Exclusive: Boutique distributor Juno Films has acquired North American and UK rights to Liv Ullmann: A Road Less Traveled, a portrait of the iconic Norwegian actress and filmmaker from director Dheeraj Akolkar (Liv & Ingmar). World premiering in the Classics section of the 76th Festival de Cannes, the doc will make its North American debut at Doc NYC ahead of a spring 2024 launch in theaters.
Best known as the muse and one-time romantic partner of Swedish filmmaker Ingmar Bergman, Ullmann performed in films of his including Persona, Cries and Whispers, Scenes from a Marriage, The Passion of Anna, and Autumn Sonata, among others. She received an Honorary Oscar in 2022, after scoring noms for The Emigrants and Face to Face, and has also helmed titles like Faithless and the Jessica Chastain starrer Miss Julie. Alongside her career in the arts is a run in philanthropy that’s seen her serve as a Unicef Goodwill Ambassador,...
Best known as the muse and one-time romantic partner of Swedish filmmaker Ingmar Bergman, Ullmann performed in films of his including Persona, Cries and Whispers, Scenes from a Marriage, The Passion of Anna, and Autumn Sonata, among others. She received an Honorary Oscar in 2022, after scoring noms for The Emigrants and Face to Face, and has also helmed titles like Faithless and the Jessica Chastain starrer Miss Julie. Alongside her career in the arts is a run in philanthropy that’s seen her serve as a Unicef Goodwill Ambassador,...
- 10/24/2023
- by Matt Grobar
- Deadline Film + TV
The cover of Time magazine once proclaimed Liv Ullmann “Hollywood’s new Nordic star,” a designation that never sat well with the Norwegian actress. She was a committed performer, starring in some of Ingmar Bergman’s greatest films of the Sixties and Seventies. She was an accomplished director, with a résumé that includes the Bergman-scripted 2000 gem Faithless. She became a vocal humanitarian, traveling to hardscrabble parts of the world as a Unicef ambassador. But a star? “I never became a star,” Ullmann tells Rolling Stone in a recent interview to...
- 6/24/2023
- by Chris Vognar
- Rollingstone.com
We're celebrating each of the upcoming Honorary Oscar winners with a few pieces on their career.
by Eric Blume
Ingmar Bergman’s 1968 film Shame features one of Liv Ullmann’s greatest performances. This was the third collaboration between the two artists, and the film is the middle portion of Bergman’s unofficial “Island Trilogy” that started with The Hour of the Wolf and concluded with The Passion of Anna. Ullmann’s face is like the face of the film: beauty going blankly sour…...
by Eric Blume
Ingmar Bergman’s 1968 film Shame features one of Liv Ullmann’s greatest performances. This was the third collaboration between the two artists, and the film is the middle portion of Bergman’s unofficial “Island Trilogy” that started with The Hour of the Wolf and concluded with The Passion of Anna. Ullmann’s face is like the face of the film: beauty going blankly sour…...
- 3/17/2022
- by EricB
- FilmExperience
After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place.
Film Forum
There’s a rare opportunity to see Martin Scorsese’s Hugo in 3D this Sunday, while a stacked series of road movies is underway and the miraculously rediscovered and restored Iranian film Chess of the Wind continues.
Museum of the Moving Image
Seasons 8-11 of On Cinema are screening this weekend; On the Waterfront and Little Fugitive play for “Made in New York“; “See It Big: Extravaganzas!” offers films by von Sternberg, Fellini, and Wes Anderson.
Roxy Cinema
Fox and His Friends and The Last Detail have 35mm showings.
Metrograph
A series on punk cinema is underway,...
Film Forum
There’s a rare opportunity to see Martin Scorsese’s Hugo in 3D this Sunday, while a stacked series of road movies is underway and the miraculously rediscovered and restored Iranian film Chess of the Wind continues.
Museum of the Moving Image
Seasons 8-11 of On Cinema are screening this weekend; On the Waterfront and Little Fugitive play for “Made in New York“; “See It Big: Extravaganzas!” offers films by von Sternberg, Fellini, and Wes Anderson.
Roxy Cinema
Fox and His Friends and The Last Detail have 35mm showings.
Metrograph
A series on punk cinema is underway,...
- 11/18/2021
- by Nick Newman
- The Film Stage
In 1973, Jan Troell’s “The Emigrants” became the third non-English language film to contend for the Best Picture Oscar, and the first to also earn directing, writing, and acting nominations. Leading lady Liv Ullmann’s bid made her the first person recognized for a Swedish language performance. With this achievement, the Norwegian native brought further pride to the Nordic countries after having already established herself as a singularly talented artist. Half a century later, her reputation as one of the world’s most revered actresses has finally led to Oscar glory in the form of an honorary award.
Along with Danny Glover, Samuel L. Jackson, and Elaine May, Ullmann is set to be recognized at the upcoming 12th annual Governors Awards. The 82-year-old’s tribute comes in honor of her “bravery and emotional transparency,” which “has gifted audiences with deeply affecting screen portrayals.” She has displayed her range in over...
Along with Danny Glover, Samuel L. Jackson, and Elaine May, Ullmann is set to be recognized at the upcoming 12th annual Governors Awards. The 82-year-old’s tribute comes in honor of her “bravery and emotional transparency,” which “has gifted audiences with deeply affecting screen portrayals.” She has displayed her range in over...
- 6/30/2021
- by Matthew Stewart
- Gold Derby
Samuel L. Jackson, Elaine May, Danny Glover also to be honoured.
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
- 6/24/2021
- by Jeremy Kay
- ScreenDaily
Samuel L. Jackson, Elaine May, Danny Glover also to be honoured.
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
Norwegian actor and director Liv Ullmann will receive an Honorary Award from the Academy at the 12th Governors Awards on January 15, 2022.
Ullmann worked with Swedish director Ingmar Bergman on The Passion Of Anna, Cries And Whispers, and Autumn Sonata, and earned best actress Oscar nominations for The Emigrants and Face To Face.
She made her directorial debut in 1992 with Sofie and later directed Faithless from a script by Bergman. The actor started her career in theatre in her native Norway, made her New York stage debut in 1975 in A Doll’s House,...
