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What's Daniel Day Lewis' best film? "Gangs of New York," perhaps? What about his Oscar-winning performance as the 16th President of the United States in "Lincoln?" Surely his efforts there should put Steven Spielberg's historical drama in the running for Lewis' finest work. Well, it's neither of these. Daniel Day Lewis' best film is, in fact, 1985's "A Room With a View," — at least according to Rotten Tomatoes.
The website that determined there to be only two perfect horror movies can also be consulted for its rankings of individual actors' filmographies. This has resulted in the definitely correct revelation that Sean Connery's finest film is "Darby O'Gill and the Little People." Now, it's Gene Hackman's turn to have a lifetime of acting ability summed up by a series of cartoon splats and tomatoes. What could possibly be at the top of this list? Well, my money was...
The website that determined there to be only two perfect horror movies can also be consulted for its rankings of individual actors' filmographies. This has resulted in the definitely correct revelation that Sean Connery's finest film is "Darby O'Gill and the Little People." Now, it's Gene Hackman's turn to have a lifetime of acting ability summed up by a series of cartoon splats and tomatoes. What could possibly be at the top of this list? Well, my money was...
- 5/20/2024
- by Joe Roberts
- Slash Film
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Reader, you have been lied to! Film history is littered with unfairly maligned classics, whether critics were too eager to review the making of rather than the finished product, or they suffered from underwhelming ad campaigns or general disinterest. Let’s revise our takes on some of these films from wrongheaded to the correct opinion.
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
In 1972, Peter Bogdanovich, Francis Coppola, and William Friedkin were three of the hottest directors in Hollywood thanks to finding the sweet spot between art and box office with “The Last Picture Show,” “The Godfather,” and “The French Connection,” respectively. With their newfound clout, the young auteurs formed The Directors Company, a partnership based at Paramount, where they were given complete creative freedom to make anything they wanted as long as they worked within modest budgets. The first movie the deal yielded, “Paper Moon,” was a hit, Bogdanovich’s third in a row after “Picture Show...
- 5/15/2024
- by Jim Hemphill
- Indiewire
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In December of 1973, two movies that would change the face of horror and the ways it dealt with religion and spirituality were released. One was an instant hit, immediately changing the landscape of the genre forever. The other was severely cut by executives who simply did not understand it and unceremoniously slapped into the B-picture slot on double bills with Don’t Look Now, where it seemed to die a quick death. Over time, it grew from an underground cult discovery to a genre-defining masterpiece. The former is, of course, William Friedkin and William Peter Blatty’s The Exorcist, which remains a terrifying and inimitable masterpiece. The latter is Robin Hardy and Anthony Schaffer’s The Wicker Man, a truly remarkable film that became a flashpoint for an emerging subgenre—Folk Horror. Though both films deal in religion, The Exorcist and The Wicker Man could not be more divided in their approach to the subject.
- 5/9/2024
- by Brian Keiper
- bloody-disgusting.com
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When we think of the greatest actors who opted to retire, there are really so few that ended on a high note. Daniel Day-Lewis in Phantom Thread is the first one that comes to mind, but who else would even be close? Unfortunately, it isn’t Gene Hackman, who left Hollywood after a 40+ year on the screen following 2004’s Welcome to Mooseport…which is just about the most embarrassing way to cap off such a legendary career. Then again, maybe it’s just the sort of movie that would make you want to retire.
By the time filming began on what would be his last movie, Gene Hackman was in his mid-70s and had seen enough in the business to know who was competent and, well, who would be directing Welcome to Mooseport. As co-star Maura Tierney remembered, Hackman and Donald Petrie did not get along at all when making the movie.
By the time filming began on what would be his last movie, Gene Hackman was in his mid-70s and had seen enough in the business to know who was competent and, well, who would be directing Welcome to Mooseport. As co-star Maura Tierney remembered, Hackman and Donald Petrie did not get along at all when making the movie.
- 4/29/2024
- by Mathew Plale
- JoBlo.com
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It is impossible for us to stop talking about Al Pacino, the method actor, who has delivered a number of masterpieces, including Francis Ford Coppola’s The Godfather. The Oscar-winning actor, 83, has had an illustrious career spanning five decades and counting, earning him millions of dollars and making him one of Hollywood’s most recognizable stars.
Well, any actor would eventually encounter some level of controversy in the course of their career, and Pacino is by no means an exception. Even though the acclaimed actor has starred in some challenging roles in the past, nothing compares to the 1980 flick Cruising, since the entire movie was controversial.
Al Pacino in The Godfather II [Credit: Paramount Pictures]Famous for his work on The Exorcist, William Friedkin directed Cruising, which was loosely based on Gerald Walker’s novel of the same name. Despite working on the film, Pacino left such a negative impression on...
Well, any actor would eventually encounter some level of controversy in the course of their career, and Pacino is by no means an exception. Even though the acclaimed actor has starred in some challenging roles in the past, nothing compares to the 1980 flick Cruising, since the entire movie was controversial.
Al Pacino in The Godfather II [Credit: Paramount Pictures]Famous for his work on The Exorcist, William Friedkin directed Cruising, which was loosely based on Gerald Walker’s novel of the same name. Despite working on the film, Pacino left such a negative impression on...
- 4/24/2024
- by Siddhika Prajapati
- FandomWire
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The new trailer of the upcoming MCU film Deadpool & Wolverine was released earlier this week. The trailer gives a full glimpse of Hugh Jackman’s return as Wolverine and sees him team up with Ryan Reynolds’ Deadpool. The film would be a multiversal story, with Wolverine dealing with ‘letting down his world’ and the mission helping him get over it.
To add to the hype, Deadpool creator Rob Liefeld took to his social media to appreciate the film. Having already seen it, the comic book creator compared the action sequences to that of Captain America: The Winter Soldier and even teased that the film would be one of the ‘best comic book films of all time’.
Deadpool Creator Rob Liefeld Appreciates Deadpool & Wolverine Ryan Reynolds and Hugh Jackman in Deadpool & Wolverine
Ryan Reynolds began his journey as Deadpool in 2016 when he starred and co-produced Deadpool. The film was a massive success,...
To add to the hype, Deadpool creator Rob Liefeld took to his social media to appreciate the film. Having already seen it, the comic book creator compared the action sequences to that of Captain America: The Winter Soldier and even teased that the film would be one of the ‘best comic book films of all time’.
Deadpool Creator Rob Liefeld Appreciates Deadpool & Wolverine Ryan Reynolds and Hugh Jackman in Deadpool & Wolverine
Ryan Reynolds began his journey as Deadpool in 2016 when he starred and co-produced Deadpool. The film was a massive success,...
- 4/23/2024
- by Nishanth A
- FandomWire
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The passing of William Friedkin last August put a cloud over what ended up being his final film, The Caine Mutiny Court-Martial. At the same time, it predsented an opportunity to celebrate the legendary director, whether it’s from his fans or those he has worked with. Now, the star of the film, Keifer Sutherland, remembers just how special it was for him to collaborate with Friedkin.
Speaking at a recent panel, Keifer Sutherland spoke highly of the late William Friedkin, saying that seeing 1971’s The French Connection on the big screen as a teen had a tremendous influence on his appreciation for cinema and the craft of acting. “William Freakin was responsible for me…I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to.
Speaking at a recent panel, Keifer Sutherland spoke highly of the late William Friedkin, saying that seeing 1971’s The French Connection on the big screen as a teen had a tremendous influence on his appreciation for cinema and the craft of acting. “William Freakin was responsible for me…I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to.
