Directed by
| Ivan Passer | ||
Writing Credits
| Ivan Passer | ... | (screenplay) & |
| William Richert | ... | (screenplay) & |
| Tzvi Fishman | ... | (screenplay) (as Kenneth Harris Fishman) |
Cast (in credits order)
Produced by
| Fred C. Caruso | ... | associate producer |
| Albert Finney | ... | producer (uncredited) |
| Michael Medwin | ... | executive producer |
| William Richert | ... | producer |
| Edgar J. Scherick | ... | executive producer |
| Michael Zivian | ... | associate producer |
Music by
| Angelo Badalamenti | ... | (as Andy Badale) |
| Al Elias | ... | (uncredited) |
Cinematography by
| Arthur J. Ornitz | ... | director of photography |
Editing by
| Anthony Potenza | ||
Casting By
| Michael Chinich | ||
| Don Phillips | ||
Art Direction by
| Gene Rudolf | ||
Set Decoration by
| Paul Vogt | ||
Costume Design by
| Ann Roth | ||
Makeup Department
| John Alese | ... | makeup artist |
| Philip Leto | ... | hair stylist (as Phil Leto) |
Production Management
| Daniel H. Blatt | ... | executive in charge of production |
| Fred C. Caruso | ... | production manager |
| Peter A. Runfolo | ... | unit manager |
Second Unit Director or Assistant Director
| Robert Haralla | ... | assistant director |
| Alan Hopkins | ... | first assistant director |
| Walter Skotchdopole | ... | assistant director |
Art Department
| Henry Brink | ... | set dresser |
| Birney Lettick | ... | poster artist |
| Bruno Robotti | ... | scenic artist |
| Thomas Saccio | ... | property master |
| Hans Swanson | ... | property man |
| Robert Wilson Sr. | ... | set dresser (as Robert Wilson) |
| Bill Gold | ... | poster designer (uncredited) |
| Tony Woollard | ... | draughtsman (uncredited) |
Sound Department
| Christopher Newman | ... | sound mixer |
| Pat Suraci | ... | boom operator |
| Dick Vorisek | ... | re-recording mixer |
Camera and Electrical Department
| Danny Alvino | ... | best boy |
| Louis Cappeta | ... | key grip (as Louis Cappeto) |
| Joseph Di Pasquale | ... | first assistant camera |
| Willie Meyerhoff | ... | gaffer |
| Charles Moore | ... | stillman |
| Fred Schuler | ... | camera operator |
| Jack Volpe | ... | dolly grip |
Casting Department
| Fran Ahders | ... | casting consultant |
Costume and Wardrobe Department
| Max Soloman | ... | wardrobe supervisor |
Editorial Department
| Alison Berkley | ... | first assistant editor |
| Jeffrey Friedman | ... | assistant editor |
| Lisa van Der Sluis | ... | apprentice editor |
Music Department
| Angelo Badalamenti | ... | conductor (as Andy Badale) / music arranger (as Andy Badale) / music director (as Andy Badale) |
| Jean-Jacques Perrey | ... | electronic music effects |
| Peter A. Runfolo | ... | music supervisor |
Script and Continuity Department
| Renata Stoia | ... | script supervisor |
Additional Crew
| Robert Blake | ... | unit publicist |
| Peter Burrell | ... | dga trainee |
| Cy Cinnamon | ... | technical advisor |
| Barbara Eberhardt | ... | assistant to the director |
| Martin Fribush | ... | executive: Fadsin Cinema Associates |
| Lou Fusaro | ... | production assistant |
| George Green | ... | production assistant |
| Robert Kenner | ... | assistant to the producer (as Robbie Kenner) |
| William Kotkin | ... | story consultant |
| Yvonne Kubis | ... | location auditor |
| Connie Schoenberg | ... | production office coordinator |
| John H. Starke | ... | production assistant (as John Starke) |
| Nicholas Tabor | ... | production assistant (as Nick Tabor) |
