BFI Distribution has acquired UK-Ireland distribution rights to the film catalogue of late Belgian filmmaker Chantal Akerman.
The collection of 20 fiction and documentary features and short films was acquired from the Fondation Chantal Akerman, in partnership with the Royal Film Archive of Belgium.
BFI Distribution will give a theatrical re-release in 2025 to Akerman’s 1975 feature Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles as part of a package of Akerman films.
The package is part of a wider BFI project in 2025 to celebrate Akerman, including a retrospective season at London’s BFI Southbank, BFI Blu-ray releases and titles on BFI Player.
The collection of 20 fiction and documentary features and short films was acquired from the Fondation Chantal Akerman, in partnership with the Royal Film Archive of Belgium.
BFI Distribution will give a theatrical re-release in 2025 to Akerman’s 1975 feature Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles as part of a package of Akerman films.
The package is part of a wider BFI project in 2025 to celebrate Akerman, including a retrospective season at London’s BFI Southbank, BFI Blu-ray releases and titles on BFI Player.
- 4/9/2024
- ScreenDaily
On its face, Criterion’s Chantal Akerman Masterpieces, 1968–1978 is an essential set for offering key early works, some more obscure than others, from the career of one of the great film artists. But the pleasures here run deeper. Akerman used each of her initial films as a springboard to the next, and watching them in chronological order sees her consolidating and complicating her aesthetic and thematic preoccupations with each successive project.
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
Consider Akerman’s first film, 1968’s Saute ma ville. Akerman made this 13-minute short at the age of 18, and its debt to the antic energy and seriocomic political inclinations of the French New Wave makes it an outlier in a body of work fixated on structuralism and more meditative atmospheres. Yet in the film’s depiction of a young woman (Akerman herself) trashing her apartment emerges an outlandish expression of what will become a more somberly explored theme in upcoming shorts,...
- 1/26/2024
- by Jake Cole
- Slant Magazine
These days, queer movies come in all shapes and styles, from handsomely mounted biopics (“Milk”) to kid-friendly rom-coms. That’s a good thing; you want queer art to enjoy variety and novelty, and appeal to all audiences in the LGBTQ community. But sometimes, you want something very specific from a queer film; you want it to be sexy as hell.
When queer movies started bubbling into the mainstream in the early ’90s via movies like “Philadelphia,” they tended to be slightly sanitized, lacking much in the way of physical depictions of intimacy. That’s changed as the years have gone on. Thanks to films like “Brokeback Mountain,” there’s now a ton of modern examples of queer films that aren’t shy about their leads getting it on. But there’s a longer history of sexy queer cinema that goes back well before the ’90s, even if many of those...
When queer movies started bubbling into the mainstream in the early ’90s via movies like “Philadelphia,” they tended to be slightly sanitized, lacking much in the way of physical depictions of intimacy. That’s changed as the years have gone on. Thanks to films like “Brokeback Mountain,” there’s now a ton of modern examples of queer films that aren’t shy about their leads getting it on. But there’s a longer history of sexy queer cinema that goes back well before the ’90s, even if many of those...
- 6/8/2023
- by Wilson Chapman, Jude Dry and Ryan Lattanzio
- Indiewire
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score. Directed by Matt Johnson, it tells the true story of Mike Lazaridis and Douglas Fregin, software engineers who founded the company Rim in the mid-80s and later invented a cellphone that could handle email. The film begins on the day when they meet Jim Basillie (Glenn Howerton), a Rottweiler who, alongside Lazaridis’ genius, turned Rim’s invention (only later christened BlackBerry) into the world’s most ubiquitous mobile device––at least for a time. – Rory O. (full review)
Where to Stream: VOD
The Hole in the Fence (Joaquín del Paso...
BlackBerry (Matt Johnson)
In BlackBerry, the rise of a blue-chip tech company sets the stage for the dissolution of a longstanding friendship. Sound familiar? Just wait ‘til you hear the score. Directed by Matt Johnson, it tells the true story of Mike Lazaridis and Douglas Fregin, software engineers who founded the company Rim in the mid-80s and later invented a cellphone that could handle email. The film begins on the day when they meet Jim Basillie (Glenn Howerton), a Rottweiler who, alongside Lazaridis’ genius, turned Rim’s invention (only later christened BlackBerry) into the world’s most ubiquitous mobile device––at least for a time. – Rory O. (full review)
Where to Stream: VOD
The Hole in the Fence (Joaquín del Paso...
- 6/2/2023
- by Jordan Raup
- The Film Stage
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
Bergman Island (Mia Hansen-Løve)
Parenthood, relationships, and the creative process: three key elements of the cinema of Mia Hansen-Løve casually combine in Bergman Island, a playfully self-aware meta-portrait of the filmmaker and, indeed, of filmmaking itself. Introspective, inventive, and effortlessly calm; it follows a couple, both screenwriters, on an idyllic work retreat to Fårö, an island in the Baltic Sea (population: 498) just off the South East of Sweden. It’s the place Ingmar Bergman called home for the majority of his life, where he made many films and eventually died. – Rory O. (full review)
Where to Stream: VOD
Dune (Denis Villeneuve)
Denis Villeneuve has surmounted this slew of bad omens, by arguably––in filmmaking terms––making the most impersonal adaptation possible. For all his skill and talent,...
Bergman Island (Mia Hansen-Løve)
Parenthood, relationships, and the creative process: three key elements of the cinema of Mia Hansen-Løve casually combine in Bergman Island, a playfully self-aware meta-portrait of the filmmaker and, indeed, of filmmaking itself. Introspective, inventive, and effortlessly calm; it follows a couple, both screenwriters, on an idyllic work retreat to Fårö, an island in the Baltic Sea (population: 498) just off the South East of Sweden. It’s the place Ingmar Bergman called home for the majority of his life, where he made many films and eventually died. – Rory O. (full review)
Where to Stream: VOD
Dune (Denis Villeneuve)
Denis Villeneuve has surmounted this slew of bad omens, by arguably––in filmmaking terms––making the most impersonal adaptation possible. For all his skill and talent,...
- 10/22/2021
- by Jordan Raup
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Ad Astra (James Gray)
A testament to the immaculate scope that can be realized when a director with a specific vision is given the resources to convey it, Ad Astra is a masterclass in detail. In this Brad Pitt-led story of a space odyssey, one gets the sense that every miniscule touch was carefully considered, culminating in the most purely pleasurable time I had at a theater last year (a feeling invigorated by one of the biggest IMAX screens in the world). The nearly indescribable sensations Gray is able to conjure by going for more subdued grace notes make the awe-inspiring moments all the more sublime.
Ad Astra (James Gray)
A testament to the immaculate scope that can be realized when a director with a specific vision is given the resources to convey it, Ad Astra is a masterclass in detail. In this Brad Pitt-led story of a space odyssey, one gets the sense that every miniscule touch was carefully considered, culminating in the most purely pleasurable time I had at a theater last year (a feeling invigorated by one of the biggest IMAX screens in the world). The nearly indescribable sensations Gray is able to conjure by going for more subdued grace notes make the awe-inspiring moments all the more sublime.
- 6/12/2020
- by Jordan Raup
- The Film Stage
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