- 6/24/2021
- by Jeremy Kay
- ScreenDaily
Samuel L. Jackson, Elaine May and Liv Ullmann will receive honorary Oscars this year, the Academy of Motion Picture Arts and Sciences announced Thursday. Danny Glover will also receive the Jean Hersholt Humanitarian Award. The four Oscar statuettes will be presented at the Governors Awards ceremony on Jan. 15, 2022.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his dedication...
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his dedication...
- 6/24/2021
- by Antonio Ferme
- Variety Film + TV
The Academy of Motion Picture Arts and Sciences announced Thursday that its Board of Governors voted to present the annual Honorary Awards to Samuel L. Jackson, Elaine May, and Liv Ullmann. The Jean Hersholt Humanitarian Award will be given to Danny Glover. The four Oscar statuettes will be presented at the Academy’s 12th annual Governors Awards on Saturday, January 15, 2022, in Los Angeles.
Academy President David Rubin summed up the recipients’ impact, cinematic and otherwise, in the following statement: “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers.”
Rubin added, “Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his...
Academy President David Rubin summed up the recipients’ impact, cinematic and otherwise, in the following statement: “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers.”
Rubin added, “Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover’s decades-long advocacy for justice and human rights reflects his...
- 6/24/2021
- by Ryan Lattanzio
- Indiewire
The Academy of Motion Picture Arts and Sciences Board of Governors voted to present Honorary Oscars to Samuel L. Jackson, Elaine May and Liv Ullmann, and the Jean Hersholt Humanitarian Award to Danny Glover, the Academy announced on Thursday.
The four Honorary Oscars will be presented at the Academy’s 12th Governors Awards on Saturday, Jan. 15, 2022, in Los Angeles.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover...
The four Honorary Oscars will be presented at the Academy’s 12th Governors Awards on Saturday, Jan. 15, 2022, in Los Angeles.
“We are thrilled to present this year’s Governors Awards to four honorees who have had a profound impact on both film and society,” Academy president David Rubin said in a statement. “Sam Jackson is a cultural icon whose dynamic work has resonated across genres and generations and audiences worldwide, while Elaine May’s bold, uncompromising approach to filmmaking, as a writer, director and actress, reverberates as loudly as ever with movie lovers. Liv Ullmann’s bravery and emotional transparency has gifted audiences with deeply affecting screen portrayals, and Danny Glover...
- 6/24/2021
- by Umberto Gonzalez
- The Wrap
Photo: ‘Scenes from a Marriage’/Sveriges Radio Please note that this is a review of the mini-series, not the theatrical version. With the announcement of its premiere at the Cannes Film Festival and last week’s trailer drop, anticipation for Mia Hansen-Løve’s newest film ‘Bergman Island’ has grown immensely. The former actress’s third film to compete at the festival tells the story of a filmmaking couple who make a pilgrimage to the Swedish island of Fårö, affectionately known as Bergman Island, where the master of Cinema Ingmar Bergman lived and worked. Among his films shot there: ‘Through a Glass Darkly’, ‘Persona’, ‘Hour of the Wolf’, ‘Shame’, ‘The Passion of Anna’ and of course, ‘Scenes from a Marriage.’ Such sacred ground for cinephiles, nevertheless the vibes from such films are not particularly rainbows and sunshine. In the trailer, Vicky Krieps’ character remarks “you do realize we’re going to...
- 6/15/2021
- by Jacqueline Postajian
- Hollywood Insider - Substance & Meaningful Entertainment
Mia Hansen-Løve’s “Bergman Island” has been percolating for several years now, which is why many cinephiles were thrilled to hear the drama will have its world premiere at the 2021 Cannes Film Festival. “Bergman Island” will compete for the Palme d’Or, making Hansen-Løve one of only four women in competition at Cannes 2021. An international trailer for the film has been released, debuting the first footage of cast members Tim Roth, Vicky Krieps, Mia Wasikowska, and Anders Danielsen Lie.
“Bergman Island” centers around a filmmaking couple (Roth and “Phantom Thread” breakout Krieps) who travel to the island of Fårö, which is where Ingmar Bergman lived and died and shot scenes for iconic films such as “Through a Glass Darkly” (1961), “Persona” (1966), “The Passion of Anna” (1969), and “Scenes from a Marriage” (1972). It’s here where the couple’s relationship is tested as the line between reality and fiction starts to blur.
Hansen-Løve...
“Bergman Island” centers around a filmmaking couple (Roth and “Phantom Thread” breakout Krieps) who travel to the island of Fårö, which is where Ingmar Bergman lived and died and shot scenes for iconic films such as “Through a Glass Darkly” (1961), “Persona” (1966), “The Passion of Anna” (1969), and “Scenes from a Marriage” (1972). It’s here where the couple’s relationship is tested as the line between reality and fiction starts to blur.
Hansen-Løve...
- 6/4/2021
- by Zack Sharf
- Indiewire
Film, television, and stage actor Jerry Stiller died of natural causes, as according to his son Ben Stiller. He was 92.
“I’m sad to say that my father, Jerry Stiller, passed away from natural causes,” Ben announced on Twitter. “He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad.”
Stiller is known for his TV roles as Frank Costanza on Seinfeld and Arthur Spooner on The King of Queens, and multiple films including, The Taking of Pelham One, Two, Three, John Waters’ Hairspray, his son’s Zoolander, and Richard Lester’s adaptation of Terrence McNally’s play, The Ritz, which Jerry also acted in on Broadway.
But he might be best remembered for being part of the comedy team Stiller & Meara, which he performed with his wife, Anne Meara. The pair met in 1953 at a New York casting call,...
“I’m sad to say that my father, Jerry Stiller, passed away from natural causes,” Ben announced on Twitter. “He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad.”
Stiller is known for his TV roles as Frank Costanza on Seinfeld and Arthur Spooner on The King of Queens, and multiple films including, The Taking of Pelham One, Two, Three, John Waters’ Hairspray, his son’s Zoolander, and Richard Lester’s adaptation of Terrence McNally’s play, The Ritz, which Jerry also acted in on Broadway.
But he might be best remembered for being part of the comedy team Stiller & Meara, which he performed with his wife, Anne Meara. The pair met in 1953 at a New York casting call,...
- 5/11/2020
- by David Crow
- Den of Geek
Jerry Stiller, an actor and comedian and father to Ben Stiller, has died of natural causes. He was 92.
