Actor-director-producer Sachin Pilgaonkar, who predominantly works in Marathi cinema, has started the shoot of the sequel to his cult comedy ‘Navra Mazha Navsacha’. The film began its shooting in Mumbai.
The original film was released 19 years ago. The sequel marks his 23rd film, and also stars his wife Supriya Pilgaonkar, and Ashok Saraf.
Expressing his excitement, Sachin said in a statement: “The love from the audience for ‘Navra Mazha Navsacha’ is truly heartwarming and after 19 years I am thrilled to present the sequel, featuring an incredible star cast including Ashok Saraf, Supriya Pilgaonkar, and the talented additions of Swapnil Joshi, Hemal Ingle, Nirmiti Sawant and Vaibhav Mangle.”
He further mentioned, “This is my 23rd film as a director and we are overwhelmed with joy after seeing the reaction and love from the audience after this announcement. It’s always fun to collaborate with my wife, Supriya. She is a wonderful partner on and off screen.
The original film was released 19 years ago. The sequel marks his 23rd film, and also stars his wife Supriya Pilgaonkar, and Ashok Saraf.
Expressing his excitement, Sachin said in a statement: “The love from the audience for ‘Navra Mazha Navsacha’ is truly heartwarming and after 19 years I am thrilled to present the sequel, featuring an incredible star cast including Ashok Saraf, Supriya Pilgaonkar, and the talented additions of Swapnil Joshi, Hemal Ingle, Nirmiti Sawant and Vaibhav Mangle.”
He further mentioned, “This is my 23rd film as a director and we are overwhelmed with joy after seeing the reaction and love from the audience after this announcement. It’s always fun to collaborate with my wife, Supriya. She is a wonderful partner on and off screen.
- 2/14/2024
- by Agency News Desk
- GlamSham
Drake has laced up his dancing shoes for his latest endeavour, joining BlocBoy Jb in the dance-heavy new video for the duo’s “Look Alive”. This isn’t just any dancing, mind you; Drake takes on the viral craze known as the “shoot dance”, introduced by BlocBoy Jb himself in his 2017 video “Shoot”, and his collab...
- 2/9/2018
- by Brent Furdyk
- ET Canada
You love the horror, suspense thriller, action and science fiction films that make up the world of Canadian cult cinema affectionately known as Canuxploitation.
You’ve watched the entire David Cronenberg genre filmography (if not, please do so now as The Brood, Scanners and The Fly are three of the greatest horror films ever made).
You’ve seen Black Christmas and The Changeling and watched a slasher-ific marathon of Prom Night, Terror Train, Happy Birthday to Me and My Bloody Valentine.
You caught up with Cube, the Ginger Snaps series, Splice, Hobo with a Shotgun and WolfCop all while keeping close tabs on the works of Astron-6.
Yet your hunger for Canadian genre film productions and co-productions cannot be satiated.
To aid you in your deeper exploration of the field, following is a chronological look at a number of Canadian genre films that simply don’t get enough attention.
****
The Groundstar Conspiracy...
You’ve watched the entire David Cronenberg genre filmography (if not, please do so now as The Brood, Scanners and The Fly are three of the greatest horror films ever made).
You’ve seen Black Christmas and The Changeling and watched a slasher-ific marathon of Prom Night, Terror Train, Happy Birthday to Me and My Bloody Valentine.
You caught up with Cube, the Ginger Snaps series, Splice, Hobo with a Shotgun and WolfCop all while keeping close tabs on the works of Astron-6.
Yet your hunger for Canadian genre film productions and co-productions cannot be satiated.
To aid you in your deeper exploration of the field, following is a chronological look at a number of Canadian genre films that simply don’t get enough attention.
****
The Groundstar Conspiracy...
- 4/21/2015
- by Terek Puckett
- SoundOnSight
After diving into all the great Christmas-themed slashers and horror movies like Silent Night, Deadly Night, Santa's Slay, Christmas Evil, Saint Nick, and many others, it’s sometimes hard to believe there’s another great holiday to revel in just around the corner. There might not be as many films directly centered on ushering in the New Year, but there’s plenty to keep you entertained for a few days and nights.
I realize that not everyone smiles in glee like I do as teenagers get axed and knifed. Some folks just want some alternate choices in the face of all the countdowns and variety shows they’re bombarded with every year. The list I’ve put together includes not only slasher and horror flicks, but disaster, sci-fi, and action-oriented ones as well.
“New Year’s Evil” tells the tale of a Punk Rock and New Wave TV show host...
