirations, like Hitchcock, he might have become legendary for his scores, like Korngold or Herrmann or Webb. (But then, we might not have gotten his opera A Streetcar Named Desire.)
House of Numbers was his last urban crime drama; he would go on to helm a few westerns and, in 1966, the dreadful The Oscar. But House of Numbers shows him in reasonably fine form. Jack Palance plays brothers: Arnie, in San Quentin for killing a man in a fight (he was a boxer so his hands are `lethal weapons') and Bill, who moves to San Francisco to spring him out. His helpmate in this Mission-Impossible-style scheme is Arnie's wife Ruth (Barbara Lang). The scheme is far from simple, involving Bill's smuggling himself into prison for a spell and posing as Arnie (not so far-fetched, since the same actor plays both roles). But things go wrong, such as Bill and Ruth happening to rent a house next to that of a prison guard who knows Arnie, and then falling in love with one another....
Though House of Numbers may be the least violent Big-House story ever filmed, Rouse doesn't let the reins go slack. He twists the plot along to its surprisingly sedate conclusion, and brings it off. Maybe the most memorable aspect of the film is Barbara Lang's subdued and touching performance. This blonde stunner's film credits could be counted on the fingers of a maimed hand, and that's both a puzzle and a shame.
The score, too is memorable, thanks to André Previn. His galley years in Hollywood, before he left to become a `serious' conductor and composer, were spent on a startling number of low-budget productions, including many noirs. He did them proud. Had he teamed up with a director of auteurist aspirations, like Hitchcock, he might have become legendary for his scores, like Korngold or Herrmann or Webb. (But then, we might not have gotten his opera A Streetcar Named Desire.)
helpful•192
- bmacv
- Aug 16, 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- The House of Numbers
- Filming locations
- San Quentin, California, USA(house overlooking prison)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,008,000 (estimated)
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 2.35 : 1
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