Ben Stiller confirmed his father’s death early Monday morning, writing on Twitter: “I’m sad to say that my father, Jerry Stiller, passed away from natural causes. He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad.”
After a long career performing in comedy routines with his wife, Anne Meara, appearing on Broadway and guest-starring on TV series, Stiller became known for his role on “Seinfeld” as Frank Constanza, as Leah Remini’s father on “The King of Queens,” and as Zoolander’s manager in the comedy directed by Ben Stiller.
He appeared in 26 episodes of “Seinfeld” as Constanza, the father of George (Jason Alexander), from 1993-98, with Estelle Harris playing his wife, Estelle. Stiller...
Ben Stiller confirmed his father’s death early Monday morning, writing on Twitter: “I’m sad to say that my father, Jerry Stiller, passed away from natural causes. He was a great dad and grandfather, and the most dedicated husband to Anne for about 62 years. He will be greatly missed. Love you Dad.”
After a long career performing in comedy routines with his wife, Anne Meara, appearing on Broadway and guest-starring on TV series, Stiller became known for his role on “Seinfeld” as Frank Constanza, as Leah Remini’s father on “The King of Queens,” and as Zoolander’s manager in the comedy directed by Ben Stiller.
He appeared in 26 episodes of “Seinfeld” as Constanza, the father of George (Jason Alexander), from 1993-98, with Estelle Harris playing his wife, Estelle. Stiller...
- 5/11/2020
- by Carmel Dagan
- Variety Film + TV
Stage and screen acting legend Max Von Sydow, who starred in The Seventh Seal and appeared in The Exorcist, Star Wars: The Force Awakens, Flash Gordon, and Game of Thrones, died on March 8 at the age of 90, according to Variety.
“It is with a broken heart and with infinite sadness that we have the extreme pain of announcing the departure of Max von Sydow,” his wife, the producer Catherine Brelet, said in a statement.
Von Sydow made his Hollywood debut as Jesus in the 1965 Biblical epic The Greatest Story Ever Told. This gave him the authority to observe “if Jesus were alive today and saw what they are saying in his name, he would never stop throwing up” in Woody Allen’s 1986 film Hannah and Her Sisters. Von Sydow had the power to compel Satan as Father Merrin in William Friedkin’s 1973 horror classic The Exorcist and Exorcist II: The Heretic (1977), directed by John Boorman.
“It is with a broken heart and with infinite sadness that we have the extreme pain of announcing the departure of Max von Sydow,” his wife, the producer Catherine Brelet, said in a statement.
Von Sydow made his Hollywood debut as Jesus in the 1965 Biblical epic The Greatest Story Ever Told. This gave him the authority to observe “if Jesus were alive today and saw what they are saying in his name, he would never stop throwing up” in Woody Allen’s 1986 film Hannah and Her Sisters. Von Sydow had the power to compel Satan as Father Merrin in William Friedkin’s 1973 horror classic The Exorcist and Exorcist II: The Heretic (1977), directed by John Boorman.
- 3/9/2020
- by John Saavedra
- Den of Geek
Throughout 2020, Gold Derby continues to update our photo gallery above with major celebrity deaths from film, television, theater and music. Tour through our pictures so far with the following 11 people currently featured:
Max von Sydow died on March 8 at age 90. The Swedish actor often worked with Ingmar Bergman, including in “The Seventh Seal,” “The Passion of Anna” and “Shame.” He received Oscar nominations for “Pelle the Conqueror” and “Extremely Loud and Incredibly Close” plus Emmy bids for “Red King, White Knight” and “Game of Thrones.”
SEEIngmar Bergman movies: 25 greatest films ranked worst to best
James Lipton, longtime host of “Inside the Actors Studio,” is dead at the age of 93 on March 2. He received 20 Emmy nominations for that Bravo program and won the award in 2013. He was also nominated in 1988 for an original song on a Bob Hope comedy special.
Actor Robert Conrad died on February 8 at age 84. He was the...
Max von Sydow died on March 8 at age 90. The Swedish actor often worked with Ingmar Bergman, including in “The Seventh Seal,” “The Passion of Anna” and “Shame.” He received Oscar nominations for “Pelle the Conqueror” and “Extremely Loud and Incredibly Close” plus Emmy bids for “Red King, White Knight” and “Game of Thrones.”
SEEIngmar Bergman movies: 25 greatest films ranked worst to best
James Lipton, longtime host of “Inside the Actors Studio,” is dead at the age of 93 on March 2. He received 20 Emmy nominations for that Bravo program and won the award in 2013. He was also nominated in 1988 for an original song on a Bob Hope comedy special.
Actor Robert Conrad died on February 8 at age 84. He was the...
- 3/9/2020
- by Chris Beachum
- Gold Derby
Stars took to Twitter to remember Max von Sydow, the prolific Swedish actor best known for “The Exorcist” and “The Seventh Seal.” The two-time Oscar-nominated actor died Sunday at age 90.
Martin Scorsese, Mia Farrow and Seth Meyers lead the tributes to the Oscar-nominated actor Monday.
“Max Von Sydow was something like a consummate actor, with a pride in his art and a dedication to his craft that I’ve encountered in very few people in my life,” Scorsese, who directed von Sydow in 2010’s “Shutter Island,” said in a statement. “On the set he was remarkable, and off the set he a complete gentleman. … And what he and Ingmar Bergman found together is more precious than gold.”
Farrow, the actress known for the 1968 classic “Rosemary’s Baby,” left a heartfelt message next to a photo of von Sydow in his younger years.
Also Read: Mart Crowley, 'The Boys in the Band' Playwright,...
Martin Scorsese, Mia Farrow and Seth Meyers lead the tributes to the Oscar-nominated actor Monday.
“Max Von Sydow was something like a consummate actor, with a pride in his art and a dedication to his craft that I’ve encountered in very few people in my life,” Scorsese, who directed von Sydow in 2010’s “Shutter Island,” said in a statement. “On the set he was remarkable, and off the set he a complete gentleman. … And what he and Ingmar Bergman found together is more precious than gold.”
Farrow, the actress known for the 1968 classic “Rosemary’s Baby,” left a heartfelt message next to a photo of von Sydow in his younger years.
Also Read: Mart Crowley, 'The Boys in the Band' Playwright,...
- 3/9/2020
- by Margeaux Sippell
- The Wrap
Max von Sydow, the tall, tragic-faced Swedish actor whose name was virtually synonymous with the films of Ingmar Bergman, has died. He was 90.