I realize that not everyone smiles in glee like I do as teenagers get axed and knifed. Some folks just want some alternate choices in the face of all the countdowns and variety shows they’re bombarded with every year. The list I’ve put together includes not only slasher and horror flicks, but disaster, sci-fi, and action-oriented ones as well.
“New Year’s Evil” tells the tale of a Punk Rock and New Wave TV show host...
- 12/30/2014
- by feeds@cinelinx.com (Eric Shirey)
- Cinelinx
We are incorporating two elements here in the Caped Crusader’s universe: applying the Batman 60′s ABC-tv show (1966-1968/3 seasons) with the Batman film franchise (1989 and beyond). The link that we are looking for to connect Batman’s cheesy television past and its current and future filming state of mind is the conception of repackaging the Dynamic Duo’s cartoonish villains from the small screen and giving them new life on the big screen in the millennium. Let’s examine this line of reasoning, shall we?
As any Batman enthusiast (or casual observer) knows about the campy TV series back in the late 60′s is that the main off-kilter charm was the colorful and wacky regular guest star villains that populated the program many times through the three-year broadcast on the network. Household hooligans such as Catwoman, the Joker, the Penguin and the Riddler would return and become the routine...
As any Batman enthusiast (or casual observer) knows about the campy TV series back in the late 60′s is that the main off-kilter charm was the colorful and wacky regular guest star villains that populated the program many times through the three-year broadcast on the network. Household hooligans such as Catwoman, the Joker, the Penguin and the Riddler would return and become the routine...
- 8/10/2014
- by Frank Ochieng
- SoundOnSight
Chicago – The wonderful bonus of the Hollywood Celebrities & Memorabilia Show is the opportunity to meet the real stars of past film eras. Ernest Borgnine and Bruce Dern were there during the show in March of this year.
Both actors carved out character careers during the period of the 1950s to the present. They have often explored the cowboy genre, and each starred opposite some legendary movie gunslingers. Ernest Borgnine appeared in one of the greatest westerns of all time, “The Wild Bunch” (1969). Bruce Dern starred opposite John Wayne in “The Cowboys” (1972).
The Hollywood Celebrities & Memorabilia Show is a biannual event that brings celebrities to Chicago to meet, sign autographs and interact with their admirers. Hosts Ray and Sharon Court announced at the March show that the upcoming October show would be their last, as they are retiring.
HollywoodChicago.com got the chance to interview Borgnine and Dern, and Joe Arce...
Both actors carved out character careers during the period of the 1950s to the present. They have often explored the cowboy genre, and each starred opposite some legendary movie gunslingers. Ernest Borgnine appeared in one of the greatest westerns of all time, “The Wild Bunch” (1969). Bruce Dern starred opposite John Wayne in “The Cowboys” (1972).
The Hollywood Celebrities & Memorabilia Show is a biannual event that brings celebrities to Chicago to meet, sign autographs and interact with their admirers. Hosts Ray and Sharon Court announced at the March show that the upcoming October show would be their last, as they are retiring.
HollywoodChicago.com got the chance to interview Borgnine and Dern, and Joe Arce...
- 7/5/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
With an already awesome catalogue of output on both DVD and Blu-ray under their belts, the UK’s favourite cult label, Arrow Video, is a genre force to be reckoned with. So if you just can’t keep your mitts off of the quality material they keep firing out, then feast your eyes on some seriously juicy upcoming releases!
23rd May – The Bird with the Crystal Plumage (Blu-ray)
When Sam, an American writer living in Rome, witnesses an attempted murder in an art gallery and reports the crime to the police, he unwittingly sets the killer’s sights on himself and his beautiful model girlfriend. Things soon start to unravel as it becomes clear that, with the identity of the villain very much open to question, Sam himself is a prime suspect in the case. As the murders continue, Sam begins his own investigations into the serial killings, hoping to somehow clear his name.
23rd May – The Bird with the Crystal Plumage (Blu-ray)
When Sam, an American writer living in Rome, witnesses an attempted murder in an art gallery and reports the crime to the police, he unwittingly sets the killer’s sights on himself and his beautiful model girlfriend. Things soon start to unravel as it becomes clear that, with the identity of the villain very much open to question, Sam himself is a prime suspect in the case. As the murders continue, Sam begins his own investigations into the serial killings, hoping to somehow clear his name.
