“Naomi,” the DC drama pilot from Ava DuVernay and Jill Blankenship, has added six to its cast, including “7th Heaven” and “Hart of Dixie” alum Barry Watson. Additionally, “Queen Sugar” and “Ozark” director Amanda Marsalis will helm and co-executive produce the pilot.
Watson is set to play Greg, Naomi’s adoptive father and military vet who is happily married to Jennifer and sees Naomi as the “perfect daughter.” Watson recently appeared in Showtime’s “The Loudest Voice” as Lachlan Murdoch, as well as in “The Current Occupant,” and “A Dog’s Way Home.” He is represented by Innovative Artists and Trademark Talent.
Mary-Charles Jones has been cast as Annabell, Naomi’s “fiercely loyal classmate and best friend who is unafraid of telling Naomi hard truths,” and supports her friend’s quest for answers about a recent mysterious event. Jones starred as CBS’ “Kevin Can Wait” for two seasons and has also appeared in “Grey’s Anatomy,...
Watson is set to play Greg, Naomi’s adoptive father and military vet who is happily married to Jennifer and sees Naomi as the “perfect daughter.” Watson recently appeared in Showtime’s “The Loudest Voice” as Lachlan Murdoch, as well as in “The Current Occupant,” and “A Dog’s Way Home.” He is represented by Innovative Artists and Trademark Talent.
Mary-Charles Jones has been cast as Annabell, Naomi’s “fiercely loyal classmate and best friend who is unafraid of telling Naomi hard truths,” and supports her friend’s quest for answers about a recent mysterious event. Jones starred as CBS’ “Kevin Can Wait” for two seasons and has also appeared in “Grey’s Anatomy,...
- 3/31/2021
- by Elaine Low
- Variety Film + TV
Ava DuVernay’s superhero DC drama Naomi is rounding out its cast. In his return to the CW, former 7th Heaven star Barry Watson is set as a series regular, along with Mouzam Makkar (The Fix), Mary-Charles Jones (Kevin Can Wait), Aidan Gemme (Finding Neverland) and Daniel Puig (The System). Additionally, Amanda Marsalis has been tapped to direct and co-executive produce the pilot, from DuVernay’s Array Filmworks and Warner Bros. Television.
They join previously announced Kaci Walfall as Naomi, along with Alexander Wraith, Cranston Johnson and newcomer Camila Moreno.
Naomi, the network’s latest DC adaptation, comes from DuVernay and Arrow writer and co-exec producer Jill Blankenship. Based on the eponymous comic book series that debuted in 2019, co-written by Brian Michael Bendis and David F. Walker and illustrated by breakout artist Jamal Campbell, the show follows a teen girl’s journey from her small northwestern town...
They join previously announced Kaci Walfall as Naomi, along with Alexander Wraith, Cranston Johnson and newcomer Camila Moreno.
Naomi, the network’s latest DC adaptation, comes from DuVernay and Arrow writer and co-exec producer Jill Blankenship. Based on the eponymous comic book series that debuted in 2019, co-written by Brian Michael Bendis and David F. Walker and illustrated by breakout artist Jamal Campbell, the show follows a teen girl’s journey from her small northwestern town...
- 3/31/2021
- by Denise Petski
- Deadline Film + TV
By Todd Garbarini
One of the most frustrating things that I find true of lackluster movies is that following the passage of time, usually several decades, a film that was initially, and often rightfully, considered a stinker is then later touted as “the original classic!” Generally, these accolades are tied-in with advertising to promote and ultimately sell product and give the uninitiated and the curious a reason to buy the film sight-unseen. Efren C. Piñon’s Blind Rage (1976) isn’t necessarily a bad film, it just isn’t a particularly good one. Despite its 82-minute running time, the film feels twice as long and that’s never a good sign.
Blind Rage is a good example of an interesting premise executed in a fashion that can best be described as pedestrian. A product of 1970’s “chopsocky” cinema, the opening credits play over the vocals of Helen Gamboa singing the title track,...