Variety has confirmed that the actor died on Sunday.
Von Sydow, who became Bergman’s symbol for the modern man in such films as “The Passion of Anna” and “Shame” after making his Bergman debut as the errant knight in “The Seventh Seal,” also had an unusually prolific career in Hollywood and international films.
He made his American debut in the role of Jesus Christ in George Stevens’ turgid 1965 epic “The Greatest Story Ever Told” and went on to make strong impressions with audiences in “The Exorcist,” Woody Allen’s “Hannah and Her Sisters,” David Lynch’s “Dune,” “Three Days of the Condor,” “Hawaii,” “Conan the Barbarian” and “Awakenings.”
Von Sydow worked for other Scandinavian directors as well, drawing an Oscar nomination for his role in Bille August...
Variety has confirmed that the actor died on Sunday.
Von Sydow, who became Bergman’s symbol for the modern man in such films as “The Passion of Anna” and “Shame” after making his Bergman debut as the errant knight in “The Seventh Seal,” also had an unusually prolific career in Hollywood and international films.
He made his American debut in the role of Jesus Christ in George Stevens’ turgid 1965 epic “The Greatest Story Ever Told” and went on to make strong impressions with audiences in “The Exorcist,” Woody Allen’s “Hannah and Her Sisters,” David Lynch’s “Dune,” “Three Days of the Condor,” “Hawaii,” “Conan the Barbarian” and “Awakenings.”
Von Sydow worked for other Scandinavian directors as well, drawing an Oscar nomination for his role in Bille August...
- 3/9/2020
- by Variety Staff
- Variety Film + TV
Tomorrow is the centenary of the birth of one of cinema’s greatest directors, Ingmar Bergman, and to celebrate, The Criterion Collection has announced of their most expansive releases ever. This November, they will release Ingmar Bergman’s Cinema, a 39-film box set comprising nearly all of his work, including 18 films never before released by Criterion. Curated akin to a film festival, the set features Opening, Centerpiece, and Closing Films, with many double features in between. The set also features 11 introductions and over five hours of interviews with the director himself, six making-of documentaries, a 248-page book, and much more.
As we await for its November 20 release, check out an overview from Criterion below, as well as the box art, the trailer, and the full list of films, in curated order. One can also see much more about each release and the special features on the official site.
With the...
As we await for its November 20 release, check out an overview from Criterion below, as well as the box art, the trailer, and the full list of films, in curated order. One can also see much more about each release and the special features on the official site.
With the...
- 7/13/2018
- by Jordan Raup
- The Film Stage
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode features panel conversations and 1:1 interviews offering insights on movies that premiered in a particular season of a year in the past, which were destined to eventually bear the Criterion imprint. In this episode, David is joined by Jordan Essoe, Lauren LoGiudice, Robert Taylor and Trevor Berrett to discuss three titles from the Autumn of 1969: Allan King’s A Married Couple, Michael Ritchie’s Downhill Racer, and Ingmar Bergman’s The Passion of Anna.
Episode Time Markers Introduction: 0:00:00 – 0:06:36 A Married Couple: 0:06:37- 1:08:07 Downhill Racer: 1:08:08 – 1:56:05 The Passion of Anna: 1:56:06 – 2:44:36 A Married Couple (11/6/69)
Guests: Jordan Essoe and Lauren LoGiudice
Criterion FilmStruck Allan King Films (official) YouTube...
Episode Time Markers Introduction: 0:00:00 – 0:06:36 A Married Couple: 0:06:37- 1:08:07 Downhill Racer: 1:08:08 – 1:56:05 The Passion of Anna: 1:56:06 – 2:44:36 A Married Couple (11/6/69)
Guests: Jordan Essoe and Lauren LoGiudice
Criterion FilmStruck Allan King Films (official) YouTube...
- 1/15/2018
- by David Blakeslee
- CriterionCast
With “Things To Come,” director Mia Hansen-Løve, who is only 35, already has five critically acclaimed feature films under her belt and looks to have a long filmmaking career ahead of her. So which of the great directors’ careers from film history does she look to as being a model for her own? “It’s going to sound pretentious and ridiculous, but I think I should tell you any way: Ingmar Bergman,” Hansen-Løve recently told IndieWire. “I’m obsessed with Ingmar Bergman, I’m so obsessed I’m even writing a film right now that takes place in Fårö, which is the island where he use to live.”
Read More: With ‘Things To Come,’ Mia Hansen-Løve Proves That She’s One Of The Best Filmmakers In The World — Nyff Review
Fårö is a remote, windswept island off the eastern coast of Sweden that has become part of film lore, as it...
Read More: With ‘Things To Come,’ Mia Hansen-Løve Proves That She’s One Of The Best Filmmakers In The World — Nyff Review
Fårö is a remote, windswept island off the eastern coast of Sweden that has become part of film lore, as it...
- 12/9/2016
- by Chris O'Falt
- Indiewire
After a few delays, Frank Ocean‘s Channel Orange follow-up, Blond, has now arrived and, with it, not only an additional visual album, but Boys Don’t Cry, a magazine that only a select few were able to get their hands on. (Although, if you believe the artist’s mom, we can expect a wider release soon.) In between a personal statement about his new work and a Kanye West poem about McDonalds, Ocean also listed his favorite films of all-time and we have the full list today.
Clocking at 207.23 hours, as Ocean notes, his list includes classics from Andrei Tarkovsky, David Lynch, Ingmar Bergman, Stanley Kubrick, Martin Scorsese, Orson Welles, Rainer Werner Fassbinder, Jean Cocteau, Alfred Hitchcock, Francis Ford Coppola, Fritz Lang, Werner Herzog, Akira Kurosawa, Ridley Scott, Bernardo Bertolucci, Sergei Eisenstein, F. W. Murnau, Luis Buñuel, and more.
As for some more recent titles, it looks like The Royal Tenenbaums...
Clocking at 207.23 hours, as Ocean notes, his list includes classics from Andrei Tarkovsky, David Lynch, Ingmar Bergman, Stanley Kubrick, Martin Scorsese, Orson Welles, Rainer Werner Fassbinder, Jean Cocteau, Alfred Hitchcock, Francis Ford Coppola, Fritz Lang, Werner Herzog, Akira Kurosawa, Ridley Scott, Bernardo Bertolucci, Sergei Eisenstein, F. W. Murnau, Luis Buñuel, and more.