- 4/14/2024
- by Mathew Plale
- JoBlo.com
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When the late, legendary filmmaker William Friedkin called Kiefer Sutherland to gauge his interest in playing the lead in the Showtime and Paramount+ film The Caine Mutiny Court-Martial, the actor hung up almost immediately. But not because he wasn’t interested in working with the director he’d long revered, Sutherland explained. “I thought it was one of my friends making a joke.”
During Sutherland’s appearance at Deadline’s Contenders Television panel alongside producers Annabelle Dunne and Matt Parker, Sutherland revealed that Friedkin had exerted a powerful influence on his professional path from an early age.
“William Freakin was responsible for me,” Sutherland said of his desire to work in film. “I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to. That was...
During Sutherland’s appearance at Deadline’s Contenders Television panel alongside producers Annabelle Dunne and Matt Parker, Sutherland revealed that Friedkin had exerted a powerful influence on his professional path from an early age.
“William Freakin was responsible for me,” Sutherland said of his desire to work in film. “I was working as a theater actor – I was only 15, 16 years old in Toronto, Canada. My mother was a great theater actor. It’s the community I grew up in and I was very dedicated to. That was...
- 4/13/2024
- by Scott Huver
- Deadline Film + TV
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David Anspaugh's 1986 sports drama "Hoosiers" has gone down in history as one of the most influential sports dramas ever made. Partly inspired by the real-life story of the 1954 Indiana state champions Milan High School, "Hoosiers" focuses on formerly-disgraced basketball coach Norman Dale (Gene Hackman), who gets a rare second chance to prove his mettle at Indiana's Hickory High School. The rather tight-knit town of Hickory seems a little too unforgiving towards Norman due to his sketchy past, but redemption finds its way to him via a David vs. Goliath situation that soon transforms into a classic underdog tale about dreaming big and achieving the impossible.
Some of the more saccharine themes in "Hoosiers" might feel a tad corny at times, but it is a film that brandishes sincere authenticity when it comes to the magic of unexpected second chances and the highs and lows of small-town sports. Moreover, a...
Some of the more saccharine themes in "Hoosiers" might feel a tad corny at times, but it is a film that brandishes sincere authenticity when it comes to the magic of unexpected second chances and the highs and lows of small-town sports. Moreover, a...
- 4/13/2024
- by Debopriyaa Dutta
- Slash Film
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There was perhaps no movie director more in demand in the 1970s than Francis Ford Coppola, who was leading the New Hollywood film movement with epics like “The Godfather” (1972), “The Godfather Part II” (1974) and “Apocalypse Now” (1979). But fewer viewers remember his quiet neo-noir drama “The Conversation,” a complete turnaround in production scale and arguably his only intimate, simple dramatic film. While it was not as financially successful as the previously aforementioned grander classics, the mystery thriller was just as acclaimed and lauded, earning three Oscar nominations and winning the Palme d’Or at the 1974 Cannes Film Festival. Now on its 50th anniversary, let’s look back at one of Coppola’s overlooked films, “The Conversation,” which was released on April 7, 1974.
The picture stars Gene Hackman as Harry Caul, a top surveillance expert who stumbles upon an ambiguous comment – that may lead to a potential murder – while recording for one of...
The picture stars Gene Hackman as Harry Caul, a top surveillance expert who stumbles upon an ambiguous comment – that may lead to a potential murder – while recording for one of...
- 4/9/2024
- by Christopher Tsang
- Gold Derby
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In the 1970s, Elvis Presley was so bored with his career that he began to invent problems for himself. According to Priscilla Presley, he grew obsessed with the idea of cleaning up the streets, even going so far as to offer to “take care” of anyone who bothered her. Elvis himself rarely ventured into dangerous situations. Instead, he sent his bodyguards out to deal with his problems. One of his bodyguards spoke out against this behavior.
Elvis Presley put people in danger to seem ‘macho’
In 1976, Elvis welcomed his bodyguard Red West into his bedroom. Here, West found guns spread all over the floor and a list of people Elvis saw as a threat to the public.
“He had it all planned,” West said in the book Elvis: What Happened? by Steve Dunleavy. “He wanted myself and Dave Hebler and Dick Grob, the former cop, to go out and lure them,...
Elvis Presley put people in danger to seem ‘macho’
In 1976, Elvis welcomed his bodyguard Red West into his bedroom. Here, West found guns spread all over the floor and a list of people Elvis saw as a threat to the public.
“He had it all planned,” West said in the book Elvis: What Happened? by Steve Dunleavy. “He wanted myself and Dave Hebler and Dick Grob, the former cop, to go out and lure them,...
- 3/22/2024
- by Emma McKee
- Showbiz Cheat Sheet
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One of the greatest crime movies of all time, "The French Connection" is William Friedkin's gritty drama based on a true story. Gene Hackman stars as Detective Jimmy "Popeye" Doyle, a no-nonsense, rule-breaking cop who gets caught up investigating a case in which the Italian mob is bringing drugs into America with the help of a French heroin-smuggling syndicate. But this isn't an open-and-shut case. The lawmen are seemingly foiled at every turn, and things end on a shocking, bleak note. It's an amazing movie with one of the best chase sequences ever captured on film. "The French Connection" was released nearly 53 years ago, which means many of its cast members have left us, along with director Friedkin, who died last year. But a few are still around. So here are the only major actors still alive from "The French Connection."
Read more: The 20 Best Detective Movies Ranked
Gene...
Read more: The 20 Best Detective Movies Ranked
Gene...
- 2/17/2024
- by Chris Evangelista
- Slash Film
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The New Hollywood revolution was raging in 1971, and studios were rapidly transitioning from old-school leadership to boat-rocking up-and-comers who seemed to have the pulse of the Baby Boomer-driven counterculture. The age of star-studded mega-musicals and old-fashioned oaters was over; movies didn't necessarily need a serrated edge to slash into the zeitgeist, but even a weepie like Arthur Hiller's "Love Story" boasted a lived-in verisimilitude. These films, shorn of backlot artifice, were happening in the real world.
Young moviegoers weren't the only ones craving authenticity. John Schlesinger's "Midnight Cowboy" couldn't have been voted Best Picture of 1969 without significant support from gray-haired Academy of Motion Picture Arts and Sciences members. This was a film that plunged viewers into the seamiest iteration of New York City ever captured by a studio movie, that dealt with issues of sex work and homosexuality so unflinchingly that the MPAA (now known as MPA) gave it an X-rating.
Young moviegoers weren't the only ones craving authenticity. John Schlesinger's "Midnight Cowboy" couldn't have been voted Best Picture of 1969 without significant support from gray-haired Academy of Motion Picture Arts and Sciences members. This was a film that plunged viewers into the seamiest iteration of New York City ever captured by a studio movie, that dealt with issues of sex work and homosexuality so unflinchingly that the MPAA (now known as MPA) gave it an X-rating.
- 2/16/2024
- by Jeremy Smith
- Slash Film
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Gene Hackman is one of the most versatile and accomplished character actors on film and is appreciated by critics and audiences for his clean, no-nonsense style of acting. In his film work, Hackman was famed for the every-man quality to his work with which audiences of all types could identify which he demonstrated in the more than 80 films in which he appeared.
Throughout his film career which lasted more than half a century, Hackman’s subtle work has been showered with honors. He has won two Academy Awards (for 1971’s “The French Connection” with William Friedkin and 1992’s “Unforgiven” with Clint Eastwood) from five nominations. He has been given an honorary Cecil B. DeMille Award at the Golden Globes, while winning three competitive Globes from eight total nominations and is a Screen Actors Guild Award winner from his two nominations.