- 5/6/2011
- by Pestilence
- DreadCentral.com
Chicago – After 2010, the Golden Globes should officially retire the category of “Best Musical or Comedy” for two reasons: 1. A staggeringly small percentage of American films annually fall under the category of “musical,” and 2. This year’s nominees were so embarrassingly awful that they instantly drained the category of any future credibility.
With the obvious exception of the family drama “The Kids Are All Right,” none of the nominated pictures were the least bit deserving of a Best Picture nod. Yet unlike “The Tourist,” “Burlesque” and (arguably) “Alice in Wonderland,” “Red” is the only nominee destined to spawn an ill-advised franchise. A sequel to “Red” would be wholly unnecessary, since the original film could easily function as its own sequel, remake and TV spin-off.
Blu-Ray Rating: 1.5/5.0
Why? Because this 111-minute exercise in excess is built around exactly one joke: old geezers love firing guns. This premise stopped being funny around the...
With the obvious exception of the family drama “The Kids Are All Right,” none of the nominated pictures were the least bit deserving of a Best Picture nod. Yet unlike “The Tourist,” “Burlesque” and (arguably) “Alice in Wonderland,” “Red” is the only nominee destined to spawn an ill-advised franchise. A sequel to “Red” would be wholly unnecessary, since the original film could easily function as its own sequel, remake and TV spin-off.
Blu-Ray Rating: 1.5/5.0
Why? Because this 111-minute exercise in excess is built around exactly one joke: old geezers love firing guns. This premise stopped being funny around the...
- 2/1/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Director Sydney Pollack 1934-2008.
Director Sydney Pollack passed two years ago today. I had the good fortune to meet and interview Sydney Pollack twice, both of which are included here: first in 1999 for his well-made but ill-fated romantic drama "Random Hearts," and again in 2006 for what would be his final film, "Sketches of Frank Gehry," a masterful documentary look at the eponymous architect's life, work and process. It was also in many respects a personal investigation for Pollack himself, which he spoke quite candidly about during our conversation.
This has been a tough year for those of us who were weaned on the films of the so-called "Easy Riders and Raging Bulls" who made the iconic films of the late 1960s and 1970s, with the loss of such figures as Pollack, Roy Scheider, and others of the era. Pollack was certainly among the lions of that pack, but was perhaps...
Director Sydney Pollack passed two years ago today. I had the good fortune to meet and interview Sydney Pollack twice, both of which are included here: first in 1999 for his well-made but ill-fated romantic drama "Random Hearts," and again in 2006 for what would be his final film, "Sketches of Frank Gehry," a masterful documentary look at the eponymous architect's life, work and process. It was also in many respects a personal investigation for Pollack himself, which he spoke quite candidly about during our conversation.
This has been a tough year for those of us who were weaned on the films of the so-called "Easy Riders and Raging Bulls" who made the iconic films of the late 1960s and 1970s, with the loss of such figures as Pollack, Roy Scheider, and others of the era. Pollack was certainly among the lions of that pack, but was perhaps...
- 5/26/2010
- by The Hollywood Interview.com
- The Hollywood Interview
Sydney Pollack, who won an Academy Award as best director for "Out of Africa," died Monday of cancer at his home in Pacific Palisades. He was 73.
Pollack also was nominated for a best director Oscar for "Tootsie" and "They Shoot Horses, Don't They?" Pollack won an Emmy for his direction of "The Game" in 1965, starring Cliff Robertson. In addition to his Oscar for "Out of Africa," which also won best picture, that film also earned Pollack the best director honor from the New York Critics Film Circle.
Among the 100 best American love stories ranked by American Film Institute in June 2002, Pollack is the only director credited with two films near the top of list: "The Way We Were," at No. 6, and "Out of Africa," which is ranked No. 13.
In 2000, Pollack was honored with the John Huston Award from the DGA as a "defender of artists' rights."
His filmography included...
Pollack also was nominated for a best director Oscar for "Tootsie" and "They Shoot Horses, Don't They?" Pollack won an Emmy for his direction of "The Game" in 1965, starring Cliff Robertson. In addition to his Oscar for "Out of Africa," which also won best picture, that film also earned Pollack the best director honor from the New York Critics Film Circle.
Among the 100 best American love stories ranked by American Film Institute in June 2002, Pollack is the only director credited with two films near the top of list: "The Way We Were," at No. 6, and "Out of Africa," which is ranked No. 13.
In 2000, Pollack was honored with the John Huston Award from the DGA as a "defender of artists' rights."
His filmography included...
- 5/26/2008
- by By Duane Byrge
- The Hollywood Reporter - Movie News
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.