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By Hank Reineke
It reaches from the grave to re-live the horror, the terror! More destructive! More terrifying!” (1958 ad campaign for Frankenstein’s Daughter.)-
Promises, promises. Even the most forgiving fans of low-budget 1950s horror concede Richard E. Cunha’s Frankenstein’s Daughter is a mess. It’s the sort of film where everything seems off-kilter: the script, the acting, the monster, the directing and flat lighting… well, everything, really. Ironically, this reality is also, perversely, the film’s single saving grace. If you go into Frankenstein’s Daughter with such knowledge aforethought and low-expectations, the resulting film – brought in on a budget of 60,000 - is actually pretty entertaining, if only in a manner of speaking.
In 1958 one New York tabloid chastised Manhattan’s Mayfair Theater for plummeting “to an all-time low in booking not one, but two, of the year’s worst films.
“
By Hank Reineke
It reaches from the grave to re-live the horror, the terror! More destructive! More terrifying!” (1958 ad campaign for Frankenstein’s Daughter.)-
Promises, promises. Even the most forgiving fans of low-budget 1950s horror concede Richard E. Cunha’s Frankenstein’s Daughter is a mess. It’s the sort of film where everything seems off-kilter: the script, the acting, the monster, the directing and flat lighting… well, everything, really. Ironically, this reality is also, perversely, the film’s single saving grace. If you go into Frankenstein’s Daughter with such knowledge aforethought and low-expectations, the resulting film – brought in on a budget of 60,000 - is actually pretty entertaining, if only in a manner of speaking.
In 1958 one New York tabloid chastised Manhattan’s Mayfair Theater for plummeting “to an all-time low in booking not one, but two, of the year’s worst films.
- 4/3/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
“You’ve always treated me as a monster, Trudy. Now you’re going to be one.”
Cinedigm, the leading independent streaming company super-serving enthusiast fan bases, announced today that The Film Detective (Tfd), the classic media streaming network and film archive that restores and distributes classic films, is releasing a special-edition version of the 1950s cult classic, Frankenstein’s Daughter (1958), starring John Ashley and Sandra Knight, on Blu-ray and DVD Oct. 19.
Fans of low-budget horror will recognize many familiar faces,including John Ashley, Harold Lloyd, Jr., and former Playboy Playmate of the Month, Sally Todd. For director Richard E. Cunha, Frankenstein’s Daughter was released in the heat of a historic year for low-budget favorites, also having directed such cult classics as She Demons (1958), Giant from the Unknown (1958) and Missile to the Moon (1958).
Frankenstein’s Daughter finds Dr. Oliver Frank (Donald Murphy) carrying on the legacy of his late grandfather, the notorious Dr.
Cinedigm, the leading independent streaming company super-serving enthusiast fan bases, announced today that The Film Detective (Tfd), the classic media streaming network and film archive that restores and distributes classic films, is releasing a special-edition version of the 1950s cult classic, Frankenstein’s Daughter (1958), starring John Ashley and Sandra Knight, on Blu-ray and DVD Oct. 19.
Fans of low-budget horror will recognize many familiar faces,including John Ashley, Harold Lloyd, Jr., and former Playboy Playmate of the Month, Sally Todd. For director Richard E. Cunha, Frankenstein’s Daughter was released in the heat of a historic year for low-budget favorites, also having directed such cult classics as She Demons (1958), Giant from the Unknown (1958) and Missile to the Moon (1958).
Frankenstein’s Daughter finds Dr. Oliver Frank (Donald Murphy) carrying on the legacy of his late grandfather, the notorious Dr.
- 9/20/2021
- by Tom Stockman
- WeAreMovieGeeks.com
“I hate her! I hate dat qveen!” Despite being one of the most maladroit sci-fiers of the ’50s, color and ‘scope and Zsa Za Gabor’s hilarious accent make this Allied Artists offering a must-see head scratcher. Bad taste! Tacky art direction! Infantile sexist humor! The word on the street is that the Me Too movement has this embarrassing howler on their kill list.