As for some more recent titles, it looks like The Royal Tenenbaums...
- 8/23/2016
- by Jordan Raup
- The Film Stage
'Star Wars: The Force Awakens': Darth Vader (?) wants to be no. 1. 'Star Wars: The Force Awakens' not to become top-grossing movie of all time on worldwide box office chart? J.J. Abrams' futuristic adventure movie Star Wars: The Force Awakens was the most awaited film release since … let's see … Marlon Brando and Maria Schneider made out in Bernardo Bertolucci's Last Tango in Paris back in the early '70s, destroying marriages, families, and whole nations. Or perhaps, since Luis Buñuel's Viridiana created a furor at the Cannes Film Festival back in 1961, leaving audiences the world over desperate for a look at the movie condemned by both the Spanish military and the Catholic Church for demonstrating that (at least a certain kind of) charity is a stupidity, not a virtue. Or maybe we still have to go further back in time to… Never mind, the...
- 12/22/2015
- by Zac Gille
- Alt Film Guide
Well, this is lousy timing. Several horror movies, including "The Exorcist," "Night of the Living Dead," and "Interview with the Vampire" are leaving Netflix on October 1, right before Halloween.
Also leaving October 1, some spooky TV titles, including "The Dead Files."
More than 150 titles are leaving Netflix in October; here's the entire list of movies and TV shows that will disappear from Netflix streaming in October.
Leaving Oct. 1, 2015
"Aces High" (1976)
"A Fond Kiss" (2004)
"Agata And The Storm" (2004)
"A Good Day to Die" (2013)
"Alakazam The Great" (1960)
"All Is Lost" (2013)
"An Affair to Remember" (1957)
"Agora" (2009)
"A Liar's Autobiography" (2012)
"America Declassified" (2013)
"Analyze This" (1999)
"Anchorman 2: The Legend Continues " (2013)
"Angela's Ashes" (1999)
"Annie Hall" (1977)
"Another Woman" (1988)
"Apocalypse Now" (1979)
"Apocalypse Now Redux" (2001)
"Axed" (2012)
"Baby's Day Out" (1994)
"Bad Timing: A Sensual Obsession" (1980)
"Baron Blood" (1972)
"Beaufort" (2007)
"Belle of the Yukon" (1944)
"Big Night" (1996)
"Blue Velvet" (1986)
"Brewster's Millions" (1945)
"Buying & Selling" (2013)
"Caesar and Cleopatra" (1945)
"Caprica" (2009)
"Carve Her Name With Pride" (1958)
"Casanova...
Also leaving October 1, some spooky TV titles, including "The Dead Files."
More than 150 titles are leaving Netflix in October; here's the entire list of movies and TV shows that will disappear from Netflix streaming in October.
Leaving Oct. 1, 2015
"Aces High" (1976)
"A Fond Kiss" (2004)
"Agata And The Storm" (2004)
"A Good Day to Die" (2013)
"Alakazam The Great" (1960)
"All Is Lost" (2013)
"An Affair to Remember" (1957)
"Agora" (2009)
"A Liar's Autobiography" (2012)
"America Declassified" (2013)
"Analyze This" (1999)
"Anchorman 2: The Legend Continues " (2013)
"Angela's Ashes" (1999)
"Annie Hall" (1977)
"Another Woman" (1988)
"Apocalypse Now" (1979)
"Apocalypse Now Redux" (2001)
"Axed" (2012)
"Baby's Day Out" (1994)
"Bad Timing: A Sensual Obsession" (1980)
"Baron Blood" (1972)
"Beaufort" (2007)
"Belle of the Yukon" (1944)
"Big Night" (1996)
"Blue Velvet" (1986)
"Brewster's Millions" (1945)
"Buying & Selling" (2013)
"Caesar and Cleopatra" (1945)
"Caprica" (2009)
"Carve Her Name With Pride" (1958)
"Casanova...
- 9/28/2015
- by Sharon Knolle
- Moviefone
With a holiday weekend ahead of us, Movies This Week is getting an early run so you can determine which flicks are best worth your time. Since it's a few days ahead of schedule, there are a few repeats from last week's column here in the rundown of repertory screenings.
The Austin Film Society is launching a new Essential Cinema series featuring some of the best collaborations of Liv Ullman and Ingmar Bergman this Thursday at the Marchesa. Read Chale's preview for more details. The first movie of the series is 1966's Persona and next Thursday (July 10), you'll be able to catch 1969's The Passion Of Anna, both in 35mm. A newly restored 35mm print of Alain Resnais' Je T'aime, Je T'aime is on the books this Sunday afternoon and Monday evening. Also, catch a rare screening on Tuesday night of Eggshells, a 1968 film by Tobe Hooper that was...
The Austin Film Society is launching a new Essential Cinema series featuring some of the best collaborations of Liv Ullman and Ingmar Bergman this Thursday at the Marchesa. Read Chale's preview for more details. The first movie of the series is 1966's Persona and next Thursday (July 10), you'll be able to catch 1969's The Passion Of Anna, both in 35mm. A newly restored 35mm print of Alain Resnais' Je T'aime, Je T'aime is on the books this Sunday afternoon and Monday evening. Also, catch a rare screening on Tuesday night of Eggshells, a 1968 film by Tobe Hooper that was...
- 7/2/2014
- by Matt Shiverdecker
- Slackerwood
‘Star Wars: Episode VII’ cast announced (photo: ‘Star Wars: Episode VII’ cast member Max von Sydow in ‘Extremely Loud & Incredibly Close’) Star Wars: Episode VII cast members have been announced. The world had been waiting with bated breath. Who will The Force be with? Well, not with humankind and its fellow Earth dwellers (apart from cockroaches and various types of worms) — if news reports about the eventual fate of the planet are accurate. But don’t despair. The End credits for Planet Earth should come after Lucasfilm and Walt Disney Studios (instead of former Star Wars film distributor 20th Century Fox) amass a few more billion dollars following the release of a whole array of new Star Wars sequels in the coming years. So, the announced (mostly European) Star Wars: Episode VII cast members are, to date, the following: Oscar Isaac (Sucker Punch, widely praised for his performance in Joel...