After appearing in 2004’s “Welcome to Mooseport,” Hackman announced that...
Throughout his film career which lasted more than half a century, Hackman’s subtle work has been showered with honors. He has won two Academy Awards (for 1971’s “The French Connection” with William Friedkin and 1992’s “Unforgiven” with Clint Eastwood) from five nominations. He has been given an honorary Cecil B. DeMille Award at the Golden Globes, while winning three competitive Globes from eight total nominations and is a Screen Actors Guild Award winner from his two nominations.
After appearing in 2004’s “Welcome to Mooseport,” Hackman announced that...
- 1/26/2024
- by Tom O'Brien, Misty Holland and Chris Beachum
- Gold Derby
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Norman Jewison, a seven-time Academy Award nominee who directed the 1968 Best Picture Oscar winner “In the Heat of the Night” as well as Oscar winners “Fiddler on the Roof,” “Moonstruck” and numerous other iconic films, is dead. He died peacefully on Saturday at his home.
A filmmaking giant in the 1960s, ’70s and ’80s, Jewison was undeniably one of the most prominent producer-directors never to have won an Oscar – though he was honored with the prestigious Irving G. Thalberg Award at the Academy Awards in 1999. He was nominated three times for his directing: “In the Heat of the Night” in ’68 (losing to Mike Nichols for “The Graduate”), “Fiddler on the Roof” in 1972 (William Friedkin won for “The French Connection”) and “Moonstruck” in 1988 (won by Bernardo Bertolucci for “The Last Emperor”). He was also nominated for producing a quartet of Best Picture contenders: “The Russians Are Coming, the Russians Are Coming...
A filmmaking giant in the 1960s, ’70s and ’80s, Jewison was undeniably one of the most prominent producer-directors never to have won an Oscar – though he was honored with the prestigious Irving G. Thalberg Award at the Academy Awards in 1999. He was nominated three times for his directing: “In the Heat of the Night” in ’68 (losing to Mike Nichols for “The Graduate”), “Fiddler on the Roof” in 1972 (William Friedkin won for “The French Connection”) and “Moonstruck” in 1988 (won by Bernardo Bertolucci for “The Last Emperor”). He was also nominated for producing a quartet of Best Picture contenders: “The Russians Are Coming, the Russians Are Coming...
- 1/23/2024
- by Ray Richmond
- Gold Derby
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The real Bonnie and Clyde may have died in 1933, but the legend of the couple's crime spree lives on in the form of songs, stories, and one groundbreaking movie. Arthur Penn's "Bonnie and Clyde" took Hollywood by storm when it hit theaters in 1967, generating controversy for its on-screen violence and sensuality -- and kick-starting nationwide conversations about who deserves to be the subject of a movie. While film fans still talk about these topics today, the movie's brutal final shootout feels mild compared to modern blood-soaked movie scenes.
Still, "Bonnie and Clyde" is a fantastic film, thanks in large part to its great cast. Warren Beatty plays cocky Clyde Barrow to Faye Dunaway's initially innocent Bonnie Parker, while actors Michael J. Pollard, Gene Hackman, and Estelle Parsons round out the Barrow gang. A young Gene Wilder made his big screen debut as one of Clyde's hostages, while Denver...
Still, "Bonnie and Clyde" is a fantastic film, thanks in large part to its great cast. Warren Beatty plays cocky Clyde Barrow to Faye Dunaway's initially innocent Bonnie Parker, while actors Michael J. Pollard, Gene Hackman, and Estelle Parsons round out the Barrow gang. A young Gene Wilder made his big screen debut as one of Clyde's hostages, while Denver...
- 1/8/2024
- by Valerie Ettenhofer
- Slash Film
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As 2023 comes to a close, we here at JoBlo.com would like to take a moment to pay tribute to some of the people who sadly passed away this year. Our deepest respect goes out to everyone in the industry we have lost, and our thoughts and prayers are with the friends and family of those who died in 2023. These talented individuals will always be remembered for their impact on the world of film and television.
In Memory Of…
Earl Boen
Earl Boen died at the age of 81 on January 5th. The actor was best known as Dr. Peter Silberman in The Terminator, a role he reprised in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines, making him the only other actor aside from Arnold Schwarzenegger to appear in the first three movies.
Boen always wanted to inject a little more humour into his performance, but director James Cameron kept telling him no…...
In Memory Of…
Earl Boen
Earl Boen died at the age of 81 on January 5th. The actor was best known as Dr. Peter Silberman in The Terminator, a role he reprised in Terminator 2: Judgment Day and Terminator 3: Rise of the Machines, making him the only other actor aside from Arnold Schwarzenegger to appear in the first three movies.
Boen always wanted to inject a little more humour into his performance, but director James Cameron kept telling him no…...
- 1/1/2024
- by Kevin Fraser
- JoBlo.com
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Director William Friedkin (who passed away earlier this year) made a lot of great films, including Best Picture winner The French Connection and one of the best horror movies ever made, The Exorcist. One you don’t hear referenced very often is the serial killer thriller Rampage, which had trouble making its way out into the world and was a project where Friedkin felt he had missed the mark, as the finished film wasn’t close enough to his original vision for it. But now Kino Lorber is showing Rampage some of the respect it’s been lacking over the decades, as Blu-ray.com reports they’ll be giving the film a 4K Uhd release sometime in early 2024.
Scripted by Friedkin and based on a novel of the same name by William P. Wood, Rampage delves into the subject of legal insanity, so often the default defense in modern-time gruesome crime trials.
Scripted by Friedkin and based on a novel of the same name by William P. Wood, Rampage delves into the subject of legal insanity, so often the default defense in modern-time gruesome crime trials.
- 12/28/2023
- by Cody Hamman
- JoBlo.com
![Image](https://m.media-amazon.com/images/M/MV5BZTQxMWE2ODYtN2Y5Mi00M2I0LWJiZDYtOWVmMDJlMzY5NzcxXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX140_CR0,0,140,140_.jpg)
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Director William Friedkin and producer/screenwriter William Peter Blatty enjoyed having fun with Warner Bros. executives during the production of “The Exorcist.” The Oscar-winning horror masterpiece celebrates its 50th anniversary Dec. 26 “We always put them on,” Friedkin told me in a 2018 L.A. Times interview “They were always concerned that we were both crazy and would eventually implode the movie. So, we staged blowups in front of them, where it looked like we were fiercely arguing over the most minute, meaningless details.”
“The Exorcist” was shot in Iraq, New York City and Georgetown in Washington, D.C. But Warners wanted the film to be made at the studio in Burbank and to “shoot day for night, so we didn’t get into night shooting,” said Friedkin, who died this past August at 87.”I I said ‘no’ to everything, I said things like ‘Why shoot day for night? Why don’t we...
“The Exorcist” was shot in Iraq, New York City and Georgetown in Washington, D.C. But Warners wanted the film to be made at the studio in Burbank and to “shoot day for night, so we didn’t get into night shooting,” said Friedkin, who died this past August at 87.”I I said ‘no’ to everything, I said things like ‘Why shoot day for night? Why don’t we...
- 12/26/2023
- by Susan King
- Gold Derby
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Uncover the bloody and beating heart of film history with The Exorcist Untold – an electrifying new documentary that delves into the legacy and influence of this groundbreaking, revolutionary and revered masterpiece.