Queen of Outer Space
Blu-ray
Warner Archive Collection
1958 / Color / 2:35 widescreen / 80 min. / Street Date September 25, 2018 / available through the WBshop / 21.99
Starring: Zsa Zsa Gabor, Eric Fleming, Laurie Mitchell, Dave Willock, Paul Birch, Lisa Davis, Patrick Waltz, Barbara Darrow, Joi Lansing, Marilyn Buferd, Mary Ford, Marya Stevens, Laura Mason, Lynn Cartwright, Kathy Marlowe, Coleen Drake, Tania Velia, Norma Young, Marjorie Durant, Gerry Gaylor, Brandy Bryan, Ruth Lewis, June McCall.
Cinematography: William P. Whitley
Film Editor: William Austin
Sam Gordon and Ted Mossman: Props
Visual Effects: Jack Cosgrove...
Queen of Outer Space
Blu-ray
Warner Archive Collection
1958 / Color / 2:35 widescreen / 80 min. / Street Date September 25, 2018 / available through the WBshop / 21.99
Starring: Zsa Zsa Gabor, Eric Fleming, Laurie Mitchell, Dave Willock, Paul Birch, Lisa Davis, Patrick Waltz, Barbara Darrow, Joi Lansing, Marilyn Buferd, Mary Ford, Marya Stevens, Laura Mason, Lynn Cartwright, Kathy Marlowe, Coleen Drake, Tania Velia, Norma Young, Marjorie Durant, Gerry Gaylor, Brandy Bryan, Ruth Lewis, June McCall.
Cinematography: William P. Whitley
Film Editor: William Austin
Sam Gordon and Ted Mossman: Props
Visual Effects: Jack Cosgrove...
- 9/11/2018
- by Glenn Erickson
- Trailers from Hell
Hey, Ib Melchoir’s Opus Mars-us is back, in a not-bad new scan and color-grading job. If the nostalgia bug has bitten you deep enough to appreciate a fairly maladroit but frequently arresting space exploration melodrama, this may be the disc for you. Let’s be honest: Nobody can resist the allure of the fabulous Bat-Rat-Spider-Crab, and in glorious Cinemagic, no less.
The Angry Red Planet
Blu-ray
Scream Factory
1960 / Color / 1:85 widescreen / 83 min. / Street Date June 27, 2017 / 17.28
Starring: Gerald Mohr, Nora Hayden, Les Tremayne, Jack Kruschen.
Cinematography: Stanley Cortez
Film Editor: Ivan J. Hoffman
Original Music: Paul Dunlap
Written by Ib Melchior from a story by Sid Pink
Produced by Norman Maurer & Sid Pink
Directed by Ib Melchior
Unjust though it may be, not all Savant reviews make the national news feed, but my old 2001 coverage of the pretty miserable MGM DVD of The Angry Red Planet got quoted all over the place,...
The Angry Red Planet
Blu-ray
Scream Factory
1960 / Color / 1:85 widescreen / 83 min. / Street Date June 27, 2017 / 17.28
Starring: Gerald Mohr, Nora Hayden, Les Tremayne, Jack Kruschen.
Cinematography: Stanley Cortez
Film Editor: Ivan J. Hoffman
Original Music: Paul Dunlap
Written by Ib Melchior from a story by Sid Pink
Produced by Norman Maurer & Sid Pink
Directed by Ib Melchior
Unjust though it may be, not all Savant reviews make the national news feed, but my old 2001 coverage of the pretty miserable MGM DVD of The Angry Red Planet got quoted all over the place,...
- 7/15/2017
- by Glenn Erickson
- Trailers from Hell
Fritz Lang applies rigorous realism and excellent science in the first half of his final silent film, a treat for fantasy fans and those impressed by a Nasa-like moon rocket forty years before the reality. The action on the moon is pure green-cheese fantasy, with breathable air, deposits of gold and evidence of a human civilization. Let's go! Woman in the Moon Blu-ray Kino Classics 1929 / B&W / 1:33 flat full frame / 169 min. / Street Date February 23, 2016 / available through Kino Lorber / 29.95 Starring Willy Frisch, Gerda Maurus, Gustav von Wangenheim, Klaus Phol, Fritz Rasp, Gustl Gstettenbaur. Cinematography: Curt Courant, Oskar Fischinger, Konstantin Irmen-Tschet, Otto Kanturek Art Direction: Joseph Danilowitz, Emil Hasler, Otto Hunte, Karl Vollbrecht, Prof. Gustav Wolff Technical Advisors Willy Ley, Hermann Oberth Special Effects Oskar Fischinger, Konstantin Irmen-Tschet Original Music Willy Schmidt-Gentner Written by Fritz Lang, Hermann Oberth, Thea von Harbou Produced and Directed by Fritz Lang
Reviewed by Glenn Erickson...