- 4/30/2014
- by Zac Gille
- Alt Film Guide
Riffing on Terek Puckett’s terrific list of director/actor collaborations, I wanted to look at some of those equally impressive leading ladies who served as muses for their directors. I strived to look for collaborations that may not have been as obviously canonical, but whose effects on cinema were no less compelling. Categorizing a film’s lead is potentially tricky, but one of the criteria I always use is Anthony Hopkins’s performance in Silence of the Lambs, a film in which he is considered a lead but appears only briefly; his character is an integral part of the story.
The criteria for this article is as follows: The director & actor team must have worked together at least 3 times with the actor in a major role in each feature film, resulting in a minimum of 2 must-see films.
One of the primary trends for the frequency of collaboration is the...
The criteria for this article is as follows: The director & actor team must have worked together at least 3 times with the actor in a major role in each feature film, resulting in a minimum of 2 must-see films.
One of the primary trends for the frequency of collaboration is the...
- 7/24/2013
- by John Oursler
- SoundOnSight
When critics discuss color in the work of Ingmar Bergman, it’s generally in relation to Cries and Whispers, the director’s brooding, confrontational 1972 film and a work that essentially demands to have its intense use of red be noticed as a Meaningful Cinematographic Element. More subtle and multilayered is Bergman and cinematographer Sven Nykvist’s earlier, selective application of red in The Passion of Anna (1969), the third, often overlooked chapter in a trilogy of films Bergman made in the late 60s (Hour of the Wolf and Shame complete the trio). The trilogy centers on turbulent relationships between Max von Sydow and Liv Ullmann on a cold, secluded island, and its primary recurring theme is the way internal tensions (sexual, artistic, moral, etc.) are materialized by encroaching, often violent, external forces. In The Passion of Anna, Andreas Winkelman’s (von Sydow) fear of human interaction and his repression of past...
- 10/28/2012
- by Carson Lund
- MUBI
Together, Liv Ullmann and Ingmar Bergman made some of the greatest films of all time: films like Shame, The Passion of Anna, Cries and Whispers, Scenes From a Marriage, and, of course, Persona (which our own David Edelstein, in his 2007 obituary for Bergman, deemed “the film against which all other psychodramas must be judged”). Their romance may only have lasted a few years, but their professional collaboration lasted for decades. (Ullmann eventually directed some scripts that Bergman had written, and she also co-starred in his final film, Saraband.) The tormented ups and downs of their relationship are charted in the new documentary Liv and Ingmar: Painfully Connected, which premieres tonight at the New York Film Festival. In it, Ullmann frankly discusses her epic relationship with Bergman and even shares some of the remarkably florid letters he wrote to her. Her admiration and love for the man remain vivid, as do...
- 10/1/2012
- by Bilge Ebiri
- Vulture
Ingmar Bergman, Liv Ullmann Liv Ullmann and Ingmar Bergman are the subjects of former architect Dheeraj Akolkar's documentary Liv & Ingmar, produced by the Norwegian company NordicStories and to be distributed by Sweden's Svensk Filmindustri. After meeting in 1965, Ullmann and Bergman made ten (narrative) films together; they were also off-screen companions for five years. In Liv & Ingmar, Ullmann, 73, is shown spending a few days in Bergman's house on the Swedish island of Fårø. While there, she reminisces about their personal and professional relationships. That sounds fascinating enough. But what makes Liv & Ingmar even more intriguing is that Ullmann's recollections are interspersed with scenes from her Bergman films, which is supposed to show how their personal lives directly affected their professional collaboration. In that regard, Liv & Ingmar makes Ullmann and Bergman seem like Woody Allen and Mia Farrow, who went from The Purple of Rose of Cairo and Hannah and Her Sisters...
- 4/20/2012
- by Andre Soares
- Alt Film Guide
Swedish actor known for his roles in Ingmar Bergman's films and television dramas
Although the actors who comprised Ingmar Bergman's repertory company all went on to make their own prestigious careers, they will for ever be associated with the great Swedish film and stage director. Erland Josephson, who has died aged 88 after suffering from Parkinson's disease, was artistically linked with Bergman even more than Max Von Sydow, Liv Ullmann and Ingrid Thulin. Josephson appeared in more than a dozen of Bergman's films, and played a Bergman surrogate in Ullmann's Faithless (2000).
In middle and old age, he was chosen by directors such as Andrei Tarkovsky and Theo Angelopoulos for the qualities he revealed in the Bergman films – a certain self-centred introspection and a deep melancholy, etched on his lined and grizzled features. Because he became a leading film actor in his 50s, he seems never to have been young.
Although the actors who comprised Ingmar Bergman's repertory company all went on to make their own prestigious careers, they will for ever be associated with the great Swedish film and stage director. Erland Josephson, who has died aged 88 after suffering from Parkinson's disease, was artistically linked with Bergman even more than Max Von Sydow, Liv Ullmann and Ingrid Thulin. Josephson appeared in more than a dozen of Bergman's films, and played a Bergman surrogate in Ullmann's Faithless (2000).
In middle and old age, he was chosen by directors such as Andrei Tarkovsky and Theo Angelopoulos for the qualities he revealed in the Bergman films – a certain self-centred introspection and a deep melancholy, etched on his lined and grizzled features. Because he became a leading film actor in his 50s, he seems never to have been young.
- 2/27/2012
- by Ronald Bergan
- The Guardian - Film News
Martin Scorsese Max von Sydow Martin Scorsese and Max von Sydow at the Academy of Motion Picture Arts and Sciences' Oscar Nominees Luncheon in Beverly Hills on Monday, February 6, 2012. Scorsese is in the running for Best Director for the period fantasy Hugo, starring Asa Butterfield, Chloë Grace Moretz, Ben Kingsley, and Sacha Baron Cohen. Von Sydow is a Best Supporting Actor nominee for Stephen Daldry's Extremely Loud and Incredibly Close, which also features Sandra Bullock and Tom Hanks. (Photo: Greg Harbaugh / © A.M.P.A.S.) Scorsese's competition for the Best Director Academy Award consists of Alexander Payne for The Descendants, starring George Clooney and Shailene Woodley; Terrence Malick for The Tree of Life, starring Brad Pitt, Jessica Chastain, and Sean Penn; Woody Allen for Midnight in Paris, starring Owen Wilson, Rachel McAdams, and Marion Cotillard; and Michel Hazanavicius for The Artist, starring Jean Dujardin and Bérénice Bejo. Von...