One of the most frustrating things that I find true of lackluster movies is that following the passage of time, usually several decades, a film that was initially, and often rightfully, considered a stinker is then later touted as “the original classic!” Generally, these accolades are tied-in with advertising to promote and ultimately sell product and give the uninitiated and the curious a reason to buy the film sight-unseen. Efren C. Piñon’s Blind Rage (1976) isn’t necessarily a bad film, it just isn’t a particularly good one. Despite its 82-minute running time, the film feels twice as long and that’s never a good sign.
Blind Rage is a good example of an interesting premise executed in a fashion that can best be described as pedestrian. A product of 1970’s “chopsocky” cinema, the opening credits play over the vocals of Helen Gamboa singing the title track,...
- 4/24/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
England’s swingin’ ’60s were more than A Hard Day’s Night, the Mersey Beat and slapstick in the street with Rita Tushingham. Michael Winner got the scene off to an early start with this beach-set tale of ‘clever lads’ that cooperate to score with vacationing girls. Oliver Reed gives a sterling performance as Tinker, a photo-snapper who takes on a tall target — an independent, posh model with her own amorous agenda. The romance proceeds in a positive direction… or is Tinker fooling himself?
The System (The Girl-Getters)
Blu-ray
Powerhouse Indicator
1964 / B&w / 1:85 / 90 min. / / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Oliver Reed, Jane Merrow, Barbara Ferris, Julia Foster, Harry Andrews, Ann Lynn, Guy Doleman, David Hemmings.
Cinematography: Nicholas Roeg
Film Editor: Fred Burnley
Original Music: Stanley Black
Songs: The Searchers, The Marauders, The Rocking Berries
Written by Peter Draper
Produced by Kenneth Shipman
Directed by Michael...
The System (The Girl-Getters)
Blu-ray
Powerhouse Indicator
1964 / B&w / 1:85 / 90 min. / / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Oliver Reed, Jane Merrow, Barbara Ferris, Julia Foster, Harry Andrews, Ann Lynn, Guy Doleman, David Hemmings.
Cinematography: Nicholas Roeg
Film Editor: Fred Burnley
Original Music: Stanley Black
Songs: The Searchers, The Marauders, The Rocking Berries
Written by Peter Draper
Produced by Kenneth Shipman
Directed by Michael...
- 9/28/2019
- by Glenn Erickson
- Trailers from Hell
The following text is an excerpt from an essay commissioned by the specialist publishing house Hatori Press (Japan) for a tribute to the great critic, scholar and teacher Shigehiko Hasumi on the occasion of his 80th birthday (29 April 2016). Other contributors to this book (slated to appear in both Japanese and English editions) include Pedro Costa, Chris Fujiwara and Richard I. Suchenski. Beyond Prof. Hasumi’s many achievements in criticism and education (he was President of the University of Tokyo between 1997 and 2001), his ‘method,’ his unique way of seeing and speaking about films, has served as an immense inspiration for a generation of directors in Japan including Kiyoshi Kurosawa and Shinji Aoyama. The online magazines Rouge (www.rouge.com.au) and Lola (www.lolajournal.com), co-edited by Martin, provide the best access to Hasumi’s work in English (see references in the notes below).Leos Carax and Shigehiko Hasumi. Photo by Michiko Yoshitake.
- 3/30/2016
- by Adrian Martin
- MUBI
Some may have thought that British movie director Michael Winner died years ago. He stopped making films in the ‘90s and even wrote his own joke obituary which was picked up on by some media and taken seriously. Winner continued to live in London and found a new career as a film critic with the long-running “Winner’s Dinners” column in the Sunday UK Times newspaper. Winner is remembered in the film industry as well as the restaurant scene for his abrasive personality,
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
He directed Charles Bronson in six films including three, The Mechanic, Death Wish, and Death 3, that landed in my Top Ten Tuesday: The Best of Charles Bronson list from July 2010 http://wearemoviegeeks.com/2010/06/top-ten-tuesday-charles-bronson/). His other Bronson collaborations were Death Wish 2, Chato’S Land, and The Stone Killer. Death Wish was a monstrous hit for both the star and director, yet in his autobiography Winner Takes All...