Reviewed by Glenn Erickson...
- 2/10/2016
- by Glenn Erickson
- Trailers from Hell
Marc Buxton Oct 22, 2019
Frankenstein’s monster has fought werewolves, vampires, cowboys, masked wrestlers, and rubber suited hellbeasts. Seriously.
Along with Dracula, the most enduring horror icon of horror fiction is certainly Frankenstein’s Monster. When Boris Karloff starred in Universal’s Frankenstein (1931), directed by the great James Whale, audiences were riveted (ahem) by the tale of science gone mad. Karloff’s portrayal of the monster transcended the boundaries of the genre and became one of the most enduring images in the history of film.
Universal didn't stop there, delivering sequel after sequel, such as 1935’s Bride of Frankenstein (considered by many to be the most complete horror movie ever made), Son of Frankenstein (1939), Ghost of Frankenstein (1942), where Karloff was replaced by Lon Chaney Jr., the immortal 1942 monster mash-up Frankenstein Meets the Wolf Man starring Bela Lugosi as the Monster, and finally, House of Frankenstein, a battle between all the marquee Universal monster characters.
Frankenstein’s monster has fought werewolves, vampires, cowboys, masked wrestlers, and rubber suited hellbeasts. Seriously.
Along with Dracula, the most enduring horror icon of horror fiction is certainly Frankenstein’s Monster. When Boris Karloff starred in Universal’s Frankenstein (1931), directed by the great James Whale, audiences were riveted (ahem) by the tale of science gone mad. Karloff’s portrayal of the monster transcended the boundaries of the genre and became one of the most enduring images in the history of film.
Universal didn't stop there, delivering sequel after sequel, such as 1935’s Bride of Frankenstein (considered by many to be the most complete horror movie ever made), Son of Frankenstein (1939), Ghost of Frankenstein (1942), where Karloff was replaced by Lon Chaney Jr., the immortal 1942 monster mash-up Frankenstein Meets the Wolf Man starring Bela Lugosi as the Monster, and finally, House of Frankenstein, a battle between all the marquee Universal monster characters.
- 10/27/2013
- Den of Geek
By Darren Allison, Cinema Retro Soundtrack Editor
From its heavy percussion based main title, She Demons (1958) (Mmm-1971) opens with a sense of heart pounding excitement and sets the tone for what is to follow. Nicholas Carras’s jungle-based score is threaded with dramatic cues of which the composer makes impressive use of his 22 piece orchestra. Whist She Demons (as a movie) was never going to attain the title of ‘classic’, Carras’s music, as is often the case, promotes the film to a higher level. Cues such as Escape and Nazis in Pursuit make excellent use of the orchestra’s brass and string section. Carras provides a hopeful, triumphant end title that runs concurrent with a few lonesome drum beats which provides continuity with the film’s central themes. For an isolated island movie (occupied by scantily clad girls, caged mutant women and Nazis) they probably don’t come any better than this.
From its heavy percussion based main title, She Demons (1958) (Mmm-1971) opens with a sense of heart pounding excitement and sets the tone for what is to follow. Nicholas Carras’s jungle-based score is threaded with dramatic cues of which the composer makes impressive use of his 22 piece orchestra. Whist She Demons (as a movie) was never going to attain the title of ‘classic’, Carras’s music, as is often the case, promotes the film to a higher level. Cues such as Escape and Nazis in Pursuit make excellent use of the orchestra’s brass and string section. Carras provides a hopeful, triumphant end title that runs concurrent with a few lonesome drum beats which provides continuity with the film’s central themes. For an isolated island movie (occupied by scantily clad girls, caged mutant women and Nazis) they probably don’t come any better than this.
- 5/20/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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