- 2/21/2012
- by D. Zhea
- Alt Film Guide
George Clooney, Max von Sydow George Clooney and Max Von Sydow chat away at the Oscar Nominees Luncheon in Beverly Hills held on Monday, February 6, 2012. Clooney is a Best Actor nominee for Alexander Payne's The Descendants. Von Sydow is a Best Supporting Actor nominee for Stephen Daldry's Extremely Loud and Incredibly Close. (Photo: Todd Wawrychuk / © A.M.P.A.S.) Clooney's competition for the Best Actor Academy Award consists of Demián Bichir for Chris Weitz's A Better Life, Brad Pitt for Bennett Miller's Moneyball, Gary Oldman for Tomas Alfredson's Tinker Tailor Soldier Spy, and Jean Dujardin for Michel Hazanavicius' The Artist. In the acting categories, Clooney has three previous Oscar nominations: he won as Best Supporting Actor for Stephen Gaghan's Syriana (2005), and was nominated as Best Actor for Tony Gilroy's Michael Clayton (2007) and Jason Reitman's Up in the Air (2009). Here's wondering...
- 2/19/2012
- by D. Zhea
- Alt Film Guide
I first encountered Max von Sydow on the big screen playing chess with Death in Ingmar Bergman's "The Seventh Seal" at The New Yorker in Manhattan when I was a teenager. He's surprised that I've seen it. "You watched black and white films?" he asks, admitting that this is his first flipcam interview. I've been watching the great Swedish actor all my life; he's a year older than my father would be, 82, and he's still a big tall strong movie star. He's been making movies in many countries for 62 years, from Italy and Sweden ("The Wild Strawberries," The Virgin Spring," "The Passion of Anna") to Hollywood...
- 12/23/2011
- Thompson on Hollywood
Craig (from Dark Eye Socket) here with another Take Three. Today: Max von Sydow
Take One: Hour of the Wolf (1968)
It goes without saying, of course, that a von Sydow Take Three wouldn’t feel right unless one of them was an Ingmar Bergman film. All three could’ve been, but the aim is to err on the side of variety whenever possible. They made 11 films together: The Seventh Seal, Wild Strawberries, The Magician, The Virgin Spring, Through a Glass Darkly, Winter Light, Shame and The Passion of Anna are all classics. But Hour of the Wolf, in which von Sydow plays a painter losing his grip on his sanity, doesn’t always get the high mention it deserves. It contains some of von Sydow’s best work in any film, for any director.
With his handsomely regal face, von Sydow boldly dominates the film. His sinisterly unhinged stillness and...
Take One: Hour of the Wolf (1968)
It goes without saying, of course, that a von Sydow Take Three wouldn’t feel right unless one of them was an Ingmar Bergman film. All three could’ve been, but the aim is to err on the side of variety whenever possible. They made 11 films together: The Seventh Seal, Wild Strawberries, The Magician, The Virgin Spring, Through a Glass Darkly, Winter Light, Shame and The Passion of Anna are all classics. But Hour of the Wolf, in which von Sydow plays a painter losing his grip on his sanity, doesn’t always get the high mention it deserves. It contains some of von Sydow’s best work in any film, for any director.
With his handsomely regal face, von Sydow boldly dominates the film. His sinisterly unhinged stillness and...
- 8/14/2011
- by Craig Bloomfield
- FilmExperience
Robert here, closing out the first season of my series Distant Relatives, (where we look at two films, (one classic, one modern) related through theme and ask what their similarities/differences can tell us about the evolution of cinema) with a two part special.
The meaning of life
It may seem like a cheat to compare a trilogy of films to a director’s entire collected works. Surely it wouldn’t be that hard to find elements in anyone’s filmography that happen to match up to the Toy Story films which cover a wide array of human (er, toy) emotion. But it’s not just random or occasional moments or themes that we’re talking about. When I see the Toy Story films, I see a primary emphasis on the two concepts that Ingmar Bergman explored though his entire career: the quest for meaning in life and the sorrow...
The meaning of life
It may seem like a cheat to compare a trilogy of films to a director’s entire collected works. Surely it wouldn’t be that hard to find elements in anyone’s filmography that happen to match up to the Toy Story films which cover a wide array of human (er, toy) emotion. But it’s not just random or occasional moments or themes that we’re talking about. When I see the Toy Story films, I see a primary emphasis on the two concepts that Ingmar Bergman explored though his entire career: the quest for meaning in life and the sorrow...
- 4/7/2011
- by Robert
- FilmExperience
The blog entry "In Search of Redemption" inspired an outpouring of reader comments remarkable not only for their number but for their intelligence and thought. It became obvious that many of us go to the movies seeking some sort of release or healing. Many of you mentioned titles that especially affected you; two of my most-admired films, "Hoop Dreams" and "Grave of the Fireflies," were frequently listed. You all had your reasons. Now Ali Arikan, a longtime contributor to this site, has written me about why he was so affected by a relatively unlikely title, "The Out-of-Towners." His reasons were personal; he can post them below if he chooses to. But in connection with his explanation, he quoted the first paragraph of one of my reviews.
It was for "Frequency" (2000), Gregory Hoblit's movie about a man who uses a freak of his dad's old ham radio to be able...
It was for "Frequency" (2000), Gregory Hoblit's movie about a man who uses a freak of his dad's old ham radio to be able...