- 1/29/2013
- by Tom Stockman
- WeAreMovieGeeks.com
Flamboyant film director, best known for Death Wish, and later an outspoken restaurant critic and bon vivant
Michael Winner, who has died aged 77, supplied interviewers with a list of more than 30 films he had directed, not always including the early travelogue This Is Belgium (1956), mostly shot in East Grinstead. But his enduring work was himself – a bravura creation of movies, television, journalism, the law courts and a catchphrase, ''Calm down, dear", from an exasperating series of television commercials.
He was born in London, the only child of George and Helen Winner, who were of Russian and Polish extraction respectively. His builder father made enough money propping up blitzed houses to invest in London property. The profits funded his wife's gambling, which, her son complained, so distracted "Mumsie" that he was never paid due attention. She left him in the bedroom with the mink coats of guests who came to his...
Michael Winner, who has died aged 77, supplied interviewers with a list of more than 30 films he had directed, not always including the early travelogue This Is Belgium (1956), mostly shot in East Grinstead. But his enduring work was himself – a bravura creation of movies, television, journalism, the law courts and a catchphrase, ''Calm down, dear", from an exasperating series of television commercials.
He was born in London, the only child of George and Helen Winner, who were of Russian and Polish extraction respectively. His builder father made enough money propping up blitzed houses to invest in London property. The profits funded his wife's gambling, which, her son complained, so distracted "Mumsie" that he was never paid due attention. She left him in the bedroom with the mink coats of guests who came to his...
- 1/22/2013
- by Veronica Horwell
- The Guardian - Film News
Andrew Pulver looks back through some of the key films of director Michael Winner, who has died aged 77
Play It Cool (1962)
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After a string of short films, Winner broke into features in the early 60s, with low budget thrillers and trendy pop musicals. Quite a few of them had "cool" in the title – including the nudie pic Some Like It Cool. The Billy Fury pic Play It Cool was considerably more commercially viable, no doubt inspired by the success of Cliff Richard's Young Ones film. Fury – in a real stretch – plays an up-and coming rocker called Billy Universe; Anna Palk the heiress who he might or might not get together with, and Dennis Price (!) as her overbearing dad.
The Cool Mikado (1962)
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Frankie Howerd led the line for Winner's followup, produced by Howard Baim,...
Play It Cool (1962)
Reading this on mobile? Click here to view video
After a string of short films, Winner broke into features in the early 60s, with low budget thrillers and trendy pop musicals. Quite a few of them had "cool" in the title – including the nudie pic Some Like It Cool. The Billy Fury pic Play It Cool was considerably more commercially viable, no doubt inspired by the success of Cliff Richard's Young Ones film. Fury – in a real stretch – plays an up-and coming rocker called Billy Universe; Anna Palk the heiress who he might or might not get together with, and Dennis Price (!) as her overbearing dad.
The Cool Mikado (1962)
Reading this on mobile? Click here to view video
Frankie Howerd led the line for Winner's followup, produced by Howard Baim,...
- 1/21/2013
- by Andrew Pulver
- The Guardian - Film News
Michael Winner, the film director, food critic and TV personality famed for his "calm down" Esure adverts, passed away today at the age of 77. Born in Hampstead, London, in 1935, Winner started his career as a showbiz newspaper columnist before moving into filmmaking in the early '60s. Early movies saw him direct Frankie Howerd musical The Cool Mikado and comedy The System, the first of six films in which he worked with Oliver Reed.
Winner made the switch to Hollywood with Lawman and The Nightcomers before teaming up with Charles Bronson for brutal vigilante drama Death Wish. He directed two more Death (more)...
Winner made the switch to Hollywood with Lawman and The Nightcomers before teaming up with Charles Bronson for brutal vigilante drama Death Wish. He directed two more Death (more)...