On the 50th anniversary of one of the most legendary and influential horrors of all time, Robin Bextor (Oppenheimer: The Real Story) sheds fascinating new light in The Exorcist Untold. The documentary is set for its home entertainment bow this December, arriving on DVD and digital on 11th December 2023, courtesy of Reel 2 Reel Films.
The Exorcist is a cultural phenomenon that changed the face of cinema, paving the way for numerous films that followed in its terrifying footsteps. It continues to haunt and captivate audiences and its legacy can still be seen across the cinematic sphere today, 50 years on.
By exploring the motivations of the creators, the genesis of this pivotal film and the historical and cultural contexts...
On the 50th anniversary of one of the most legendary and influential horrors of all time, Robin Bextor (Oppenheimer: The Real Story) sheds fascinating new light in The Exorcist Untold. The documentary is set for its home entertainment bow this December, arriving on DVD and digital on 11th December 2023, courtesy of Reel 2 Reel Films.
The Exorcist is a cultural phenomenon that changed the face of cinema, paving the way for numerous films that followed in its terrifying footsteps. It continues to haunt and captivate audiences and its legacy can still be seen across the cinematic sphere today, 50 years on.
By exploring the motivations of the creators, the genesis of this pivotal film and the historical and cultural contexts...
- 12/6/2023
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
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Something inevitable has started to happen. Hardcore movie fans have stopped buying Blu-rays (although they’re in the midst of a slight comeback). Maybe it was the pandemic, when we were all stuck at home, or perhaps it was the closure of all of our favorite mom-and-pop physical media stores, but fans started to build digital libraries rather than physical ones. I get it. One of the reasons I got into buying movies on iTunes was that whenever a fancy new 4K restoration came out, they would upgrade the version you already bought. But, as Christopher Nolan warned recently, you should buy the movies you love on physical media because when you own something digitally, you don’t really own it.
Here’s why:
Digital Copies are basically long-term rentals:
While you can be reasonably sure that the digital copy you buy will stay in your library for a long time,...
Here’s why:
Digital Copies are basically long-term rentals:
While you can be reasonably sure that the digital copy you buy will stay in your library for a long time,...
- 12/2/2023
- by Chris Bumbray
- JoBlo.com
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At the time of its 1978 release, "Superman" was one of the most expensive films ever made, boasting a $55 million budget. To tell the story of the famous Man of Steel — an out-of-this-world superhero of immense strength that stood for American values — director Richard Donner's film had to be larger-than-life. The colors were vivid, the airborne special effects were (at the time) groundbreaking, and it had an outstanding cast that truly brought these beloved comic book characters to life and treated them as dynamic individuals.
Christopher Reeve, especially, gives a spectacular performance in the lead role. What he does best is clearly mark the differences and tension between his naive, dweeby alter ego Clark Kent and the formidable Superman. You can literally see and hear the changes in his persona through the way he carries himself and uses his voice. Margot Kidder is his perfect romantic foil as the spunky Lois Lane,...
Christopher Reeve, especially, gives a spectacular performance in the lead role. What he does best is clearly mark the differences and tension between his naive, dweeby alter ego Clark Kent and the formidable Superman. You can literally see and hear the changes in his persona through the way he carries himself and uses his voice. Margot Kidder is his perfect romantic foil as the spunky Lois Lane,...
- 11/30/2023
- by Caroline Madden
- Slash Film
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A lucky 13 performers have won both Oscars for acting. That is one hell of an exclusive club that even the likes of four-time Best Actress champion Katharine Hepburn and triple Best Actor victor Daniel Day-Lewis didn’t manage to join. Here’s the breakdown of thespians who taken home both lead and supporting Academy Awards in order of their achievement:
Helen Hayes won Best Actress in 1932 for “The Sin of Madelon Claudet.” She won Best Supporting Actress in 1971 for “Airport.” Hayes, who was the first performer to pull off this double feature, had the longest time between wins.
Jack Lemmon won for his supporting turn in “Mister Roberts” in 1956 before he took home Best Actor in 1974 for “Save the Tiger.”
Ingrid Bergman won Best Actress in 1945 for “Gaslight” and again in 1957 for “Anastasia” before she took home a supporting award in 1975 for “Murder on the Orient Express.”
Maggie Smith won...
Helen Hayes won Best Actress in 1932 for “The Sin of Madelon Claudet.” She won Best Supporting Actress in 1971 for “Airport.” Hayes, who was the first performer to pull off this double feature, had the longest time between wins.
Jack Lemmon won for his supporting turn in “Mister Roberts” in 1956 before he took home Best Actor in 1974 for “Save the Tiger.”
Ingrid Bergman won Best Actress in 1945 for “Gaslight” and again in 1957 for “Anastasia” before she took home a supporting award in 1975 for “Murder on the Orient Express.”
Maggie Smith won...
- 11/28/2023
- by Jacob Sarkisian
- Gold Derby
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David Fincher’s new film, The Killer, has now been released, and many are glowing about its slick filmmaking. Michael Fassbender stars as a contract killer who is particular in his ways and the intricate procedure in which he goes about his job. While many may feel the plot itself is simplistic, the Netflix film features Fincher’s distinct style. In a review from our own Chris Bumbray, he expresses, “As usual for a Fincher movie, The Killer is impeccably crafted, running a lean two hours and sporting Fincher’s signature cold, dark look via Dp Erik Messerschmidt. The score by Atticus Ross and Trent Reznor is more sparse than usual, and the sound design is intricate enough that if you get a chance to see this theatrically, you should.”
Among the fans of the film, director Guillermo Del Toro is someone in particular who the movie really won over.
Among the fans of the film, director Guillermo Del Toro is someone in particular who the movie really won over.
- 11/13/2023
- by EJ Tangonan
- JoBlo.com
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Though he’ll forever be known as Chief Brody, the shark-hunting sheriff in Steven Spielberg‘s “Jaws” (1975), Oscar-nominated actor Roy Scheider starred in a number of classics throughout his career before his death in 2008. Let’s take a look back at 15 of his greatest films, ranked worst to best.
Born in 1932 in Orange, New Jersey, Scheider’s journey towards the screen wasn’t exactly a straightforward one. After trying his hand at amateur boxing and serving in the military, he turned in his gloves and his uniform to set his sights on bit parts in movies and television. His big breakthrough came with William Friedkin‘s “The French Connection” (1971), a gritty police drama for which he earned an Oscar nomination as Best Supporting Actor (the film won five prizes including Best Picture). He returned to the race with a Best Actor nomination for Bob Fosse‘s autobiographical musical “All That Jazz...
Born in 1932 in Orange, New Jersey, Scheider’s journey towards the screen wasn’t exactly a straightforward one. After trying his hand at amateur boxing and serving in the military, he turned in his gloves and his uniform to set his sights on bit parts in movies and television. His big breakthrough came with William Friedkin‘s “The French Connection” (1971), a gritty police drama for which he earned an Oscar nomination as Best Supporting Actor (the film won five prizes including Best Picture). He returned to the race with a Best Actor nomination for Bob Fosse‘s autobiographical musical “All That Jazz...
- 11/3/2023
- by Zach Laws and Chris Beachum
- Gold Derby
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Arnold Schwarzenegger admitted on a new episode of “The Graham Norton Show” (via NME) that his rivalry with Sylvester Stallone “got out of control” during the 1980s and ’90s. The two actors emerged as action movie icons around the same time that Schwarzenegger released “The Terminator” and Stallone starred in “Rambo.”
“We were movie rivals, but we took the competitiveness to the extreme – we each had to have the best body, we had to kill more people in our films and we had to have the biggest guns,” Schwarzenegger said. “It got out of control and we tried to derail each other.”
