Explore where to stream the best films of 2023.
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Drylongso (Cauleen Smith)
Writer-director Cauleen Smith made Drylongso when she was in college, 25 years ago, premiering at Sundance in 1998. She has gone on to create dozens of short films, art installations, and more experimental work, focused on similar themes of feminism, racial violence, and Black communities. The low-key hangout movie should have been a stepping stone for Smith, but, as with many other works by Black female filmmaking of the last half-century, it fell out of circulation. – Michael F. (full interview)
Where to Stream: The Criterion Channel
Fingernails (Christos Nikou)
Is love quantifiable? No, but that doesn’t stop Greek filmmaker Christos Nikou from exploring that question over two dull, excruciating hours in Fingernails,...
- 11/3/2023
- by Jordan Raup
- The Film Stage
Among the myriad reasons we could call the Criterion Channel the single greatest streaming service is its leveling of cinematic snobbery. Where a new World Cinema Project restoration plays, so too does Tales from the Crypt: Demon Knight. I think about this looking at November’s lineup and being happiest about two new additions: a nine-film Robert Bresson retro including L’argent and The Devil, Probably; and a one-film Hype Williams retro including Belly and only Belly, but bringing as a bonus the direct-to-video Belly 2: Millionaire Boyz Club. Until recently such curation seemed impossible.
November will also feature a 20-film noir series boasting the obvious and the not. Maybe the single tightest collection is “Women of the West,” with Johnny Guitar and The Beguiled and Rancho Notorious and The Furies only half of it. Lynch/Oz, Irradiated, and My Two Voices make streaming premieres; Drylongso gets a Criterion Edition; and joining...
November will also feature a 20-film noir series boasting the obvious and the not. Maybe the single tightest collection is “Women of the West,” with Johnny Guitar and The Beguiled and Rancho Notorious and The Furies only half of it. Lynch/Oz, Irradiated, and My Two Voices make streaming premieres; Drylongso gets a Criterion Edition; and joining...
- 10/24/2023
- by Nick Newman
- The Film Stage
Few American filmmakers of the last 40 years await a major rediscovery like Hal Hartley, whose traces in modern movies are either too-minor or entirely unknown. Thus it’s cause for celebration that the Criterion Channel are soon launching a major retrospective: 13 features (which constitutes all but My America) and 17 shorts, a sui generis style and persistent vision running across 30 years. Expect your Halloween party to be aswim in Henry Fool costumes.
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
Speaking of: there’s a one-month headstart on seasonal programming with the 13-film “High School Horror”––most notable perhaps being a streaming premiere for the uncut version of Suspiria, plus the rare opportunity to see a Robert Rodriguez movie on the Criterion Channel––and a retrospective of Hong Kong vampire movies. A retrospective of ’70s car movies offer chills and thrills of a different sort
Six films by Allan Dwan and 12 “gaslight noirs” round out the main September series; The Eight Mountains,...
- 8/21/2023
- by Leonard Pearce
- The Film Stage
In 2001, Will Smith headlined “Ali,” which brought him his first Oscar nomination. He lost the Best Actor prize to Denzel Washington for “Training Day,” but now, 20 years later, Smith can avenge that loss with “King Richard” against Washington’s turn in “The Tragedy of Macbeth.” And if he doesn’t, he would be the latest performer who has lost to the same person twice.
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
There have been four people with an 0-2 record agains the same actor. They are:
1. Irene Dunne lost Best Actress for “Theodora Goes Wild” (1936) and “The Awful Truth” (1937) to Luise Rainer for “The Great Ziegfeld” (1936) and “The Good Earth” (1937)
2. Charles Boyer lost Best Actor for “Conquest” (1937) and “Algiers” (1938) to Spencer Tracy for “Captains Courageous” (1937) and “Boys Town” (1938) over
3. Basil Rathbone lost Best Supporting Actor for “Romeo and Juliet” (1936) and “If I Were King” (1938) to Walter Brennan for “Come and Get It” (1936) and “Kentucky” (1938)
4. Annette Bening lost...
- 10/29/2021
- by Joyce Eng
- Gold Derby
As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***I believe David Thomson once said something about Fox's fifties output being "the antithesis of cinema," which is very slightly nuts if you consider the films of Samuel Fuller (Pick-Up on South Street among others), Nicholas Ray (Bigger Than Life), Frank Tashlin (The Girl Can't Help It), and more.But we sort of know what he means: the advent of CinemaScope caused aesthetic confusion, as technical advances often do, and we can all picture laundry lines of less-than-fresh 1940s actors eking out their remaining B.
- 9/1/2020
- MUBI
What do you get when you mix Twin Peaks with Archie Comics?
You get Riverdale. A dark and picturesque mystery that pulls you in with dreams of white picket fences and hidden secrets. It may sound strange at first, but it works.
Riverdale Season 1 Episode 1 introduced us to the small town of Riverdale, and the familiar faces/places we grew up reading in the Archie Comics. But it's nothing like the comics. This is Archie with an edge.
The tone is slower, the colors are darker, and the characters have their own wants and desires. This is a juicy mystery served like a soda pop at Pop Tate's Chock'lit Shoppe. (Speaking of, I love the neon coloring in the Shoppe.)
The introduction to the mystery pulled me in from the start. The sound and editing teams did a great job with creating the perfect creepy feeling. Everything from the slow...
You get Riverdale. A dark and picturesque mystery that pulls you in with dreams of white picket fences and hidden secrets. It may sound strange at first, but it works.
Riverdale Season 1 Episode 1 introduced us to the small town of Riverdale, and the familiar faces/places we grew up reading in the Archie Comics. But it's nothing like the comics. This is Archie with an edge.
The tone is slower, the colors are darker, and the characters have their own wants and desires. This is a juicy mystery served like a soda pop at Pop Tate's Chock'lit Shoppe. (Speaking of, I love the neon coloring in the Shoppe.)
The introduction to the mystery pulled me in from the start. The sound and editing teams did a great job with creating the perfect creepy feeling. Everything from the slow...
- 1/27/2017
- by Justin Carreiro
- TVfanatic
Congratulations to all of the SXSW award winners last night! Really though, a large chunk of those congratulations belong to the indie narrative Natural Selection, which swept the awards with a total of seven wins. Robbie Pickering's film took home the top prize from not only the jury comprised of Roger Ebert, Logan Hill, Michelle Satter, but also from the audience. Tristan Patterson's Dragonslayer, which looks like a real-life version of teen angst movies like Suburbia and The River's Edge, took home the top documentary award. Check out the full list of winners in every category, from Narrative Feature to Poster Design, after the jump.
- 3/16/2011
- Movieline
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