Directed by
| Josef von Sternberg | ||
Writing Credits
| Jules Furthman | ... | (written by) |
Cast (in credits order) verified as complete
Produced by
| Jules Furthman | ... | producer |
| Howard Hughes | ... | producer (uncredited) |
Music by
| Bronislau Kaper | ||
Cinematography by
| Winton C. Hoch | ... | director of photography |
Editing by
| Harry Marker | ||
| Michael R. McAdam | ||
| William M. Moore | ||
| Frederic Knudtson | ... | (uncredited) |
Casting By
| Dick Stockton | ... | (uncredited) |
Art Direction by
| Albert S. D'Agostino | ||
| Feild M. Gray | ... | (as Feild Gray) |
Set Decoration by
| Harley Miller | ||
| Darrell Silvera | ||
Costume Design by
| Michael Woulfe | ... | (gowns) |
Makeup Department
| Mel Berns | ... | makeup supervisor |
| Larry Germain | ... | hair stylist |
| Esther Berman | ... | body makeup (uncredited) |
| Layne Britton | ... | makeup artist (uncredited) |
| James House | ... | makeup artist (uncredited) |
| Annabell Levy | ... | hair stylist (uncredited) |
| Web Overlander | ... | makeup artist (uncredited) |
Production Management
| Philip G. Cochran | ... | supervisor of aerial sequences |
| Edward Killy | ... | unit production manager |
| John Burch | ... | assistant production manager (uncredited) |
| Walter Daniels | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
| Fred Fleck | ... | assistant director (as Fred A. Fleck) |
| Harry D'Arcy | ... | assistant director (uncredited) |
| Jules Furthman | ... | second unit director (uncredited) |
| James Lane | ... | second unit director (uncredited) |
| Harold Lewis | ... | assistant director (uncredited) |
Art Department
| Anthony Lombardo | ... | props (uncredited) |
Sound Department
| Terry Kellum | ... | sound |
| Earl A. Wolcott | ... | sound (as Earl Wolcott) |
| Charlie Cohn | ... | sound recordist (uncredited) |
| Danny Kelleher | ... | boom operator (uncredited) |
Special Effects by
| Daniel Hays | ... | special effects (uncredited) |
| Jack Lannan | ... | special effects (uncredited) |
Visual Effects by
| Harold E. Wellman | ... | process (uncredited) |
Stunts
| Chuck Yeager | ... | aerial stunts (uncredited) |
Camera and Electrical Department
| Robert Campbell | ... | gaffer (uncredited) |
| William H. Clothier | ... | aerial photographer (uncredited) |
| George Gall | ... | assistant camera: Technicolor (uncredited) |
| Robert B. Hauser | ... | assistant camera (uncredited) |
| Hans F. Koenekamp | ... | camera operator (uncredited) |
| Paul Mantz | ... | aerial director of photography (uncredited) |
| Henry Ogilvie | ... | best boy (uncredited) |
| Eddie Pyle | ... | camera operator (uncredited) |
| Cliff Shirpser | ... | aerial camera operator: Technicolor (uncredited) |
| Rod Tolmie | ... | still photographer (uncredited) |
| Ralph Wildman | ... | grip (uncredited) |
Costume and Wardrobe Department
| Mary Tate | ... | wardrobe (uncredited) |
| Henry West | ... | wardrobe (uncredited) |
Editorial Department
| Francis Cugat | ... | color consultant: Technicolor |
| Jim Wilkinson | ... | editorial supervisor |
| Chandler House | ... | assistant editor (uncredited) |
Location Management
| Louis Shapiro | ... | location manager (uncredited) |
Music Department
| C. Bakaleinikoff | ... | conductor |
Script and Continuity Department
| Evelyn Earle | ... | script supervisor (uncredited) |
Additional Crew
| Howard Hughes | ... | presenter |
| J.S. Nash | ... | project pilot (as Captain J.S. Nash) |
| Clarence A. Shoop | ... | assistant to producer (as Brig. Gen. Clarence A. Shoop) |
| Philip G. Cochran | ... | technical advisor (uncredited) |
| Paul Mantz | ... | pilot (uncredited) |
| Stan Margulies | ... | publicist (uncredited) |
| Dixie McCoy | ... | dialogue director (uncredited) |
| Sidney Zipser | ... | Technicolor technician (uncredited) |