“Then when we both invested in Planet Hollywood, we started flying around the world together to promote it and we became fantastic friends,” he continued. “He is a great human being and we are now inseparable.”
Stallone and Schwarzenegger would go on to star opposite each other in...
“We were movie rivals, but we took the competitiveness to the extreme – we each had to have the best body, we had to kill more people in our films and we had to have the biggest guns,” Schwarzenegger said. “It got out of control and we tried to derail each other.”
“Then when we both invested in Planet Hollywood, we started flying around the world together to promote it and we became fantastic friends,” he continued. “He is a great human being and we are now inseparable.”
Stallone and Schwarzenegger would go on to star opposite each other in...
- 10/27/2023
- by Zack Sharf
- Variety Film + TV
![William Friedkin in The Guardian (1990)](https://m.media-amazon.com/images/M/MV5BMTUwNjUzNzA0M15BMl5BanBnXkFtZTcwNzU5MDkwMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
![William Friedkin in The Guardian (1990)](https://m.media-amazon.com/images/M/MV5BMTUwNjUzNzA0M15BMl5BanBnXkFtZTcwNzU5MDkwMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
The late William Friedkin was known for many films, most notably the Oscar-winning films The French Connection and The Exorcist. The latter turns 50 years old in December, and it’s currently represented in theaters by a new sequel, The Exorcist: Believer. Before he passed away earlier this year at the age of 87, we’d spoken to Friedkin many times over the course of his career, and he always believed there was something special and timeless about The Exorcist. (Click on the media bar below to hear William Friedkin) https://www.hollywoodoutbreak.com/wp-content/uploads/2023/10/William_Fredkin_The_Exocrist_.mp3 The Exorcist is available on DVD, Blu-Ray, and most digital platforms.
The post William Friedkin Saw ‘The Exorcist’ As His Timeless Classic appeared first on Hollywood Outbreak.
The post William Friedkin Saw ‘The Exorcist’ As His Timeless Classic appeared first on Hollywood Outbreak.
- 10/27/2023
- by Hollywood Outbreak
- HollywoodOutbreak.com
![William Friedkin in The Guardian (1990)](https://m.media-amazon.com/images/M/MV5BMTUwNjUzNzA0M15BMl5BanBnXkFtZTcwNzU5MDkwMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
![William Friedkin in The Guardian (1990)](https://m.media-amazon.com/images/M/MV5BMTUwNjUzNzA0M15BMl5BanBnXkFtZTcwNzU5MDkwMw@@._V1_QL75_UY207_CR12,0,140,207_.jpg)
When he died this summer, a lot of director William Friedkin’s movies got new life as film fans dug into this filmography. Looking over his body of work, one of the interesting things to note is that he directed four films that could justifiably be called masterpieces, but only two of them were successful. There was The French Connection and The Exorcist, both of which raked in huge box office and are considered classics. But, there were also two flops that he made that are just as good as those films, one of which is 1977’s Sorcerer, and the other is 1985’s Secret Service thriller To Live and Die in L.A., which we’re digging into in this episode of Wtf Happened to This Movie.
The film stars William Petersen (long before CSI) as a Secret Service agent after the counterfeiter who killed his partner. While that premise sounds old hat,...
The film stars William Petersen (long before CSI) as a Secret Service agent after the counterfeiter who killed his partner. While that premise sounds old hat,...
- 10/25/2023
- by Chris Bumbray
- JoBlo.com
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While looking for a project to follow the success of his films The French Connection and The Exorcist, director William Friedkin came across a book he found to be fascinating: Cruising by Gerald Walker, about “a series of murders in the gay bars of New York, and a detective assigned to go undercover to find the killer”. But Friedkin had already made a movie that centered on gay characters, The Boys in the Band, so he let the Cruising adaptation go by. For a while, Steven Spielberg was attached to direct the film, but wasn’t able to get it into production. In his memoir The Friedkin Connection, Friedkin revealed that it wasn’t until someone he worked with on The Exorcist turned out to be a real-life serial killer that he thought of the way to approach Cruising.
Friedkin wrote in The Friedkin Connection that in 1979 he started seeing...
Friedkin wrote in The Friedkin Connection that in 1979 he started seeing...
- 10/23/2023
- by Cody Hamman
- JoBlo.com
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One of the curious things about "The Twilight Zone's" enduring popularity is that Rod Serling's classic anthology series has been rebooted three separate times, and even spun off into movies, and yet the original series is still considered the gold standard. You'll hear "Star Trek" fans sing the praises of "The Original Series," sure, but you'll also find lots of them who think the franchise peaked with "The Next Generation," "Deep Space Nine," or "Enterprise." But the reboots of the "Twilight Zone" aren't nearly as well remembered or celebrated as the original series, no matter how many great filmmakers or actors appeared in them.
Take the first TV reboot, for example. That version of "The Twilight Zone" aired for three seasons between 1985 and 1989 — peak, influential pop culture years — and featured episodes directed by cinematic luminaries like Wes Craven, Joe Dante, John Milius, Curtis Harrington, Bill Duke, Martha Coolidge,...
Take the first TV reboot, for example. That version of "The Twilight Zone" aired for three seasons between 1985 and 1989 — peak, influential pop culture years — and featured episodes directed by cinematic luminaries like Wes Craven, Joe Dante, John Milius, Curtis Harrington, Bill Duke, Martha Coolidge,...
- 10/21/2023
- by William Bibbiani
- Slash Film
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It’s always great to hear directors gush about their colleagues, and few do it with the same enthusiasm as Guillermo del Toro. While speaking with IndieWire, Guillermo del Toro spoke about the late William Friedkin and his experience serving as the backup director on The Caine Mutiny Court-Martial, Friedkin’s final movie.
“He is an original,” Guillermo del Toro said of William Friedkin. “He blends the lessons of documentary with complex and precise technology and narrative prowess. Every decision he makes is infused with his idiosyncrasies, his personality. Look at the ending of ‘The French Connection’ — that final frame he holds, brutal, mercilessly elliptical — or the final minutes of ‘The Exorcist,’ how he lands the audience softly out of the experience but never loses the mystery. Then try and figure out the mastery in ‘Sorcerer’ or ‘To Live and Die in L.A.’“
Related The Caine Mutiny Court-Martial Review
Before The Caine Mutiny Court-Martial,...
“He is an original,” Guillermo del Toro said of William Friedkin. “He blends the lessons of documentary with complex and precise technology and narrative prowess. Every decision he makes is infused with his idiosyncrasies, his personality. Look at the ending of ‘The French Connection’ — that final frame he holds, brutal, mercilessly elliptical — or the final minutes of ‘The Exorcist,’ how he lands the audience softly out of the experience but never loses the mystery. Then try and figure out the mastery in ‘Sorcerer’ or ‘To Live and Die in L.A.’“
Related The Caine Mutiny Court-Martial Review
Before The Caine Mutiny Court-Martial,...
- 10/16/2023
- by Kevin Fraser
- JoBlo.com
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On Friday, October 6, cinephiles were given a precious gift when Showtime dropped one last film by the late, great William Friedkin: an adaptation of Herman Wouk’s play “The Caine Mutiny Court-Martial.” The film is classic Friedkin, a clinic in blocking, editing, and camera movement reminiscent of earlier theatrical adaptations like “The Birthday Party,” “The Boys in the Band,” and “Bug.”
While there are many filmmaking lessons to be learned from studying the piece, one notable Friedkin disciple had the chance to examine the director’s process firsthand: Guillermo del Toro, who shadowed Friedkin throughout production as a backup in case the 87-year-old filmmaker was unable to complete the movie.