- 7/3/2008
- by Roger Ebert
- blogs.suntimes.com/ebert
Ingmar Bergman, the Swedish director considered one of the most influential and acclaimed filmmakers of modern cinema, died at his home in Faro, Sweden, on Monday; he was 89. The death was announced by the Swedish news agency TT and confirmed by Bergman's daughter, Eva, and Astrid Soderbergh Widding, president of The Ingmar Bergman Foundation, though an official cause of death was not yet given. Nominated for nine Academy Awards throughout his career and honored with the Irving G. Thalberg award in 1971, Bergman was cited as one of the greatest filmmakers of all time, with his bleak, unsparing yet highly emotional explorations of the human psyche and its relation to life, sex, and death, in both highly symbolic and intensely personal films; he most notably influenced Woody Allen, who considered him the greatest of filmmakers. His images ranged from the stark black-and-white of films like The Seventh Seal to those awash in dreadful reds such as Cries and Whispers and the holiday warmth of Fanny and Alexander, his last film for the cinema. Born in Uppsala, Sweden in 1918, Bergman was the son of a Lutheran minister, and religious imagery as well as the tumultuous relationship between his parents would pervade his work. Though growing up in an extremely strict and devout family, Bergman lost his faith at an early age and grappled with the concept of the existence of God in many of his early films. Bergman discovered the magic of imagery at the age of nine with a magic lantern, for which he would create his own characters and scenery, and this love of light and images brought him to the theater world after a brief stint at the University of Stockholm. Bergman worked in both theater and film throughout the 1940s, as part of the script department of Svensk Filmindustri and as a director and producer for numerous small theater companies. His first script to be produced was the 1944 film Torment, and began as a director with small movies that allowed him to hone his craft; among his notable earlier works were Prison, Summer Interlude, and Sawdust and Tinsel.
Bergman came to the fore of the international cinematic community with the 1955 film Smiles of a Summer Night, his classic melancholy comedy about the romantic entanglements of three 19th century couples during a weekend at a country estate. The film propelled him to stardom and won him a a Cannes Film Festival award for "Best Poetic Humor" (it was also later adapted by Stephen Sondheim into the musical A Little Night Music). He established his legacy and reputation with his next two films: The Seventh Seal, featuring the now-iconic imagery of Death playing chess with a tortured medieval knight (Max Von Sydow), and Wild Strawberries, the study of an aged professor (played by Victor Sjostrom) revisiting his youth and his darkest fears as he drives through the Swedish countryside. Both films were phenomenal critical and box office successes, with Wild Strawberries earning Bergman his first Oscar nomination, for Best Screenplay. Bergman's The Virgin Spring, the grim fable about two parents exacting revenge on their daughter's murderers, won the Best Foreign Language film Oscar in 1961. He followed up that film with a trilogy of films -- Through a Glass Darkly (another Foreign Language Film Oscar winner), Winter Light and The Silence -- in which he grappled most powerfully with his lack of faith and belief in the power of love.
Making as many failures as he did successes, Bergman found favor with a number of films throughout the 1960s and 1970s, including the now-famous Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers (a nominee for Best Picture), Scenes from a Marriage, The Magic Flute, and Autumn Sonata. Throughout his films he used an ensemble of actors, most notably Max von Sydow, Gunnar Bjornstrand, Ingrid Thulin, Bibi Andersson, Harriet Andersson, Erland Josephson and Liv Ullman, with whom he had a personal relationship and a child. He also almost always worked with the legendary cinematographer Sven Nykvist, who won two Oscars for Cries and Whispers and 1982's Fanny and Alexander. It was that latter film that Bergman declared to be his final cinematic work, an intimate portrait of brother and sister set in early 20th century Sweden that was originally conceived as a four part TV film, and was released in the US at a truncated 188 minutes. It won four Oscars, including Best Foreign Language Film. Though he officially "retired" from the film industry after Fanny and Alexander, Bergman made films for Swedish television, continued to direct theatrically (including a version of Hamlet in Swedish that traveled to the US) and wrote screenplays that were filmed by other directors, including Bille August, Bergman's son Daniel, and actress and former lover Liv Ullman. His last work as director was Saraband, a revisitation of the two lead characters (Ullman and Jospehson) from Scenes from a Marriage. Bergman was married five times, and his fifth wife, Ingrid von Rosen, passed away in 1995. He is survived by nine children from his past marriages and relationships. At press time, a funeral date had not yet been set. --Mark Englehart, IMDb staff...
Bergman came to the fore of the international cinematic community with the 1955 film Smiles of a Summer Night, his classic melancholy comedy about the romantic entanglements of three 19th century couples during a weekend at a country estate. The film propelled him to stardom and won him a a Cannes Film Festival award for "Best Poetic Humor" (it was also later adapted by Stephen Sondheim into the musical A Little Night Music). He established his legacy and reputation with his next two films: The Seventh Seal, featuring the now-iconic imagery of Death playing chess with a tortured medieval knight (Max Von Sydow), and Wild Strawberries, the study of an aged professor (played by Victor Sjostrom) revisiting his youth and his darkest fears as he drives through the Swedish countryside. Both films were phenomenal critical and box office successes, with Wild Strawberries earning Bergman his first Oscar nomination, for Best Screenplay. Bergman's The Virgin Spring, the grim fable about two parents exacting revenge on their daughter's murderers, won the Best Foreign Language film Oscar in 1961. He followed up that film with a trilogy of films -- Through a Glass Darkly (another Foreign Language Film Oscar winner), Winter Light and The Silence -- in which he grappled most powerfully with his lack of faith and belief in the power of love.
Making as many failures as he did successes, Bergman found favor with a number of films throughout the 1960s and 1970s, including the now-famous Persona, Hour of the Wolf, The Passion of Anna, Cries and Whispers (a nominee for Best Picture), Scenes from a Marriage, The Magic Flute, and Autumn Sonata. Throughout his films he used an ensemble of actors, most notably Max von Sydow, Gunnar Bjornstrand, Ingrid Thulin, Bibi Andersson, Harriet Andersson, Erland Josephson and Liv Ullman, with whom he had a personal relationship and a child. He also almost always worked with the legendary cinematographer Sven Nykvist, who won two Oscars for Cries and Whispers and 1982's Fanny and Alexander. It was that latter film that Bergman declared to be his final cinematic work, an intimate portrait of brother and sister set in early 20th century Sweden that was originally conceived as a four part TV film, and was released in the US at a truncated 188 minutes. It won four Oscars, including Best Foreign Language Film. Though he officially "retired" from the film industry after Fanny and Alexander, Bergman made films for Swedish television, continued to direct theatrically (including a version of Hamlet in Swedish that traveled to the US) and wrote screenplays that were filmed by other directors, including Bille August, Bergman's son Daniel, and actress and former lover Liv Ullman. His last work as director was Saraband, a revisitation of the two lead characters (Ullman and Jospehson) from Scenes from a Marriage. Bergman was married five times, and his fifth wife, Ingrid von Rosen, passed away in 1995. He is survived by nine children from his past marriages and relationships. At press time, a funeral date had not yet been set. --Mark Englehart, IMDb staff...
- 7/30/2007
- IMDb News
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