- 1/21/2013
- by By Simon Reynolds
- Digital Spy
Michael Winner, director of the Death Wish movie series and A Chorus of Disapproval, who later found fame as a restaurant critic, has died at the age of 77.
Michael Winner, bon viveur, restaurant critic and arguably one of the best known British film-makers of the 20th century has died at the age of 77. "A light has gone out of my life," his wife Geraldine Lynton-Edwards said. "Michael was a wonderful man, brilliant, funny and generous."
Winner had been in ill health for a number of years and almost died after contracting a bacterial infection while holidaying on Barbados in January 2007.
Born to a wealthy family in north London, Winner cut his teeth at the BBC before making his debut as a writer-director with the 1960 crime thriller Shoot to Kill. His freewheeling 1964 sex comedy The System established him as a key chronicler of swinging 60s London and gave rise to a...
Michael Winner, bon viveur, restaurant critic and arguably one of the best known British film-makers of the 20th century has died at the age of 77. "A light has gone out of my life," his wife Geraldine Lynton-Edwards said. "Michael was a wonderful man, brilliant, funny and generous."
Winner had been in ill health for a number of years and almost died after contracting a bacterial infection while holidaying on Barbados in January 2007.
Born to a wealthy family in north London, Winner cut his teeth at the BBC before making his debut as a writer-director with the 1960 crime thriller Shoot to Kill. His freewheeling 1964 sex comedy The System established him as a key chronicler of swinging 60s London and gave rise to a...
- 1/21/2013
- by Xan Brooks
- The Guardian - Film News
Film is dying, but the cinema still lives. To mark the death of one cycle in the age of motion pictures and the beginning of another, Film Forum recently ran a series called "This Is Dcp" to introduce us cinephiles to our inevitable digital future. Dcp, for those of you who’ve been hiding in a mineshaft the last few years, stands for Digital Cinema Package, the new industry standard for digital projection that has just recently replaced 35mm film as the most common means of presenting movies in the United States. On the first day of the series, I went to see a presentation by Grover Crisp—Sony Pictures Entertainment’s Executive Vice President of Asset Management, Film Restoration, and Digital Mastering—that was billed as Dr. Strangelove Side-by-Side but which probably should have been called Dr. Strangelove A-Few-Minutes-of-One-Followed-by-a-Few-Minutes-of-the-Other. Film Forum projected a version of the movie on an...
- 3/27/2012
- MUBI
The notorious film director on cheating death, the awfulness of restaurants – and how he can't stand boring people
It is with a mixture of fear and exhilaration that I approach Michael Winner's large house – he likes to describe it as a mansion – in London's fashionable Holland Park. God knows how much it's worth – £25m maybe. Jimmy Page of Led Zeppelin lives next door, in an even bigger house. An attractive, slightly forbidding young woman answers the door – I later discover she is a resting actress called Ruby – and she shows me into Winner's private cinema, filled with memorabilia from half a lifetime of movie-making and an entire lifetime of trouble-making.
There are seats for 30 people, a bar, a director's chair with Winner's name on it, the Winner puppet from Spitting Image, a signed photograph of Marilyn Monroe, pictures of some scantily clad starlets, and hundreds of photographs of stars...
It is with a mixture of fear and exhilaration that I approach Michael Winner's large house – he likes to describe it as a mansion – in London's fashionable Holland Park. God knows how much it's worth – £25m maybe. Jimmy Page of Led Zeppelin lives next door, in an even bigger house. An attractive, slightly forbidding young woman answers the door – I later discover she is a resting actress called Ruby – and she shows me into Winner's private cinema, filled with memorabilia from half a lifetime of movie-making and an entire lifetime of trouble-making.
There are seats for 30 people, a bar, a director's chair with Winner's name on it, the Winner puppet from Spitting Image, a signed photograph of Marilyn Monroe, pictures of some scantily clad starlets, and hundreds of photographs of stars...
- 11/16/2009
- by Stephen Moss
- The Guardian - Film News
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