Long before he ever met Friedkin, del Toro was an admirer of his work. “He is an original,” del Toro told IndieWire. “He blends the lessons of documentary with complex and precise technology and narrative prowess. Every decision he...
While there are many filmmaking lessons to be learned from studying the piece, one notable Friedkin disciple had the chance to examine the director’s process firsthand: Guillermo del Toro, who shadowed Friedkin throughout production as a backup in case the 87-year-old filmmaker was unable to complete the movie.
Long before he ever met Friedkin, del Toro was an admirer of his work. “He is an original,” del Toro told IndieWire. “He blends the lessons of documentary with complex and precise technology and narrative prowess. Every decision he...
- 10/12/2023
- by Jim Hemphill
- Indiewire
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Long before he made Popeye Doyle race a Brooklyn subway and Regan MacNeil’s head spin, William Friedkin began his career doing live TV. He’d move on to an episode of The Alfred Hitchcock Hour, short documentaries, a Sonny-and-Cher joint (Good Times), theatrical adaptations (The Birthday Party, The Boys in the Band), and then an all-guts-all-glory double shot that instantly made him a New Hollywood power player. But like a lot of directors coming up in the early 1960s, his roots were with actors, words, conflict, and not much more.
- 10/7/2023
- by David Fear
- Rollingstone.com
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On December 26, 1973, horror fans endured long lines for the theatrical premiere of The Exorcist – a film that’s now considered by many to be the scariest movie ever made. Directed by William Friedkin and based on the bestselling novel by William Peter Blatty, The Exorcist broke box office records in its first week of release. Theater employees reported that moviegoers were passing out, becoming ill, and heading for the exits before the credits rolled because the subject matter was so disturbing and intense.
The creation of the classic horror film, which is the gold standard for movies dealing with possession and the devil, begins with Blatty’s novel published in 1971. Blatty’s story focused on a 12-year-old girl named Regan MacNeil who went from a happy-go-lucky, horse-loving preteen to a foul-mouthed, head-spinning nightmare after being possessed by a demon. Coming to Regan’s rescue were two Catholic priests who eventually...
The creation of the classic horror film, which is the gold standard for movies dealing with possession and the devil, begins with Blatty’s novel published in 1971. Blatty’s story focused on a 12-year-old girl named Regan MacNeil who went from a happy-go-lucky, horse-loving preteen to a foul-mouthed, head-spinning nightmare after being possessed by a demon. Coming to Regan’s rescue were two Catholic priests who eventually...
- 10/6/2023
- by Kevin Finnerty
- Showbiz Junkies
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As he was finishing up his Halloween sequel trilogy, David Gordon Green was ready to take another left turn in a career full of left turns, but then Jason Blum tempted him with the idea of giving The Exorcist (1973) its own sequel trilogy treatment.
In 2021, Universal and Peacock reportedly paid $400 million for the rights to the storied horror franchise that the late great William Friedkin kicked off alongside Ellen Burstyn, Linda Blair, Jason Miller and Max von Sydow. Green’s legacy sequel revolves around the parents of two possessed teenage girls (Lidya Jewett and Olivia O’Neill), as they turn to Chris MacNeil (Burstyn) for help in dealing with the demonic foe that took control of her now-estranged daughter, Regan (Linda Blair), in the 1973 film.
Green currently has outlines for the next two chapters of his Exorcist sequel trilogy, and while he once had plans to co-write and direct all three chapters,...
In 2021, Universal and Peacock reportedly paid $400 million for the rights to the storied horror franchise that the late great William Friedkin kicked off alongside Ellen Burstyn, Linda Blair, Jason Miller and Max von Sydow. Green’s legacy sequel revolves around the parents of two possessed teenage girls (Lidya Jewett and Olivia O’Neill), as they turn to Chris MacNeil (Burstyn) for help in dealing with the demonic foe that took control of her now-estranged daughter, Regan (Linda Blair), in the 1973 film.
Green currently has outlines for the next two chapters of his Exorcist sequel trilogy, and while he once had plans to co-write and direct all three chapters,...
- 10/6/2023
- by Brian Davids
- The Hollywood Reporter - Movie News
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If you want to know the particulars of why the crew of the USS Caine minesweeper turned on its captain, Lt. Cmdr. Philip Francis Queeg, seek out the 1954 film version of The Caine Mutiny, starring Humphrey Bogart in one of his defining roles, the next time it shows up on Turner Classic Movies. For now, TV returns to Herman Wouk’s stage adaptation of his 1951 novel, a classic courtroom drama first shown live as part of Ford Star Jubilee in 1955, with an Emmy-winning Lloyd Nolan reprising his Broadway role as Queeg. Director Robert Altman filmed it for TV in 1988, with Brad Davis as Queeg, and Showtime‘s new version, The Caine Mutiny Court-Martial, is of special interest as the final film directed by Oscar winner William Friedkin. Though not particularly flashy, Friedkin’s camera glides with purposeful restraint, keeping the focus on the combatants in a story that has been...
- 10/6/2023
- TV Insider
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News that William Friedkin’s final film, “The Caine Mutiny Court-Martial,” would be released on Showtime after premiering at the Venice Film Festival was met with widespread disappointment from cinephiles. After forging an unimpeachable Hollywood legacy that included “The Exorcist,” “The French Connection,” and “Sorcerer,” the consensus was that the late director had more than earned a theatrical release for his curtain call.
It was an understandable sentiment, as we’re all occasionally tempted to fantasize about a world where mid-budget adult dramas are a viable box office draw. But the one-two punch of a prestigious festival bow followed by Sunday night pay cable glory feels like the most authentic distribution model that this film could possibly merit. Because at its core, it’s a made-for-tv movie in every sense of the word.
Yes, “The Caine Mutiny Court-Martial” is the work of an auteur who expanded our perception of the...
It was an understandable sentiment, as we’re all occasionally tempted to fantasize about a world where mid-budget adult dramas are a viable box office draw. But the one-two punch of a prestigious festival bow followed by Sunday night pay cable glory feels like the most authentic distribution model that this film could possibly merit. Because at its core, it’s a made-for-tv movie in every sense of the word.
Yes, “The Caine Mutiny Court-Martial” is the work of an auteur who expanded our perception of the...
- 10/6/2023
- by Christian Zilko
- Indiewire
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Plot: A Naval officer (Jake Lacy) is on trial for mutiny. His court-appointed attorney (Jason Clarke) must prove that his captain (Kiefer Sutherland) was dangerously unbalanced and that mutiny was the only solution to protect the crew.
Review: The Caine Mutiny Court-Martial is an interesting final film for the late William Friedkin. While most know him for his seventies epics, having directed at least three or four of the greatest films ever made, many don’t know that he started his career with a couple of films based on stage plays: The Birthday Party and The Boys in the Band. His most recent work, Bug and Killer Joe, were also stage adaptations (of works by Tracy Letts), but The Caine Mutiny Court-Martial is more traditionally mounted than those. This is basically a stage play put to film, with no exteriors, no music and only two sets.
The play was written...
Review: The Caine Mutiny Court-Martial is an interesting final film for the late William Friedkin. While most know him for his seventies epics, having directed at least three or four of the greatest films ever made, many don’t know that he started his career with a couple of films based on stage plays: The Birthday Party and The Boys in the Band. His most recent work, Bug and Killer Joe, were also stage adaptations (of works by Tracy Letts), but The Caine Mutiny Court-Martial is more traditionally mounted than those. This is basically a stage play put to film, with no exteriors, no music and only two sets.
