Gli anni ruggenti (1962) Poster

User Reviews

Review this title
5 Reviews
Sort by:
Filter by Rating:
7/10
The tragic comedy of Italian Fascism exposed
noodles-1323 November 1998
The satire of Fascism that this movie offers isn't probably the

most corrumpsive, while it shows a bunch of greedy little people. Anyway, the story chooses to look at the ridiculous side of the dictatorship. The town authorities are depicted as small, foolish corrupted dabblers. They quickly flatter the anonymous broker, then they quickly turn him out of town when they discover his identity. The idea of the plot is that Fascism and all the fascist boasts are only (tragic) rethoric: the poor people remain poor, problems are farther than ever from solution, the local influent men are the same as before Mussolini's takeover. In a word: nothing ever changes, if not to worse. The key-scene is the arrival of the real inspector. He drops his incognito down immediately, because "incognito would be an insult to the brave comrades of the province", of course he's willing to use his influence to take part in the local corruption. A special mention for Salvo Randone, one of the best Italian theatre actors, who plays the role of the anti-fascist former director of the local hospital.
9 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
"The fascist regime,They made you a moron,Potential H-bomb."
morrison-dylan-fan7 February 2015
Warning: Spoilers
With having become a fan of the ravishing Michèle Mercier since seeing her performance in the haunting Spaghetti Western Cemetery Without Crosses (1969-also reviewed),I began look round for a Mercier title that I could watch in the run up to my 700 review.

After being thrilled at finding that a DVD seller had recently tracked down a satirical Comedy that Mercier had made,I started to fear that I would not get a chance to see the full film,when my DVD player broke down,in the middle of the movie! Fearing that I had lost the movie,I ended up ripping the player apart,and thankfully getting the DVD out-scratch free,which led to me getting ready to finally witness the roaring years.

View on the film:

Opening with archive footage of Mussolini,the screenplay by co- writer/ (along (deep breath!) with Sergio Amidei/Ruggero Maccari/Ettore Scola and Vincenzo Talarico) director Luigi Zampa take a merciless approach to crushing Mussolini's façade,with the writers showing Mussolini's leadership to be one which gives ever increasing powers to those in government and the upper class of society,whilst pushing the working class & the poor further down the ladder.

The writers show that a window which the poor can look through in the hope of a brighter future,is something that they can only dream of having.

Whilst the title does have a serious message,the writers superbly makes sure that the movies tough satirical bite never dries up,as the Aquamano take hilariously absurd trouble in meeting Battifiori's approval,which goes from the screwball, (such as disguising every cow in the village as a dairy cow) to the subtle (such as all the local government leaders finding any excuse possible to not join the army.)

Filmed on location,director Luigi Zampa and cinematographer Carlo Carlini brilliantly reveal the destruction taking place under the Aquamano's/Mussolini,by making Battifiori's bare glimpses of the housing projects,ones that are crumbling with the villagers hopes turning into rubble.

Contrasting the rustic appearance of the villagers,Zampa gives the Aquamano's a glamorous appearance,with their surrounding looking as immaculate as possible,in the hope that Battifiori will give them a good word to Mussolini.

Looking absolutely gorgeous, Michèle Mercier gives an excellent performance as Elvira Acquamano,with Mercier showing Elvira to be the only Acquamano who is slightly down to earth,and also creating a great uncomfortable atmosphere,as Mercier shows Elvira's unease at Battifiori's advances.

Entering the film as a fish out of water, Nino Manfredi gives Omero Battifiori a charming sense of innocence,as he finds himself baffled by the royal treatment,as Battifiori sees the roaring years of the village.
5 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
A comedy of errors.
brogmiller19 August 2021
Nicolai Gogol satirised the corrupt officialdom of Imperial Russia in his masterful play 'The Government Inspector'. It is only fitting that the screenplay for this loose adaptation should be that of Ettore Scola for whom the inequalities and injustices of Italian society proved such a rich source of inspiration.

The setting here is 1920's Italy which is in thrall to Mussolini's Fascismo and gives director Luiga Zampa ample opportunity to have a a dig at corrupt politicians as he had done so well in his previous film 'Il Vigile'. In that film a morally vacuous mayor is played by Vittorio de Sica and here Gino Cervi adopts a similar role. His character is feathering his own nest as are all of his fellow council members and they are thrown into an understandable panic when news reaches them of an inspection of the town's affairs by a leading Fascist official from Rome. An inquisitive stranger named Omero, claiming to be an 'insurance salesman', appears on the scene. Might it be he.............?

Omero is played by Nino Manfredi who is suitably ambiguous and the film's broad humour is balanced by his love for the mayor's daughter Elvira. She is played by the luscious Michelle Mercier who would soon go on to play Angélique, a role that would prove more of a curse than a blessing!

They are some extremely funny scenes in this, notably the vaudeville routine with gorgeous girls in uniform and the occasional swastika that anticipates 'Springtime for Hitler.' The film also contains a marvellous gallery of buffoons, hypocrites and assorted hangers-on.

It would not be a Zampa film of course without its graver undertones which are here supplied by the down-trodden peasantry who are obliged to live in caves on the outskirts of town. One of them asks Omero to give Il Duce a letter. Omero forgets all about it until he reads the heart-rending contents on the train taking him back to Rome. He has lost the love of shallow Elvira but has gained an insight into the true nature of Fascism.

In the original play the leading character turns to the audience and says: "What are you laughing at? You are laughing at yourselves!"

Satire is a potent weapon and despite the efforts of humourless, self-righteous fanatics to suppress it, once we have lost the ability to laugh at ourselves and others, we are doomed.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
Comedy of errors on Italian politics
Dubh10 August 2008
In this masterpiece, freely inspired to "The Inspector General" by Gogol, Zampa gives us one of the best examples of Italian comedy in the period of "neorealismo". This comedy of errors reveals the widespread corruption behind the veneer of Patriotism and Fascism, that was largely the norm under Mussolini.

But it is not simply politics, because by looking at Fascism, Zampa makes us think about some invariables in human society: corruption, malpractice, petty men with petty interests. This general moral stance is one of the movie's strong points: as actor Manfredi says, in our society "Magna tu cche mmagno anch'io", i.e. "grab anything and I'll do the same".
6 out of 6 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The Italian Way of a not democratic government
luigigiacomello27 July 2000
Luigi Zampa gave us a critic and, at a same time, ironic description of what really was fascism in Italy. I think that this movie should be seen by the leaders of "Alleanza Nazionale" in order to discuss over their idea of the morality of politicians in the eve of fascism
5 out of 9 found this helpful. Was this review helpful? Sign in to vote.
Permalink

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed