A villainous Middle-eastern Prince, who plans on killing the rightful King and the beautiful Princess, taking over the country, and denying America much-needed oil finds himself opposed by ex-Green Beret, ex-CIA, über-efficient and sartorially-splendid brother Solomon King (Sal Watts). The long thought lost Black action-pic has an interesting history, primarily being the love-child of star and west-coast fashion maven Watts but unfortunately neither he nor his co-starring brother ("Little Jamie" Watts) have the screen presence to carry a feature-length film. In addition to some amateurish acting (I thought at first that the opening scene was going to be a 'film-within-a-film' joke), the production features a stale and predictable storyline, some terribly choreographed fight scenes, the occasional unconvincing 'special effect', and an abundance of tame but clumsy love-scenes. On the plus side, there are some nice cars (notably King's Maserati Ghibli), a funky soundtrack, lots of too-ugly-to-be-believed '70's outfits, and a genial Blaxploitation-light vibe. The extant version (recently show-cased on TCM) is a restoration from damaged originals and some of the scenes suffer from blurry shots, poorly synched sound, or choppy cuts, but otherwise is reasonably watchable for fans of the genre despite lacking the spirit and groove of classic Blaxploitation (such as 1973's 'Superfly').