The play was written...
- 10/6/2023
- by Chris Bumbray
- JoBlo.com
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The ExorcistPhoto: Bettmann (Getty Images)
Nosferatu, the original vampire movie, set in motion the cinematic tropes of the subgenre, and since then many subsequent movies have done great things with its concepts, from Universal’s Dracula to Fright Night. John Carpenter’s Halloween crystallized everything we now associate with the slasher subgenre,...
Nosferatu, the original vampire movie, set in motion the cinematic tropes of the subgenre, and since then many subsequent movies have done great things with its concepts, from Universal’s Dracula to Fright Night. John Carpenter’s Halloween crystallized everything we now associate with the slasher subgenre,...
- 10/2/2023
- by Luke Y. Thompson
- avclub.com
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Fandoms everywhere can now rejoice, for in October Our Flag Means Death finally returns to our screens for its second season. Rhys Darby and Taika Waititi will be romancing the high seas once more thanks to an enormous outpouring of love and support from the show’s fans. The safety of the cult favorite is not yet known beyond season two, but if this one is as good as the first, it certainly won’t be for lack of trying.
Talking of little shows that could, Doom Patrol is back for its last ever block of episodes, having long outlasted the many of the other ill-fated DC streaming series. Season two of The Gilded Age is also streaming this month, with Bertha challenging both Mrs. Astor and the old system in this new run.
And if none of that is up your street, there’s always Jason Statham punching sharks in the face,...
Talking of little shows that could, Doom Patrol is back for its last ever block of episodes, having long outlasted the many of the other ill-fated DC streaming series. Season two of The Gilded Age is also streaming this month, with Bertha challenging both Mrs. Astor and the old system in this new run.
And if none of that is up your street, there’s always Jason Statham punching sharks in the face,...
- 10/1/2023
- by Kirsten Howard
- Den of Geek
![Image](https://m.media-amazon.com/images/M/MV5BN2JjYjAwZWUtY2Q5Zi00MjJjLWE2MTktODIyYjEyZjNkYzAzXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
With its combined catalog of HBO originals as well as titles from Food Network, Cartoon Network, the CW, Discovery, HGTV, and more, Max is starting another month with an embarrassment of riches, be it Gilded Age fortunes or pirate booty.
The Warner Bros. streamer will pull from its multiple brands for dozens of new titles, classic movies, special-interest series, and more, from 1963’s classic horror film The Haunting to the all-new highly anticipated second season of the romantic dramedy “Our Flag Means Death.”
Get ready for the new month and check out The Streamable’s picks for the best titles coming to Max this month!
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What are the 5 Best Shows and Movies Coming to Max in October 2023? “Our Flag Means Death” Season 2 | Thursday, Oct. 5
Season 2 of the hit Taikia Waititi and Rhys Darby...
The Warner Bros. streamer will pull from its multiple brands for dozens of new titles, classic movies, special-interest series, and more, from 1963’s classic horror film The Haunting to the all-new highly anticipated second season of the romantic dramedy “Our Flag Means Death.”
Get ready for the new month and check out The Streamable’s picks for the best titles coming to Max this month!
7-Day Free Trial $9.99+ / month Max via amazon.com
Get 20% Off Your Next Year of Max When Pre-Paid Annually
What are the 5 Best Shows and Movies Coming to Max in October 2023? “Our Flag Means Death” Season 2 | Thursday, Oct. 5
Season 2 of the hit Taikia Waititi and Rhys Darby...
- 9/29/2023
- by Ashley Steves
- The Streamable
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Rhys Darby in ‘Our Flag Means Death’ season 2 (Photograph by Nicola Dove/Max)
Max’s 2023 October lineup of series includes new seasons of Our Flag Means Death, The Gilded Age, and 30 Coins, as well as the second half of Doom Patrol season four (the final season). A documentary focusing on the notorious Bling Ring premieres on October 1st, along with all five Final Destination films.
In addition to a batch of horror films joining the network’s lineup, Max is celebrating Halloween with new seasons of Ghost Adventures and The Haunted Museum.
Series & Films Arriving On Max In October 2023:
October 1
3 Godfathers (1948)
The Adventures of Pinocchio (1996)
All About the Benjamins (2002)
The Amazing Panda Adventure (1995)
Angels in the Outfield (1951)
The Answer Man (2009)
Anthropoid (2016)
Appaloosa (2008)
The Apparition (2012)
The Asphalt Jungle (1950)
Badlands (1973)
Be Cool (2005)
Bee Season (2005)
Beetlejuice (1988)
The Benchwarmers (2006)
Blade Runner 2049 (2017)
Blindspotting (2018)
Celeste and Jesse Forever (2012)
Cesar Chavez (2014)
Charlie Wilson’s War...
Max’s 2023 October lineup of series includes new seasons of Our Flag Means Death, The Gilded Age, and 30 Coins, as well as the second half of Doom Patrol season four (the final season). A documentary focusing on the notorious Bling Ring premieres on October 1st, along with all five Final Destination films.
In addition to a batch of horror films joining the network’s lineup, Max is celebrating Halloween with new seasons of Ghost Adventures and The Haunted Museum.
Series & Films Arriving On Max In October 2023:
October 1
3 Godfathers (1948)
The Adventures of Pinocchio (1996)
All About the Benjamins (2002)
The Amazing Panda Adventure (1995)
Angels in the Outfield (1951)
The Answer Man (2009)
Anthropoid (2016)
Appaloosa (2008)
The Apparition (2012)
The Asphalt Jungle (1950)
Badlands (1973)
Be Cool (2005)
Bee Season (2005)
Beetlejuice (1988)
The Benchwarmers (2006)
Blade Runner 2049 (2017)
Blindspotting (2018)
Celeste and Jesse Forever (2012)
Cesar Chavez (2014)
Charlie Wilson’s War...
- 9/25/2023
- by Rebecca Murray
- Showbiz Junkies
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Showtime has released a trailer for The Caine Mutiny Court-Martial, the final film from writer/director William Friedkin. The movie, based on Pulitzer Prize-winning novel by Herman Wouk, follows a U.S. naval first officer who’s standing trial for orchestrating a mutiny after his captain shows signs of becoming unhinged and jeopardizes the lives of his crew.
The Caine Mutiny Court-Martial stars Kiefer Sutherland, Jason Clarke, Jake Lacy, Monica Raymund, Lewis Pullman, Jay Duplass, Tom Riley, and Lance Reddick. Friedkin wrote and directed the film, which was completed before his death on Aug.
The Caine Mutiny Court-Martial stars Kiefer Sutherland, Jason Clarke, Jake Lacy, Monica Raymund, Lewis Pullman, Jay Duplass, Tom Riley, and Lance Reddick. Friedkin wrote and directed the film, which was completed before his death on Aug.
- 9/22/2023
- by Emily Zemler
- Rollingstone.com
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Oscar-winning filmmaker William Friedkin’s “The Caine Mutiny Court-Martial” dropped its official trailer today for a movie that will stream exclusively on the Paramount+ on Showtime plan beginning October 6 before making its linear debut two nights later over Showtime. The military drama is adapted from the classic Pulitzer Prize-winning novel “The Caine Mutiny” by Herman Wouk and was Friedkin’s final project. He died on August 7 after completing work on the Republic Pictures feature as its writer and director. Watch the trailer above.
“Caine Mutiny Court-Martial” stars Kiefer Sutherland as the story’s domineering captain, Lt. Philip Francis Queeg. In the film, Lt. Steve Maryk (Jake Lacy) – a first officer of the Navy who took control of the U.S.S. Caine from Queeg during a violent sea storm in unfriendly waters – is forced to stand trial after his captain showed signs of being unhinged and jeopardized the lives of his crew.
“Caine Mutiny Court-Martial” stars Kiefer Sutherland as the story’s domineering captain, Lt. Philip Francis Queeg. In the film, Lt. Steve Maryk (Jake Lacy) – a first officer of the Navy who took control of the U.S.S. Caine from Queeg during a violent sea storm in unfriendly waters – is forced to stand trial after his captain showed signs of being unhinged and jeopardized the lives of his crew.
- 9/21/2023
- by Ray Richmond
- Gold Derby
![Image](https://m.media-amazon.com/images/M/MV5BNTcxMmMxMGItM2RkNi00ZTEzLWIyZjItMTA4MmVhZDIyOWMwXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,0,500,281_.jpg)
Speaking to Entertainment Tonight Canada at the world premiere of his biographical documentary “Sly,” Sylvester Stallone called himself “the last of the dinosaurs” while praising his career longevity. The “Rocky” icon was referring to the fact that he’s one of the few ’80s action stars left continuing to headline movies, which is the case with the upcoming fourth “Expendables” movie. He’s also the lead of the Paramount+ series “Tulsa King,” which has been renewed for a second season.
“You can’t be prepared for this…the longevity of this career is mind-blowing,” Stallone said. “It’s just mind-blowing because I don’t know how much longer you can wait. Society is changing, the commerciality in cinema, it’s faster. So longevity would become a premium.”
Stallone continued, “I consider myself like the last of the dinosaurs, you know what I mean? And I’m very proud of that.
“You can’t be prepared for this…the longevity of this career is mind-blowing,” Stallone said. “It’s just mind-blowing because I don’t know how much longer you can wait. Society is changing, the commerciality in cinema, it’s faster. So longevity would become a premium.”
Stallone continued, “I consider myself like the last of the dinosaurs, you know what I mean? And I’m very proud of that.
- 9/18/2023
- by Zack Sharf
- Variety Film + TV
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While rumors floated for years that James Caan turned down an offer to play Han Solo in Star Wars, he avoided confirming or denying the story. Still, the actor said he had turned down many roles in his career. He also shared why he thought he wouldn’t have been right for the role. With this response, he took a shot at Harrison Ford.
There are rumors that James Caan turned down the role of Han Solo
Ford, of course, ultimately got the role of Han Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
There are rumors that James Caan turned down the role of Han Solo
Ford, of course, ultimately got the role of Han Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
- 9/15/2023
- by Emma McKee
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BMGYzYzMyYzgtZjFlZC00MmU2LTkzMWMtN2VmMGJiNTQ3ODVlXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,47,500,281_.jpg)
While rumors floated for years that James Caan turned down an offer to play Hans Solo in Star Wars, he avoided confirming or denying the story. Still, the actor said he had turned down many roles in his career. He also shared why he thought he wouldn’t have been right for the role. With this response, he took a shot at Harrison Ford.
There are rumors that James Caan turned down the role of Hans Solo
Ford, of course, ultimately got the role of Hans Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
There are rumors that James Caan turned down the role of Hans Solo
Ford, of course, ultimately got the role of Hans Solo. Caan was reportedly under consideration for the part before Ford was cast, though. In a 2013 conversation on The Howard Stern Show, Caan first spoke about another iconic role he refused: Superman.
Caan said that The Godfather author Mario Puzo had written a tongue-in-cheek, humorous script for the film. He would have considered this version, but the film went in a different direction. While...
- 9/15/2023
- by Emma McKee
- Showbiz Cheat Sheet
![Image](https://m.media-amazon.com/images/M/MV5BNTllZDgzMTctZDRhMS00YzFjLThhNDYtOGM5NTI0ODUzMGViXkEyXkFqcGdeQXVyMTE0MzQwMjgz._V1_QL75_UX500_CR0,26,500,281_.jpg)
Updated with latest: The Venice Film Festival began August 30 with opening-night movie Comandante, an Italian World War II drama, kicking off a lineup for the venerable fest’s 80th edition that includes world premieres of Michael Mann’s Ferrari, Bradley Cooper’s Maestro, Sofia Coppola’s Priscilla, Yorgos Lanthimos’ Poor Things, David Fincher’s The Killer, Ava DuVernay’s Origins, and new films from lightning-rod directors Roman Polanski, Woody Allen and Luc Besson.
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
Deadline is on the ground to watch all the key films. Below is a compilation of our reviews from the fest, which last year awarded Laura Poitras’ documentary All The Beauty and the Bloodshed its Golden Lion for best film.
Click on the film titles below to read the reviews in full, and keep checking back as we add more movies throughout the fest, which runs through September 9.
Adagio
Section: Competition
Director: Stefano Sollima
Cast: Pierfrancesco Favino,...
- 9/10/2023
- by Damon Wise, Pete Hammond, Stephanie Bunbury and Todd McCarthy
- Deadline Film + TV
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Somewhere, at any given moment, there’s a film director adapting a stage play to the big screen. Yet it’s rare, and fascinating, to see a filmmaker steeped to the gills in cinema as cinema who also has a grand obsession with the theater. Robert Altman was like that. His great films of the ’70s were so naturalistic they seemed to dissolve the edges of the movie frame, yet in the ’80s, starting with “Come Back to the Five & Dime Jimmy Dean, Jimmy Dean,” he adapted nine plays in a row, the last of which, in 1988, was a darkly solid made-for-tv version of “The Caine Mutiny Court-Martial.”
William Friedkin, the legendary director who passed away last month, just before his 88th birthday, represents another case like Altman’s. In the early ’70s, when Friedkin commandeered Hollywood and the world with the extraordinary one-two punch of “The French Connection” (1971) and...
William Friedkin, the legendary director who passed away last month, just before his 88th birthday, represents another case like Altman’s. In the early ’70s, when Friedkin commandeered Hollywood and the world with the extraordinary one-two punch of “The French Connection” (1971) and...
- 9/6/2023
- by Owen Gleiberman
- Variety Film + TV
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Oscar-winning filmmaker William Friedkin’s “The Caine Mutiny Court-Martial,” fresh off of its well-reviewed world premiere over the weekend at the Venice Film Festival, will stream exclusively on the Paramount+ on Showtime plan beginning October 6 before making its linear debut two nights later over Showtime. The military drama is adapted from the classic Pulitzer Prize-winning novel “The Caine Mutiny” by Herman Wouk and was Friedkin’s final project. He died on August 7 after completing work on the Republic Pictures feature as its writer and director.
“Caine Mutiny Court-Martial” stars Kiefer Sutherland as the story’s domineering captain, Lt. Philip Francis Queeg. In the film, Lt. Steve Maryk (Jake Lacy) – a first officer of the Navy who took control of the U.S.S. Caine from Queeg during a violent sea storm in unfriendly waters – is forced to stand trial after his captain showed signs of being unhinged and jeopardized the lives of his crew.
“Caine Mutiny Court-Martial” stars Kiefer Sutherland as the story’s domineering captain, Lt. Philip Francis Queeg. In the film, Lt. Steve Maryk (Jake Lacy) – a first officer of the Navy who took control of the U.S.S. Caine from Queeg during a violent sea storm in unfriendly waters – is forced to stand trial after his captain showed signs of being unhinged and jeopardized the lives of his crew.
- 9/5/2023
- by Ray Richmond
- Gold Derby
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